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Doppelgänger (Music)
- 215 statements
- 41 feature instances
- 6 referencing feature instances
| Doppelgänger (Music) | type |
TVTItem | |
| Doppelgänger (Music) | label |
Doppelgänger (Music) | |
| Doppelgänger (Music) | page |
Doppelganger | |
| Doppelgänger (Music) | comment |
Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); })Doppelgänger (The Alarma Chronicles Volume II) is Daniel Amos’s fifth studio album, released in 1983. It continued the New Wave Music exploration from their previous album, but this time with more of an organic rock band sound: the low end is much thicker, and there’s more emphasis on Jerry Chamberlain’s big guitar riffs and solos. Sonically, it was DA’s darkest-sounding work yet—and in the years to come, only Fearful Symmetry would rival it in that regard.Lyrically, Doppelgänger had two themes, appropriately enough. On the one hand, it continued ¡Alarma!’s satire of American Christianity, this time focusing specifically on televangelists, criticizing their shoddy theology and predatory ministries. (And this was four years before the scandals that brought down Jimmy Swaggart, Jim Bakker, and Robert Tilton—a time when very few Christians dared to publicly speak against any televangelists.) On the other hand, Terry Scott Taylor admits that he isn’t much better than those he’s making fun of. So all those criticisms of corrupt preachers are also confessions of his own darker half. And the story in the liner notes picked up where ¡Alarma!’s story left off: in this installment, Taylor’s Author Avatar has a vision of himself, and he’s horrified at what he sees.Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_2'); })This was followed a year later by Vox Humana.Personnel:Daniel Amos is: | |
| Doppelgänger (Music) | fetched |
2021-09-06T04:24:21Z | |
| Doppelgänger (Music) | parsed |
2021-09-06T04:24:21Z | |
| Doppelgänger (Music) | processingComment |
Dropped link to CallBack: Not a Feature - ITEM | |
| Doppelgänger (Music) | processingComment |
Dropped link to CherubicChoir: Not a Feature - ITEM | |
| Doppelgänger (Music) | isPartOf |
DBTropes | |
| Doppelgänger (Music) / int_17f88647 | type |
Egocentrically Religious | |
| Doppelgänger (Music) / int_17f88647 | comment |
Egocentrically Religious: “Angels Tuck You In” criticizes the belief that God owes his followers a life of ease, devoid of hardships. | |
| Doppelgänger (Music) / int_17f88647 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_17f88647 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_17f88647 | |
| Doppelgänger (Music) / int_1ba8eb64 | type |
Visual Pun | |
| Doppelgänger (Music) / int_1ba8eb64 | comment |
Visual Pun: On the cover, the album title is stylized as DoppelgÄnger—emphasizing the band's initials in the word. | |
| Doppelgänger (Music) / int_1ba8eb64 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_1ba8eb64 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_1ba8eb64 | |
| Doppelgänger (Music) / int_1bf4aeb3 | type |
The Merch | |
| Doppelgänger (Music) / int_1bf4aeb3 | comment |
The Merch: invoked “Little Crosses” makes fun of the proliferation of Christian-themed merchandise. | |
| Doppelgänger (Music) / int_1bf4aeb3 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_1bf4aeb3 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_1bf4aeb3 | |
| Doppelgänger (Music) / int_2bd2b7b8 | type |
List Song | |
| Doppelgänger (Music) / int_2bd2b7b8 | comment |
List Song: The verses of “Real Girls” are taken up by lists of... types of women, for lack of a better explanation. | |
| Doppelgänger (Music) / int_2bd2b7b8 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_2bd2b7b8 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_2bd2b7b8 | |
| Doppelgänger (Music) / int_2e70a1db | type |
Miniscule Rocking | |
| Doppelgänger (Music) / int_2e70a1db | comment |
Miniscule Rocking: “Hollow Man (Reprise)” is less than a minute long, and “Autographs for the Sick” is under 2 minutes. | |
| Doppelgänger (Music) / int_2e70a1db | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_2e70a1db | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_2e70a1db | |
| Doppelgänger (Music) / int_34f6774c | type |
Concept Album | |
| Doppelgänger (Music) / int_34f6774c | comment |
