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Jeff Wayne's Musical Version of The War of the Worlds (Music)

 Jeff Wayne's Musical Version of The War of the Worlds (Music)
type
TVTItem
 Jeff Wayne's Musical Version of The War of the Worlds (Music)
label
Jeff Wayne's Musical Version of The War of the Worlds (Music)
 Jeff Wayne's Musical Version of The War of the Worlds (Music)
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JeffWaynesMusicalVersionOfTheWarOfTheWorlds
 Jeff Wayne's Musical Version of The War of the Worlds (Music)
comment
Jeff Wayne's Musical Version of The War of the Worlds is a 1978 concept album by Jeff Wayne, retelling the story of The War of the Worlds by H. G. Wells. It was IMMENSELY popular around the world, selling millions of records (and still doing so today) and spawned multiple versions of the album, a computer game, a DVD, a 30th anniversary live tour including Alexis James, Rhydian from The X Factor, Jason Donovan, and Jennifer Ellison in the cast, and a 40th anniversary tour with Adam Garcia, Nathan James and Jason Donovan reprising his role as Nathaniel. There's also a large amount of merchandise available at the website.The latest addition is the 2012 Updated Re-release subtitled "The New Generation", with new versions of the songs, some new dialogue, and a new All-Star Cast. This too was accompanied by a live tour.TracklistThe Coming of the MartiansSide One "The Eve of the War" (9:06) "Horsell Common and The Heat Ray" (11:36)Side Two "The Artilleryman and The Fighting Machine" (10:36) "Forever Autumn" (7:43) "Thunder Child" (6:10)The Earth Under the MartiansSide Three "The Red Weed (Part 1)" (5:55) "Parson Nathaniel" (1:45) "The Spirit of Man" (9:52) "The Red Weed (Part 2)" (6:51)Side Four "Brave New World" (12:13) "Dead London" (8:37) "Epilogue (Part 1)" (2:42) "Epilogue (Part 2)" (2:02)
 Jeff Wayne's Musical Version of The War of the Worlds (Music)
fetched
2023-09-16T03:35:44Z
 Jeff Wayne's Musical Version of The War of the Worlds (Music)
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2023-09-16T03:35:45Z
 Jeff Wayne's Musical Version of The War of the Worlds (Music)
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DBTropes
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_113480b7
type
Canon Foreigner
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_113480b7
comment
Canon Foreigner: Two additional ones in The New Generation — the stargazers Vera and Will, who discuss the likelihood of life on Mars in a brief prologue. Vera makes some fairly accurate predictions about the impending extinction that leads to the invasion in the first place, which Will dismisses as "feminine fancy" right before the first cylinder lands.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_113480b7
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 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1161fb48
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Bizarre Alien Biology
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1161fb48
comment
Bizarre Alien Biology: The narrator describes the Martians as being composed entirely of brain without any actual body. They'd build mechanical bodies according to the needs of the moment instead. This doesn't gel with his earlier description of them when they first emerge from the Horsall Common cylinder, which includes luminous eyes and tentacles. Though it's quite probable he was being metaphorical when he described the Martians as being composed entirely of brain. He's essentially musing on the fact that they appear to be infinitely more intelligent and logical than humanity without seeming to be driven by things like hunger or sexual desire, which he settles on as a reason for their ease of taking over.
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 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_191babbc
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Trampled Underfoot
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_191babbc
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Trampled Underfoot: Fighting machines in the background film occasionally do this to trees, buildings and people.
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 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1c398324
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Death from Above
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1c398324
comment
Death from Above: On cue, a 40 ft tall fighting machine descends onto the stage, remaining there for the rest of the first act. It returns for the end of the second act, before slowly collapsing. Also in-universe — flying machines are added to the Fighting Machine battle sequence (but, oddly, not to Thunderchild, where they did appear in the book).
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 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1c5002bc
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The Stoic
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1c5002bc
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The Stoic: Carrie's father. He never speaks, and doesn't deviate much from a stern / concerned frown throughout the musical.
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 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1df37537
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Mutual Kill
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1df37537
comment
Also in the novel, the narrator's vision is cut off by the smoke produced during the battle, and cannot see the fate of the third tripod; when the smoke clears, the third tripod is nowhere to be seen. One can infer that either the Thunder Child managed to take down the third tripod, ensuring a total victory over the three tripods with its sacrifice, or that the third tripod fled very quickly, possibly due to injuries.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1df37537
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Take Our Word for It
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1ec3eb0a
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Take Our Word for It: How the Martians suck the blood of their victims is kept intentionally vague.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1ec3eb0a
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Take My Hand!
