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Lil' Beethoven (Music)
- 144 statements
- 27 feature instances
- 2 referencing feature instances
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The 19th studio album by Sparks, Lil' Beethoven was released in 2002 through the band's own Lil' Beethoven imprint.The album was widely seen as both a return to form and a radical change of direction for the Mael brothers, who after two decades of delivering witty yet mostly underwhelming Synth-Pop, had dropped the style in favour of a fresh sound dominated by piano, multi-tracked vocals in place of dance beats (hence the cries of "oh no, where did the groove go?" in the opening track), and - living up to the title's classical pretensions - layers upon layers of orchestration created using synthesizers.The songwriting too was more experimental than prior Sparks whilst retaining their tongue-in-cheek nature, and has often been compared to Radiohead's Kid A for its heavy use of repetition and unorthodox arrangements. Many tracks on the album are satirical, with the Maels slyly addressing then-current trends in music as well as the state of modern-day culture in general, rendering the dramatic production style all the more ironic. However, whilst largely devoid of traditional rock instruments, it does contain guest appearances from drummer Tammy Glover and Faith No More touring guitarist Dean Menta, who joined the brothers on the road to play Lil' Beethoven in its entirety.To promote the album, the duo devised a backstory for the press explaining the record's concept. It told the story of how the titular character - a Reclusive Artist and the present day descendant of composer Ludwig van Beethoven - had been approached by the brothers to work on new material with them, the nine songs bearing the fruits of this supposed collaboration.Lil' Beethoven is often considered by many to be one of Sparks' best records, which some claiming it surpasses even Kimono My House in terms of quality. Though it wasn't a hit commercially, it was the album that finally gave them equal exposure in both Europe and the United States, reviving their critical reputation as a vital, inventive force in pop music. Tracklist "The Rhythm Thief" - 5:19 "How Do I Get To Carnegie Hall?" - 3:51 "What Are All These Bands So Angry About?" - 3:33 "I Married Myself" - 4:59 "Ride 'Em Cowboy" - 4:21 "My Baby's Taking Me Home" - 4:43 "Your Call's Very Important To Us. Please Hold." - 4:12 "Ugly Guys With Beautiful Girls" - 7:08 "Suburban Homeboy" - 2:59 | |
Lil' Beethoven (Music) | fetched |
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Dropped link to GenreBusting: Not a Feature - IGNORE | |
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Lil' Beethoven (Music) / int_22093e9b | type |
New Sound Album | |
Lil' Beethoven (Music) / int_22093e9b | comment |
New Sound Album: The band had operated in Electronic Music since 1979's No. 1 in Heaven, primarily Dance music and Synth-Pop. However, after 2000's Balls was met with indifference, they rebuilt their sound into Genre-Busting, repetitious, classically-inspired Chamber Pop. | |
Lil' Beethoven (Music) / int_22093e9b | featureApplicability |
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Lil' Beethoven (Music) / int_2bd2b7b8 | type |
List Song | |
Lil' Beethoven (Music) / int_2bd2b7b8 | comment |
List Song: "Ride 'Em Cowboy", of various stock phrases and clichés placed against their opposites: | |
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Lil' Beethoven (Music) / int_2e22f7d4 | type |
Minimalistic Cover Art | |
Lil' Beethoven (Music) / int_2e22f7d4 | comment |
Minimalistic Cover Art: A flat white background, the title text, and a small doodle of the titular character in the corner. | |
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Lil' Beethoven (Music) / int_3a03b27c | type |
Looped Lyrics | |
Lil' Beethoven (Music) / int_3a03b27c | comment |
Looped Lyrics: One of the defining elements of the album is lyrical repetition. Taken to the logical extreme in "My Baby's Taking Me Home" where, aside from a Spoken Word bridge, the lyrics are only the title repeated over 100 times. | |
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Lil' Beethoven (Music) / int_4f62bde6 | type |
Kavorka Man | |
Lil' Beethoven (Music) / int_4f62bde6 | comment |
Kavorka Man: The protagonist of "Ugly Guys With Beautiful Girls" gets dumped by his girl for one due to his wealthy status. | |
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Lil' Beethoven (Music) / int_5fe1360d | type |
Audience Participation Song | |
Lil' Beethoven (Music) / int_5fe1360d | comment |
Audience Participation Song: Due to its reliance on repetition and choral arrangements, the album as a whole can be surprisingly anthemic. "How do I get to Carnegie Hall?" ("Practise, man, practise!") "The Rhythm Thief" "Home, my baby's taking me home..." The ending of "Suburban Homeboy", as additional voices come in to signal a singalong. | |
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Lil' Beethoven (Music) / int_61a503a7 | type |
Hell Is That Noise | |
Lil' Beethoven (Music) / int_61a503a7 | comment |
Hell Is That Noise: "UGLY GUYS WITH BEAUTIFUL GIRLS! WAK-WAK-WAK-WAK! WAK-WAK-WAK-WAK!"" | |
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Lil' Beethoven (Music) / int_6298c177 | type |
Sequel Song | |
Lil' Beethoven (Music) / int_6298c177 | comment |
Sequel Song: "I Married Myself" is lyrically a follow-up to Kimono My House's "Falling In Love With Myself Again". "My Baby's Taking Me Home" could also be interpreted as the answer to "How are You Getting Home?" from Indiscreet. | |
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Lil' Beethoven (Music) / int_6f77ef8e | type |
Anti-Love Song | |
Lil' Beethoven (Music) / int_6f77ef8e | comment |
Anti-Love Song: "I Married Myself". | |
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Lil' Beethoven (Music) / int_74149c93 | type |
Epic Rocking | |
Lil' Beethoven (Music) / int_74149c93 | comment |