Concept Album: Dual concepts: 1. “Televangelists are full of it.” 2. “To be honest, I’m not much better.” | |
| Doppelgänger (Music) / int_34f6774c | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_34f6774c | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_34f6774c | |
| Doppelgänger (Music) / int_35fb9016 | type |
Gratuitous German | |
| Doppelgänger (Music) / int_35fb9016 | comment |
The doppelgänger theme, chiaroscuro art, dark atmosphere, and Gratuitous German are all nods to German Expressionism. | |
| Doppelgänger (Music) / int_35fb9016 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_35fb9016 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_35fb9016 | |
| Doppelgänger (Music) / int_36a8331c | type |
Parody of Evolution | |
| Doppelgänger (Music) / int_36a8331c | comment |
Parody of Evolution: The liner notes include an illustration of “the evolution of mannequin”, a parody of the March of Progress painting with four mannequins. They’re identical, but with the leftmost one bent over at the waist, and each subsequent one standing up a little straighter. The final mannequin has sunglasses and a smarmy grin. | |
| Doppelgänger (Music) / int_36a8331c | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_36a8331c | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_36a8331c | |
| Doppelgänger (Music) / int_3eb0f889 | type |
Pun-Based Title | |
| Doppelgänger (Music) / int_3eb0f889 | comment |
Pun-Based Title: “Youth with a Machine” is a pun on the real-life group Youth With A Mission. | |
| Doppelgänger (Music) / int_3eb0f889 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_3eb0f889 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_3eb0f889 | |
| Doppelgänger (Music) / int_3eee0728 | type |
Captain Obvious | |
| Doppelgänger (Music) / int_3eee0728 | comment |
Captain Obvious: The interpreter in “Autographs for the Sick”, who keeps “translating” even when the speaker is just singing in English. At the end: | |
| Doppelgänger (Music) / int_3eee0728 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_3eee0728 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_3eee0728 | |
| Doppelgänger (Music) / int_41186922 | type |
Offscreen Afterlife | |
| Doppelgänger (Music) / int_41186922 | comment |
Offscreen Afterlife: In the liner notes story, the narrator briefly has a vision of Heaven, but declines to describe it in any detail—partly because God forbids him, and partly because his words can’t do justice to what he saw. | |
| Doppelgänger (Music) / int_41186922 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_41186922 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_41186922 | |
| Doppelgänger (Music) / int_4af55b78 | type |
Credits Gag | |
| Doppelgänger (Music) / int_4af55b78 | comment |
Credits Gag: The liner notes credit Ed McTaggert with playing “skins, tubs, and traps (say that five time fast!)”. They also credit the background clapping on “Angels Tuck You In” to “The Eric ‘Clap-Tons’”. | |
| Doppelgänger (Music) / int_4af55b78 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_4af55b78 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_4af55b78 | |
| Doppelgänger (Music) / int_4dbd3706 | type |
Clap Your Hands If You Believe | |
| Doppelgänger (Music) / int_4dbd3706 | comment |
Clap Your Hands If You Believe: “New Car!” is a mockery of the “health and wealth” gospel, the idea that God rewards faith with material wealth—and conversely, if you’re poor, it’s your own damn fault for not believing hard enough. | |
| Doppelgänger (Music) / int_4dbd3706 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_4dbd3706 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_4dbd3706 | |
| Doppelgänger (Music) / int_5313c266 | type |
Bookends | |
| Doppelgänger (Music) / int_5313c266 | comment |
Bookends: The album opens with “Hollow Man”, and ends with “Hollow Man (Reprise)”. | |
| Doppelgänger (Music) / int_5313c266 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_5313c266 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_5313c266 | |
| Doppelgänger (Music) / int_5539b84f | type |
Corrupt Church | |
| Doppelgänger (Music) / int_5539b84f | comment |