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_1fe36347
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Take My Hand!: Carrie's father, when she gets knocked down by a panicking crowd.
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Sword Pointing
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_20452faa
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Sword Pointing: The artillery officer (complete with dramatic zoom in) when shouting at his men to open fire during The Fighting Machine.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_20452faa
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 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_23473ae7
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Adaptation Expansion
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_23473ae7
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Adaptation Expansion: Carrie gets more screen time, and a few lines (and, in the Final Arena Tour, a part in the finishing ensemble song).
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_23473ae7
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Ironic Echo
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_237404cc
comment
The song The Spirit Of Man combines this with the Ironic Echo — whilst the embittered, broken and deranged Parson Nathaniel's verses deal with his disillusionment with the sins of those around him, and his delusional belief that the invading Martians are 'demons' sent by Satan to wipe out humanity, his wife Beth's chorus is an optimistic, hopeful exhortation to the finest and noblest elements of human nature. Then a Martian craft crash-lands on the house in which the characters are sheltering, Beth is crushed under the rubble and Nathaniel takes over her chorus, the lyrics now altered to reflect his bitter, defeatist worldview.
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Mythology Gag
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_26ac510e
comment
Mythology Gag: Quite a few... Naturally, during Thunder Child, there is a shot in the background film that almost perfectly emulates the album cover. Still shots emulating the album artwork (with Beth photoshopped into the Spirit of Man piece) also feature. The journalist gets named in the stage show as George Herbert, which is a reversal of H.G Wells' first names. Right before the heat-ray fires in Horsell Common, there is a Reflective Glasses shot almost identical to the one used in an equivalent cutscene from the PC game. H.G. Wells briefly references the Constrictor, Bombarding Machine and Xeno Telepath (also from the PC game) in one of the interludes. Outside Carrie's house, there is a sign for "Jeff's Music Emporium".
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Bizarre Alien Psychology
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_2717a55e
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Bizarre Alien Psychology: In the expanded narration of The New Generation, the Journalist notes that among their many inhuman characteristics the Martians have no gender and so do not experience love.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_2717a55e
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Autobots, Rock Out!
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_2d395ee9
comment
Autobots, Rock Out!: Martian attacks are usually accompanied by The Fighting Machine, which includes the best guitar solo on the album. The Heat Ray, in which the Martians first show that they mean business, is also an example. The New Generation takes this even further, adding a rather cool distortion riff to the Fighting Machine chorus.
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Giant Enemy Crab
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_3033b958
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Giant Enemy Crab: The Martian Handling machine is described as "a squat, metallic spider with huge, articulated claws", and is large enough to carry an unspecified number of humans in a giant basket upon its back.
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Ramming Always Works
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_3114c1e5
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Ramming Always Works: The Thunderchild is shown mowing down one of the fighting machines in its eponymous song (as well as destroying another with gunfire in the second verse).
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Stuff Blowing Up
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_31a2a33c
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Stuff Blowing Up: The Martians' opening shot in The Fighting Machine is to annihilate Weybridge in an absolutely massive explosion.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_31a2a33c
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Rule of Cool
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_36e63b81
comment
Rule of Cool: When "the ghostly, terrible heat-ray (strikes) the town", the background film shows it doing so with the force of a small nuke. The background film also adds extra drama to the battle scenes in both The Fighting Machine and Thunderchild with flying machines, additional human Red Shirts and (occasionally) whole ranks of fighting machines.
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Uncommon Time
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_38da8916
comment
Uncommon Time: The verses to "Thunder Child" are in 7/4, and the motifs spawning from "The Eve of the War" contain some 6/4 and 5/4 (the latter can be found the easiest with the line "but still...they come"). The two parts of "The Red Weed" are also built around a phrase in 10/4.
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Aliens Are Bastards
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_3a90dc63
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Aliens Are Bastards: Made more ambiguous by the CGI Martian prologue (which, incidentally, also brings back some of Wells' colonial allegory that gets lost in most other adaptations). It is made clear that the invasion is a tactic of last resort in the face of imminent extinction.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_3a90dc63
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You Shall Not Pass!
