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Aftermath (Music)
- 175 statements
- 32 feature instances
- 1 referencing feature instances
| Aftermath (Music) | type |
TVTItem | |
| Aftermath (Music) | label |
Aftermath (Music) | |
| Aftermath (Music) | page |
Aftermath | |
| Aftermath (Music) | comment |
Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); })Aftermath is the fourth studio album (sixth American album) by The Rolling Stones, released in 1966. It remains a critic and fan favourite, and is usually ranked as among their best albums, along with Beggars Banquet, Let It Bleed, Sticky Fingers, and Exile on Main St.. "Mother's Little Helper" (on the U.K. version), "Paint It Black" and "Under My Thumb" became international hits.It is the first Stones album that was fully written by Mick Jagger and Keith Richards, and features no covers. It is also the first Stones album which showcases Brian Jones's multi-instrumental ability. | |
| Aftermath (Music) | fetched |
2022-03-17T19:56:58Z | |
| Aftermath (Music) | parsed |
2022-03-17T19:56:58Z | |
| Aftermath (Music) | processingComment |
Dropped link to BrianJones: Not a Feature - ITEM | |
| Aftermath (Music) | processingComment |
Dropped link to ColorMotifs: Not a Feature - UNKNOWN | |
| Aftermath (Music) | processingComment |
Dropped link to GimmeShelter: Not a Feature - ITEM | |
| Aftermath (Music) | processingComment |
Dropped link to KeithRichards: Not a Feature - IGNORE | |
| Aftermath (Music) | processingComment |
Dropped link to MickJagger: Not a Feature - ITEM | |
| Aftermath (Music) | processingComment |
Dropped link to NeilYoung: Not a Feature - IGNORE | |
| Aftermath (Music) | processingUnknown |
ColorMotifs | |
| Aftermath (Music) | isPartOf |
DBTropes | |
| Aftermath (Music) / int_152851bb | type |
Paint It Black | |
| Aftermath (Music) / int_152851bb | comment |
Paint It Black: Trope Namer (the actual song has nothing to do with the trope). | |
| Aftermath (Music) / int_152851bb | featureApplicability |
1.0 | |
| Aftermath (Music) / int_152851bb | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_152851bb | |
| Aftermath (Music) / int_18aff462 | type |
Artistic License – Biology | |
| Aftermath (Music) / int_18aff462 | comment |
Artistic License – Biology: "Doncha Bother Me" | |
| Aftermath (Music) / int_18aff462 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_18aff462 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_18aff462 | |
| Aftermath (Music) / int_1f37a427 | type |
Face on the Cover | |
| Aftermath (Music) / int_1f37a427 | comment |
Face on the Cover: A group shot of the band. | |
| Aftermath (Music) / int_1f37a427 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_1f37a427 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_1f37a427 | |
| Aftermath (Music) / int_22093e9b | type |
New Sound Album | |
| Aftermath (Music) / int_22093e9b | comment |
New Sound Album: While the blues-based sound of their earlier work hasn't disappeared entirely, this album finds the Stones incorporating elements of folk-rock, Beatlesque pop, and even some early psychedelia. Brian Jones also begins his multi-instrumental experimentation here. For instance, "Paint It Black" features him playing a sitar, a new instrument in the Stones' catalogue. | |
| Aftermath (Music) / int_22093e9b | featureApplicability |
1.0 | |
| Aftermath (Music) / int_22093e9b | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_22093e9b | |
| Aftermath (Music) / int_25e44fa8 | type |
There's No Place Like Home | |
| Aftermath (Music) / int_25e44fa8 | comment |
There's No Place Like Home: "Going Home" | |
| Aftermath (Music) / int_25e44fa8 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_25e44fa8 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_25e44fa8 | |
| Aftermath (Music) / int_2bf54826 | type |
Longest Song Goes Last | |
| Aftermath (Music) / int_2bf54826 | comment |
Longest Song Goes Last: The US version ends with "Goin' Home", clocking in at over 11 minutes. | |
| Aftermath (Music) / int_2bf54826 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_2bf54826 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_2bf54826 | |
| Aftermath (Music) / int_55c72164 | type |
Death Song | |
| Aftermath (Music) / int_55c72164 | comment |
Death Song and Downer Ending: The mother in "Mother's Little Helper" overdoses on her pills and dies. The aeroplane passenger in "Flight 505" is unsatisfied with his life and decides to take a new start on flight number 505. Then the plane crashes in the sea. | |
| Aftermath (Music) / int_55c72164 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_55c72164 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_55c72164 | |
| Aftermath (Music) / int_61d6784f | type |
Misogyny Song | |
| Aftermath (Music) / int_61d6784f | comment |
Misogyny Song: "Under My Thumb" "Out of Time" "Stupid Girl" "High and Dry" | |
| Aftermath (Music) / int_61d6784f | featureApplicability |
1.0 | |
| Aftermath (Music) / int_61d6784f | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_61d6784f | |
| Aftermath (Music) / int_67784113 | type |
