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Well, Excuse Me, Princess!
- 308 statements
- 59 feature instances
- 101 referencing feature instances
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Snarky loser hero meets snarky haughty heroine. They either fall in love, or they snark. Usually both. This is essentially a satire of the standard Magical Girlfriend, which describes a beautiful, classy, good-mannered, loyal girl — the logical result being she should be somewhat critical of her loser boyfriend. She makes no attempt to ignore the fact that he is the Loser Protagonist, and frequently calls him on it, criticizes him, and rarely if ever fawns over him like some Fangirl. She expects better from him and pushes him to improve, while still expecting to be taken care of. However, the guy usually takes it in stride, mocks her in return, or just says the trope title. Expect a generous helping of Aw, Look! They Really Do Love Each Other moments, to let the audience know why they should be supporting this couple. The idea is that the snarky loser will help the princess loosen up and be friendlier, while the princess constantly holding the loser to a higher standard will eventually make him improve himself. Often appears in romantic comedies, depending on how satirical the story is. See also Tsundere and He Is Not My Boyfriend. Related to Belligerent Sexual Tension. Compare/Contrast Screw You, Elves! and Surrounded by Idiots. If it involves an actual Princess Princess, see Royal Brat. The Trope Namer is the The Legend of Zelda (1989) cartoon, where Link would quite often retort to Zelda's nagging with those words, though the line and its delivery (excluding the "princess" bit at the end) is a direct reference to comedian Steve Martin's stand-up routines during the era. Examples |
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| Well, Excuse Me, Princess! / int_10ddd3d5 | type |
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The Legend of Zelda: Twilight Princess: Link and Midna's dynamic starts out with Midna constantly belittling him and treating him like a servant, while he glares (and as a wolf, even growls) at her in return. By the end of the game, they manage to warm up to each other and have become close friends, though there's still some loving snark on Midna's part. | |
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Caleb and Hanna from Pretty Little Liars dynamic as a couple fit this trope at the beginning of their relationship. Caleb even calls her "princess." She thinks it's pretty hilarious. | |
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Mort and Ysabel of Mort (Death's daughter and his apprentice, respectively) bicker and insult each other regularly, to the point where a scene that consists entirely of them both insulting each others' appearances is used to show they're warming up to each other. They save the world a couple of times, and eventually marry and have an extremely snarky daughter. | |
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The titular heroine of Daisy Miller: | |
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In The Witchlands, Safi is rather more elegant and aristocratic, whereas Merik is a sailor, so when they're not fighting or kissing, this contrast in sophistication causes squabbling. | |
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X-Men: Sabretooth shows this toward Monet, with whom he shares a Belligerent Sexual Tension in UXM. The first chapter has Creed making a joke after scaring a man to the point of soiling himself. Monet says toilet humor is expected from someone of his pedigree, before asking if the enemy is impressed by his everyman wit or enamored by her awesomeness. Creed responds that nobody's as impressed by her as she is with herself. Another instance occurs during a Hellfire Club meeting. |
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Amaltea from Sword Princess Amaltea sometimes gets in trouble for being so arrogant and Ossian has to call her out. | |
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Fire Emblem: Clarine of Reglay in The Binding Blade, especially in regards to Rutger the myrmidon and Lance the cavalier. She eventually warms up to them and to the female Archer Dorothy, not always putting status before everything. (Rutger admits in their A Support that he likes her better like this. Awwww.) Serra from Fire Emblem: The Blazing Blade, who is very similar to Clarine, but is actually quite more straightforward and blunt. She's also not a noblewoman, her personality stems more from years of loneliness and Parental Abandonment. Fire Emblem: The Sacred Stones's L'Arachel is this in spades, thanks to her Tsundere and prideful tendencies. Helps that she's a Genki Girl and a Lord Error-Prone, with a dash of Church Militant. The combination results in an... interesting personality. Fire Emblem: Awakening has Maribelle, the daughter of a count and the local Lonely Rich Kid. She has a good heart and quite the pride, so several of her Supports are made of this. Especially those with Lon'qu. |
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The Legend of Zelda: Breath of the Wild: This incarnation of Zelda is much like her cartoon counterpart, being aloof and haughty towards Link with a dose of Inferiority Superiority Complex driving the snark — Link's ease at tapping into the powers of his previous incarnations was a constant reminder of her own repeated failures to do the same. Link taking this behavior in stride, combined with his saving her from Yiga Clan assailants, causes her to have a Jerkass Realization and she warms up to him. | |