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_3b0479f2
comment
You Shall Not Pass!: The Thunder Child holding off the fighting machines while the civilian ships escaped. Albeit they do escape safely, and the Thunder Child manages to take down one of the tripods, the poor ironclad is completely obliterated, leaving mankind completely defenseless. Cue "The Earth Under The Martians". Note that in the novel, the battle goes a bit better in that what is stated in the musical. The heat rays set off the Thunder Child's boilers, bringing down a second of the three attacking Martian machines. Also in the novel, the narrator's vision is cut off by the smoke produced during the battle, and cannot see the fate of the third tripod; when the smoke clears, the third tripod is nowhere to be seen. One can infer that either the Thunder Child managed to take down the third tripod, ensuring a total victory over the three tripods with its sacrifice, or that the third tripod fled very quickly, possibly due to injuries.
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Deadly Distant Finale
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_3e99481a
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Deadly Distant Finale: The Epilogue. See The End... Or Is It? below.
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Dropped a Bridge on Him
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_43a045de
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Dropped A Bridge On Her: Poor Beth.
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Giving Someone the Pointer Finger
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_463084f4
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Giving Someone the Pointer Finger: The captain of the Thunderchild in its eponymous song does this to mark his targets, which is probably more dramatic than technically necessary, but fits the heroic tone of the song.
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Scenery Gorn
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Scenery Gorn: Mostly during Dead London.
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Leaning on the Fourth Wall
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_4a3e547f
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Leaning on the Fourth Wall: When the fighting machines appear in their eponymous song, the Artilleryman runs down off the stage and takes cover in the audience, shouting "Quick, down here! They'll never find us!"
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Narrator
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Narrator: The Journalist, in two parts. The spoken half played by Richard Burton no less.
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Bookends
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_5313c266
comment
Book Ends: The Final Arena Tour features H.G. Wells appearing at the start and end of the piece to expand on the book's anti-war / Humans Are the Real Monsters theme. Arc Words: He ends each narration with "Listen! Can you hear it drawing near?"
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Death Song
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_55c72164
comment
Death Song: "Thunder Child", in which "the voice of humanity" sings the praises of the eponymous ship as it takes down a fighting machine and gets very thoroughly melted and sunk for its efforts.
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Adaptation-Induced Plot Hole
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_5663a595
comment
Adaptation-Induced Plot Hole: The poisonous Black Smoke is mentioned once or twice, but the part where its nature and threat is explained was cut for time. This probably created some confusion for any listener unfamiliar with the original novel. In the novel humans are drained of their blood in the open pit. In the musical, they're drained inside the Handling Machine. So how is it possible for the Journalist and the Parson to witness this?
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_5663a595
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_59c0c00
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Sighted Guns Are Low-Tech
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_59c0c00
comment
Sighted Guns Are Low-Tech: Averted, sort of. During Horsell Common the camera in the background film zooms in to look down the barrel of the heat ray as it tracks around.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_59c0c00
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_59c0c00
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_5b12f598
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Million to One Chance
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_5b12f598
comment
Million to One Chance: The Journalist quotes Ogilvy the astronomer as saying exactly this in The Eve Of The War, both in the narration and the sung thoughts. The latter is probably the best-known line on the album. And the motif comes back at the end of "Dead London" once the journalist realises that the Martians have been killed. While this reprise is without vocal accompaniment, it can represent the million to one chance that the Martians lost.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_5b12f598
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_5b12f598
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_5df06b20
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Religion Rant Song
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_5df06b20
comment
Religion Rant Song: "The Spirit of Man", though it's the spoken parts of the Parson's performance that are most heavily religious (and ranting):
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_5df06b20
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_5df06b20
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_6a6c1f35
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The Power of Rock
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_6a6c1f35
comment
The Power of Rock: One of the transitions on the 2006 tour's DVD menu involves a fighting machine firing its heat ray, with the sound of a guitar screech, as per the leitmotif of the album.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_6a6c1f35
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_6a6c1f35
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Nominal Importance
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_6e70b12b
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The journalist gets named in the stage show as George Herbert, which is a reversal of H.G Wells' first names.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_6e70b12b
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_6e70b12b
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_6edc54d5
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Here We Go Again!
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_6edc54d5
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Here We Go Again!: The second epilogue, in which NASA lose contact with a craft landing on Mars...and see an eerie green mist emanating from Mars...
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_6edc54d5
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_6edc54d5
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_74149c93
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Epic Rocking
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_74149c93
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Epic Rocking: Most of the tracks are between six and 12 minutes long.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_74149c93
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_74149c93
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7464705c
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Arc Words
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7464705c
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Arc Words: He ends each narration with "Listen! Can you hear it drawing near?"
