...it's like TV Tropes, but LINKED DATA!
Pat Metheny (Music)
- 169 statements
- 31 feature instances
- 6 referencing feature instances
Pat Metheny (Music) | type |
TVTItem | |
Pat Metheny (Music) | label |
Pat Metheny (Music) | |
Pat Metheny (Music) | page |
PatMetheny | |
Pat Metheny (Music) | comment |
Patrick Bruce Metheny (born August 12, 1954) is a jazz guitarist from the Kansas City suburb of Lee's Summit, Missouri, United States. Though he originally learned the trumpet from his grandfather, father and older brother, it was seeing The Beatles on television in 1964 that made him more interested in the guitar. His proficiency at guitar quickly translated to tutelage under well-respected jazz musicians, and a teaching position at both the University of Miami and at Berklee College of Music before the age of 20.Metheny's debut album Bright Size Life was released in 1976, at the age of 21. Within a year, Metheny would meet pianist Lyle Mays, who would become a key collaborator for over 25 years. 1978 saw the debut of Pat Metheny Group, a contemporary jazz band that would later come to symbolize Jazz Fusion in the 1980s, incorporating elements of Americana, Brazilian popular music, New Age and smooth jazz. The Group would acquire 10 Grammy awards across its 27-year, 11-album career. (Metheny himself would garner 20 Grammys, the same number as Bruce Springsteen; and he maintains the record for both most consecutive wins in a category - seven - and most wins across different categories - also seven, including Best Rock Instrumental Performance and Best New Age Album.)Elsewhere, Metheny released solo albums, as well as collaborations with other names in jazz, with vibraphonist Gary Burton, pianist Chick Corea, bassist Charlie Haden, drummer Antonio Sánchez and saxophonist Colin Potter among them. One of his most admired collaborations was the 1986 album Song X, that he made with veteran free jazz pioneer Ornette Coleman; for years, this was the album that hardcore old-school jazz fans who weren't otherwise keen on the Pat Metheny Group would grudgingly admit was evidence that Metheny could play serious jazz if he really wanted to.note This is to some extent because earlier albums that were also evidence of that, such as 80/81, weren't nearly as well-known as Song X. He's also had the fortune of working with Joni Mitchell (becoming part of her backing band for an elaborate 1980 tour), David Bowie (on "This Is Not America" from Metheny's score for the film The Falcon and the Snowman) and Steve Reich (who composed the much sampled "Electric Counterpoint" for Metheny.)Metheny's musical style is greatly influenced by Bill Evans, Wes Montgomery, Miles Davis and The Beatles. At the beginning of the 1980s, Latin and Brazilian music also heavily influenced his compositional style. His signature guitar tone is of a hollow-body electric guitar (formerly, a Gibson ES-175, now replaced by various Ibanez signature models)—reminiscent of Wes Montgomery, but not quite as dark; up until the 1990s, he was a fond user of digital chorusing and reverb effects to provide extra space. However, his sounds over the years include: altered tunings on 6 and 12-string acoustics and electrics, the Roland GR-300 Guitar Synthesizer—which Metheny used to give his guitar a timbre equivalent to that of a trumpet, the Synclavier digital synthesizer workstation, and he also owns a Pikasso guitar created by Canadian luthier Linda Manzer; it contains 42 strings across two guitar necks and two autoharp sections.◊During the revival of smoother/kitschier 80s sounds in the 2010s, many have come out on record stating that Metheny's music has been instrumental in finding success in their own fields, from dance producer Todd Terje and drum and bass producer Goldie, to guitarist Thurston Moore and ambient composers CFCF and The Orb. An amusing anecdote about Metheny comes from famed television producer Chuck Lorre: Lorre was invited to audit a guitar course at the University of Miami, as he was a working musician at the time. Metheny was introduced to him as the "guest educator" for that course and Lorre had his world abruptly destroyed upon hearing a 16-year-old Metheny play. Lorre credits his later switch to television to this moment, and his entire anecdote appeared on one of his signature Vanity Plates after an episode of The Big Bang Theory.Discography: | |
Pat Metheny (Music) | fetched |
2023-06-01T14:44:27Z | |
Pat Metheny (Music) | parsed |
2023-06-01T14:44:27Z | |
