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Abigail (Music)
- 345 statements
- 67 feature instances
- 1 referencing feature instances
| Abigail (Music) | type |
TVTItem | |
| Abigail (Music) | label |
Abigail (Music) | |
| Abigail (Music) | page |
Abigail | |
| Abigail (Music) | comment |
Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); })Abigail is a horror-themed Concept Album by Heavy Metal band King Diamond, released in 1987. Widely regarded as a pinnacle of horror among concept albums, heavy metal or otherwise.Set in the summer of 1895, it centers on 27 year-old Jonathan La'Fey and his newlywed wife, 18 year-old Miriam Natias, who move into a dark and gloomy mansion that Jonathan has inherited. At the mansion's entrance, they meet seven ominous black horsemen who urge them to turn away from the mansion, or "18 will become 9." Jonathan ignores their strange warnings, and during the night he's visited by the ghost of his relative, Count de La'Fey. The Count shows Jonathan to a vault holding the sarcophagus of Abigail La'Fey, the stillborn illegitimate child of The Count's unfaithful wife, who both died 68 years previous. It's then revealed by The Count that Abigail's spirit has taken hold of Miriam's soul, and will soon be reborn unless he takes her life.Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_2'); })Sitting among the band's best-selling works, the album was the first of Roadrunner Records' to break into the Billboard 200. Abigail marks a step up in King Diamond's storytelling prowess, exploring cinematic, horror themes over vivid set pieces, all of it delivered by King's haunting, multi-layered falsetto vocals. More over was the twin guitar attack of Andy LaRocque and Michael Denner, trading off tasteful-yet-epic leads without compromising the flow of the story. The airtight rhythm section provided by Timi Hansen's driving basslines and Mikkey Dee's complex, speed metal drumming was also highly-praised, a massive step in a career that would eventually lead to his joining Motörhead. All in all, the album is a moody, theatrical, riff-laden tale that meticulously weaves its music into the arrangement of its story without sacrificing either.Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_3'); })It was later followed up in 2002 with a sequel, Abigail II: The Revenge. Not to be confused with the Japanese Thrash Metal band of the same name. | |
| Abigail (Music) | fetched |
2022-08-30T18:45:29Z | |
| Abigail (Music) | parsed |
2022-08-30T18:45:29Z | |
| Abigail (Music) | processingComment |
Dropped link to CallBack: Not a Feature - ITEM | |
| Abigail (Music) | processingComment |
Dropped link to Poltergeist: Not a Feature - ITEM | |
| Abigail (Music) | isPartOf |
DBTropes | |
| Abigail (Music) / int_105a31ad | type |
Fade Out | |
| Abigail (Music) / int_105a31ad | comment |
Fade Out: The album ends with one. | |
| Abigail (Music) / int_105a31ad | featureApplicability |
1.0 | |
| Abigail (Music) / int_105a31ad | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_105a31ad | |
| Abigail (Music) / int_1186fcb5 | type |
Supernatural Gold Eyes | |
| Abigail (Music) / int_1186fcb5 | comment |
Supernatural Gold Eyes: Abigail is said to have "a pair of yellow eyes" (which where the last thing Miriam ever saw). | |
| Abigail (Music) / int_1186fcb5 | featureApplicability |
1.0 | |
| Abigail (Music) / int_1186fcb5 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_1186fcb5 | |
| Abigail (Music) / int_19e22123 | type |
Ancient Tomb | |
| Abigail (Music) / int_19e22123 | comment |
Ancient Tomb: Abigail has been buried in a vault beneath the mansion for years and years (STILLBORN!) | |
| Abigail (Music) / int_19e22123 | featureApplicability |
1.0 | |
| Abigail (Music) / int_19e22123 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_19e22123 | |
