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¡Alarma! (Music)
- 211 statements
- 40 feature instances
- 7 referencing feature instances
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¡Alarma! (Music) | |
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Alarma | |
| ¡Alarma! (Music) | comment |
Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); })¡Alarma! (The Alarma Chronicles Volume I) is Daniel Amos's fourth studio album, and their second New Sound Album: this time, signaling their transformation into a New Wave Music band.On their previous album, Horrendous Disc, DA had abandoned Country Music for rock. Since then, Punk Rock had irrevocably altered the mainstream musical landscape. Many Christians dismissed punk and its offshoots as "nihilistic" and worthless, but DA found themselves listening to a lot of Elvis Costello and Talking Heads and hearing great potential in this new musical frontier. The band decided they wanted to record music in what was then the most cutting-edge and groundbreaking genre of rock music, and incorporate a Christian message into it. They knew what their next album had to be.The album production was very Post-Punk: a distinctly "thin" sound, with the treble emphasized and the bass turned way down. (Almost like a wailing alarm...) Oddly, DA kept several aspects of their prior styles—like their '70s pop melodies and falsetto vocal harmonies—and fused them with this new style. They also had strange little throwbacks like the country-ish "Props" and the Surf Rock tribute "Endless Summer".Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_2'); })The lyrics were every bit as incendiary as the music. DA intended the album to be a wake-up call for American Christians, so most of the songs were razor-edged satire of their shortcomings: their hypocrisies, double-crossings, and lack of concern for the downtrodden. To further drive the point home, the liner notes featured a story by frontman Terry Scott Taylor, in which his Author Avatar dreams about visiting a decaying city that embodies a twisted parody of the church's flaws.¡Alarma! hit the shelves in 1981note mere weeks after the release of Horrendous Disc, owing to that album's ludicrous three-year delay. For the old guard of the Daniel Amos fandom—who preferred DA's country albums and felt Horrendous Disc was a horrendous betrayal—this album was the final nail in the band's coffin. But DA pressed on and rebuilt their fan base from almost nothing. And for those new, very loyal fans, this album was the start of something amazing.Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_3'); })DA promised that ¡Alarma! was just the first part in a four-album series. The second album in the series would come out in 1983: Doppelgänger.Personnel:Daniel Amos is: | |
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Dropped link to Cyclops: Not a Feature - ITEM | |
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Dropped link to FearfulSymmetry: Not a Feature - ITEM | |
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Dropped link to VoxHumana: Not a Feature - ITEM | |
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| ¡Alarma! (Music) / int_24321e44 | type |
Only Sane Man | |
| ¡Alarma! (Music) / int_24321e44 | comment |
Only Sane Man: In the liner notes story, the narrator finds himself in a World Gone Mad, and finds he's the only one to recognize how messed-up the place is. The narrator outright calls himself "the only sane mind in this mad world." | |
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Bitch in Sheep's Clothing | |
| ¡Alarma! (Music) / int_2764d432 | comment |
Bitch in Sheep's Clothing: "Cloak & Dagger" is all about this sort of person. | |
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| ¡Alarma! (Music) / int_27690f66 | type |
Literary Allusion Title | |
| ¡Alarma! (Music) / int_27690f66 | comment |
Literary Allusion Title: "Shedding the Mortal Coil", an idiom from Hamlet. | |
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| ¡Alarma! (Music) / int_295087bf | type |
Non-Indicative Name | |
| ¡Alarma! (Music) / int_295087bf | comment |
Non-Indicative Name: From the story in the liner notes: | |
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Miniscule Rocking | |
| ¡Alarma! (Music) / int_2e70a1db | comment |
Miniscule Rocking: "C&D Reprise" is under a minute long, "Shedding the Mortal Coil" is just over a minute, and "Props" is just under two minutes. | |
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Don't Shoot the Message | |
| ¡Alarma! (Music) / int_2f1bddff | comment |
Don't Shoot the Message: invoked In "Colored By", DA lament how easily preachers can scare people away from "the real thing" by tacking their own, unnecessary rules on the end. In "Through the Speakers", DA wonder how to get their message across in a song without turning listeners away. | |
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| ¡Alarma! (Music) / int_34f6774c | type |
Concept Album | |
| ¡Alarma! (Music) / int_34f6774c | comment |
Concept Album: A satire of the shortcomings of American Christians—particularly hypocrisy and failure to help the needy—intended as a wake-up call for the listener. | |
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Glory Seeker | |
| ¡Alarma! (Music) / int_3be94971 | comment |
Glory Seeker: The narrator of "Big Time/Big Deal", who wants to preach the Gospel to the entire world, and hopes to become super-famous while doing it. | |