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Kaitama the First Monarch in the Star Trek: Enterprise episode "Precious Cargo". She starts off as a kidnapping victim in a box. When she is removed by Trip Tucker, she spends the episode being this to him while they escape from the kidnappers, leading to the inevitable squabbling, torn clothing, and passionate clinching. | |
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Cheers: Diane often acts like this, much to Sam's chagrin. Most of their clashes tend to stem from Diane needling Sam for his Book Dumb status — and his typical predilection for women that Diane deems airheads/floozies. | |
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Princess Eilonwy in the Disney animated version of The Black Cauldron, who patronizes Taran when she learns that he's not a warrior or a lord, but an Assistant Pig-Keeper. When Taran pats himself on the back for enabling their castle escape, she takes him down a few notches by reminding him not only that her knowledge of the dungeon passageways allowed him to break out of there, but that Taran's magic sword did most of the work. | |
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Thomas the Tank Engine was likely thinking this exact quote when Emily began trying to "advise" him in one episode of Thomas & Friends. Then there was that time she took over Gordon's express and began throwing her weight around. Not to mention that one time when she visited an old castle and proclaimed herself "Queen Emily." | |
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In The Princess and the Frog, Tiana spends half of the film trying to get Naveen to stop fooling around. True, Naveen is a lot more competent than he lets on — he's just lazy, which is enough to set a workaholic like her off. | |
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Evangelion 303: Asuka and Shinji's relationship played like this during the first chapters before getting together. She would snark and he would snark back, usually in a milder way. Or she would insist that he was now part of the elite so that he should act like it, and he would snark. Or she would be rude due to be upset, and he would snark. | |
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Well, Excuse Me, Princess! | |
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Sabretooth shows this toward Monet, with whom he shares a Belligerent Sexual Tension in UXM. The first chapter has Creed making a joke after scaring a man to the point of soiling himself. Monet says toilet humor is expected from someone of his pedigree, before asking if the enemy is impressed by his everyman wit or enamored by her awesomeness. Creed responds that nobody's as impressed by her as she is with herself. | |
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The Wizard: Corey and Haley follow this trope to the tee. He even compares her to Zelda (someone who always needs to be rescued and is the Trope Namer) and she takes that as sexist. | |
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True to a degree of Asuka and Shinji's relationship in Neon Genesis Evangelion. Asuka is often quite the Jerkass towards Shinji, but it is clear at least some of her meanness stems from the fact that she is attracted to him (not that she would ever admit it), but views his passiveness, social ineptitude, and tendency to apologise a lot as undesirable traits. It doesn't help that she views their guardian, Misato, as enabling these traits in Shinji by often telling him that he is good enough as he is. | |
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Sayoko from Tentai Senshi Sunred is the girlfriend of Sunred, an ex-sentai hero who's unemployed. Despite being the one of them not capable of punching holes in concrete and running at the speed of sound, she's the one who does everything around the house, owns their apartment and stationary, earns a steady paycheck, and (with her limited spare time) tries to get Sunred to apply himself. | |
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Ring of Terror: Betty comes off as a bit of a nag after Lewis stands her up to attend a late-night class. But after conceding he had no choice (had he missed the class he'd have flunked out), she reveals the real reason she's unhappy with him: his Fearless Fool act. She tries to justify it by observing that his lack of caution could drive him to do something dangerous, but this is couched in a throwaway line and then quickly glossed over. (Of course, she ultimately proves correct, after a fashion.) | |
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Knights of the Old Republic: Canderous refers to Bastila specifically as "You spoiled little Jedi princess." Because of this, Canderous/Bastila is an ascended Crack Ship, popularized when a fanfic writer (who writes romance novels professionally) took a whack at it. | |
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In Lost Horizon, Kim isn't as impressed with Fenton as he is with himself, often snarking at his unusual strategies and complaining about the problems she's had as a result of leaving Hong Kong with him. He, for his part, keeps trying to offload her as if she's a helpless liability. They get together in the end anyway. | |