| Abigail (Music) / int_1adcd502 | type |
Sins of Our Fathers | |
| Abigail (Music) / int_1adcd502 | comment |
Sins of Our Fathers: Jonathan's only real mistake is not listening to the black horsemen. Other than that, it was his ancestor The Count who really created Abigail. | |
| Abigail (Music) / int_1adcd502 | featureApplicability |
1.0 | |
| Abigail (Music) / int_1adcd502 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_1adcd502 | |
| Abigail (Music) / int_1ccad9a3 | type |
Villain Song | |
| Abigail (Music) / int_1ccad9a3 | comment |
Villain Song: Depending on your interpretation, "The 7th Day of July 1777" (or maybe "The Family Ghost") could be taken this way. | |
| Abigail (Music) / int_1ccad9a3 | featureApplicability |
1.0 | |
| Abigail (Music) / int_1ccad9a3 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_1ccad9a3 | |
| Abigail (Music) / int_26ce6ea7 | type |
Title by Year | |
| Abigail (Music) / int_26ce6ea7 | comment |
Title by Year: "The 7th Day Of July 1777" | |
| Abigail (Music) / int_26ce6ea7 | featureApplicability |
1.0 | |
| Abigail (Music) / int_26ce6ea7 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_26ce6ea7 | |
| Abigail (Music) / int_291e4f49 | type |
Cold Flames | |
| Abigail (Music) / int_291e4f49 | comment |
Cold Flames: When the spirit of Count de La'Fey first appears, the fireplace is mysteriously lit and yet the room is freezing cold. | |
| Abigail (Music) / int_291e4f49 | featureApplicability |
1.0 | |
| Abigail (Music) / int_291e4f49 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_291e4f49 | |
| Abigail (Music) / int_2a6bf668 | type |
Inadequate Inheritor | |
| Abigail (Music) / int_2a6bf668 | comment |
Inadequate Inheritor: Count de Lay'Fey murders his adulterous, pregnant wife because of this. | |
| Abigail (Music) / int_2a6bf668 | featureApplicability |
1.0 | |
| Abigail (Music) / int_2a6bf668 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_2a6bf668 | |
| Abigail (Music) / int_34213764 | type |
Solo Duet | |
| Abigail (Music) / int_34213764 | comment |
Solo Duet: Every character is played by King Diamond. Including Miriam and Abigail. | |
| Abigail (Music) / int_34213764 | featureApplicability |
1.0 | |
| Abigail (Music) / int_34213764 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_34213764 | |
| Abigail (Music) / int_34f6774c | type |
Concept Album | |
| Abigail (Music) / int_34f6774c | comment |
Concept Album: The album centers on Jonathan La'Fey as he slowly comes to realize what sort of mansion he's inherited | |
| Abigail (Music) / int_34f6774c | featureApplicability |
1.0 | |
| Abigail (Music) / int_34f6774c | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_34f6774c | |
| Abigail (Music) / int_3ed195b4 | type |
Human Pincushion | |
| Abigail (Music) / int_3ed195b4 | comment |
Human Pincushion: When Abigail was laid to rest, she was suppossed to be impaled with "7 silver spikes, 1 through each arm, hand and knee" (with the last of them "drawn through her mouth"). | |
| Abigail (Music) / int_3ed195b4 | featureApplicability |
1.0 | |
| Abigail (Music) / int_3ed195b4 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_3ed195b4 | |
| Abigail (Music) / int_3f92ad39 | type |
"I Know You're in There Somewhere" Fight | |
| Abigail (Music) / int_3f92ad39 | comment |
"I Know You're in There Somewhere" Fight: Jonathan tries to call out to Miriam in the title track, telling Abigail that he'll get a priest to get his wife's soul back. It doesn't work out, and in the next song, the possessed Miriam pushed him down the stairs of the crypt where Abigail was buried. | |
| Abigail (Music) / int_3f92ad39 | featureApplicability |
1.0 | |
| Abigail (Music) / int_3f92ad39 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_3f92ad39 | |
| Abigail (Music) / int_45ad2569 | type |