Epic Rocking: "Ugly Guys with Beautiful Girls" is one of their longest songs at over 7 minutes. | |
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Lil' Beethoven (Music) / int_85bb40b8 | type |
Dramatic Timpani | |
Lil' Beethoven (Music) / int_85bb40b8 | comment |
Dramatic Timpani: Aside from a few tracks, the percussion on the album is mainly reduced to this. | |
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Lil' Beethoven (Music) / int_884e513b | type |
Medium Awareness | |
Lil' Beethoven (Music) / int_884e513b | comment |
Medium Awareness: "The Rhythm Thief" is a song about the song having no drums. | |
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Lil' Beethoven (Music) / int_8ae880f7 | type |
Deconstruction | |
Lil' Beethoven (Music) / int_8ae880f7 | comment |
Deconstruction: Of pop music, as well as Sparks' own career. | |
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Lil' Beethoven (Music) / int_93135d23 | type |
Stock Jokes | |
Lil' Beethoven (Music) / int_93135d23 | comment |
Stock Jokes: "How Do I Get to Carnegie Hall?" is named after one, and includes the stock answer: practice. | |
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Lil' Beethoven (Music) / int_99699561 | type |
Questioning Title? | |
Lil' Beethoven (Music) / int_99699561 | comment |
Questioning Title?: "How Do I Get to Carnegie Hall?" and "What Are All These Bands So Angry About?". | |
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Lil' Beethoven (Music) / int_a4328a91 | type |
For Inconvenience, Press "1" | |
Lil' Beethoven (Music) / int_a4328a91 | comment |
For Inconvenience, Press "1": "Your Call Is Very Important To Us. Please Hold." | |
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Lil' Beethoven (Music) / int_a4c37cbe | type |
Mood Whiplash | |
Lil' Beethoven (Music) / int_a4c37cbe | comment |
Mood Whiplash: "How Do I Get to Carnegie Hall?" starts off as a lighthearted tale about a concert pianist striving for perfection. Then we learn that, no matter how gifted he is and how much praise he receives from the audience, it all means nothing to him and that he was only doing it so he can impress a girl, who doesn't seem to return his affection. Musically, the heavy rock sound of "Ugly Guys With Beautiful Girls" is jarring after the previous tracks, especially the calm woodwind section which bookends it. | |
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Lil' Beethoven (Music) / int_b53077b3 | type |
Take That! | |
Lil' Beethoven (Music) / int_b53077b3 | comment |
Take That!: "What Are All These Bands So Angry About?" is one towards angsty rock bands whose complaints tend to be rather trivial in nature, and compares them to musicians from the past (such as Billie Holiday and Howlin' Wolf) who genuinely had something to be upset about. "Suburban Homeboy" is a mockery of privileged youths who try to act street, set to a classy, vaudevillian orchestra arrangement. | |
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Lil' Beethoven (Music) / int_bf74d357 | type |
Ugly Guy, Hot Wife | |
Lil' Beethoven (Music) / int_bf74d357 | comment |
Ugly Guy, Hot Wife: The narrator of "Ugly Guys With Beautiful Girls" questions how this happens before revealing that the answer is cold, hard cash. | |
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Lil' Beethoven (Music) / int_d40b9465 | type |
Title-Only Chorus | |
Lil' Beethoven (Music) / int_d40b9465 | comment |
Title-Only Chorus: In the case of "My Baby's Taking Me Home", a title only TRACK (not counting the spoken word section in the middle of it). | |
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Lil' Beethoven (Music) / int_dd26fd14 | type |
Man of a Thousand Voices | |
Lil' Beethoven (Music) / int_dd26fd14 | comment |
Man of a Thousand Voices: All of the vocals - except the telephone operator voice on "Your Call Is Very Important To Us" which was provided by Tammy Glover - are done by Russell. | |
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Lil' Beethoven (Music) / int_df1793de | type |
Updated Re-release | |
Lil' Beethoven (Music) / int_df1793de | comment |
Updated Re-release: A 'Deluxe Edition' of the album - containing three bonus tracks, enhanced content, and packaged in a black sleeve instead of white - was issued in 2004 after the original pressing ran out. | |
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Lil' Beethoven (Music) / int_e0bc3cc3 | type |
The Perfectionist | |
Lil' Beethoven (Music) / int_e0bc3cc3 | comment |
"How Do I Get to Carnegie Hall?" starts off as a lighthearted tale about a concert pianist striving for perfection. Then we learn that, no matter how gifted he is and how much praise he receives from the audience, it all means nothing to him and that he was only doing it so he can impress a girl, who doesn't seem to return his affection. | |
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Lil' Beethoven (Music) / int_e0e6dd31 | type |
Spoken Word | |
Lil' Beethoven (Music) / int_e0e6dd31 | comment |
Spoken Word: Loads of examples here, but particularly "Ugly Guys With Beautiful Girls", which is essentially a spoken monologue set to music. | |
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Lil' Beethoven (Music) / int_e6dea5bf | type |
Self-Backing Vocalist | |
Lil' Beethoven (Music) / int_e6dea5bf | comment |
Self-Backing Vocalist: Russell takes this trope to a whole other level on this album, piling several layers of his vocals on top of each other until he's practically his own choir. | |
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Lil' Beethoven (Music) / int_eb6912 | type |
Pretty Fly for a White Guy | |
Lil' Beethoven (Music) / int_eb6912 | comment |
Pretty Fly for a White Guy: Parodied with "Suburban Homeboy". | |
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The following is a list of statements referring to the current page from other pages.
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New Wave Music / int_267ad672 | |
Lil' Beethoven (Music) | hasFeature |
Progressive Rock / int_267ad672 |
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