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Young Americans (Music)
- 194 statements
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- 9 referencing feature instances
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Young Americans (Music) | |
| Young Americans (Music) | page |
YoungAmericans | |
| Young Americans (Music) | comment |
Young Americans is the ninth studio album by David Bowie, mostly recorded in Philadelphia in late 1974, with some tracks recorded in New York City in early 1975, and released in March 1975. A major departure in style from his previous albums, it is largely a soul album — or as Bowie liked to call it, "plastic soul" — with additional funk and Rhythm and Blues stylings.The shift in sound had deep roots in Bowie's life and career. Bowie had long been an admirer of Black music, having first gotten into the medium and industry after copiously listening to Little Richard as a child. Bowie had also worked closely with Black artists previously in his career, including them in his backing band throughout the '70s. He attempted to produce a studio album for soul singer Ava Cherry before the sessions for Diamond Dogs (though the project ultimately fell through), and on the latter album, he experimented with Funk Rock with the track "1984". Furthermore, he shifted the supporting tour for Diamond Dogs to one based more around Black music in its second leg, following the first leg's constant Troubled Production, a transition captured on the 1974 live album David Live (recorded during the end of the tour's first leg, in the early phases of the stylistic shift).The album was a major commercial success for Bowie, peaking at No. 2 on the UK Albums chart and at No. 9 on the Billboard 200, later being certified gold in the UK, the US, and Canada.The album spawned two singles: the Title Track and "Fame", both of which became both commercial hits and fan-favorites. "Fame" additionally served as Bowie's Breakthrough Hit in North America, having previously languished there as a cult artist due to the general unpopularity of Glam Rock west of the Atlantic. The single topped both the Billboard Hot 100 and the Canadian Singles Charts (his first single to do so), and went on to become the seventh best-selling single of 1975 in the United States. | |
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| Young Americans (Music) | isPartOf |
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| Young Americans (Music) / int_1f37a427 | type |
Face on the Cover | |
| Young Americans (Music) / int_1f37a427 | comment |
Face on the Cover: Bowie's face in close-up, as photographed by Eric Stephen Jacobs. | |
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| Young Americans (Music) / int_22093e9b | type |
New Sound Album | |
| Young Americans (Music) / int_22093e9b | comment |
New Sound Album: The first of several major instances in Bowie's career. While each previous album had built off of the one before it, Young Americans does a 180 and throws everything people knew about Bowie's music out the window in favor of blue-eyed soul and funk. | |
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| Young Americans (Music) / int_2719ab04 | type |
Special Guest | |
| Young Americans (Music) / int_2719ab04 | comment |
Special Guest: John Lennon appears on "Across the Universe" (a cover of Lennon's song from The Beatles' Let It Be album) and "Fame", an original song that Lennon, Bowie, and Carlos Alomar wrote together. This was some of the last recordings Lennon did before his five-year retirement from the music business. | |
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| Young Americans (Music) / int_2e4eed36 | type |
Funk Rock | |
| Young Americans (Music) / int_2e4eed36 | comment |
Funk Rock: The album dabbles in this alongside its primary soul sound, most notably on the closing track "Fame". | |
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| Young Americans (Music) / int_35fb9016 | type |
Gratuitous German | |
| Young Americans (Music) / int_35fb9016 | comment |
Gratuitous German: "Fame" | |
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| Young Americans (Music) / int_38da8916 | type |
Uncommon Time | |
| Young Americans (Music) / int_38da8916 | comment |
Uncommon Time: "Win" is mostly in 4/4, but the first half of each chorus is in 5/4. "Who Can I Be Now?" (included as a bonus track on the 1991 Rykodisc reissue) throws occasional 3/4 measures into otherwise 4/4 passages. | |
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| Young Americans (Music) / int_43c4002a | type |
Call-and-Response Song | |
| Young Americans (Music) / int_43c4002a | comment |
Call-and-Response Song: The choruses of "Fascination" feature the backing vocalists singing each line and Bowie interjecting in turn. | |
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| Young Americans (Music) / int_4e635eab | type |
God-Is-Love Songs | |
| Young Americans (Music) / int_4e635eab | comment |
God-Is-Love Songs: Spun darkly in "Somebody Up There Likes Me", in which a charismatic neo-fascist claims that God protects him every step of the way. | |
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| Young Americans (Music) / int_5e835a41 | type |
Gratuitous Panning | |
| Young Americans (Music) / int_5e835a41 | comment |
