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Brass

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TVTItem
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Brass
 Brass
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Brass
 Brass
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Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); })Brass was a British television comedy-drama, created by John Stevenson and Julian Roach, which initially ran for two series on ITV between 1982 and 1984; it was subsequently brought back for a third series in 1990 on Channel 4, with some changes to the cast. It was primarily a parody of the sort of "gritty" melodramas of British industrial town life which had been popular in literature from the Victorian period through to the 1930s, and as period dramas on British television in the 1970s. ("Brass" is northern English slang for "money" and also for "effrontery".) It also parodied American "supersoaps" such as Dallas and Dynasty, not least in its opening title sequence. The writers had a very clear view of the dominant tropes in their various sources, and played them all for laughs at every opportunity.Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_2'); })Most of the characters were members of two families in the fictional town of Utterley, in the industrial north of England; the wealthy Hardacres, who owned the local mine, mill, and munitions factory, and the working-class Fairchilds. The Hardacre family was headed by comedically ruthless self-made businessman Bradley (Timothy West). His aristocratic wife Lady Patience (Caroline Blakiston) was an alcoholic; their (surviving, supposed) children were the nymphomaniac Isobel (Gail Harrison), innocent Charlotte (Emily Morgan), ambitious but frequently incompetent oldest-son-and-heir Austin (Robert Reynolds, later Patrick Pearson), and a gay Cambridge student Morris (James Saxon). The Fairchilds were militant socialist "Red" Agnes (Barbara Ewing), her idiotic, subservient husband George (Geoffrey Hinsliff, later Geoffrey Hutchings), and their (supposed) sons Jack (Shaun Scott), a defiant working-class political idealist, and Matt (Gary Cady), a sensitive soul who wrote ridiculously bad, plagiaristic poetry ("Thou are more lovely and more interesting/Rough winds do shake the darling buds of May but that's quite another thing"). Because of various clandestine affairs that took place in the series backstory, actual parentage for some of these characters often turned out to be a surprise. The most significant other character was the idealistic young Scottish Dr. McDuff (David Ashton).Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_3'); })Most of the plots of the series revolved around Bradley's attempts to squeeze maximum profits from his business by oppression of his workers, and attempts by the rest of the cast to oppose him in various ways (up to and including murder) for various reasons. However, these tended to be complicated by the fact that many of the characters were having sexual affairs with each other — in fact, Bradley and Agnes were having a relationship throughout the series. Other events, typical of the sort of dramas that were being parodied, included factory explosions, mining disasters, weddings, and elections. Morris and his beloved Teddy Bear also represented a joke about Brideshead Revisited, the first television adaptation of which had appeared and been successful a little before Brass, and Morris also became involved in spying for Stalinist Russia — something also associated with some Cambridge students of the period. Matt also went off to the Spanish Civil War at one point. The last series moved events forward to 1939 and the start of World War II, in which the cast inevitably became involved, and moved much of the action to London.
 Brass
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2022-09-14T21:14:12Z
 Brass
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2022-09-14T21:14:12Z
 Brass
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Dropped link to Blackmail: Not a Feature - ITEM
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DBTropes
 Brass / int_14fbe67f
type
Godiva Hair
 Brass / int_14fbe67f
comment
Godiva Hair: Isobel and Charlotte team up to pull a Lady Godiva ride at one point, although decency is maintained more by camera angles than hair length.
 Brass / int_14fbe67f
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Brass / int_14fbe67f
 Brass / int_154aa477
type
Big, Screwed-Up Family
 Brass / int_154aa477
comment
Big, Screwed-Up Family: Played for Laughs, with minimal internal loyalty, by the Hardacres.
 Brass / int_154aa477
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 Brass / int_154aa477
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Brass / int_154aa477
 Brass / int_21d47bb7
type
Nouveau Riche
 Brass / int_21d47bb7
comment
Nouveau Riche: Bradley turns all the clichés up to maximum and then invents some more, such as eating lobster with chips (French fries, to Americans) — to the disgust of Lady Patience.
 Brass / int_21d47bb7
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Brass / int_21d47bb7
 Brass / int_2c11d835
type
Kitchen Sink Drama
 Brass / int_2c11d835
comment
Kitchen Sink Drama: Parodied intensively throughout the series.