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This sums up Kouji Kabuto and Maria Grace Fleed's relationship in UFO Robo Grendizer, which might be one of the (if not the) earliest examples in anime. Considering that Koji is being himself, Maria's behavior is understandable. | |
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This is Adam Strange's attitude towards Starfire when they're stranded in space in 52. Animal Man tries to act as a mediator. | |
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Kitai of the Codex Alera. She wanted to bond with a horse, and continues to remind Tavi at relatively regular intervals. She doesn't just look down at him for personal reasons, but also detests his species. She snarks it up with some of the best and, yes, they do eventually fall in love. She gets a Quip to Black to end out the series that doubles as this trope. It's also a mild gender-flip: Tavi's royalty, Kitai's just the daughter of the head of one tribe, and her people's diplomat (appointed by Tavi). | |
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Clarine of Reglay in The Binding Blade, especially in regards to Rutger the myrmidon and Lance the cavalier. She eventually warms up to them and to the female Archer Dorothy, not always putting status before everything. (Rutger admits in their A Support that he likes her better like this. Awwww.) | |
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On Schitt's Creek, Fallen Princess socialite Alexis Rose spends the first season annoying/attracting hunky granola guy, Mutt Schitt. Bickering and eventual kissing ensue. | |
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Avatar: The Last Airbender: Mai and Zuko in Avatar: The Last Airbender. Hilariously enough, Zuko is the prince, but Mai completely refuses to put up with his ill-temper, poorly-thought-out attempts at boring teenage romance, and being dumped because his father is an Evil Overlord and a Heel–Face Turn is the only moral option left to him. Zuko being a hothead, they end up having a very on-again, off-again relationship, but even when Mai is snarking to the point of cruelty, she is unwaveringly loyal to Zuko personally. Deconstructed in Book 2 of The Legend of Korra: Eska treats Bolin like a flunky, and he quickly wants out. And then, she tries to force him to marry her. By the end of the season, it turns out Bolin really did love her, but her insanely overbearing, borderline sociopathic ways terrified him (as they did everyone but her own brother and father). She really did love him too, in her own... unique way. After some character development and both coming to terms with their own issues and each others', it looks like they can be together happily... Except now the twins have to go back to the North Pole to explain to their mother what a mess their father made. |
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Mai and Zuko in Avatar: The Last Airbender. Hilariously enough, Zuko is the prince, but Mai completely refuses to put up with his ill-temper, poorly-thought-out attempts at boring teenage romance, and being dumped because his father is an Evil Overlord and a Heel–Face Turn is the only moral option left to him. Zuko being a hothead, they end up having a very on-again, off-again relationship, but even when Mai is snarking to the point of cruelty, she is unwaveringly loyal to Zuko personally. | |
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The Legend of Zelda: The Legend of Zelda: Ocarina of Time: Princess Ruto starts berating Link as soon as they meet, and forces him to literally carry her out of Jabu-Jabu's belly. Then she gets both huffy and blushy about how the Third Elemental Stone is also the Zora Engagement Ring. The Legend of Zelda: Twilight Princess: Link and Midna's dynamic starts out with Midna constantly belittling him and treating him like a servant, while he glares (and as a wolf, even growls) at her in return. By the end of the game, they manage to warm up to each other and have become close friends, though there's still some loving snark on Midna's part. The Legend of Zelda: Breath of the Wild: This incarnation of Zelda is much like her cartoon counterpart, being aloof and haughty towards Link with a dose of Inferiority Superiority Complex driving the snark — Link's ease at tapping into the powers of his previous incarnations was a constant reminder of her own repeated failures to do the same. Link taking this behavior in stride, combined with his saving her from Yiga Clan assailants, causes her to have a Jerkass Realization and she warms up to him. |
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Serra from Fire Emblem: The Blazing Blade, who is very similar to Clarine, but is actually quite more straightforward and blunt. She's also not a noblewoman, her personality stems more from years of loneliness and Parental Abandonment. | |