Pat Metheny (Music) | processingComment |
Dropped link to Foil: Not a Feature - IGNORE | |
Pat Metheny (Music) | processingComment |
Dropped link to GrandFinale: Not a Feature - ITEM | |
Pat Metheny (Music) | processingComment |
Dropped link to JamesTaylor: Not a Feature - ITEM | |
Pat Metheny (Music) | processingComment |
Dropped link to JoJosBizarreAdventure: Not a Feature - ITEM | |
Pat Metheny (Music) | processingComment |
Dropped link to SonicYouth: Not a Feature - IGNORE | |
Pat Metheny (Music) | processingComment |
Dropped link to TheBeatles: Not a Feature - IGNORE | |
Pat Metheny (Music) | isPartOf |
DBTropes | |
Pat Metheny (Music) / int_1ab29034 | type |
Orchestral Version | |
Pat Metheny (Music) / int_1ab29034 | comment |
Orchestral Version: Metheny has not only performed with a live symphonic orchestra, but revived the self-playing orchestrion instrument to perform several of his compositions. | |
Pat Metheny (Music) / int_1ab29034 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_1ab29034 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_1ab29034 | |
Pat Metheny (Music) / int_22093e9b | type |
New Sound Album | |
Pat Metheny (Music) / int_22093e9b | comment |
New Sound Album: As Falls Wichita, So Falls Wichita Falls and Offramp would solidify the "Pat Metheny sound" for the following decades. | |
Pat Metheny (Music) / int_22093e9b | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_22093e9b | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_22093e9b | |
Pat Metheny (Music) / int_2e22f7d4 | type |
Minimalistic Cover Art | |
Pat Metheny (Music) / int_2e22f7d4 | comment |
Minimalistic Cover Art: His albums for ECM always fell into this trope, as part of that label's Signature Style. First Circle is the most minimal, with the band name in grey on white, and a handwritten album title. Song X's original cover had just the musicians' names and the album title on a white background. | |
Pat Metheny (Music) / int_2e22f7d4 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_2e22f7d4 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_2e22f7d4 | |
Pat Metheny (Music) / int_34f6774c | type |
Concept Album | |
Pat Metheny (Music) / int_34f6774c | comment |
Concept Album: Secret Story seems to read as the blossoming and dissolution of a relationship. | |
Pat Metheny (Music) / int_34f6774c | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_34f6774c | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_34f6774c | |
Pat Metheny (Music) / int_38da8916 | type |
Uncommon Time | |
Pat Metheny (Music) / int_38da8916 | comment |
Uncommon Time: Metheny adores using odd time signatures. "The First Circle" is the most gorgeous piece in 22/8 (along with other time signatures.) He even wrote a song called "45/8" as an exercise, while the following song "5-5-7"'s main riff is two bars of 5/4 with one bar of 7/4. | |
Pat Metheny (Music) / int_38da8916 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_38da8916 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_38da8916 | |
Pat Metheny (Music) / int_415b3315 | type |
Stylistic Suck | |
Pat Metheny (Music) / int_415b3315 | comment |
Stylistic Suck / Throw It In: First Circle opens with "Forward March", where everyone switched to concert band instruments and played like a high school band's first time playing something harder than their skill level. They immediately switch to their regular mode on the next song. "Forward March" was included as the opener to First Circle because "it sounded like a good idea at the time." The album still won a Grammy. | |
Pat Metheny (Music) / int_415b3315 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_415b3315 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_415b3315 | |
Pat Metheny (Music) / int_515eeccc | type |
Sampling | |
Pat Metheny (Music) / int_515eeccc | comment |
Sampling: We Live Here experimented with some very 90s drum loops. | |
Pat Metheny (Music) / int_515eeccc | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_515eeccc | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_515eeccc | |
Pat Metheny (Music) / int_5e835a41 | type |
Gratuitous Panning | |
Pat Metheny (Music) / int_5e835a41 | comment |
Gratuitous Panning: Some elements of percussion have a tendency to whirl around the stereo field on his albums. | |
Pat Metheny (Music) / int_5e835a41 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_5e835a41 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_5e835a41 | |
Pat Metheny (Music) / int_6f33059b | type |