 Brass / int_2c11d835
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Brass / int_2c11d835
 Brass / int_387c103d
type
I Banged Your Mom
 Brass / int_387c103d
comment
I Banged Your Mom: Averted twice, first with Agnes and Bradley, as Matt is two naive to understand when he almost catches them in the act, and then with Lady Patience and Matt, as Charlotte is similarly innocent, even after Matt explains what her mother has just ... demonstrated to him.
 Brass / int_387c103d
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Brass / int_387c103d
 Brass / int_3b789458
type
Recurring Extra
 Brass / int_3b789458
comment
Recurring Extra: The workers who Agnes and others sometimes try to organise include some borderline cases, though the best of them get names and a few lines occasionally. Notable examples include Job Lott, Young Scargill, and Hattersley — one Meaningful Name and two quasi-historical figures.
 Brass / int_3b789458
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Brass / int_3b789458
 Brass / int_3ed17fe0
type
Wide-Eyed Idealist
 Brass / int_3ed17fe0
comment
Wide-Eyed Idealist: Charlotte, to the extreme, and Matt and McDuff to a slightly lesser extent. All Played for Laughs, of course, with a certain amount of comedy Break the Cutie at times.
 Brass / int_3ed17fe0
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Brass / int_3ed17fe0
 Brass / int_43a46119
type
Surrounded by Idiots
 Brass / int_43a46119
comment
Surrounded by Idiots: Frequently Bradley's situation. Most of his schemes are fairly solid, but he often has to work through the less competent Austin (who might be actively working against him) or even employ George as a pawn.
 Brass / int_43a46119
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Brass / int_43a46119
 Brass / int_4523420b
type
Love Dodecahedron
 Brass / int_4523420b
comment
Love Dodecahedron: The series is a comedy soap opera with a lot of sex and dark secrets. Listing all the relationships would be a long job with a lot of spoilers. There's more lust than love involved, but some of that too.
 Brass / int_4523420b
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Brass / int_4523420b
 Brass / int_55ab1be5
type
Royal Brat
 Brass / int_55ab1be5
comment
Royal Brat: Austin, although he suffers from a shortage of decent flunkies and his father is too smart to trust him.
 Brass / int_55ab1be5
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Brass / int_55ab1be5
 Brass / int_5bca5a56
type
Surprise Incest
 Brass / int_5bca5a56
comment
Surprise Incest: Always averted, although given the number of real-parentage reveals, the fact that this was more a matter of luck than judgement was arguably a background joke in the series.
 Brass / int_5bca5a56
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Brass / int_5bca5a56
 Brass / int_6bda9a30
type
Meaningful Name
 Brass / int_6bda9a30
comment
Meaningful Name: "Hardacre" and "Fairchild" seem indicative, and the name of minor character and habitual pessimist Job Lott is a multi-way pun. Also, though it isn't particularly meaningful, Austin, Morris, and their deceased brother Bentley are named after British car manufacturers, and Jack and Matt are named after items used in the game of bowls.
 Brass / int_6bda9a30
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Brass / int_6bda9a30
 Brass / int_722b3319
type
Camp Gay
 Brass / int_722b3319
comment
Camp Gay: Morris. Played for Laughs, if only in that very few of the rest of the cast seemed to notice.
 Brass / int_722b3319
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 Brass / int_722b3319
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Brass / int_722b3319
 Brass / int_7349ce5a
type
Sex Comedy
 Brass / int_7349ce5a
comment
Sex Comedy: Most of the characters are prone to lecherousness, so many of the plots and sub-plots involved large doses of sex comedy.
 Brass / int_7349ce5a
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 Brass / int_7349ce5a
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Brass / int_7349ce5a
 Brass / int_73f8d546
type
Working-Class Hero
 Brass / int_73f8d546
comment
Working-Class Hero: Jack, albeit very much as a comedy version.
 Brass / int_73f8d546
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 Brass / int_73f8d546
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Brass / int_73f8d546
 Brass / int_792bb47a
type
Heroic Bastard
 Brass / int_792bb47a
comment
Heroic Bastard: Matt, at his best, in a very confused way — after he's turned out to be one of Bradley's many by-blows.