Non-Appearing Title | |
| Aftermath (Music) / int_67784113 | comment |
Non-Appearing Title: The word "Aftermath" doesn't appear in any of the lyrics. | |
| Aftermath (Music) / int_67784113 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_67784113 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_67784113 | |
| Aftermath (Music) / int_74149c93 | type |
Epic Rocking | |
| Aftermath (Music) / int_74149c93 | comment |
Epic Rocking: The 11:13 "Goin' Home". | |
| Aftermath (Music) / int_74149c93 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_74149c93 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_74149c93 | |
| Aftermath (Music) / int_7ec94d53 | type |
Woobie, Destroyer of Worlds | |
| Aftermath (Music) / int_7ec94d53 | comment |
Woobie, Destroyer of Worlds: The narrator in "Paint It, Black" who lost their love and wants to "see the sun blotted out from the sky." | |
| Aftermath (Music) / int_7ec94d53 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_7ec94d53 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_7ec94d53 | |
| Aftermath (Music) / int_86d9c558 | type |
World Music | |
| Aftermath (Music) / int_86d9c558 | comment |
World Music: Brian Jones plays sitar during "Paint It, Black". | |
| Aftermath (Music) / int_86d9c558 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_86d9c558 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_86d9c558 | |
| Aftermath (Music) / int_90c75498 | type |
Cut-and-Paste Translation | |
| Aftermath (Music) / int_90c75498 | comment |
Cut-and-Paste Translation: As with all Stones albums pre-Their Satanic Majesties Request. | |
| Aftermath (Music) / int_90c75498 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_90c75498 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_90c75498 | |
| Aftermath (Music) / int_96ab11c | type |
BastardBoyfriend | |
| Aftermath (Music) / int_96ab11c | comment |
Bastard Boyfriend: "Under My Thumb" is written from the perspective of one, to the point where he controls how she dresses. | |
| Aftermath (Music) / int_96ab11c | featureApplicability |
1.0 | |
| Aftermath (Music) / int_96ab11c | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_96ab11c | |
| Aftermath (Music) / int_9bca83eb | type |
Death by Irony | |
| Aftermath (Music) / int_9bca83eb | comment |
Death by Irony: "Flight 505", where a passenger takes a plane flight and starts a new life. | |
| Aftermath (Music) / int_9bca83eb | featureApplicability |
1.0 | |
| Aftermath (Music) / int_9bca83eb | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_9bca83eb | |
| Aftermath (Music) / int_a3f1531b | type |
Standard Snippet | |
| Aftermath (Music) / int_a3f1531b | comment |
"Paint It Black" has become a Standard Snippet to play in media set during The Vietnam War. The film Full Metal Jacket and the series Tour of Duty both play the song over their end credits. | |
| Aftermath (Music) / int_a3f1531b | featureApplicability |
1.0 | |
| Aftermath (Music) / int_a3f1531b | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_a3f1531b | |
| Aftermath (Music) / int_b0a529cb | type |
Extreme Doormat | |
| Aftermath (Music) / int_b0a529cb | comment |
Extreme Doormat: What women need to be according to the protagonist in "Under My Thumb". A male example is the protagonist in "Lady Jane" | |
| Aftermath (Music) / int_b0a529cb | featureApplicability |
1.0 | |
| Aftermath (Music) / int_b0a529cb | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_b0a529cb | |
| Aftermath (Music) / int_b2af79fb | type |
Leave the Camera Running | |
| Aftermath (Music) / int_b2af79fb | comment |
Leave the Camera Running: According to Keith Richards, only the first 2 and a half minutes of "Goin' Home" was written before the recording session. The band decided to leave the tape running as the band jammed for 9 and a half minutes. | |
| Aftermath (Music) / int_b2af79fb | featureApplicability |
1.0 | |
| Aftermath (Music) / int_b2af79fb | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_b2af79fb | |
| Aftermath (Music) / int_b5049d76 | type |
Added Alliterative Appeal | |
| Aftermath (Music) / int_b5049d76 | comment |
Added Alliterative Appeal: "Stupid Girl" | |
| Aftermath (Music) / int_b5049d76 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_b5049d76 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_b5049d76 | |
| Aftermath (Music) / int_c4b74656 | type |
One-Woman Song | |
| Aftermath (Music) / int_c4b74656 | comment |
One-Woman Song: "Lady Jane". | |
| Aftermath (Music) / int_c4b74656 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_c4b74656 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_c4b74656 | |
| Aftermath (Music) / int_c75df49a | type |
Shout-Out | |
| Aftermath (Music) / int_c75df49a | comment |
Shout-Out: "Borrowed Tune" from Neil Young's Tonight's the Night (1975) uses the same melody as "Lady Jane", which is lampshaded by him in the song: "Paint It Black" has become a Standard Snippet to play in media set during The Vietnam War. The film Full Metal Jacket and the series Tour of Duty both play the song over their end credits. During the Stones' performance of "Under My Thumb" at the 1969 Altamont festival as documented in the film Gimme Shelter, a man — Meredith Hunter — was murdered on camera. It's often said that the song was "Sympathy for the Devil", but this is an Urban Legend. | |