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Star Trek: The Daughter of the Fifth House, Holder of the Sacred Chalice of Rixx, Heir to the Holy Rings of Betazed! For non-Trekkies, that's Lwaxana Troi, Deanna's mom, first appearing in Star Trek: The Next Generation. She marches around the Enterprise and Deep Space Nine like she owns the place, and looks awesome doing it. At least once per appearance, she says her full title when letting some unfortunate schmo know who they're dealing with, in a way that would evoke the local equivalent of "Well, excuuuuse me, Princess!" if not for the diplomatic incident it would cause. She wants to be Picard's love interest, but he isn't interested... though she claims otherwise, and she would know. It's made all the more hilarious that Lwaxana was played by Majel Barrett Roddenberry, and therefore literally owned the place (the idea, anyway). Later appearances have her blow through the titles like she's sick of saying it, generally when she honestly expects people to not be impressed. Her introduction to a certain constable in Star Trek: Deep Space Nine does spring to mind... Kaitama the First Monarch in the Star Trek: Enterprise episode "Precious Cargo". She starts off as a kidnapping victim in a box. When she is removed by Trip Tucker, she spends the episode being this to him while they escape from the kidnappers, leading to the inevitable squabbling, torn clothing, and passionate clinching. |
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In Rozen Maiden, the living doll Shinku believes the Hikikomori Jun is her servant, so she bosses him around and smacks him if he tries talking back to her. | |
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Ai Amano of Video Girl Ai twists this trope in that she acted like this despite not being supposed to be the "princess" or girlfriend, but still fell for the lovable loser Youta, whom she was trying to improve. | |
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Subverted (and gender-flipped) in Pride and Prejudice. Darcy thinks this is what's going on with him and Elizabeth when she makes "lively" comments in response to his haughty opinions and thinks there's a growing attraction between them. Turns out it's all on his side; she really does think he's a total prat. (Which, once she spells it out, motivates him to be nicer.) | |
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Kim Possible has the eponymous character attempting to fix best friend Ron Stoppable. Considering how pathetic he was through Season 1 and 2, she didn't go far enough. | |
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Fiona in the first Shrek movie. She wasn't exactly fond of Shrek saving her from her imprisonment in a dragon-guarded tower and that the handsome human Prince Charming was to rescue her. Shrek himself initially intended to save Fiona so that he could be awarded back his swamp by Lord Faquaard. The princess isn't amused by Shrek's "uncivilized" ogre manners but it turns out this is a front since Fiona is cursed on turning into an ogre every night. They eventually fell for each other and Shrek saves Fiona from being forcibly married to Lord Farquaad. | |
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Robin Hood: As quoted at the top of the page, Robin notes that everything Marian says to him sounds like a criticism. Allan-a-Dale's priceless reaction◊ to Kate snapping: "My NAME is KATE!" by way of an introduction. His expression qualifies. |
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Daria: Daria's parents play this completely straight. Helen often gets frustrated with Jake and isn't afraid to lampshade how ridiculous he's acting; he, in turn, isn't afraid to snark at her or voice his frustration; they make out soon, however. It's even lampshaded by Helen's sister Amy, who congratulates Jake for putting up with someone as "high maintenance" as Helen. | |
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William and Miyako in Private Prince genderflip this, as he is the prince and she's the commoner with low patience. | |
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The Legend of Zelda: Ocarina of Time: Princess Ruto starts berating Link as soon as they meet, and forces him to literally carry her out of Jabu-Jabu's belly. Then she gets both huffy and blushy about how the Third Elemental Stone is also the Zora Engagement Ring. | |
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Louie and Melissa in Rune Soldier Louie, as Melissa constantly criticizes Louie and tries to turn him into a 'champion'. | |
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The eponymous Prince of Persia (in his 3D incarnations) has this sort of a relationship with the various female sidekicks he works with. | |
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Fire Emblem: The Sacred Stones's L'Arachel is this in spades, thanks to her Tsundere and prideful tendencies. Helps that she's a Genki Girl and a Lord Error-Prone, with a dash of Church Militant. The combination results in an... interesting personality. | |
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Almost every girl Jimmy from Bully takes interest in, with the exception of Zoe, though she is definitely snarky. | |
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Jasmine of Aladdin is a plucky rebellious princess who is very quick to deflate pomposity and tell those who appear interested in her only for her beauty and kingdom exactly what she thinks of them, such as Prince Ali Abahbawa (Aladdin's disguise). After his ruse is exposed and they are engaged, she continues encouraging him to act less like a street thief and more like a man who will become sultan. | |
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Marguerite Blakeney and her husband, Lord Percy Blakeney, of The Scarlet Pimpernel fame. She fell in love with him and agreed to marry him despite his foppish ways because she could sense there was some depth there. But after their marriage, those depths have apparently evaporated, and she's married to a complete airhead whose most pressing concern is fashion. (Or so she thinks...) She doesn't hold him to a high standard anymore — she just mocks him openly to their friends. Percy doesn't fight back in his own defense, because he loves her, but does not trust her. | |
