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Tou Stage / Theater
- 129 statements
- 24 feature instances
- 0 referencing feature instances
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AD 2205.Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_content_3'); })Historical revisionists, seeking to change the course of history, have begun their offensive in the past.The government at the time has dispatched a saniwa into the past to protect history.The saniwa, being able to sense spiritual energy, was able to bring out the tsukumogami spirits residing within swords.Together with the "Touken Danshi," the saniwa has dedicated themselves to fighting to protect the course of history.One of two distinct stage continuities, Touken Ranbu Stageplay (or Tousute as it's abbreviated) is a series of Stage Plays adapted from the widely popular Touken Ranbu franchise. Each stage play focuses on a new story, with few recurring characters, namely Mikazuki Munechikanote Save for the stageplays set before he manifested and Yamanbagiri Kunihiro being a constant staple in them. It all comes together in the fifth stage play, Hiden: Yui no Me no Hototogisu.Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_content_2'); })A four episode docu-series set around the production of the stage play was released and received a Blu-ray release on December 9th, 2018.A live action movie featuring returning actors from the stage plays premiered on January 18th, 2019, although it covers a different story. This film also holds the distinction of being the first movie and first live action movie adaptation of the franchise. A manga adaptation of the live action movie was posted up until the movie's release.2020 finally saw to a crossover between the stage play and musical continuities. Titled Touken Ranbu: Daienren, the two citadels will collide in August 2020 at Tokyo Dome. | |
| Tou Stage / Theater | fetched |
2019-12-31T22:03:37Z | |
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2020-06-25T09:10:35Z | |
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Dropped link to Fanservice: Not a Feature - IGNORE | |
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| Tou Stage / Theater / int_113480b7 | type |
Canon Foreigner | |
| Tou Stage / Theater / int_113480b7 | comment |
Canon Foreigner: Similarly to the Musical adaptations, the stage plays introduce characters not previously seen in the original game, based on the historical figures. | |
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The Ghost | |
| Tou Stage / Theater / int_1ba17583 | comment |
The Ghost: The Saniwa in the early musicals. Although the Touken Danshi constantly refer to them, they re either just off screen (and in the audience's general direction) or resting. For all the importance Nobunaga had on the rest of the cast in Kyoden, he never actually shows up until the end, and even then his face is in shadow and he turns his back to the audience without a word. Truly he was of not actual importance to the story; the Nobunaga that drives the plot is the perception he gave to others. | |
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Reality Ensues | |
| Tou Stage / Theater / int_1d9a2764 | comment |
Reality Ensues: The stage shows do make a point of having interactions between Touken Danshi of similar circumstances or the same master/smith be not entirely chummy between them. Sure the Awataguchi and Samonji brothers interact fine, but those owned by Nobunaga do not; in fact, some of them barely know each other, their differences in opinion over the man can cause them to argue and draw lines in the sand, and most of them are neutral at best. | |
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Bittersweet Ending | |
| Tou Stage / Theater / int_40cc0c7e | comment |
Bittersweet Ending: The first play has the Touken Danshi return to the Citadel a little more mature, experienced, and happy for the most part. However, Fudou's still drinking; as the game shows, it means he's not yet over his guilt over Nobunaga, and won't be until he gets his Kiwame training. | |
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| Tou Stage / Theater / int_479f9ad0 | type |
Characterization Marches On | |
| Tou Stage / Theater / int_479f9ad0 | comment |
Characterization Marches On: Due to all the stage plays being connected And the stage plays being meta in the repeated performances of the stage play weigh in on Mikazuki Munechika’s mental state as he tries to break out of his "Groundhog Day" Loop. | |
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Downer Ending | |
| Tou Stage / Theater / int_4e3d253b | comment |
Downer Ending: The fifth stage play ends with a massive Tear Jerker. Though the director as well as actors give the fandom hope for the future of the stage plays, as well as the characters. Though it was thought to be the end of the stage play franchise, a sixth stage play was announced to be performed in 2019. | |
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Non-Entity General | |
| Tou Stage / Theater / int_535ec99d | comment |
Non-Entity General: Averts this by giving the Saniwa an appearance. He is a man in this continuity, similarly to the Musical. | |
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Overcrank | |
| Tou Stage / Theater / int_6aa28a76 | comment |
Overcrank: A couple of real time examples in the plays; Souza's nightmare of Honnouji and certain fight scenes are good examples of this. | |