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7464705c
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 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7464705c
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7464705c
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7d49d74a
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Cultural Translation
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7d49d74a
comment
Cultural Translation: The Parson is definitely based on more recent American Evangelical variants of Christianity, rather than the kind of stern Evangelical Christianity you'd expect to find in Victorian England, though it's hard to see his fire-and-brimstone proclamations working as hammishly well with an English character. Further justified in the fact that he's, well, been driven completely insane by the Martian invasion, and his fire-and-brimstone ravings are intended as a symptom of his madness; his wife notes with despair at one point that he was once a kindly, well-loved man more in keeping with the typically Victorian stern-but-fair image of the clergyman.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7d49d74a
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7d49d74a
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7ea2a915
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Animation Bump
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7ea2a915
comment
Animation Bump: Parts of the CGI film that runs on the background screen were refined for The New Generation. Most notably, they managed to make the Martians look even creepier. Yet again for the Final Arena Tour, where they refined some existing scenes such as adding crew to the Thunder Child and having the ship trade more shots with the Martians (notably it now takes down two machines, as per the original book). They also added additional scenes for Carrie and "H.G. Wells".
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7ea2a915
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_7ea2a915
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_823c6e3e
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Large Ham
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_823c6e3e
comment
Large Ham: Phil Lynott as Parson Nathaniel spends most of his time eating any scenery which isn't nailed down ("A SIGN! I have been given a SIGN!") and is easily the biggest ham in the entire piece — impressive, when considering he's up against Richard Burton (no slouch in the hamminess stakes himself when he felt like it), and doubly so considering the lack of scenery to begin with. David Essex as The Artilleryman deserves a mention too; he may be relatively tame in his first appearance, but becomes deliciously unhinged in the Sanity Slippage Song "Brave New World" ("YES, AND WE! WILL HAVE TO BE! THE CHOSEN FEEEEEEEEEEW!")
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_823c6e3e
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_823c6e3e
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_8409a385
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Exactly What It Says on the Tin
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_8409a385
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Exactly What It Says on the Tin. It's a musical interpretation of The War of the Worlds. By Jeff Wayne.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_8409a385
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 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_8409a385
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_8409a385
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_863fa679
type
What Happened to the Mouse?
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_863fa679
comment
What Happened to the Mouse?: Unlike the novel (in which he is killed by the Martians early on), Ogilvy disappears from the story completely after "Eve of the War", leaving his fate ambiguous.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_863fa679
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_863fa679
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_88384522
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Reflective Eyes
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_88384522
comment
Right before the heat-ray fires in Horsell Common, there is a Reflective Glasses shot almost identical to the one used in an equivalent cutscene from the PC game.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_88384522
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_88384522
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_88a97dd4
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Stiff Upper Lip
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_88a97dd4
comment
Stiff Upper Lip: The artillery officer in The Fighting Machine, who reacts to all his men getting blown away by calmly pulling out a pistol and firing up at the nearest tripod until he too is unceremoniously stepped on.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_88a97dd4
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_88a97dd4
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Spoken Word in Music
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_8c00118f
comment
Spoken Word in Music: The album has narration read by actor Richard Burton. The re-recording features Liam Neeson in place of the late Burton.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_8c00118f
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_8c00118f
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_90e8aa77
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War Was Beginning
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_90e8aa77
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War Was Beginning: Eve of The War.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_90e8aa77
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_90e8aa77
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_916c72b3
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Rule of Symbolism
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_916c72b3
comment
Rule of Symbolism: In The Red Weed, with the titular weed slowly enveloping dead bodies, and growing over a church window so that the stained glass figure appears to be crying Tears of Blood.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_916c72b3
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_916c72b3
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9843be73
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As You Know
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9843be73
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As You Know: Justified as it's a radio play, but would be a strange thing to say in real life:
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9843be73
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9843be73
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9b6cc16b
type
No Range Like Point-Blank Range
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9b6cc16b
comment
No Range Like Point-Blank Range: Both the soldiers in The Fighting Machine and the Thunderchild in its titular song wait for the Martians to get ridiculously close before opening fire (although, to be fair, the Thunderchild deliberately held its fire in the book as well). Funnily enough this comes back to bite them, as the machine that gets blown apart in The Fighting Machine actually crashes on top of one of the gun teams.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9b6cc16b
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9b6cc16b
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9e86e227
type
The End... Or Is It?