 Brass / int_792bb47a
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 Brass / int_792bb47a
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Brass / int_792bb47a
 Brass / int_7c9933de
type
Laughably Evil
 Brass / int_7c9933de
comment
Laughably Evil: It's a comedy with some comedy-villain characters.
 Brass / int_7c9933de
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 Brass / int_7c9933de
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Brass / int_7c9933de
 Brass / int_7eebe99c
type
The Alcoholic
 Brass / int_7eebe99c
comment
The Alcoholic: Lady Patience. She's still quite functional in other ways, but she puts away a lot of gin.
 Brass / int_7eebe99c
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 Brass / int_7eebe99c
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Brass / int_7eebe99c
 Brass / int_80621707
type
Arranged Marriage
 Brass / int_80621707
comment
Arranged Marriage: Isobel to Lord Mountfast.
 Brass / int_80621707
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Brass / int_80621707
 Brass / int_85b1e741
type
Creepy Crossdresser
 Brass / int_85b1e741
comment
Creepy Crossdresser: Morris, briefly, reacting to the realisation that Matt is entirely straight and in love with Charlotte.
 Brass / int_85b1e741
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Brass / int_85b1e741
 Brass / int_85debad9
type
Plucky Girl
 Brass / int_85debad9
comment
Plucky Girl: Charlotte, when she's needed. She's mostly just dimly idealistic, but she does, for example, take the lead in rescue efforts after the mine disaster.
 Brass / int_85debad9
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 Brass / int_85debad9
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Brass / int_85debad9
 Brass / int_89dcd4e
type
Small-Town Tyrant
 Brass / int_89dcd4e
comment
Small-Town Tyrant: Bradley epitomises the northern English version of the trope, parodied to the extreme and successful enough to run a moderately substantial town.
 Brass / int_89dcd4e
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 Brass / int_89dcd4e
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Brass / int_89dcd4e
 Brass / int_8a1cd5de
type
Historical Person Punchline
 Brass / int_8a1cd5de
comment
Historical Person Punchline: Used on occasion.
 Brass / int_8a1cd5de
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 Brass / int_8a1cd5de
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Brass / int_8a1cd5de
 Brass / int_8cb844c6
type
Mr. Exposition
 Brass / int_8cb844c6
comment
Mr. Exposition: Parodied, in that any and all of the characters can and do fill this role whenever needed, and often when not. Expository speeches in Brass usually end with the words "...as you well know", because the other characters do know this stuff already.
 Brass / int_8cb844c6
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 Brass / int_8cb844c6
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Brass / int_8cb844c6
 Brass / int_8e13262d
type
Virginity Makes You Stupid
 Brass / int_8e13262d
comment
Virginity Makes You Stupid: Matt (especially) and also Charlotte, though she has a little bit of comedy Virgin Power. Not that either of them become much smarter when they gain more sexual experience.
 Brass / int_8e13262d
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 Brass / int_8e13262d
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Brass / int_8e13262d
 Brass / int_903f65bf
type
The Hat Makes the Man
 Brass / int_903f65bf
comment
The Hat Makes the Man: The Fairchild family are guardians of a worker's cloth cap left in the town by Keir Hardie (a historical figure — an early Labour Party activist and something of a real-world Working-Class Hero). This doesn't actually have supernatural powers, but it's treated as terribly important. Among other things, it must never be worn in the presence of Bradley Hardacre, because then social pressure would demand that it be taken off, and it must never be taken off out of class deference. Indeed, it must always be kept on in the presence of a the boss's family - even when in bed with his daughter. Matt dons the cap when Jack betrays his class, and thus becomes the hero for a while.
 Brass / int_903f65bf
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Brass / int_903f65bf
 Brass / int_9400b3b5
type
Questionable Consent
 Brass / int_9400b3b5
comment
Questionable Consent: The presence of this trope might sometimes be considered an issue here — the series shows its age in this respect. Jack's sexual relationship with Charlotte is very dubious by modern standards, and there's some messing about with a sort of Love Potion that turns characters into rampant sex maniacs in other episodes.