Vagueness Is Coming | |
| Abigail (Music) / int_45ad2569 | comment |
Vagueness Is Coming: By the time Jonathan figures out what "18 is 9" means, it's already too late. | |
| Abigail (Music) / int_45ad2569 | featureApplicability |
1.0 | |
| Abigail (Music) / int_45ad2569 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_45ad2569 | |
| Abigail (Music) / int_4e3d253b | type |
Downer Ending | |
| Abigail (Music) / int_4e3d253b | comment |
Downer Ending: The couple is dead and Abigail gets buried forever by the black horsemen. As sequel reveals, only Miriam dies at the end of original story. Jonathan is just severely crippled and the horsemen actually spared this Abigail's life. Although by the end of it Abigail and Jonathan end up dead anyway. | |
| Abigail (Music) / int_4e3d253b | featureApplicability |
1.0 | |
| Abigail (Music) / int_4e3d253b | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_4e3d253b | |
| Abigail (Music) / int_4e7c4536 | type |
Wham Line | |
| Abigail (Music) / int_4e7c4536 | comment |
Wham Line: There's also this one by Miriam in "Possession": | |
| Abigail (Music) / int_4e7c4536 | featureApplicability |
1.0 | |
| Abigail (Music) / int_4e7c4536 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_4e7c4536 | |
| Abigail (Music) / int_51ef63d0 | type |
The Climax | |
| Abigail (Music) / int_51ef63d0 | comment |
The Climax: The title track and the first half of "Black Horsemen." | |
| Abigail (Music) / int_51ef63d0 | featureApplicability |
1.0 | |
| Abigail (Music) / int_51ef63d0 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_51ef63d0 | |
| Abigail (Music) / int_528ba189 | type |
Album Intro Track | |
| Abigail (Music) / int_528ba189 | comment |
Album Intro Track: "Funeral," overlapping with Opening Narration (sort of). | |
| Abigail (Music) / int_528ba189 | featureApplicability |
1.0 | |
| Abigail (Music) / int_528ba189 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_528ba189 | |
| Abigail (Music) / int_53bb70b2 | type |
Flashback | |
| Abigail (Music) / int_53bb70b2 | comment |
Flash Back: "The 7th Day Of July 1777" takes place 68 years earlier, to the original incident that created Abigail. It ends with the Countess being pushed down the stairs, a fate that later befalls Jonathan. | |
| Abigail (Music) / int_53bb70b2 | featureApplicability |
1.0 | |
| Abigail (Music) / int_53bb70b2 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_53bb70b2 | |
| Abigail (Music) / int_54adb6a3 | type |
Staircase Tumble | |
| Abigail (Music) / int_54adb6a3 | comment |
Staircase Tumble: Countess de LaFey dies when she is pushed down the stairs by her husband before the events of the story. | |
| Abigail (Music) / int_54adb6a3 | featureApplicability |
1.0 | |
| Abigail (Music) / int_54adb6a3 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_54adb6a3 | |
| Abigail (Music) / int_5ade32d1 | type |
Metal Scream | |
| Abigail (Music) / int_5ade32d1 | comment |
Metal Scream: Nearly the entire album is sung in King's signature shriek, with some passages instead being told through low growls. | |
| Abigail (Music) / int_5ade32d1 | featureApplicability |
1.0 | |
| Abigail (Music) / int_5ade32d1 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_5ade32d1 | |
| Abigail (Music) / int_6053dc28 | type |
Record Producer | |
| Abigail (Music) / int_6053dc28 | comment |
Record Producer: The DIY method, produced by King himself (with assistance from Dee and Denner) | |
| Abigail (Music) / int_6053dc28 | featureApplicability |
1.0 | |
| Abigail (Music) / int_6053dc28 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_6053dc28 | |
| Abigail (Music) / int_60e49895 | type |
The Leader | |
| Abigail (Music) / int_60e49895 | comment |
The Leader: O'Brain of the black horsemen. | |
| Abigail (Music) / int_60e49895 | featureApplicability |