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9e86e227
comment
The End... Or Is It?: The Epilogue. A NASA observer watching a probe to Mars notices some odd flares and dust clouds coming from the planet, shortly before contact with the probe is lost. And then, one by one, much to his confusion and frustration he loses contact with the other observers around the globe... The "New Generation" tour ends the same way, with the added bonus of a NASA scientist on stage losing contact. The martian fighting machine on stage suddenly starts up again, an ominous voice says, "The problem is, of course, the humans…", and the scientist disappears behind the heat ray.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9e86e227
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9e86e227
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9f6fb586
type
Leitmotif
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9f6fb586
comment
Leitmotif: Quite a few: "The Fighting Machine" for when the Tripods attack. "The Artilleryman", a relatively mellow loop, for well... The Artilleryman. "The Heat Ray", a high, distorted guitar riff, is, of course, the heat ray.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9f6fb586
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_9f6fb586
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_a3eae597
type
Award-Bait Song
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_a3eae597
comment
Award-Bait Song: The bittersweet "Forever Autumn", sung by Justin Hayward of the Moody Blues, made it into the top 40.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_a3eae597
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_a3eae597
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_a8a5e4ed
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Christianity Is Catholic
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_a8a5e4ed
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Christianity is Catholic: Jason Donovan (as parson Nathaniel) spends a lot of time furiously crossing himself.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_a8a5e4ed
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 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_a8a5e4ed
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_a8a5e4ed
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_ad1db87c
type
Oh, Crap!
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_ad1db87c
comment
Oh, Crap!: "Look! There they are! What did I tell you!?"
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_ad1db87c
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 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_ad1db87c
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_ad1db87c
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b29cc937
type
Sidekick Song
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b29cc937
comment
Sidekick Song: Arguably "Brave New World" for the Artilleryman.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b29cc937
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 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b29cc937
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b29cc937
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b552b24
type
Truer to the Text
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b552b24
comment
Truer to the Text: This is one of only two adaptations to retain the Victorian setting, and so far the only one to contain the signature Last Stand of the Thunderchild. It's also the only adaptation to showcase the novel's Handling Machine, a crab-like mech used to process humans before they are harvested for blood.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b552b24
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b552b24
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b680713e
type
Melancholy Musical Number
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b680713e
comment
Melancholy Musical Number: The Journalist fights his way to the home of his love, Carrie, taking three days only to find her and her father have left the house to escape the Martian attack, this segues into the song "Forever Autumn". The song itself contrasts two Autumn seasons, the previous when the singer and his love were together and the current where they are apart, and how his life will be "forever autumn" as he can't move on from the memory.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b680713e
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_b680713e
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c197275d
type
Ethereal White Dress
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c197275d
comment
Ethereal White Dress: Beth, briefly reappearing as a ghost at the end of Spirit Of Man.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c197275d
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c197275d
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c3c18143
type
Hope Spot
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c3c18143
comment
Hope Spot: Standing firm between them...there lay Thunder Child! There's also a very brief moment where it seems like the shock of his wife's death has managed to snap Parson Nathaniel out of his madness — unfortunately, he ends up spiralling further into derangement as a result of it.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c3c18143
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c3c18143
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c75df49a
type
Shout-Out
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c75df49a
comment
Shout-Out: The "Parson Nathaniel◊" painting in the CD booklet is a (mirror-flipped) visual reference to Salvador Dalí's painting The Temptation of St. Anthony◊ (probably NSFW), with Parson Nathaniel taking the role of St. Anthony and the tripods standing in for the monstrous horse and elephants.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c75df49a
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_c75df49a
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_caf89e54
type
Taking You with Me
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_caf89e54
comment
Note that in the novel, the battle goes a bit better in that what is stated in the musical. The heat rays set off the Thunder Child's boilers, bringing down a second of the three attacking Martian machines.
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_caf89e54
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Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_caf89e54
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_cb7fda55
type
Minor Character, Major Song
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_cb7fda55
comment
Minor Character, Major Song: Nathaniel and Beth, who get the epic duet "The Spirit of Man".
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_cb7fda55
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Nothing Is Scarier
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Nothing Is Scarier: Despite there being several pieces of artwork based on the musical, several of which depict the machines, not one provides a clear image of the Martians (the closest we get is one image depicting the fall of the Martians, in which birds can be seen tearing what appears to be flesh out of the cockpits of the machines). Their strange and otherworldly appearance is left entirely up to the listener's imagination, which might be for the better considering the films had a tendency to turn them into Humanoid Aliens. There is a sparse description (below) of their physical characteristics when they first emerge from the Horsell Common cylinder, and the narrator notes later that they are "composed entirely of brain", making bodies as they need. The Journalist finds the sudden silence that descends when the Martians start to die off so unsettling that it's the thing that pushes him over the brink of insanity.
