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Jefferson Starship (Music)
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Jefferson Starship (named after the ad-hoc supergroup that played on Paul Kantner's Hugo-nominated science-fiction concept album Blows Against the Empire) is an American soft rock and, later, Arena Rock band formed in 1974. It is the noticeably more commercially-oriented Spiritual Successor to Jefferson Airplane, which had broken up two years earlier, and initially featured Paul Kantner, Grace Slick, David Freiberg, Papa John Creach and John Barbata from its predecessor's final lineup. Other founding members include teenage guitarist Craig Chaquico (previously a frequent guest on Kantner's solo albums) and bassist/guitarist Peter Kaukonen, the brother of Jorma from Jefferson Airplane (Peter Kaukonen was gone after their first tour, replaced by British session man Pete Sears, who had featured on Grace Slick's solo album Manhole). As implied in interviews, Kantner's initial vision for Jefferson Starship was essentially that of a revived (and more accessible) Jefferson Airplane, in which individual members were encouraged to pool their own songwriting and playing inclinations into a Genre Roulette, hence the band's tendency to frequently swing between conventionally love-themed pop-rock and more socially-commentative and esoteric tracks such as "Stairway to Cleveland" and "Rose Goes to Yale".Despite its numerous links to the Airplane, Jefferson Starship originated with the experimental albums "Baron von Tollbooth and the Chrome Nun" (credited to Kantner, Slick and latter-day Airplane singer David Freiberg) and "Manhole" (labelled as a Grace Slick solo album), both of which were primarily the handiwork of Kantner and Slick (then cohabiting and engaged in a relationship) alongside a rotating pool of musicians (including several former Airplane personnel). Following the low sales with which the costly "Manhole" was met, record corporation RCA threatened to drop the couple from its label, compelling them to rally (alongside the people mentioned above) and form a new band wielding a more commercially-viable sound. The resulting album, 1974's Dragon Fly, was a Progressive Rock-influenced sprawl of spacey-sounding rock, producing two hits (the hard-rocking album opener "Ride the Tiger" and the early power ballad "Caroline", the latter written and sung by former Airplane founder and frontman Marty Balin in a guest capacity). Partially due to the success of "Caroline", Balin became a full-time member of Jefferson Starship several months after the album's release, thus rejoining the successor of the group he had left five years earlier and enabling the Starship to recreate the shaggy three-part vocal harmonies (provided by Balin, Slick and Katner) characterizing much of the Airplane's earlier work. The group's second album, the polished soft rock-based Red Octopus (their final work to feature Creach) would become their most successful album (topping the Billboard album chart for four non-consecutive weeks in 1975), and with a little help from the main single from that album (Balin's ultra-slick pop ballad "Miracles", which hit no.3 in the charts) they became more commercially successful than Jefferson Airplane ever were.But despite all that, their main pop culture distinction these days is being "that band that showed up in The Star Wars Holiday Special".While the group's next (primarily Balin-helmed) two albums, Spitfire and Earth, cemented the Starship's commercial success further - rendering them one of the most prominent soft-rock and AOR acts of the late '70s - this popularity was not to last. During the recording of Red Octopus, Kantner and Slick severed their six-year romance; Slick, feeling increasingly pressured by the demands imposed by parenting her and Kantner's young daughter and indifferent towards the Starship's increasingly-conservative songwriting direction, began a relationship with lighting man Skip Spence to Kantner's chagrin. Kantner's songwriting contributions would resultantly dwindle during this era, contributing only sporadic tracks such as "I Wanna See Another World" and the Progressive Rock epic "Song for the Sun". Likewise, Marty Balin, long perceiving himself as upstaged by Slick within the Airplane years earlier, was becoming increasingly exasperated with their revived working relationship. Over the following years, these mounting tensions fuelled Slick's already-significant alcoholism further, climaxing following the release of "Earth" in 1978, in which she was asked to resign following a disastrous concert in Hamburg. Then came the Star Wars Holiday Special, and not long after that, both Balin (due to creative burnout) and John Barbata (due to sustaining near-fatal injuries in a road accident) exited, leaving Kantner the sole remaining founding member of the Airplane to persist in the group.The following year, vocalist Mickey Thomas (previously known for singing the yacht rock hit "Fooled Around and Fell in Love") joined the band to fill both Slick and Balin's roles and subsequently became the effective leader of the group in the 80's, although the songs themselves would remain sourced from the group's more veteran members. Simultaneously, Barbata was replaced by famous British session drummer (and former Journey member) Aynsley Dunbar, with Thomas' Elvin Bishop Band alumnus Donny Baldwin succeeding him in 1982. Through these new additions, the group revamped itself into a commercial hard-rock band reminiscent of contemporaries Boston and Foreigner, although Kantner's more esoteric and Airplane-flavored political anthems (now outfitted with trappings of punk and new wave) would continue to persist on their albums deep into the Reagan era. By 1981, Grace Slick - having undergone rehab and released two solo albums in the interim - was back, but all of these line-up changes were bracing to take their toll on the band. Numerous younger members, led by Micky Thomas (and joined, eventually, by Slick), increasingly advocated to fully modernize the band's sound and embrace broadly-romantic synthpop, whereas Kantner (having experienced a songwriting resurgence following both the group's genre shift and a near-fatal brain aneurysm) adamantly persisted with his more '60s-inspired stylings, which both these bandmates and the group's producers increasingly viewed as anachronistic and commercially unviable within the boundaries of the Starship's increasingly-rigid arena-rock image. These conflicts attained a peak during production of Nuclear Furniture in 1984, prompting Kantner to depart shortly following