Gratuitous Panning: "Win" prominently features a saxophone trill that sweeps from channel to channel. This effect is absent on the Rykodisc mix, which has the saxophone stay in the center of the mix. | |
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| Young Americans (Music) / int_5fe1360d | type |
Audience Participation Song | |
| Young Americans (Music) / int_5fe1360d | comment |
Audience Participation Song: "Young Americans" to a mild extent; on the album, there's a slight pause after "ain't there one damn song that can make me—" and the following phrase, "—break down and cry?" In live performances, Bowie would take an even longer pause after the first phrase, before letting the audience finish the line in his place. | |
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| Young Americans (Music) / int_6112fb53 | type |
Obsession Song | |
| Young Americans (Music) / int_6112fb53 | comment |
Obsession Song: "Fascination" | |
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| Young Americans (Music) / int_6406a19c | type |
Politicians Kiss Babies | |
| Young Americans (Music) / int_6406a19c | comment |
Politicians Kiss Babies: Alluded to via wordplay in "Somebody Up There Likes Me": | |
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| Young Americans (Music) / int_6732af17 | type |
Pep-Talk Song | |
| Young Americans (Music) / int_6732af17 | comment |
Pep-Talk Song: "Win" | |
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| Young Americans (Music) / int_6b55047b | type |
Surprisingly Moving Song | |
| Young Americans (Music) / int_6b55047b | comment |
Surprisingly Moving Song: Discussed in the Title Track. During the song's breakdown, the narrator lists off all the things he can no longer find in the midst of America's declining society, culminating in the anguished plea "ain't there one damn song that can make me break down and cry?" | |
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Epic Rocking | |
| Young Americans (Music) / int_74149c93 | comment |
Epic Rocking: The 6 and a half minute "Somebody Up There Likes Me", plus, on the Rykodisc version of the album, "It's Gonna Be Me" and "John, I'm Only Dancing (Again)". | |
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| Young Americans (Music) / int_88472ef3 | type |
Desperately Looking for a Purpose in Life | |
| Young Americans (Music) / int_88472ef3 | comment |
Desperately Looking for a Purpose in Life: The general theme of "Across the Universe". | |
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| Young Americans (Music) / int_8a24c94e | type |
Studio Chatter | |
| Young Americans (Music) / int_8a24c94e | comment |
Studio Chatter: Careful listeners can hear someone coughing during the intro to "Fame". | |
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Young Americans (Music) / int_8a24c94e | |
| Young Americans (Music) / int_99699561 | type |
Questioning Title? | |
| Young Americans (Music) / int_99699561 | comment |
Questioning Title?: "Can You Hear Me?" | |
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| Young Americans (Music) / int_b02f21f | type |
Digital Destruction | |
| Young Americans (Music) / int_b02f21f | comment |
Digital Destruction: Due to a mastering error, the initial US CD release by RCA Records cuts off the first two drumbeats in the Title Track; a similar issue affects RCA's US CD release of "Heroes". Due to a lack of cross-referencing with the LP release, the 1991 Rykodisc reissue mistakenly replaces the original versions of "Win", "Fascination", and "Right" with earlier mixes, most prominently distinguished by their heavy reverb; this version of "Fascination" was previously featured in the 1989 Sound + Vision Boxed Set as a result of this. The 1999 and 2016 remasters of Young Americans and the 2003 reissue of Sound + Vision corrected the error, reinstating the LP mixes. | |
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| Young Americans (Music) / int_b24ce4b2 | type |
Rearrange the Song | |
| Young Americans (Music) / int_b24ce4b2 | comment |
Rearrange the Song: "Fame" was remixed for the Greatest Hits Album Changesbowie and the film Pretty Woman, both of which came out in March 1990. Aptly titled "Fame '90", this version featured a large number of alternate versions, including one with a guest rap by Queen Latifah. According to Bowie, he wanted to remix either "Fame" or "Let's Dance", and picked "Fame" both because "Let's Dance" was too new and because he felt that "Fame" still held up 15 years later. The 1996 reissue of Changesbowie would replace "Fame '90" with the original version due to the remix's unpopularity with fans and critics. | |
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Four More Measures | |
| Young Americans (Music) / int_b2dec175 | comment |
Four More Measures: "Somebody Up There Likes Me" | |
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| Young Americans (Music) / int_b504613c | type |
Don't Look Back | |
| Young Americans (Music) / int_b504613c | comment |
Don't Look Back: "Right" | |
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Celebrity Is Overrated | |
| Young Americans (Music) / int_bbb150a8 | comment |
Celebrity Is Overrated: The point of "Fame". | |
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| Young Americans (Music) / int_c3ae004a | type |