| Aftermath (Music) / int_c75df49a | featureApplicability |
1.0 | |
| Aftermath (Music) / int_c75df49a | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_c75df49a | |
| Aftermath (Music) / int_d0f0a80d | type |
One-Word Title | |
| Aftermath (Music) / int_d0f0a80d | comment |
One-Word Title: "Aftermath" and "Think". | |
| Aftermath (Music) / int_d0f0a80d | featureApplicability |
1.0 | |
| Aftermath (Music) / int_d0f0a80d | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_d0f0a80d | |
| Aftermath (Music) / int_d52d28b6 | type |
Hypocrite | |
| Aftermath (Music) / int_d52d28b6 | comment |
Hypocrite: The narrator of "Under My Thumb" is free to look at other women, even as he expects his girlfriend to remain faithful. | |
| Aftermath (Music) / int_d52d28b6 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_d52d28b6 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_d52d28b6 | |
| Aftermath (Music) / int_d5d265ec | type |
Housewife | |
| Aftermath (Music) / int_d5d265ec | comment |
Housewife: "Mother's Little Helper" was supposed to be about the hypocrisy of older people disapproving of drug abuse amongst the young while themselves popping pills. But it's also a surprisingly insightful portrait of a housewife who's driven to drug abuse by boredom. | |
| Aftermath (Music) / int_d5d265ec | featureApplicability |
1.0 | |
| Aftermath (Music) / int_d5d265ec | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_d5d265ec | |
| Aftermath (Music) / int_de7b7cbf | type |
Drugs Are Bad | |
| Aftermath (Music) / int_de7b7cbf | comment |
Drugs Are Bad: "Mother's Little Helper' | |
| Aftermath (Music) / int_de7b7cbf | featureApplicability |
1.0 | |
| Aftermath (Music) / int_de7b7cbf | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_de7b7cbf | |
| Aftermath (Music) / int_e150c4c7 | type |
Manchild | |
| Aftermath (Music) / int_e150c4c7 | comment |
Manchild: "Think" | |
| Aftermath (Music) / int_e150c4c7 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_e150c4c7 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_e150c4c7 | |
| Aftermath (Music) / int_e4310097 | type |
Variant Cover | |
| Aftermath (Music) / int_e4310097 | comment |
Variant Cover: The U.S. and U.K. versions had completely different covers. | |
| Aftermath (Music) / int_e4310097 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_e4310097 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_e4310097 | |
| Aftermath (Music) / int_e680af6f | type |
Grief Song | |
| Aftermath (Music) / int_e680af6f | comment |
Grief Song: "Paint It Black" is about a man who is grieving after the death of his loved one, and wants to paint everything black. | |
| Aftermath (Music) / int_e680af6f | featureApplicability |
1.0 | |
| Aftermath (Music) / int_e680af6f | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_e680af6f | |
| Aftermath (Music) / int_ed8d2f51 | type |
Leave Me Alone! | |
| Aftermath (Music) / int_ed8d2f51 | comment |
Leave Me Alone!: "Doncha Bother Me". | |
| Aftermath (Music) / int_ed8d2f51 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_ed8d2f51 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_ed8d2f51 | |
| Aftermath (Music) / int_effa6875 | type |
Refrain from Assuming | |
| Aftermath (Music) / int_effa6875 | comment |
Refrain from Assuming: That characteristic sound in "Mother's Little Helper" is not a sitar, but a slide being played on an electric 12-string. | |
| Aftermath (Music) / int_effa6875 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_effa6875 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_effa6875 | |
| Aftermath (Music) / int_f37c192 | type |
Wanton Cruelty to the Common Comma | |
| Aftermath (Music) / int_f37c192 | comment |
Wanton Cruelty to the Common Comma: Although originally titled without a comma, the release version was styled "Paint It, Black". Keith Richards has stated that the comma was added by the record label, Decca, and that the comma stirred confusion and potential controversy with some listeners: "There were some weird letters, racial letters. 'Was there a comma in the title? Was it an order to the world?'" | |
| Aftermath (Music) / int_f37c192 | featureApplicability |
1.0 | |
| Aftermath (Music) / int_f37c192 | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_f37c192 | |
| Aftermath (Music) / int_name | type |
ItemName | |
| Aftermath (Music) / int_name | comment |
||
| Aftermath (Music) / int_name | featureApplicability |
1.0 | |
| Aftermath (Music) / int_name | featureConfidence |
1.0 | |
| Aftermath (Music) | hasFeature |
Aftermath (Music) / int_name | |
| Aftermath (Music) / int_name | itemName |
Aftermath (Music) |
The following is a list of statements referring to the current page from other pages.
| Aftermath | seeAlso |
Aftermath (Music) |
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Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.