Corrupt Church: Half of the Central Theme of the album. “New Car!” and “Angels Tuck You In” mock the “health and wealth” gospel that the televangelists taught. “Do Big Boys Cry” calls them hypocrites who won’t admit to their own wrongdoing. “Autographs for the Sick” accuses them of being more interested in collecting money than in helping anyone with their ministry. “I Didn’t Build It for Me” mocks a Real Life incident of blatant church fund misuse (if not outright embezzlement). | |
| Doppelgänger (Music) / int_5539b84f | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_5539b84f | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_5539b84f | |
| Doppelgänger (Music) / int_56807288 | type |
City Planet | |
| Doppelgänger (Music) / int_56807288 | comment |
City Planet: Implied by “Mall (All Over the World)”. | |
| Doppelgänger (Music) / int_56807288 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_56807288 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_56807288 | |
| Doppelgänger (Music) / int_64fd1e63 | type |
Other Me Annoys Me | |
| Doppelgänger (Music) / int_64fd1e63 | comment |
Other Me Annoys Me: In the liner notes story, the narrator sees himself from the outside—without realizing that it is himself—and gets so angry at his own flaws that he tries to attack himself. | |
| Doppelgänger (Music) / int_64fd1e63 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_64fd1e63 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_64fd1e63 | |
| Doppelgänger (Music) / int_652bf890 | type |
Drone of Dread | |
| Doppelgänger (Music) / int_652bf890 | comment |
Drone of Dread: About 30 seconds of wailing synthesizers fall between “Hollow Man” and “Mall (All Over the World)”. | |
| Doppelgänger (Music) / int_652bf890 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_652bf890 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_652bf890 | |
| Doppelgänger (Music) / int_6d4ac1f1 | type |
Officially Shortened Title | |
| Doppelgänger (Music) / int_6d4ac1f1 | comment |
Officially Shortened Title: Around this time, even though they still used the full band name on the album cover, Daniel Amos started calling themselves just "DA" at live shows—as documented on the "Concert Intro" track from the CD reissues. | |
| Doppelgänger (Music) / int_6d4ac1f1 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_6d4ac1f1 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_6d4ac1f1 | |
| Doppelgänger (Music) / int_715c463e | type |
Literal Split Personality | |
| Doppelgänger (Music) / int_715c463e | comment |
Literal Split Personality: The Good Twins and Evil Twins (described above) are halves that will eventually reunite and become whole. As mentioned in “The Double”: And also in “Hollow Man (Reprise)”: | |
| Doppelgänger (Music) / int_715c463e | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_715c463e | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_715c463e | |
| Doppelgänger (Music) / int_71abd546 | type |
Excited Show Title! | |
| Doppelgänger (Music) / int_71abd546 | comment |
Excited Show Title!: "New Car!" Because Johnny Jacob's announcement is so excited, the exclamation point is mandatory. | |
| Doppelgänger (Music) / int_71abd546 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_71abd546 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_71abd546 | |
| Doppelgänger (Music) / int_722a6ef4 | type |
Game Show | |
| Doppelgänger (Music) / int_722a6ef4 | comment |
“New Car!” name-checks the Game Show announcer Johnny Jacobs and prominently features audio samples of him. | |
| Doppelgänger (Music) / int_722a6ef4 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_722a6ef4 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_722a6ef4 | |
| Doppelgänger (Music) / int_75e2bf23 | type |
Chiaroscuro | |
| Doppelgänger (Music) / int_75e2bf23 | comment |
Chiaroscuro: The front cover, and some of the interior art of the mannequin, is marked by a high contrast between light and shadow. There’s very bright light visible through the venetian blinds in the background, but it doesn’t really illuminate the room at all. | |
| Doppelgänger (Music) / int_75e2bf23 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_75e2bf23 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_75e2bf23 | |
| Doppelgänger (Music) / int_7c8981df | type |
Portal Door | |
| Doppelgänger (Music) / int_7c8981df | comment |
Portal Door: The liner notes story ends with the narrator chasing his double through a mysterious door to parts unknown. | |