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Flat Character | |
| ¡Alarma! (Music) / int_3d5c5deb | comment |
Flat Character: As a satire of just how shallow many Americans' faith is, they're depicted as literal cardboard cutouts, both in the song "Props" and in the liner notes story. | |
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| ¡Alarma! (Music) / int_43d39d6b | type |
Song Style Shift | |
| ¡Alarma! (Music) / int_43d39d6b | comment |
Song Style Shift: "Cloak & Dagger". The verses and chorus are zippy "spy music"; the extended outro slows down to half-time, with a languid guitar solo playing over it. | |
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Peaceful in Death | |
| ¡Alarma! (Music) / int_48dbd87b | comment |
Peaceful in Death: The narrator in "Shedding the Mortal Coil", who considers his mortal existence "out of date" and "unnecessary". | |
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Step Up to the Microphone | |
| ¡Alarma! (Music) / int_51f90774 | comment |
Step Up to the Microphone: Bassist Marty Dieckmeyer sings lead on "Props". | |
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Proscenium Reveal | |
| ¡Alarma! (Music) / int_53b84f6d | comment |
Proscenium Reveal: The short, odd "Props" ends with stagehands rolling up the sky and putting it away, then all the bystanders (revealed to be cardboard cutouts) fall over. | |
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Corrupt Church | |
| ¡Alarma! (Music) / int_5539b84f | comment |
Corrupt Church: DA skewer anyone who uses the Gospel to line their own pockets, or who add man-made rules to Jesus' message. The final verse of "¡Alarma!": "Colored By": | |
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Eyeless Face | |
| ¡Alarma! (Music) / int_553cbdc2 | comment |
Eyeless Face: The cover art is a photo of the band, with their eyes airbrushed out. | |
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| ¡Alarma! (Music) / int_5ce7dbb9 | type |
Central Theme | |
| ¡Alarma! (Music) / int_5ce7dbb9 | comment |
Central Theme: Ironically, the song "Central Theme" isn't quite about the central theme of the album. The song describes how Jesus is the axis around which the universe and all of history revolves. Whereas the album as a whole is about how American Christians have failed to make Jesus the central theme of their lives, because they don't live up to Jesus' teachings. | |
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Drone of Dread | |
| ¡Alarma! (Music) / int_652bf890 | comment |
Drone of Dread: The song "¡Alarma!" opens with thirty seconds of buzzing synthesizers. | |
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The Shut-In | |
| ¡Alarma! (Music) / int_6d0a1b85 | comment |
The Shut-In: "My Room" is a satire of Christians who only socialize with other Christians and avoid anyone outside the church. So the lyrics exaggerate it to the point that the narrator lives his entire life inside his room—except to gather in another room with other shut-ins. | |
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Fountain of Youth | |
| ¡Alarma! (Music) / int_9141fba3 | comment |
Fountain of Youth: At one point in the liner notes story, a whole church congregation turns into crying babies before the narrator's eyes. | |
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The New Rock & Roll | |
| ¡Alarma! (Music) / int_9558599b | comment |
The New Rock & Roll: "Colored By" references the moral panic that got whipped up when it was believed that music with a strong beat was inherently dangerous. The album cover actually did inspire a minor fit in Real Life, since Moral Guardians thought the Eyeless Faces looked "Satanic". | |
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Not So Different | |
| ¡Alarma! (Music) / int_993cf18f | comment |
Not So Different: In the story from the liner notes, an obscenely wealthy man—wearing furs and numerous gold rings—kicks a homeless beggar off his doorstep. The narrator is horrified by this, then finds an identical set of gold rings on his own fingers. | |
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Foreshadowing | |
| ¡Alarma! (Music) / int_9d12bbc1 | comment |
Foreshadowing: The cyclops in the liner notes story takes on a greater significance in Vox Humana. "Shedding the Mortal Coil" is from the perspective of a dying man. Fearful Symmetry reveals that the narrator of the entire Alarma Chronicles is a Dead Man Writing. | |
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RealLife | |
| ¡Alarma! (Music) / int_a8559a9f | comment |
The album cover actually did inspire a minor fit in Real Life, since Moral Guardians thought the Eyeless Faces looked "Satanic". | |
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Head-in-the-Sand Management | |
| ¡Alarma! (Music) / int_b10d7e8e | comment |
Head-in-the-Sand Management: In the liner notes story, Reverend James Cursory reassures his church congregation that everything is okay, there are no problems—and the rampaging giant outside is just their imaginations. All they need to do is sing and feel good, and their imaginary problems will go away! The giant levels the church while they're singing. | |
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Foreign Language Title | |
| ¡Alarma! (Music) / int_b1b48ad1 | comment |
Foreign Language Title: ¡Alarma!. They even included the punctuation so we'd know it's Spanish. | |
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Title 1 | |
| ¡Alarma! (Music) / int_b5ca3afe | comment |