Iconic Outfit | |
Pat Metheny (Music) / int_6f33059b | comment |
Iconic Outfit: Metheny loves horizontally striped sweaters, despite going on record as saying he doesn't care what he wears. | |
Pat Metheny (Music) / int_6f33059b | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_6f33059b | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_6f33059b | |
Pat Metheny (Music) / int_74149c93 | type |
Epic Rocking | |
Pat Metheny (Music) / int_74149c93 | comment |
Epic Rocking: Metheny's composed several songs that exceed the 7-minute mark. In a more literal example, 1997's film score-ready "The Roots of Coincidence" is inspired by drum and bass and hard rock, and during live performances required his pianist and percussionist to switch to playing power chords on guitars. The song won Best Rock Instrumental Performance at the 1999 Grammys. Pat Metheny Group's final album was a 68-minute composition titled "The Way Up". The first track on his 1997 collaboration with Derek Bailey, The Sign of 4, is an improvisation called "A Study in Scarlet" which is nearly 63 minutes long. One of the drummers on it, Gregg Bendian, suggested listening to it only after having listened to nearly everything else on the album. | |
Pat Metheny (Music) / int_74149c93 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_74149c93 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_74149c93 | |
Pat Metheny (Music) / int_831164fe | type |
Signature Style | |
Pat Metheny (Music) / int_831164fe | comment |
Signature Style: The Pikasso guitar and the guitar synth. | |
Pat Metheny (Music) / int_831164fe | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_831164fe | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_831164fe | |
Pat Metheny (Music) / int_93851bf1 | type |
Greatest Hits Album | |
Pat Metheny (Music) / int_93851bf1 | comment |
Greatest Hits Album: Essential Collection Last Train Home is notable for being created specifically to accompany a season of the Japanese anime Jojos Bizarre Adventure. It remains a Japan-only import album. | |
Pat Metheny (Music) / int_93851bf1 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_93851bf1 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_93851bf1 | |
Pat Metheny (Music) / int_a33b90b2 | type |
Improv | |
Pat Metheny (Music) / int_a33b90b2 | comment |
Improv: Despite the tight songwriting and arrangements that Metheny employs in a lot of his work, there was still plenty of room for improvisation. "Quartet" is built almost entirely out of jams. Elsewhere, "September Fifteenth" consists of two short pieces (one by Metheny, another by Mays) followed by a lengthy piano solo with sparse guitar accompaniment when the pair ran out of sheet music. There's also his free jazz pieces, where only the brief main melody (known as "the theme" in jazz parlance) was the only part that was written down. | |
Pat Metheny (Music) / int_a33b90b2 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_a33b90b2 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_a33b90b2 | |
Pat Metheny (Music) / int_a4c37cbe | type |
Mood Whiplash | |
Pat Metheny (Music) / int_a4c37cbe | comment |
Mood Whiplash: First Circle's opener "Forward March", with its gratuitous Stylistic Suck (noted below.) Those expecting a nice, softer guitar album out of Zero Tolerance for Silence were instead greeted by 40 straight minutes of guitar noise.note He does play actual notes on this album, it's just that it's overdubbed in such a way that there's more music than the ear can take in. The quote on the sticker from Sonic Youth's Thurston Moore should have clued listeners in to what they were getting. | |
Pat Metheny (Music) / int_a4c37cbe | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_a4c37cbe | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_a4c37cbe | |
Pat Metheny (Music) / int_b24ce4b2 | type |
Rearrange the Song | |
Pat Metheny (Music) / int_b24ce4b2 | comment |
Rearrange the Song: Metheny has re-arranged and re-recorded his songs for solo guitar, jazz trio and orchestra at different points in his career. | |
Pat Metheny (Music) / int_b24ce4b2 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_b24ce4b2 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_b24ce4b2 | |
Pat Metheny (Music) / int_bbb150a8 | type |
Celebrity Is Overrated | |
Pat Metheny (Music) / int_bbb150a8 | comment |
Celebrity Is Overrated: "I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted." | |