 Brass / int_9400b3b5
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Brass / int_9400b3b5
 Brass / int_99404851
type
Ladykiller in Love
 Brass / int_99404851
comment
Ladykiller in Love: Sexually reversed when Isobel falls for Jack, though she's fairly pragmatic about it. Also perhaps present there in the standard form, in that Jack seems to have a bit of a past history himself and thinks of himself that way, but the joke is that Isobel has been even more active than him. He perhaps gets even more romantic when he later falls for Charlotte.
 Brass / int_99404851
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 Brass / int_99404851
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Brass / int_99404851
 Brass / int_99b2613a
type
Oop North
 Brass / int_99b2613a
comment
Oop North: Parody of the stereotypes associated with this trope was very much the point of Brass, especially in the first two series.
 Brass / int_99b2613a
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 Brass / int_99b2613a
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Brass / int_99b2613a
 Brass / int_a96a045c
type
Droit du Seigneur
 Brass / int_a96a045c
comment
Droit du Seigneur: Appears to be exercised, informally but extensively (and without waiting for them to get married), by Bradley. Many of the housemaids round his mansion seem to be pregnant.
 Brass / int_a96a045c
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 Brass / int_a96a045c
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Brass / int_a96a045c
 Brass / int_ad1db87c
type
Oh, Crap!
 Brass / int_ad1db87c
comment
Oh, Crap!: These sort of moments occur as often as in most comedies; notably, the second season begins with Morris and a friend celebrating the supposed annihilation of the rest of the family that ended the first, because that would have left Morris as the only surviving heir to Bradley's empire — only for Bradley and the family to walk in. Actually, that sort of thing happens a lot when any character tries to get rid of Bradley, especially if it's Austin.
 Brass / int_ad1db87c
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 Brass / int_ad1db87c
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Brass / int_ad1db87c
 Brass / int_af3ea0e3
type
Face–Heel Turn
 Brass / int_af3ea0e3
comment
Face–Heel Turn: Jack undergoes one of these, abandoning his political ideals to go into business on his own for the money (although he's also doing this partly for love). He never becomes as bad as Bradley or Austin, though.
 Brass / int_af3ea0e3
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Brass / int_af3ea0e3
 Brass / int_b09c818
type
"Blackmail" Is Such an Ugly Word
 Brass / int_b09c818
comment
"Blackmail" Is Such an Ugly Word: Parodied in a scene where Bradley sets out to blackmail McDuff, and they hold a cliched discussion starting with this very phrase — but with each of them pointing out what the other can be expected to say next.
 Brass / int_b09c818
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Brass / int_b09c818
 Brass / int_b0a529cb
type
Extreme Doormat
 Brass / int_b0a529cb
comment
Extreme Doormat: George isn't competent, and doesn't grow into any strength. He's just a doormat.
 Brass / int_b0a529cb
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 Brass / int_b0a529cb
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Brass / int_b0a529cb
 Brass / int_b0c458ce
type
Bedmate Reveal
 Brass / int_b0c458ce
comment
Bed Mate Reveal: Used occasionally throughout the series. There were a fair number of opportunities.
 Brass / int_b0c458ce
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 Brass / int_b0c458ce
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Brass / int_b0c458ce
 Brass / int_b47d95be
type
No OSHA Compliance
 Brass / int_b47d95be
comment
No OSHA Compliance: Bradley doesn't believe in excessive worker health and safety considerations. "Everything possible is being done, short of risking damage to valuable equipment." The actual factory is mostly off-screen, probably because of limited production money for sets, but anyway it explodes at least once. Bradley isn't worried, as this merely proves that his new explosive works just fine.
 Brass / int_b47d95be
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Brass / int_b47d95be
 Brass / int_bf1255fa
type
Really Gets Around
 Brass / int_bf1255fa
comment
Really Gets Around: Arguably Isobel's shtick, although once she latches onto Jack ("I love him hopelessly! Passionately! Recklessly! Frequently."), she doesn't seem inclined to stray. Jack implies that he behaves much the same way, but with him this seems to be more a matter of his ruggedly sexy proletarian image than his actual behavior; Isobel has more notches in her bedpost.
 Brass / int_bf1255fa
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Brass / int_bf1255fa
 Brass / int_c3286b8e
type
Uptown Girl
 Brass / int_c3286b8e
comment
Uptown Girl: Jack pursues Isobel (not that she runs very fast, at all), and Matt rather more innocently pursues Charlotte.