1.0 | |
| Abigail (Music) / int_60e49895 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_60e49895 | |
| Abigail (Music) / int_617204d8 | type |
Echoing Acoustics | |
| Abigail (Music) / int_617204d8 | comment |
Echoing Acoustics: The album is absolutely swimming in reverb, but the band is quite happy with that, saying it fits the mood (King describes it as a "church-like feel"). | |
| Abigail (Music) / int_617204d8 | featureApplicability |
1.0 | |
| Abigail (Music) / int_617204d8 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_617204d8 | |
| Abigail (Music) / int_6500e9cc | type |
Fighting from the Inside | |
| Abigail (Music) / int_6500e9cc | comment |
Fighting from the Inside: Miriam, while possessed, manages to break from Abigail's control for only a moment. It's also implied to be a gambit by Abigail speaking through Miriam to get Jonathan close enough to the stairs so she can push him herself. Just based on lyrics like... | |
| Abigail (Music) / int_6500e9cc | featureApplicability |
1.0 | |
| Abigail (Music) / int_6500e9cc | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_6500e9cc | |
| Abigail (Music) / int_67784113 | type |
Non-Appearing Title | |
| Abigail (Music) / int_67784113 | comment |
Non-Appearing Title: Only "The Family Ghost," "Omens," "Black Horsemen" and the title track directly drop their titles at some point, and often only briefly. Otherwise every other song qualifies. | |
| Abigail (Music) / int_67784113 | featureApplicability |
1.0 | |
| Abigail (Music) / int_67784113 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_67784113 | |
| Abigail (Music) / int_68068108 | type |
Evil Laugh | |
| Abigail (Music) / int_68068108 | comment |
Evil Laugh: Many throughout. At the 2:45 mark in "The Family Ghost," King seems to allow a small, less-intimidating chuckle into the mix. | |
| Abigail (Music) / int_68068108 | featureApplicability |
1.0 | |
| Abigail (Music) / int_68068108 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_68068108 | |
| Abigail (Music) / int_68d326ff | type |
Express Delivery | |
| Abigail (Music) / int_68d326ff | comment |
Express Delivery: According to one lyric, Miriam "grew hour by hour." | |
| Abigail (Music) / int_68d326ff | featureApplicability |
1.0 | |
| Abigail (Music) / int_68d326ff | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_68d326ff | |
| Abigail (Music) / int_6af8ebb5 | type |
Death by Falling Over | |
| Abigail (Music) / int_6af8ebb5 | comment |
Death by Falling Over: Countess De LaFey breaks her neck upon landing at the bottom of the stairs. Jonathan suffers the same fate. | |
| Abigail (Music) / int_6af8ebb5 | featureApplicability |
1.0 | |
| Abigail (Music) / int_6af8ebb5 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_6af8ebb5 | |
| Abigail (Music) / int_6bda9a30 | type |
Meaningful Name | |
| Abigail (Music) / int_6bda9a30 | comment |
Meaningful Name: Abigail's name contains seven letters. | |
| Abigail (Music) / int_6bda9a30 | featureApplicability |
1.0 | |
| Abigail (Music) / int_6bda9a30 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_6bda9a30 | |
| Abigail (Music) / int_72c8ec66 | type |
Nested Story Reveal | |
| Abigail (Music) / int_72c8ec66 | comment |
Nested Story Reveal: The album's final line implies this. | |
| Abigail (Music) / int_72c8ec66 | featureApplicability |
1.0 | |
| Abigail (Music) / int_72c8ec66 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_72c8ec66 | |
| Abigail (Music) / int_74149c93 | type |
Epic Rocking | |
| Abigail (Music) / int_74149c93 | comment |
Epic Rocking: "Black Horsemen" (at over seven minutes) | |
| Abigail (Music) / int_74149c93 | featureApplicability |
1.0 | |
| Abigail (Music) / int_74149c93 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_74149c93 | |
| Abigail (Music) / int_7aea8bae | type |