Pat Metheny (Music) / int_bbb150a8 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_bbb150a8 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_bbb150a8 | |
Pat Metheny (Music) / int_bc74ef27 | type |
Berserk Button | |
Pat Metheny (Music) / int_bc74ef27 | comment |
Berserk Button: Metheny went off on smooth jazz saxophonist Kenny G for releasing a post-mortem duet with Louis Armstrong. Probably the only time Metheny has been on-record for swearing. | |
Pat Metheny (Music) / int_bc74ef27 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_bc74ef27 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_bc74ef27 | |
Pat Metheny (Music) / int_c40c8b74 | type |
And Starring | |
Pat Metheny (Music) / int_c40c8b74 | comment |
And Starring: Percussionist Naná Vasconcelos, though being absolutely vital in creating the sound that Pat Metheny is known for, was only ever credited as a "special guest" for As Falls Wichita... and Offramp, as well as the accompanying live album Travels. | |
Pat Metheny (Music) / int_c40c8b74 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_c40c8b74 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_c40c8b74 | |
Pat Metheny (Music) / int_c75df49a | type |
Shout-Out | |
Pat Metheny (Music) / int_c75df49a | comment |
Shout-Out: "James" is inspired by James Taylor. "Every Summer Night" was dedicated to Stanley Turrentine. | |
Pat Metheny (Music) / int_c75df49a | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_c75df49a | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_c75df49a | |
Pat Metheny (Music) / int_ca85e684 | type |
Power Trio | |
Pat Metheny (Music) / int_ca85e684 | comment |
Power Trio: Metheny, Mays and bass player Steve Rodby became the nucleus of Pat Metheny Group, with Rodby becoming an avid engineer and producer during his time with the two main songwriters. | |
Pat Metheny (Music) / int_ca85e684 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_ca85e684 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_ca85e684 | |
Pat Metheny (Music) / int_ce6555f0 | type |
Lighter and Softer | |
Pat Metheny (Music) / int_ce6555f0 | comment |
Lighter and Softer: Metheny's solo and duet albums tend to be much more intimate in their compositions, except for the epically skronky zero tolerance for silence. | |
Pat Metheny (Music) / int_ce6555f0 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_ce6555f0 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_ce6555f0 | |
Pat Metheny (Music) / int_cff53786 | type |
Cover Version | |
Pat Metheny (Music) / int_cff53786 | comment |
Cover Version: Bright Size Life featured a medley of two Ornette Coleman songs, "Round Trip/Broadway Blues". "Broadway Blues" also appeared on The Orchestrion Project. What's It All About is an album of covers of other artists, most notably The Beatles, Simon & Garfunkel and Burt Bacharach. The previous solo album, One Quiet Night, also featured a couple. Live concerts sometimes include a cover of the Hutch Brothers song, "All the Things You Are". | |
Pat Metheny (Music) / int_cff53786 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_cff53786 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_cff53786 | |
Pat Metheny (Music) / int_d294e6ba | type |
Subdued Section | |
Pat Metheny (Music) / int_d294e6ba | comment |
Subdued Section: Several of the epic titles feature changes in dynamics like classical music. Notable entries include the middle of "The First Circle" and the opening to "Minuano (Six Eight)". | |
Pat Metheny (Music) / int_d294e6ba | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_d294e6ba | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_d294e6ba | |
Pat Metheny (Music) / int_d9761a10 | type |
Performance Video | |
Pat Metheny (Music) / int_d9761a10 | comment |
Performance Video: Pat Metheny Group has several concert videos out there in the wild. They also made a couple of music videos in the 80s, and those are really only performance videos as well. | |
Pat Metheny (Music) / int_d9761a10 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_d9761a10 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_d9761a10 | |
Pat Metheny (Music) / int_e144beb6 | type |
Everything Is an Instrument | |
Pat Metheny (Music) / int_e144beb6 | comment |
Everything Is an Instrument: In 2010, Metheny revived the 200-year old concept of the orchestrion, a machine designed to play any number and combination of instruments simultaneously, so as to sound like a band or orchestra. His version, depicted on the front cover◊ of Orchestrion, includes pianos, guitars, bass guitars, a drum kit, vibraphones and xylophones, an organ and blown glass bottles — all controllable by his guitar. | |