Title 1: The album was subtitled The Alarma Chronicles Volume 1, because DA planned from the get-go for this to be a four-part series. Impressively, they stuck to the plan and actually completed The Alarma Chronicles by 1986. | |
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It's All About Me | |
| ¡Alarma! (Music) / int_bb18a227 | comment |
It's All About Me: The narrator of "Faces to the Window" sees starving children while he's eating his breakfast. He complains that they're ruining his meal and even prays to God to relieve him of this terrible burden—and he does nothing to help the children. | |
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Intangible Time Travel | |
| ¡Alarma! (Music) / int_bc848be9 | comment |
Intangible Time Travel: Well, without the time travel. As the narrator wanders the city in his dream-vision, he's invisible, inaudible, and intangible to everyone in the city. However, he's still convinced that the cyclops could hurt him. | |
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Shout-Out | |
| ¡Alarma! (Music) / int_c75df49a | comment |
Shout-Out: "Endless Summer"—the title is a Beach Boys reference, and the lyrics mention "Surf City", "Drag City", and "Dead Man's Curve". | |
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Bystander Syndrome | |
| ¡Alarma! (Music) / int_c83f40d8 | comment |
Bystander Syndrome: The narrator of "My Room" knows that the world outside is on a path to destruction, but the most he'll do to help is push pieces of paper under his door. | |
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Taken for Granite | |
| ¡Alarma! (Music) / int_d08049db | comment |
Taken for Granite: The photo montage inside the album gatefold includes one of the band members transformed into a white statue. | |
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Hypocrite | |
| ¡Alarma! (Music) / int_d52d28b6 | comment |
Hypocrite: Hypocrisy is a recurring theme of the album. "Hit Them" deals with it most directly, describing how the Gospel message is only effective if the messenger also demonstrates God's love through their own actions. | |
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Lyrical Dissonance | |
| ¡Alarma! (Music) / int_dbfd6b8 | comment |
Lyrical Dissonance: "Ghost of the Heart". Lyrically, it's a hopeful song about overcoming one's own vanity and hatred with God's help—and those verses are set to the creepiest music on the whole album. | |
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Manchild | |
| ¡Alarma! (Music) / int_e150c4c7 | comment |
Manchild: "Baby Game", a satire of Christians who never bother to learn any theology and persist in believing exactly the same thing they did as children. | |
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No Ending | |
| ¡Alarma! (Music) / int_ea2e9f2d | comment |
No Ending: Right there in the chorus of "Endless Summer". | |
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All Just a Dream | |
| ¡Alarma! (Music) / int_ea85d6ea | comment |
All Just a Dream: The liner notes story is presented as a vision akin to John's Revelation. | |
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World Gone Mad | |
| ¡Alarma! (Music) / int_ef92caa4 | comment |
World Gone Mad: In the liner notes story, the narrator dreams of an alternate world that's a twisted parody of the flaws of American Christians. The inhabitants see nothing strange when preachers mix patent nonsense into actual passages from the Bible, and they fully believe that positive feelings are the solution to all life's problems. | |
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Comically Missing the Point | |
| ¡Alarma! (Music) / int_fbd285b7 | comment |
Comically Missing the Point: Carried into Black Comedy. In the liner notes story, a churchgoer sees a starving child outside the church and goes to help them... by slipping the kid a piece of paper that says "I love you." | |
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¡Alarma! (Music) / int_fbd285b7 | |
| ¡Alarma! (Music) / int_fd86da63 | type |
Crisis of Faith | |
| ¡Alarma! (Music) / int_fd86da63 | comment |
Crisis of Faith: "Walls of Doubt" reassures listeners that going through a crisis isn't the end of the world, and that God will be there to meet them on the other side. | |
| ¡Alarma! (Music) / int_fd86da63 | featureApplicability |
1.0 | |
| ¡Alarma! (Music) / int_fd86da63 | featureConfidence |
1.0 | |
| ¡Alarma! (Music) | hasFeature |
¡Alarma! (Music) / int_fd86da63 | |
| ¡Alarma! (Music) / int_name | type |
ItemName | |
| ¡Alarma! (Music) / int_name | comment |
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| ¡Alarma! (Music) / int_name | featureApplicability |
1.0 | |
| ¡Alarma! (Music) / int_name | featureConfidence |
1.0 | |
| ¡Alarma! (Music) | hasFeature |
¡Alarma! (Music) / int_name | |
| ¡Alarma! (Music) / int_name | itemName |
¡Alarma! (Music) |
The following is a list of statements referring to the current page from other pages.
| ¡Alarma! (Music) | hasFeature |
Bystander Syndrome / int_7aa28c6b | |
| ¡Alarma! (Music) | hasFeature |
Comically Missing the Point / int_7aa28c6b | |
| ¡Alarma! (Music) | hasFeature |
Corrupt Church / int_7aa28c6b | |
| ¡Alarma! (Music) | hasFeature |
Foreign Language Title / int_7aa28c6b | |
| ¡Alarma! (Music) | hasFeature |
Miniscule Rocking / int_7aa28c6b | |
| ¡Alarma! (Music) | hasFeature |
New Wave Music / int_7aa28c6b | |
| ¡Alarma! (Music) | hasFeature |
Song Style Shift / int_7aa28c6b |
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