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Signals (Music)
- 73 statements
- 13 feature instances
- 2 referencing feature instances
| Signals (Music) | type |
TVTItem | |
| Signals (Music) | label |
Signals (Music) | |
| Signals (Music) | page |
Signals | |
| Signals (Music) | comment |
So, you are a band and you have just released your most successful studio album yet. So what do you do for the follow up album? Release one with a completely different sound!Signals is the ninth studio album by Canadian Progressive Rock band Rush, released in 1982 through Anthem Records in Canada and Mercury Records internationally. The follow up to their best selling album Moving Pictures, Signals was highly anticipated upon release and many fans felt to it was going to be Moving Pictures: Part 2.But they were wrong. From the opening song “Subdivisions�, the band had a new sound. It was more keyboard-driven and included more new wave and reggae influences, with the band being influenced by artists like The Police. The album contained their only Top 40 hit, “New World Man�, hitting #21 on the Billboard Hot 100 pop charts. It was also their only #1 pop hit in their home country of Canada. Other memorable songs of the album was “The Analog Kid�, “Digital Man�, and “Countdown�. This was also their last album to be produced by long-time producer, Terry Brown.While now regarded as one their best albums, at the time this was easily the most controversial album the band released in their career. Fans wanting more of their Permanent Waves and Moving Pictures sound felt betrayed by the shorter songs, topical lyrics, and the focus on the keyboards. Rush would continue with this approach for the rest of The '80s. Rush's “synth era� was born. | |
| Signals (Music) | fetched |
2024-04-12T20:01:44Z | |
| Signals (Music) | parsed |
2024-04-12T20:01:44Z | |
| Signals (Music) | isPartOf |
DBTropes | |
| Signals (Music) / int_22093e9b | type |
New Sound Album | |
| Signals (Music) / int_22093e9b | comment |
New Sound Album: The most radical change for a Rush album, with synthesizers driving most of the songs, reduced song lengths, and more topical themes for the song's lyrics. | |
| Signals (Music) / int_22093e9b | featureApplicability |
1.0 | |
| Signals (Music) / int_22093e9b | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_22093e9b | |
| Signals (Music) / int_38da8916 | type |
Uncommon Time | |
| Signals (Music) / int_38da8916 | comment |
Uncommon Time: Well... it's Rush. For two examples, "Subdivisions" bounces all over the place and "Losing It" contains significant portions in both 5/8 and 11/8. | |
| Signals (Music) / int_38da8916 | featureApplicability |
1.0 | |
| Signals (Music) / int_38da8916 | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_38da8916 | |
| Signals (Music) / int_41dce76e | type |
Small Town Boredom | |
| Signals (Music) / int_41dce76e | comment |
Small Town Boredom: "Subdivisions". | |
| Signals (Music) / int_41dce76e | featureApplicability |
1.0 | |
| Signals (Music) / int_41dce76e | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_41dce76e | |
| Signals (Music) / int_51f90774 | type |
Step Up to the Microphone | |
| Signals (Music) / int_51f90774 | comment |
Step Up to the Microphone: In "Subdivisions", Neil says the name of the song before each chorus, but Alex lip-syncs the word in the video. | |
| Signals (Music) / int_51f90774 | featureApplicability |
1.0 | |
| Signals (Music) / int_51f90774 | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_51f90774 | |
| Signals (Music) / int_53224e46 | type |
Bookends | |
| Signals (Music) / int_53224e46 | comment |
Bookends: "Countdown" ends with a reprise of the instrumental backing of the "Subdivisions" chorus, though it feels a lot less desperate, to the point of qualifying as a Triumphant Reprise. | |
| Signals (Music) / int_53224e46 | featureApplicability |
1.0 | |
| Signals (Music) / int_53224e46 | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_53224e46 | |
| Signals (Music) / int_5da37ab5 | type |
Triumphant Reprise | |
| Signals (Music) / int_5da37ab5 | comment |
Triumphant Reprise: The instrumental reprise of the "Subdivisions" chorus at the end of "Countdown". | |
| Signals (Music) / int_5da37ab5 | featureApplicability |
1.0 | |
| Signals (Music) / int_5da37ab5 | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_5da37ab5 | |
| Signals (Music) / int_74149c93 | type |
Epic Rocking | |
| Signals (Music) / int_74149c93 | comment |
Epic Rocking: "Digital Man" and "The Weapon" are both over 6 minutes. | |
| Signals (Music) / int_74149c93 | featureApplicability |
1.0 | |
| Signals (Music) / int_74149c93 | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_74149c93 | |
| Signals (Music) / int_d0f0a80d | type |
One-Word Title | |
| Signals (Music) / int_d0f0a80d | comment |
One-Word Title: "Chemistry", "Subdivisions" | |
| Signals (Music) / int_d0f0a80d | featureApplicability |
1.0 | |
| Signals (Music) / int_d0f0a80d | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_d0f0a80d | |
| Signals (Music) / int_d93c5989 | type |
Stepford Suburbia | |
| Signals (Music) / int_d93c5989 | comment |
Stepford Suburbia: Again, the subject of "Subdivisions". | |
| Signals (Music) / int_d93c5989 | featureApplicability |
1.0 | |
| Signals (Music) / int_d93c5989 | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_d93c5989 | |
| Signals (Music) / int_dbc664dd | type |
Album Title Drop | |
| Signals (Music) / int_dbc664dd | comment |
Album Title Drop: The word "Signal" is mentioned in "Chemistry". | |
| Signals (Music) / int_dbc664dd | featureApplicability |
1.0 | |
| Signals (Music) / int_dbc664dd | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_dbc664dd | |
| Signals (Music) / int_ea454c4a | type |
Surprisingly Gentle Song | |
| Signals (Music) / int_ea454c4a | comment |
Surprisingly Gentle Song: "Losing It". | |
| Signals (Music) / int_ea454c4a | featureApplicability |
1.0 | |
| Signals (Music) / int_ea454c4a | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_ea454c4a | |
| Signals (Music) / int_f32528de | type |
Cut-and-Paste Suburb | |
| Signals (Music) / int_f32528de | comment |
Cut-and-Paste Suburb: Discussed in "Subdivisions", how everything is pre-fabricated and pre-decided. | |
| Signals (Music) / int_f32528de | featureApplicability |
1.0 | |
| Signals (Music) / int_f32528de | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_f32528de | |
| Signals (Music) / int_name | type |
ItemName | |
| Signals (Music) / int_name | comment |
||
| Signals (Music) / int_name | featureApplicability |
1.0 | |
| Signals (Music) / int_name | featureConfidence |
1.0 | |
| Signals (Music) | hasFeature |
Signals (Music) / int_name | |
| Signals (Music) / int_name | itemName |
Signals (Music) |
The following is a list of statements referring to the current page from other pages.
| Signals (Music) | hasFeature |
Hard Rock / int_8d1331f0 | |
| Signals (Music) | hasFeature |
Progressive Rock / int_8d1331f0 |
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Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.