Pat Metheny (Music) / int_e144beb6 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_e144beb6 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_e144beb6 | |
Pat Metheny (Music) / int_e40f6792 | type |
Design Student's Orgasm | |
Pat Metheny (Music) / int_e40f6792 | comment |
Design Student's Orgasm: STILL life (talking), Letter from Home, Secret Story, We Live Here and KIN (←→) feature painstakingly detailed collages for their cover artwork. "Quartet" also counts, but most of it is washed out into a series of light grays. The cover of Essential Collection Last Train Home, designed by the studio behind Jojos Bizarre Adventure, was assembled to deliberately mimic that of STILL life (talking), from which the titular "Last Train Home" song comes from. Imaginary Day's artwork is an image substitution cipher. By lining up an arrow on the CD with one of three colours on the CD tray, the front and back covers, along with an essay in the liner notes, can be deciphered. | |
Pat Metheny (Music) / int_e40f6792 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_e40f6792 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_e40f6792 | |
Pat Metheny (Music) / int_e680af6f | type |
Grief Song | |
Pat Metheny (Music) / int_e680af6f | comment |
Grief Song: "September Fifteenth (dedicated to Bill Evans)", written and improvised by Metheny and Mays after Evans' passing. The final three songs on Secret Story. "Is This America? (Katrina 2005)" was written in regards to the lackluster government response to Hurricane Katrina hitting the Southern United States in 2005. | |
Pat Metheny (Music) / int_e680af6f | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_e680af6f | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_e680af6f | |
Pat Metheny (Music) / int_e7e558 | type |
The Oner | |
Pat Metheny (Music) / int_e7e558 | comment |
The Oner: Metheny noted that his earlier albums for record label ECM all had to be recorded under a strict deadline that every artist on the label had to adhere to, which necessitated this trope: "You recorded for two days, you mixed for a day, that was your record. For better or worse...whether you liked it or not, that was your record." | |
Pat Metheny (Music) / int_e7e558 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_e7e558 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_e7e558 | |
Pat Metheny (Music) / int_eb6912 | type |
Pretty Fly for a White Guy | |
Pat Metheny (Music) / int_eb6912 | comment |
Pretty Fly for a White Guy: Some of his compositions became popular amongst black step dancers in the 90s. | |
Pat Metheny (Music) / int_eb6912 | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_eb6912 | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_eb6912 | |
Pat Metheny (Music) / int_f3cf057b | type |
Fading into the Next Song | |
Pat Metheny (Music) / int_f3cf057b | comment |
Fading into the Next Song: "Third Wind" → "Distance" → "In Her Family" on STILL life (talking) "Every Summer Night" → Better Days Ahead", and "Are We There Yet" → "Vidala" on Letter from Home. "The Heat of the Day" → "Across the Sky" → "The Roots of Coincidence" → "Too Soon Tomorrow" on Imaginary Day. | |
Pat Metheny (Music) / int_f3cf057b | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_f3cf057b | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_f3cf057b | |
Pat Metheny (Music) / int_name | type |
ItemName | |
Pat Metheny (Music) / int_name | comment |
||
Pat Metheny (Music) / int_name | featureApplicability |
1.0 | |
Pat Metheny (Music) / int_name | featureConfidence |
1.0 | |
Pat Metheny (Music) | hasFeature |
Pat Metheny (Music) / int_name | |
Pat Metheny (Music) / int_name | itemName |
Pat Metheny (Music) |
The following is a list of statements referring to the current page from other pages.
Pat Metheny (Music) | hasFeature |
American Music / int_9c2c7fc | |
Pat Metheny (Music) | hasFeature |
Epic Rocking / int_9c2c7fc | |
Pat Metheny (Music) | hasFeature |
Jazz / int_9c2c7fc | |
Pat Metheny (Music) | hasFeature |
Jazz Fusion / int_9c2c7fc | |
Pat Metheny (Music) | hasFeature |
One-Hit Wonder / int_9c2c7fc | |
Pat Metheny (Music) | hasFeature |
Uncommon Time / int_9c2c7fc |
Copyright of DBTropes.org wrapper 2009-2013 DFKI Knowledge Management. Imprint. - Thanks to Bakken&Baeck for hosting. Contact.
Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.
Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.