Murder Ballad | |
| Abigail (Music) / int_7aea8bae | comment |
Murder Ballad:"The 7th Day Of July 1777" goes back to Count de La'Fey killing his unfaithful wife by pushing her down the stairs while she was still pregnant, miscarrying the child. He later burns her body, and mummifies the stillborn fetus, naming it "Abigail." | |
| Abigail (Music) / int_7aea8bae | featureApplicability |
1.0 | |
| Abigail (Music) / int_7aea8bae | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_7aea8bae | |
| Abigail (Music) / int_80251be3 | type |
How We Got Here | |
| Abigail (Music) / int_80251be3 | comment |
How We Got Here: The final track ("Black Horsemen") reveals that "Funeral" was chronologically the last event to take place, with the titular horsemen dragging Abigail to a chapel in the forest to finally be buried (impaled by silver spikes). | |
| Abigail (Music) / int_80251be3 | featureApplicability |
1.0 | |
| Abigail (Music) / int_80251be3 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_80251be3 | |
| Abigail (Music) / int_823c6e3e | type |
Large Ham | |
| Abigail (Music) / int_823c6e3e | comment |
Large Ham: It's King Diamond. The delivery is naturally going to be pretty intense. | |
| Abigail (Music) / int_823c6e3e | featureApplicability |
1.0 | |
| Abigail (Music) / int_823c6e3e | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_823c6e3e | |
| Abigail (Music) / int_8c8bd091 | type |
Fetus Terrible | |
| Abigail (Music) / int_8c8bd091 | comment |
Fetus Terrible: Abigail ate her way to life from inside Miriam's womb. | |
| Abigail (Music) / int_8c8bd091 | featureApplicability |
1.0 | |
| Abigail (Music) / int_8c8bd091 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_8c8bd091 | |
| Abigail (Music) / int_906365a2 | type |
Demonic Possession | |
| Abigail (Music) / int_906365a2 | comment |
Demonic Possession: What ends up happening to Miriam, as the black horsemen warned. Probably best punctuated by this lyric: | |
| Abigail (Music) / int_906365a2 | featureApplicability |
1.0 | |
| Abigail (Music) / int_906365a2 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_906365a2 | |
| Abigail (Music) / int_906ed7b4 | type |
Apocalypse Maiden | |
| Abigail (Music) / int_906ed7b4 | comment |
Apocalypse Maiden: Jonathan is told early on by Count de La'Fey that Abigail's spirit is inside his wife, and he has to kill her to prevent "the second coming of the devil in disguise." He naturally refuses at first, but succumbs in the title track. | |
| Abigail (Music) / int_906ed7b4 | featureApplicability |
1.0 | |
| Abigail (Music) / int_906ed7b4 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_906ed7b4 | |
| Abigail (Music) / int_91d3ab1e | type |
Ominous Pipe Organ | |
| Abigail (Music) / int_91d3ab1e | comment |
Ominous Pipe Organ: "Funeral" and the title track end with one. | |
| Abigail (Music) / int_91d3ab1e | featureApplicability |
1.0 | |
| Abigail (Music) / int_91d3ab1e | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_91d3ab1e | |
| Abigail (Music) / int_9203bf6 | type |
Arc Number | |
| Abigail (Music) / int_9203bf6 | comment |
Arc Number: 7 mostly, but the phrase "18 is 9" from "Arrival" is important in "The Possession" as well. 18 stands for Miriam, who is 18 in the story. 9 stands for Abigail, who was stillborn at least 9 months into her mother's pregnancy. | |
| Abigail (Music) / int_9203bf6 | featureApplicability |
1.0 | |
| Abigail (Music) / int_9203bf6 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_9203bf6 | |
| Abigail (Music) / int_96144372 | type |
Aristocrats Are Evil | |
| Abigail (Music) / int_96144372 | comment |
Aristocrats Are Evil: Count de La'Fey is no saint. | |
| Abigail (Music) / int_96144372 | featureApplicability |
1.0 | |
| Abigail (Music) / int_96144372 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_96144372 | |