Re-Cut | |
| Young Americans (Music) / int_c3ae004a | comment |
Re-Cut: 8-track releases in various regions adjust the tracklist due to the limitations of the four-program format. The UK 8-track release moves "Somebody Up There Likes Me" to the penultimate track and splits it into two parts due to its new location overlapping with the changeover between programs three and four. The Italian 8-track release swaps sides one and two and moves "Somebody Up There Likes Me" between "Can You Hear Me?" and "Fame". North American 8-tracks follow the LP running order, but split "Across the Universe" into two parts due to it overlapping with the changeover between programs three and four. The UK cassette release swaps "Right" and "Across the Universe" in order to even out the lengths of each side. | |
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| Young Americans (Music) / int_c75df49a | type |
Shout-Out | |
| Young Americans (Music) / int_c75df49a | comment |
Shout-Out: To "A Day in the Life" in the title track, which interpolates the line "I heard the news today, oh boy!". The song also references both Barbie and "your President Nixon", who resigned while the album was being recorded. "Somebody Up There Likes Me" name-drops Rudolph Valentino. Two songs from this album were used in different Grand Theft Auto games. "Somebody Up There Likes Me" was used in Grand Theft Auto: San Andreas, and "Fascination" was used in Grand Theft Auto IV. | |
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| Young Americans (Music) / int_cd8aa3e8 | type |
Smoking Is Glamorous | |
| Young Americans (Music) / int_cd8aa3e8 | comment |
Smoking Is Glamorous: The album cover depicts a glamour shot of Bowie holding a lit cigarette, with the lighting and framing making the cigarette smoke accentuate his image as a slick soul man. | |
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| Young Americans (Music) / int_cff53786 | type |
Cover Version | |
| Young Americans (Music) / int_cff53786 | comment |
Cover Version: The Beatles' "Across the Universe", featuring none other than John Lennon on guitar and backing vocals. Bowie's rendition appears to be specifically based on the slower version of the song from Let It Be, though with more funk-inspired instrumentals and without the Sanskrit "jai guru veda ohm" mantra (note that Lennon was the one who put it in the original song). The end result can be described as something of a funk ballad. | |
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One-Word Title | |
| Young Americans (Music) / int_d0f0a80d | comment |
One-Word Title: "Fame", "Fascination", "Win", "Right". | |
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| Young Americans (Music) / int_d6de6609 | type |
In Harmony with Nature | |
| Young Americans (Music) / int_d6de6609 | comment |
In Harmony with Nature: "Across the Universe", where the protagonist is in harmony with the universe, despite it never changing, but accepts it for what it is. | |
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Lyrical Dissonance | |
| Young Americans (Music) / int_dbfd6b8 | comment |
Lyrical Dissonance: The title track, an upbeat-sounding soul anthem about the degradation of American society, with such cheerful lines as "we live for just these twenty years, do we have to die for the fifty more?" According to Bowie, the gist of "Somebody Up There Likes Me" was "Watch out, mate. Hitler's on his way back." This is certainly a darker message than you'd expect from the sax-heavy party rocker. | |
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Intercourse with You | |
| Young Americans (Music) / int_dbfe8427 | comment |
Intercourse with You: "Can You Hear Me?" | |
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Would Hit a Girl | |
| Young Americans (Music) / int_f42f96fa | comment |
Would Hit a Girl: One of the things that the narrator of the Title Track covets is "a woman I can sock on the jaw," hinting that despite his constant lamentation of the decline of American society, he himself is just as dysfunctional, if not more so. | |
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Product Placement | |
| Young Americans (Music) / int_f511ea9b | comment |
Product Placement: "Young Americans" makes mention of a Ford Mustang, the Black-oriented hair care product Afro-Sheen, a Barbie doll, a Cadillac, and a Chrysler, all of which ended up getting the song blacklisted from airplay on BBC Radio (thanks to the Beeb's strict policy against this trope as per the Ofcom Code). | |
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American Title | |
| Young Americans (Music) / int_fab98c53 | comment |
American Title: Of the ironic variety with this album and the title track, a rather cynical portrait of ennui and disappointment in America in The '70s. | |
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Young Future Famous People | |
| Young Americans (Music) / int_ff41780 | comment |
Young Future Famous People: A Real Life example. Luther Vandross received his big break as one of the backing vocalists and arranger of the backing vocals and co-writer of "Fascination". | |
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Young Americans (Music) |
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