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Popular History | |
| Tou Stage / Theater / int_6d4a70a0 | comment |
Popular History: Like the musical, the series focuses on popular historical figures but with its own take on how things occurred. | |
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Put on a Bus | |
| Tou Stage / Theater / int_754df088 | comment |
Put on a Bus: At the end of Jiden, Yamanbagiri decides to go on his Kiwame training in order to better himself and become stronger for the Citadel. | |
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How We Got Here | |
| Tou Stage / Theater / int_80251be3 | comment |
How We Got Here: Kyoden opens up with Ranmaru rushing around Honnouji in a vain effort to protect his lord, and encountering Mitsuhide along the way, who asks him who Nobunaga really is both to him and to others. It's only later that we get the how to those turns of events. | |
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| Tou Stage / Theater / int_80a247a9 | type |
Breather Episode | |
| Tou Stage / Theater / int_80a247a9 | comment |
Breather Episode: Jiden, following the absolutely heartbreaking Jyouden and Hiden, is mostly just two hours of sillier shenanigans localized to the Citadel and features the rather simple plot of distracting Yamanbagiri and Yamanbagiri Chougi from meeting. Many comment on the installment feeling like a Hanamaru episode. | |
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| Tou Stage / Theater / int_8151ec48 | type |
Driving Question | |
| Tou Stage / Theater / int_8151ec48 | comment |
Driving Question: For Kyoden: Who was Oda Nobunaga truly? Every major player affected by the man has their own take. To Fudou and Ranmaru, he was a beloved master and a treasured person; to Hasebe, a scoundrel who abandoned him; to Souza, the one and only Demon King; to Mitsuhide, someone he didn't want abandoning him. | |
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Trust-Building Blunder | |
| Tou Stage / Theater / int_99301367 | comment |
Trust-Building Blunder: In Kyoden, the Touken Danshi try to encourage teamwork skills by having a red-versus-white team battle; Oda swords and Tsurumaru going with Yamanbagiri, Awataguchis and Shokudaikiri going with Munechika. The Red Team is generally spot on and in sync, but the White Team's major malfunction lies in Fudou. | |
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Continuity Nod | |
| Tou Stage / Theater / int_9dab0a6e | comment |
Continuity Nod: Due to all the stageplays being connected and a meta example where every stage play performance is referenced due to Mikazuki being trapped in a "Groundhog Day" Loop and experiencing the same thing over and over in canon, referencing the constant performances of the stageplays in the real world. | |
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Quit Your Whining | |
| Tou Stage / Theater / int_9f037665 | comment |
Quit Your Whining: Fudou, being new and very attached to Nobunaga, is rather distraught over the idea of having to put his real feelings aside for the sake of the mission. Hasebe tells him rather bluntly that it's part of the job, and to get used to it. | |
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| Tou Stage / Theater / int_c06ec61e | type |
Corpsing | |
| Tou Stage / Theater / int_c06ec61e | comment |
Corpsing: When Tsurumaru goes to feed Hasebe, one notices a slight smile on his face and muffled laughter as his mouth is being stuffed. | |
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Killed Off for Real | |
| Tou Stage / Theater / int_cda501da | comment |
Killed Off for Real: Yamabushi Kunihiro is among the first swords to permanently break. | |
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Every Episode Ending | |
| Tou Stage / Theater / int_d076824c | comment |
Every Episode Ending: Each show ends with the Touken Danshi cast singing and performing a parasol dance as they take their bows. | |
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| Tou Stage / Theater / int_d95ac06e | type |
Original Generation | |
| Tou Stage / Theater / int_d95ac06e | comment |
Original Generation: Hiden's plot features a never-before seen Touken Danshi, dubbed "Nue-to-Yobareru". | |
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TheLoad | |
| Tou Stage / Theater / int_e68b72 | comment |
The Load: While Fudou may say he's a "useless blade", he really exemplifies it here beyond mere talk. His constant drinking and lack of training leave him at disadvantages where numbers are concerned, and he routinely has to be saved by other Touken Danshi. That isn't to say that he doesn't know how to fight; he clearly does, and is able to hold his own, but he's just not a team player. | |
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Last Stand | |
| Tou Stage / Theater / int_f7cee9b | comment |
Last Stand: Ranmaru in Kyoden gives his all to protect Nobunaga to the last, despite being only one person. | |
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Chromosome Casting | |
| Tou Stage / Theater / int_ffb79066 | comment |
Chromosome Casting: Due to there canonically being no women in Touken Ranbu, as well as no female Touken Danshi, there have only been male canon foreigners introduced in the stage plays thus far. Even the Saniwa is revealed to be male. | |
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