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Mardi Gras (Music)

 Mardi Gras (Music)
type
TVTItem
 Mardi Gras (Music)
label
Mardi Gras (Music)
 Mardi Gras (Music)
page
MardiGras
 Mardi Gras (Music)
comment
Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); })Mardi Gras is the seventh and final album by Creedence Clearwater Revival, released on April 11, 1972. Behind the scenes, there was friction between John Fogerty and his bandmates that started to rear its ugly head after the release of their prior album Pendulum. With John assuming a bulk of the band's songwriting and production duties leading up to this, his brother Tom quit the band after a dispute to assume greater creative input, and afterwards John agreed to split his duties roughly evenly between the remaining members. By the Summer of 1971 they released the single "Sweet Hitch-Hiker" with Stu Cook's "Door to Door" as the B-side. After another recording session the following January, the album finally saw release, selling well enough to be certified Gold but receiving mixed reviews at the time.Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_2'); })"Someday Never Comes" was also released as a single around the same time of the album, peaking at #25 in the Hot 100 and being commonly regarded as the best song to have come out of the album. The following October, Creedence Clearwater Revival dissolved for good, with its members not in talking terms to this day.
 Mardi Gras (Music)
fetched
2021-05-06T17:28:59Z
 Mardi Gras (Music)
parsed
2021-05-06T17:28:59Z
 Mardi Gras (Music)
isPartOf
DBTropes
 Mardi Gras (Music) / int_25bc8511
type
Generation Xerox
 Mardi Gras (Music) / int_25bc8511
comment
Generation Xerox: The narrator of "Someday Never Comes" ends up abandoning his son just as his own father had done to him, and even offers up the same false assurance that "someday, you'll understand".
 Mardi Gras (Music) / int_25bc8511
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1.0
 Mardi Gras (Music) / int_25bc8511
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1.0
 Mardi Gras (Music)
hasFeature
Mardi Gras (Music) / int_25bc8511
 Mardi Gras (Music) / int_28cd01ca
type
Disappeared Dad
 Mardi Gras (Music) / int_28cd01ca
comment
Disappeared Dad: "Someday Never Comes", where the father in the song was a deadbeat that left the family.
 Mardi Gras (Music) / int_28cd01ca
featureApplicability
1.0
 Mardi Gras (Music) / int_28cd01ca
featureConfidence
1.0
 Mardi Gras (Music)
hasFeature
Mardi Gras (Music) / int_28cd01ca
 Mardi Gras (Music) / int_297ab1b9
type
Parental Abandonment
 Mardi Gras (Music) / int_297ab1b9
comment
Parental Abandonment: Done by the narrator's father, then the narrator himself, in "Someday Never Comes".
 Mardi Gras (Music) / int_297ab1b9
featureApplicability
1.0
 Mardi Gras (Music) / int_297ab1b9
featureConfidence
1.0
 Mardi Gras (Music)
hasFeature
Mardi Gras (Music) / int_297ab1b9
 Mardi Gras (Music) / int_51f90774
type
Step Up to the Microphone
 Mardi Gras (Music) / int_51f90774
comment
Step Up to the Microphone: The only album with vocal output from Stu Cook ("Take It Like a Friend", "Sail Away", "Door to Door") and Doug Clifford ("Need Someone to Hold", "Tearin' Up the Country", "What Are You Gonna Do") in roughly equal contributionsnote John still sung in four, but he wrote three with the remaining one being a cover. If you believe Doug and Stu's account, John threatened to quit the band and made them write and sing the songs. If you believe John, the two wanted more creative input and he was happy to oblige them.
 Mardi Gras (Music) / int_51f90774
featureApplicability
1.0
 Mardi Gras (Music) / int_51f90774
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1.0
 Mardi Gras (Music)
hasFeature
Mardi Gras (Music) / int_51f90774
 Mardi Gras (Music) / int_b24cfda5
type
Perspective Reversal
 Mardi Gras (Music) / int_b24cfda5
comment
Perspective Reversal: "Someday Never Comes"
 Mardi Gras (Music) / int_b24cfda5
featureApplicability
1.0
 Mardi Gras (Music) / int_b24cfda5
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1.0
 Mardi Gras (Music)
hasFeature
Mardi Gras (Music) / int_b24cfda5
 Mardi Gras (Music) / int_b28a8d0a
type
Break-Up Song
 Mardi Gras (Music) / int_b28a8d0a
comment
Break-Up Song: "Someday Never Comes" is about the breakup of John Fogerty's parents. He was also undergoing one at the time.
 Mardi Gras (Music) / int_b28a8d0a
featureApplicability
1.0
 Mardi Gras (Music) / int_b28a8d0a
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1.0
 Mardi Gras (Music)
hasFeature
Mardi Gras (Music) / int_b28a8d0a
 Mardi Gras (Music) / int_cff53786
type
Cover Version
 Mardi Gras (Music) / int_cff53786
comment
Cover Version: The cover of Ricky Nelson's "Hello Mary Lou".
 Mardi Gras (Music) / int_cff53786
featureApplicability
1.0
 Mardi Gras (Music) / int_cff53786
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1.0
 Mardi Gras (Music)
hasFeature
Mardi Gras (Music) / int_cff53786
 Mardi Gras (Music) / int_dbfe8427
type
Intercourse with You
 Mardi Gras (Music) / int_dbfe8427
comment
Intercourse with You: Stu's "Door to Door", which describes sex using analogies and wordplay about a travelling salesman doing a fabric cleaner demonstration ("first, you pull the curtain while I spread some here"), and John's "Sweet Hitch-Hiker", about a driver picking up a girl and getting oral sex, then later crashing his rig, hitching a ride with another girl and getting some more. Needless to say, this was a departure for the band, who until then primarily wrote songs about heartbreak and tender love (their few sexually charged tracks like "Good Golly Miss Molly" had mostly been covers), and never got any less ambiguous than "chooglin'".
 Mardi Gras (Music) / int_dbfe8427
featureApplicability
1.0
 Mardi Gras (Music) / int_dbfe8427
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1.0
 Mardi Gras (Music)
hasFeature
Mardi Gras (Music) / int_dbfe8427
 Mardi Gras (Music) / int_name
type
ItemName
 Mardi Gras (Music) / int_name
comment
 Mardi Gras (Music) / int_name
featureApplicability
1.0
 Mardi Gras (Music) / int_name
featureConfidence
1.0
 Mardi Gras (Music)
hasFeature
Mardi Gras (Music) / int_name
 Mardi Gras (Music) / int_name
itemName
Mardi Gras (Music)

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 Mardi Gras (Music)
hasFeature
Blues Rock / int_119e7d45