| Abigail (Music) / int_9d12bbc1 | type |
Foreshadowing | |
| Abigail (Music) / int_9d12bbc1 | comment |
Foreshadowing: This line from Count de La'Fey: | |
| Abigail (Music) / int_9d12bbc1 | featureApplicability |
1.0 | |
| Abigail (Music) / int_9d12bbc1 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_9d12bbc1 | |
| Abigail (Music) / int_9f2898f7 | type |
Long Title | |
| Abigail (Music) / int_9f2898f7 | comment |
Long Title: "The 7th Day Of July 1777." | |
| Abigail (Music) / int_9f2898f7 | featureApplicability |
1.0 | |
| Abigail (Music) / int_9f2898f7 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_9f2898f7 | |
| Abigail (Music) / int_a00edcf2 | type |
Extremely Dusty Home | |
| Abigail (Music) / int_a00edcf2 | comment |
Extremely Dusty Home: "A Mansion in Darkness" mentions that the titular mansion was like this when the couple first got there (while also being very, very dark). | |
| Abigail (Music) / int_a00edcf2 | featureApplicability |
1.0 | |
| Abigail (Music) / int_a00edcf2 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_a00edcf2 | |
| Abigail (Music) / int_a8a04f6f | type |
And I Must Scream | |
| Abigail (Music) / int_a8a04f6f | comment |
And I Must Scream: Miriam's screams can still be heard near the stairs, her soul unable to rest. | |
| Abigail (Music) / int_a8a04f6f | featureApplicability |
1.0 | |
| Abigail (Music) / int_a8a04f6f | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_a8a04f6f | |
| Abigail (Music) / int_afe698ea | type |
Plot-Inciting Infidelity | |
| Abigail (Music) / int_afe698ea | comment |
Plot-Inciting Infidelity: The story begins (chronologically) when Count De LaFey murders his pregnant wife for cheating on him, causing Abigail's stillbirth. | |
| Abigail (Music) / int_afe698ea | featureApplicability |
1.0 | |
| Abigail (Music) / int_afe698ea | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_afe698ea | |
| Abigail (Music) / int_bafa1190 | type |
Unfinished Business | |
| Abigail (Music) / int_bafa1190 | comment |
Unfinished Business: Count de La'Fey appears before Jonathan as a Spirit Advisor, to show him the crypt where Abigail rests. Given the final lines in "The 7th Day Of July 1777," this act might actually make him the true villain of the story. | |
| Abigail (Music) / int_bafa1190 | featureApplicability |
1.0 | |
| Abigail (Music) / int_bafa1190 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_bafa1190 | |
| Abigail (Music) / int_c23525d4 | type |
Character Title | |
| Abigail (Music) / int_c23525d4 | comment |
Character Title: The whole album. | |
| Abigail (Music) / int_c23525d4 | featureApplicability |
1.0 | |
| Abigail (Music) / int_c23525d4 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_c23525d4 | |
| Abigail (Music) / int_c2cedc1c | type |
Big "NO!" | |
| Abigail (Music) / int_c2cedc1c | comment |
Big "NO!": The Countess let one out as she was pushed down the stairs. Miriam gives a terrified series of them in "Omens" when asked by Jonathan if she brought the haunted cradle into the house (because he certainly didn't). | |
| Abigail (Music) / int_c2cedc1c | featureApplicability |
1.0 | |
| Abigail (Music) / int_c2cedc1c | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_c2cedc1c | |
| Abigail (Music) / int_c4286511 | type |
For Doom the Bell Tolls | |
| Abigail (Music) / int_c4286511 | comment |
For Doom the Bell Tolls: At the start of "Omens." | |
| Abigail (Music) / int_c4286511 | featureApplicability |
1.0 | |
| Abigail (Music) / int_c4286511 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_c4286511 | |
| Abigail (Music) / int_c4b74656 | type |
One-Woman Song | |
| Abigail (Music) / int_c4b74656 | comment |
One-Woman Song: The title track, and the whole album by extension. | |
| Abigail (Music) / int_c4b74656 | featureApplicability |
1.0 | |