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Gun Twirling: The heat ray.
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Incendiary Exponent: The animatronic fighting machine in the "New Generation" stage show sports a fully-functional flamethrower (the most notable use of which is coming back to life during the epilogue and blowing up the NASA control station), and various bits of the stage "catch fire" during the performance.
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Adaptational Wimp
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Adaptational Wimp: In the book, the British artillery batteries constantly harass the Martians as they advance on London, and although hopelessly outgunned they are effective enough to force the Martians to use their black smoke against them. Here it seems like 6 guns is all England has to defend itself.
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Memento MacGuffin
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Memento MacGuffin: During The Fighting Machine, Carrie and her father step outside to see the Martian attack in progress, and promptly decide to leave. Carrie drops a locket in the ensuing Crowd Panic, which is found by the Journalist in the next scene.
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Monumental Damage
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Monumental Damage: When the Journalist describes a fighting machine appearing above Big Ben, the tripod in the accompanying film knocks a chunk out of the clocktower.
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Composite Character
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Composite Character: The experiences of the protagonist and his brother are combined in the character of "the Journalist".
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Five Rounds Rapid
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Five Rounds Rapid: During The Fighting Machine, some of the soldiers in the background film try shooting at the Martians with their rifles. Most get vapourised, and one suffers Vertical Kidnapping.
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Pokémon Speak
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Pokémon Speak: The Martians communicate exclusively with "ULLAAAA!"
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Grief Song
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Grief Song: "Forever Autumn".
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Sanity Slippage Song
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Sanity Slippage Song / BSoD Song: All the big songs in the second half of the musical — "Earth Under The Martians" — are this to an extent: "Spirit of Man": Parson Nathaniel believes the Martians are demons, and is so far gone that he even believes his own wife Beth is a devil. "Brave New World": The Artilleryman has a plan! It's a shame he's so deluded that he thinks the tiny tunnel it took him a week to dig will be enough to save humanity, and his prophetic shouts about being "the chosen few" don't help either. Adam Garcia's rendition in the 40th anniversary tour gets increasingly manic as the song goes on, until he's screaming the word 'again' with every repetition of "We'll start all over again!" "Dead London": The narrator wanders around the deserted streets of London, driven mad by the solitude and the distorted "ULLA"s of the dying Martians, and decides to kill himself by running out in plain sight of a fighting machine. Luckily for him, the Martians inside are dead.
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Dark Reprise
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Dark Reprise: Brave New World relates the utopian dreams of The Artilleryman, who thinks the alien invasion is a opportunity to throw away everything that's wrong with the modern world and start over, building an underground utopia. The music is a heart-rousing soundtrack to revolution. The Journalist punctures this in deadpan narration: The Artilleryman has a tunnel all of ten feet long, and outside tripods are moving. The song is reprised, with a maudlin tone that now belies the words, and the discordant interpretation of the music gives the impression of a drunken, foolish dreamer, sitting in a cellar singing to himself as the world goes to hell outside. The song The Spirit Of Man combines this with the Ironic Echo — whilst the embittered, broken and deranged Parson Nathaniel's verses deal with his disillusionment with the sins of those around him, and his delusional belief that the invading Martians are 'demons' sent by Satan to wipe out humanity, his wife Beth's chorus is an optimistic, hopeful exhortation to the finest and noblest elements of human nature. Then a Martian craft crash-lands on the house in which the characters are sheltering, Beth is crushed under the rubble and Nathaniel takes over her chorus, the lyrics now altered to reflect his bitter, defeatist worldview. The Eve of the War and The Fighting Machine are also reprised on several occasions (usually to accompany situations of impending doom), but the example that fits this trope best is the start of Dead London, which features a slow, sombre repeat of the Fighting Machine main riff. Essentially, Jeff Wayne likes this trope.
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Darkest Hour
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Darkest Hour: The first disc is "The Coming Of The Martians", the second is "The Earth Under The Martians" (which was also how Wells divided his novel). The break comes when the battleship Thunder Child, the mightiest weapon humans have created, is destroyed in battle by the Martians.
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Canon Immigrant
 Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_fc7c4f92
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Canon Immigrant: The Martian campaign intro from the game is integrated into the prologue (verbatim in the original, re-recorded with new lines in The New Generation), and the game's model of the Flying Machine appears at several points.
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The Song Before the Storm
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The Song Before the Storm: The Eve of War, obviously, and arguably the Horsell Common section of Horsell Common and the Heat Ray.
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