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Deconstructed in Book 2 of The Legend of Korra: Eska treats Bolin like a flunky, and he quickly wants out. And then, she tries to force him to marry her. By the end of the season, it turns out Bolin really did love her, but her insanely overbearing, borderline sociopathic ways terrified him (as they did everyone but her own brother and father). She really did love him too, in her own... unique way. After some character development and both coming to terms with their own issues and each others', it looks like they can be together happily... Except now the twins have to go back to the North Pole to explain to their mother what a mess their father made. | |
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Arya of the Inheritance Cycle tries to do this to keep Eragon at bay, because even though he's an adult by human standards, by the standards of the semi-immortal Elves and Dragon Riders he's the youngest of kids. She's the child of the queen, groomed for leadership, her people's diplomat, a warrior, and he's a moonstruck fledgling rider who is their only hope and doesn't need the distraction. In retrospect, she's right and he's still finishing puberty. | |
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Buffy the Vampire Slayer: Both of Xander Harris's girlfriends, Cordelia and Anya, have a strong tendency in this direction given his general loserness yet competency in helping with the supernatural nasties. By the time he's going out with Anya, he's more competent at arguing back, and so the trope is lampshaded in dialogue. | |
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In Touch (1981), Minami constantly criticizes Tatsuya's laziness and immaturity and tries to coax him to give his best. | |
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In the backstory of Negima! Magister Negi Magi, Nagi got some serious slaps from his wife Princess Arika for his uppitiness. He was kind of asking for them. | |
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In My Youth Romantic Comedy Is Wrong, as I Expected, this is a notable element of the chemistry between Hachiman Hikigaya and Yukino Yukinoshita. Although compared to the average person, it's debatable if Hachiman is a loser. Still with Hachiman compared to Yukino this trope is likely to apply. Yukino is described as incredibly beautiful, a strong first academically, and, in Hachiman's words (LN), the "epitome of nobility". On the other hand, Hachiman is described as having an unpleasant appearance, academically variable at best, and socially awkward. | |
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Since Spaceballs a parody of Star Wars, it has a generous helping of this dynamic with Princess Vespa (of the planet Druidia) and Lone Starr. Mel Brooks said he named the planet Druidia so he could use this one joke: | |
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Fire Emblem: Awakening has Maribelle, the daughter of a count and the local Lonely Rich Kid. She has a good heart and quite the pride, so several of her Supports are made of this. Especially those with Lon'qu. | |
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A Crown of Stars: Asuka often expresses annoyance and dissatisfaction with Shinji behaving like a wimpy pushover who will not stand up for himself, will not push back when pushed, and apologizes for anything when she knows he can be better than that. Shinji is not a good snarker and usually, he ignores or lets her criticisms go, but sometimes he will retort. Chapter 50 provides an example of this. Asuka complains about his lack of self-esteem and declares that she will turn him into a hero, and Shinji scowls: "So do I have no said on it?" Chapter 21 provides an example of Asuka playing her part: |
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Roxane of Cyrano de Bergerac is an intellectual who needs a guy with eloquence and creative genius, and if you can't deliver, she'll show you the door. | |
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BlazBlue: Rachel Alucard is a firm believer of Tough Love it seems and acts out this trope towards the entire cast, but especially Ragna the Bloodedge. There is almost no conversation between the two that doesn't devolve into Snark-to-Snark Combat. While Rachel does care about him, she absolutely refuses to admit to such and implying she does is a Berserk Button for her. For his part, Ragna does have a few issues he needs to get over as well. | |
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Prince of Persia: The Sands of Time has this between Dastan and Tamina since Dastan (as the adopted son of the King of Persia) should be higher ranked than Tamina (as princess of a smallish city-state). Sure, Dastan was born an urchin but after spending most of his life as a prince the interaction comes across as odd. He defers to her (when he's not selling her to bandits) because he's a gentleman, she's overbearing and holds a grudge because he is the main reason that Persia was able to conquer her small city-state. The overbearing attitude was more or less an act because she nearly escapes (and kills) Dastan because of it. | |
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