the album's completion. He would subsequently sue the remaining members over their continued use of the band's name; ultimately, the case was settled under the condition that the group would cease use of the "Jefferson" moniker going forward. Lacking one of its primary creative forces and with only a single prominent member of Jefferson Airplane (Grace Slick) remaining, the group was thus reborn as the infamous Starship.That's not the end of the story for Jefferson Starship though. Paul Kantner re-formed Jefferson Starship in 1992, and for the first few years they used the name "The Next Generation" next to Jefferson Starship (a reference to Star Trek: The Next Generation). They eventually dropped that, but they remain active today, mainly as a touring act. The revived band has featured a multitude of rotating personnel from the original group, among them Marty Balin, Papa John Creach (until his death in 1994) and, more recently, David Freiberg and Donny Baldwin, with Grace Slick contributing vocals on a small number of occasions. For a period in the mid-late '90s, the band's lineup likewise featured iconic Jefferson Airplane bassist Jack Casady; resultantly, the track "I'm on Fire" (hailing from the revived group's first album, Windows of Heaven), through featuring Balin, Kantner, Casady and a guest vocal from Slick, reunited a higher percentage of Jefferson Airplane's most iconic lineup than the original Jefferson Starship ever did. Kantner remarked of the band: 'I'm working on erasing the bad history of Jefferson Starship, in the '80s when it went bad. I had to leave the band, it got so bad. I'm usually the last one at the party, as a general rule'. They released two studio albums (the aforementioned Windows in 1998 and Jefferson's Tree Of Liberty in 2008) and several live albums before Kantner died from multiple organ failure and septic shock following a heart attack in 2016. Nonetheless, the band, now helmed by David Freiberg, has continued performing into the present and released the album Mother of the Sun (featuring guest contributions from Slick and Pete Sears in varying capacities) in 2020. | |
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Control Freak | |
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Control Freak: Mickey Thomas by all accounts, bringing him into increasingly intense conflict with the group's founder Paul Kantner during the early 1980s. | |
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Put on a Bus | |
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Put on a Bus / The Bus Came Back: Grace Slick was sacked in 1978 due to her worsening alcoholism and her behaviour during their Hamburg shows. Slick returned in 1981 though, in time for Modern Times. | |
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I Am the Band | |
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I Am the Band: Evidently applicable (particularly for the group's revived incarnation) to Paul Kantner - the only member to be a part of every incarnation - until his death in 2016. Relative to Mickey Thomas' synonymity with the group's successor Starship, however, Kantner's role in the original Jefferson Starship was nonetheless not all-pervasive, only co-writing two tracks on the group's best-selling album Red Octopus and otherwise permitting numerous compositions from other members, particularly on the band's 1980s albums. | |
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Arena Rock | |
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Arena Rock: While qualifying as one of the earliest American AOR groups in the mid-70s, the group evolved more unabashedly into this genre following Mickey Thomas' hiring in 1979. The band's early-'80s albums resultantly gravitated towards a variant of Steve Perry-era Journey or Foreigner's early work, albeit with more discernible punk and new wave influences and more sci-fi and fantasy-themed lyrics (owing to Paul Kantner's continued influence). | |
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The '80s | |
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The '80s: Endured almost midway into the decade prior to their rebranding as Starship, chiefly due to mounting inter-band tensions and founder Paul Kantner's disdain for the increasingly-electronic and commercially-oriented work he perceived the group to be veering into. | |
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One-Woman Song | |
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One-Woman Song: "Caroline", "Jane". | |
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Shout-Out | |
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Shout-Out: The album Blows Against the Empire was inspired by, and referenced, another Heinlein novel, Methuselah's Children, again with permission. (Heinlein commented that his plots had been used by others many times, but this was the first time someone had asked first). | |
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Lighter and Softer | |
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Lighter and Softer: Relative to the more socially-critical and politically-engaged Jefferson Airplane, Jefferson Starship's output (save for most of Paul Kantner's compositions, which noticeably retained hallmarks of his work with the Airplane, and sporadic exceptions such as "Assassin" on "Nuclear Furniture") generally tended to be more escapist and romance-oriented. | |
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Screw This, I'm Outta Here | |
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Screw This, I'm Outta Here: Marty Balin had enough and quit in 1978, though he returned in 1994 - only to quit again in 2008. | |
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Intercourse with You | |
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Intercourse with You: "Miracles". The lines "I got a taste of the real world (oh baby)/When I went down on you girl" can still be heard on the radio today. | |
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TheSeventies | |
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The '70s: Founded almost midway through the decade, the group rapidly became one of the most prominent commercial soft-rock groups of the era and, by the end of the decade, had successfully morphed into an Arena Rock group along the lines of Toto (as a matter of fact, their hit song "Jane" was understandably accused of aping Toto's single "Hold The Line", right down to the piano triplets). | |
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Jefferson Starship (Music) |
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