| Abigail (Music) / int_c4b74656 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_c4b74656 | |
| Abigail (Music) / int_c75df49a | type |
Shout-Out | |
| Abigail (Music) / int_c75df49a | comment |
Shout-Out: "Abigail La'Fey" is probably a reference to Anton LaVey. | |
| Abigail (Music) / int_c75df49a | featureApplicability |
1.0 | |
| Abigail (Music) / int_c75df49a | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_c75df49a | |
| Abigail (Music) / int_cf92fea8 | type |
Cassandra Truth | |
| Abigail (Music) / int_cf92fea8 | comment |
Cassandra Truth: Jonathan doesn't believe the 7 black horsemen that warn him not to go into the mansion, even if it belonged to him. | |
| Abigail (Music) / int_cf92fea8 | featureApplicability |
1.0 | |
| Abigail (Music) / int_cf92fea8 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_cf92fea8 | |
| Abigail (Music) / int_d0f0a80d | type |
One-Word Title | |
| Abigail (Music) / int_d0f0a80d | comment |
One-Word Title: "Abigail", and the individual tracks "Abigail", "Arrival" and "Omens". | |
| Abigail (Music) / int_d0f0a80d | featureApplicability |
1.0 | |
| Abigail (Music) / int_d0f0a80d | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_d0f0a80d | |
| Abigail (Music) / int_d29a6629 | type |
Death by Childbirth | |
| Abigail (Music) / int_d29a6629 | comment |
Death by Childbirth: Miriam dies when she gives birth to Abigail. | |
| Abigail (Music) / int_d29a6629 | featureApplicability |
1.0 | |
| Abigail (Music) / int_d29a6629 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_d29a6629 | |
| Abigail (Music) / int_d67aae8f | type |
It Was a Dark and Stormy Night | |
| Abigail (Music) / int_d67aae8f | comment |
It Was a Dark and Stormy Night: The start of "Arrival" and "A Mansion In Darkness" mentions rain on the night the couple moves into the mansion. "Black Horsemen" calls back to the rain on the day of their arrival in particular. | |
| Abigail (Music) / int_d67aae8f | featureApplicability |
1.0 | |
| Abigail (Music) / int_d67aae8f | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_d67aae8f | |
| Abigail (Music) / int_d67d184b | type |
Murder Makes You Crazy | |
| Abigail (Music) / int_d67d184b | comment |
Murder Makes You Crazy: After he kills his wife, Count de La'Fey becomes strangely obsessed with mummifying Abigail ("for the future to find"). | |
| Abigail (Music) / int_d67d184b | featureApplicability |
1.0 | |
| Abigail (Music) / int_d67d184b | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_d67d184b | |
| Abigail (Music) / int_d8a81f59 | type |
Starts with Their Funeral | |
| Abigail (Music) / int_d8a81f59 | comment |
Starts with Their Funeral: Abigail's funeral song is the beginning of the album. | |
| Abigail (Music) / int_d8a81f59 | featureApplicability |
1.0 | |
| Abigail (Music) / int_d8a81f59 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_d8a81f59 | |
| Abigail (Music) / int_dc1c7647 | type |
Voice of the Legion | |
| Abigail (Music) / int_dc1c7647 | comment |
Voice of the Legion: "Funeral" has King narrating with this effect, proceeding over Abigail's funeral. Supposedly Miriam spoke "with different tongues" while under Abigail's possession. | |
| Abigail (Music) / int_dc1c7647 | featureApplicability |
1.0 | |
| Abigail (Music) / int_dc1c7647 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_dc1c7647 | |
| Abigail (Music) / int_df1793de | type |
Updated Re-release | |
| Abigail (Music) / int_df1793de | comment |
Updated Re-release: Twice, most definitively as a part of Roadrunner's "Top Shelf" series, released in 2005 in honor of the label's 25th anniversary (a testament to what a landmark album it was to them). It includes the song "Shrine"note which was originally released as a B-side to "The Family Ghost" single, three demos, expanded artwork, an interview with the band in the liner notes and a DVD containing 3 videos and a live performance from Gothenburg, Sweden in 1987. | |