| Doppelgänger (Music) / int_7c8981df | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_7c8981df | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_7c8981df | |
| Doppelgänger (Music) / int_8c00118f | type |
Spoken Word in Music | |
| Doppelgänger (Music) / int_8c00118f | comment |
Spoken Word in Music: Both versions of “Hollow Man” are monologues set to music, with some singing in the background. "Autographs for the Sick" has five different speakers talking over each other, while twisted Garage Rock plays behind them. | |
| Doppelgänger (Music) / int_8c00118f | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_8c00118f | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_8c00118f | |
| Doppelgänger (Music) / int_9558599b | type |
The New Rock & Roll | |
| Doppelgänger (Music) / int_9558599b | comment |
The New Rock & Roll: In “Autographs for the Sick”: | |
| Doppelgänger (Music) / int_9558599b | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_9558599b | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_9558599b | |
| Doppelgänger (Music) / int_984ef9ef | type |
"Not So Different" Remark | |
| Doppelgänger (Music) / int_984ef9ef | comment |
"Not So Different" Remark: “Do Big Boys Cry” wonders whether televangelists (the “big boys” of the title) ever admit their mistakes and make amends. The final line of the song is, “What do I do? I’m a big boy, too.” “Here I Am” mentions having to watch a church service on the foyer TV (because the chapel was too crowded) and parallels that with the invisible wall that separates the band from their own fans. | |
| Doppelgänger (Music) / int_984ef9ef | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_984ef9ef | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_984ef9ef | |
| Doppelgänger (Music) / int_9d12bbc1 | type |
Foreshadowing | |
| Doppelgänger (Music) / int_9d12bbc1 | comment |
Foreshadowing: “Mall (All Over the World)” discusses consumerism, and “Youth with a Machine” discusses dehumanizing effects of technology—both topics that would be further explored in Vox Humana. | |
| Doppelgänger (Music) / int_9d12bbc1 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_9d12bbc1 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_9d12bbc1 | |
| Doppelgänger (Music) / int_a1a1491e | type |
Homage | |
| Doppelgänger (Music) / int_a1a1491e | comment |
Homage: The doppelgänger theme, chiaroscuro art, dark atmosphere, and Gratuitous German are all nods to German Expressionism. “Hollow Man” is an extended tribute to T. S. Eliot’s poem “The Hollow Men”, mixing direct quotations with original lyrics in the same style. | |
| Doppelgänger (Music) / int_a1a1491e | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_a1a1491e | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_a1a1491e | |
| Doppelgänger (Music) / int_a25b0db9 | type |
Murderous Mannequin | |
| Doppelgänger (Music) / int_a25b0db9 | comment |
Murderous Mannequin: Downplayed. The mannequin from the liner notes doesn’t kill anyone, but his spookiness is definitely played up. You have to wonder where he got that real human face from, though... | |
| Doppelgänger (Music) / int_a25b0db9 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_a25b0db9 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_a25b0db9 | |
| Doppelgänger (Music) / int_a8559a9f | type |
RealLife | |
| Doppelgänger (Music) / int_a8559a9f | comment |
“I Didn’t Build It for Me” mocks a Real Life incident of blatant church fund misuse (if not outright embezzlement). | |
| Doppelgänger (Music) / int_a8559a9f | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_a8559a9f | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_a8559a9f | |
| Doppelgänger (Music) / int_b11f6c47 | type |
Big Rock Ending | |
| Doppelgänger (Music) / int_b11f6c47 | comment |
Big Rock Ending: On “I Didn’t Build It for Me”. | |
| Doppelgänger (Music) / int_b11f6c47 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_b11f6c47 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_b11f6c47 | |
| Doppelgänger (Music) / int_c75df49a | type |
Shout-Out | |
| Doppelgänger (Music) / int_c75df49a | comment |
Shout-Out: “New Car!” name-checks the Game Show announcer Johnny Jacobs and prominently features audio samples of him. "Autographs for the Sick" copies the bilingual four-count from Sam the Sham & The Pharaohs’ "Wooly Bully". | |