 Brass / int_c3286b8e
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Brass / int_c3286b8e
 Brass / int_c772e7c5
type
Rags to Riches
 Brass / int_c772e7c5
comment
Rags to Riches: Bradley's history, and also Jack's goal when he abandons his political idealism.
 Brass / int_c772e7c5
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 Brass / int_c772e7c5
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Brass / int_c772e7c5
 Brass / int_c813d9b
type
Blue Blood
 Brass / int_c813d9b
comment
Blueblood: Lady Patience, of course, and also Lord Mountfast, Charlotte's real father who Isobel briefly marries.
 Brass / int_c813d9b
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 Brass / int_c813d9b
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Brass / int_c813d9b
 Brass / int_cf7ccd79
type
Orphanage of Fear
 Brass / int_cf7ccd79
comment
Orphanage of Fear: Bradley and George grew up together in the local orphanage. It's not clear if the place was all that bad, but they were definitely very poor, and Bradley clearly had George completely dominated even then.
 Brass / int_cf7ccd79
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Brass / int_cf7ccd79
 Brass / int_e016e53f
type
Throwing Off the Disability
 Brass / int_e016e53f
comment
Throwing Off the Disability: Parodied by Lady Patience, who starts the series faking disability, then decides to stop and so has to fake a miracle cure.
 Brass / int_e016e53f
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 Brass / int_e016e53f
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Brass / int_e016e53f
 Brass / int_e41a9801
type
All Women Are Lustful
 Brass / int_e41a9801
comment
All Women Are Lustful: Occasionally invoked. Most of the major female characters are quite lustful, with Charlotte as the exception, but they're really no worse than the men, and there's little sign of misogyny; it's just the sort of comedy where characters are forever lusting after each other. In fact, old-fashioned misogynistic attitudes are occasionally satirised; at one point, Bradley is deeply shocked when a woman he's seduced expects him to give her pleasure.
 Brass / int_e41a9801
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Brass / int_e41a9801
 Brass / int_e43130c1
type
Interrupted Intimacy
 Brass / int_e43130c1
comment
Interrupted Intimacy: Happens periodically, though actually more often after than during the act; there's relatively little comedy of last-moment frustration in this series. One joke involves Bradley being found, by the camera or by other characters, standing around Agnes's house in his underwear. It turns out that he appreciates her skill ironing his clothes. And he's having an affair with her.
 Brass / int_e43130c1
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Brass / int_e43130c1
 Brass / int_e7dfebe8
type
I Have Boobs, You Must Obey!
 Brass / int_e7dfebe8
comment
I Have Boobs, You Must Obey!: When Agnes stands for Parliament, her preference for low-cut tops seems to be strangely relevant to the success of her speech-making. Charlotte also accidentally uses the technique in a much more innocent way when organising rescue work after the mine disaster.
 Brass / int_e7dfebe8
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Brass / int_e7dfebe8
 Brass / int_ed874c14
type
Self-Made Man
 Brass / int_ed874c14
comment
Self-Made Man: Bradley is a full-time evil parody of this trope.
 Brass / int_ed874c14
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1.0
 Brass / int_ed874c14
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Brass / int_ed874c14
 Brass / int_eedee4d
type
The Starscream
 Brass / int_eedee4d
comment
The Starscream: Austin.
 Brass / int_eedee4d
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Brass / int_eedee4d
 Brass / int_f180486d
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Great Detective
 Brass / int_f180486d
comment
Great Detective: Parodied in one episode.
 Brass / int_f180486d
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Brass / int_f180486d
 Brass / int_fdb3b2b5
type
Lady Drunk
 Brass / int_fdb3b2b5
comment
Lady Drunk: Lady Patience.
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Brass / int_fdb3b2b5
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Nobility Marries Money
 Brass / int_fe91380c
comment
Nobility Marries Money: Bradley is a parody of the classic Nouveau Riche businessman who tries to use marriage as a path into the aristocracy. Lady Patience is evidently from a noble family, giving her a courtesy title, and their marriage is no love match, and in the course of the series, he persuades Isobel to marry an aged and depraved aristocrat in the hope that this will help him acquire a title of his own.
 Brass / int_fe91380c
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Brass / int_fe91380c
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Brass

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