| Abigail (Music) / int_df1793de | featureApplicability |
1.0 | |
| Abigail (Music) / int_df1793de | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_df1793de | |
| Abigail (Music) / int_e35bc0f7 | type |
Tragic Monster | |
| Abigail (Music) / int_e35bc0f7 | comment |
Tragic Monster: Miriam isn't connected to the La'Fey family's history, but gets possessed by Abigail and ends up being the one who apparently kills Jonathan by pushing him down the stairs. Abigail herself might also qualify. King would rather let the listener decide if she truly counts as a villain or not. | |
| Abigail (Music) / int_e35bc0f7 | featureApplicability |
1.0 | |
| Abigail (Music) / int_e35bc0f7 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_e35bc0f7 | |
| Abigail (Music) / int_e40f6792 | type |
Design Student's Orgasm | |
| Abigail (Music) / int_e40f6792 | comment |
Design Student's Orgasm: The album cover was designed by Thomas Holm, who did several covers for King Diamond and Mercyful Fate. | |
| Abigail (Music) / int_e40f6792 | featureApplicability |
1.0 | |
| Abigail (Music) / int_e40f6792 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_e40f6792 | |
| Abigail (Music) / int_e431c24c | type |
Not Quite Dead | |
| Abigail (Music) / int_e431c24c | comment |
Miriam isn't connected to the La'Fey family's history, but gets possessed by Abigail and ends up being the one who apparently kills Jonathan by pushing him down the stairs. | |
| Abigail (Music) / int_e431c24c | featureApplicability |
1.0 | |
| Abigail (Music) / int_e431c24c | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_e431c24c | |
| Abigail (Music) / int_e6dea5bf | type |
Self-Backing Vocalist | |
| Abigail (Music) / int_e6dea5bf | comment |
Self-Backing Vocalist: King is mentioned in liner notes as providing "lead & backing vocals." | |
| Abigail (Music) / int_e6dea5bf | featureApplicability |
1.0 | |
| Abigail (Music) / int_e6dea5bf | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_e6dea5bf | |
| Abigail (Music) / int_ef3d1b57 | type |
Technician Versus Performer | |
| Abigail (Music) / int_ef3d1b57 | comment |
Technician Versus Performer: Based on the interviews in the digipack version, Denner seems to regard himself as the performer as opposed to LaRocque's technician. | |
| Abigail (Music) / int_ef3d1b57 | featureApplicability |
1.0 | |
| Abigail (Music) / int_ef3d1b57 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_ef3d1b57 | |
| Abigail (Music) / int_f1dcc3f | type |
Soprano and Gravel | |
| Abigail (Music) / int_f1dcc3f | comment |
Soprano and Gravel: Often used to take on certain characters. | |
| Abigail (Music) / int_f1dcc3f | featureApplicability |
1.0 | |
| Abigail (Music) / int_f1dcc3f | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_f1dcc3f | |
| Abigail (Music) / int_f9439c84 | type |
Haunted House | |
| Abigail (Music) / int_f9439c84 | comment |
Haunted House: The setting. According to "A Mansion In Darkness," it seems to almost be breathing, as if alive. | |
| Abigail (Music) / int_f9439c84 | featureApplicability |
1.0 | |
| Abigail (Music) / int_f9439c84 | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_f9439c84 | |
| Abigail (Music) / int_name | type |
ItemName | |
| Abigail (Music) / int_name | comment |
||
| Abigail (Music) / int_name | featureApplicability |
1.0 | |
| Abigail (Music) / int_name | featureConfidence |
1.0 | |
| Abigail (Music) | hasFeature |
Abigail (Music) / int_name | |
| Abigail (Music) / int_name | itemName |
Abigail (Music) |
The following is a list of statements referring to the current page from other pages.
| Abigail (Music) | hasFeature |
Rock Opera / int_c90a1b0a |
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