| Doppelgänger (Music) / int_c75df49a | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_c75df49a | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_c75df49a | |
| Doppelgänger (Music) / int_cbd2bfa3 | type |
Glory Days | |
| Doppelgänger (Music) / int_cbd2bfa3 | comment |
Glory Days: “Memory Lane” is about the danger of obsessing over the nostalgic past. | |
| Doppelgänger (Music) / int_cbd2bfa3 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_cbd2bfa3 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_cbd2bfa3 | |
| Doppelgänger (Music) / int_d34cbda2 | type |
Implausible Deniability | |
| Doppelgänger (Music) / int_d34cbda2 | comment |
Implausible Deniability: In “I Didn’t Build It for Me”, the televangelist narrator builds an opulent mansion with his followers’ donations. When others call him out, he claims that God told him to build it, as a gift to the whole church. | |
| Doppelgänger (Music) / int_d34cbda2 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_d34cbda2 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_d34cbda2 | |
| Doppelgänger (Music) / int_d52d28b6 | type |
Hypocrite | |
| Doppelgänger (Music) / int_d52d28b6 | comment |
Hypocrite: “Do Big Boys Cry”: | |
| Doppelgänger (Music) / int_d52d28b6 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_d52d28b6 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_d52d28b6 | |
| Doppelgänger (Music) / int_dbfd6b8 | type |
Lyrical Dissonance | |
| Doppelgänger (Music) / int_dbfd6b8 | comment |
Lyrical Dissonance: “Hollow Man (Reprise)” promises that everything will get better, eventually—that “the form of every single grain will be restored in glory.” It sounds less uplifting than it reads, because it uses the same creepy backing music as the first “Hollow Man”. | |
| Doppelgänger (Music) / int_dbfd6b8 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_dbfd6b8 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_dbfd6b8 | |
| Doppelgänger (Music) / int_e3c20140 | type |
As Long as It Sounds Foreign | |
| Doppelgänger (Music) / int_e3c20140 | comment |
As Long as It Sounds Foreign: “Autographs for the Sick”—a parody of Charismatic televangelists speaking in tongues and then translating the message—has four different speakers reciting French-, German-, and Spanish-sounding nonsense. | |
| Doppelgänger (Music) / int_e3c20140 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_e3c20140 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_e3c20140 | |
| Doppelgänger (Music) / int_f2dadf81 | type |
Evil Twin | |
| Doppelgänger (Music) / int_f2dadf81 | comment |
Evil Twin: The other half of the Central Theme of the album, most explicitly spelled out in “The Double”. Everyone is half of a pair: a good self and an evil self. All of us here on Earth? We’re the evil ones. | |
| Doppelgänger (Music) / int_f2dadf81 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_f2dadf81 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_f2dadf81 | |
| Doppelgänger (Music) / int_fbd285b7 | type |
Comically Missing the Point | |
| Doppelgänger (Music) / int_fbd285b7 | comment |
Comically Missing the Point: On “Autographs for the Sick”. | |
| Doppelgänger (Music) / int_fbd285b7 | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_fbd285b7 | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_fbd285b7 | |
| Doppelgänger (Music) / int_name | type |
ItemName | |
| Doppelgänger (Music) / int_name | comment |
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| Doppelgänger (Music) / int_name | featureApplicability |
1.0 | |
| Doppelgänger (Music) / int_name | featureConfidence |
1.0 | |
| Doppelgänger (Music) | hasFeature |
Doppelgänger (Music) / int_name | |
| Doppelgänger (Music) / int_name | itemName |
Doppelgänger (Music) |
The following is a list of statements referring to the current page from other pages.
| Doppelgänger (Music) | hasFeature |
Comically Missing the Point / int_3774e02d | |
| Doppelgänger (Music) | hasFeature |
Corrupt Church / int_3774e02d | |
| Doppelgänger (Music) | hasFeature |
Homage / int_3774e02d | |
| Doppelgänger (Music) | hasFeature |
Miniscule Rocking / int_3774e02d | |
| Doppelgänger (Music) | hasFeature |
New Wave Music / int_3774e02d | |
| Doppelgänger (Music) | hasFeature |
Portal Door / int_3774e02d |
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