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An American in Paris (Theatre)

 An American in Paris (Theatre)
type
TVTItem
 An American in Paris (Theatre)
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An American in Paris (Theatre)
 An American in Paris (Theatre)
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AnAmericanInParis
 An American in Paris (Theatre)
comment
An American in Paris is a 2015 Broadway musical based on the 1951 Gene Kelly film. It tells the same story of Jerry Mulligan, a former GI turned expatriate artist and Lise Dassin, a French ballerina. Set in the immediate aftermath of World War II, the musical follows its characters in a Paris still scarred and tentative following the Nazi occupation. As Jerry pursues Lise and encourages her ballet aspirations, he also develops a friendship with Adam Hochberg—a pianist, composer, and fellow American—and Henri Baurel, a French magnate's heir who dreams of showbiz success—and whose family is connected to Lise's wartime past.The show considerably expands upon the plot and score of the movie, most notably in expanding Lise's character, her past, and her aspirations. It also integrates several Gershwin standards, resulting in a score that includes "'S Wonderful", "I Got Rhythm", "They Can't Take That Away From Me", and the titular ballet, now staged as an actual ballet performance with some elements of imagination left.Opened April 12, 2015 at the Palace Theater. Garnered 12 Tony nominations and won four at the 2015 ceremony.
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2023-11-20T23:03:12Z
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2023-11-20T23:03:12Z
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Dropped link to AnAesop: Not a Feature - IGNORE
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DBTropes
 An American in Paris (Theatre) / int_18d15922
type
Title Drop
 An American in Paris (Theatre) / int_18d15922
comment
Title Drop: Lise, to Adam, surprisingly.
 An American in Paris (Theatre) / int_18d15922
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An American in Paris (Theatre) / int_18d15922
 An American in Paris (Theatre) / int_1ba34641
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The Glomp
 An American in Paris (Theatre) / int_1ba34641
comment
The Glomp: A very delicate, balletic one from Lise to Jerry, during one of the story-ballet montages. She shows up at one of their meetings by the Seine after a particularly frustrating rehearsal, and leaps onto him, latching on without his arms even holding her up.
 An American in Paris (Theatre) / int_1ba34641
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 An American in Paris (Theatre) / int_23473ae7
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Adaptation Expansion
 An American in Paris (Theatre) / int_23473ae7
comment
Adaptation Expansion: Considerably expands the thin plot of the film, adding in more nuance about the state of postwar Paris and expanding the plotlines of Lise, Henri, and Adam in particular.
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Camp Straight
 An American in Paris (Theatre) / int_27c09b00
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Camp Straight: Henri could be interpreted this way, but it's more likely that he's Ambiguously Gay (see above).
 An American in Paris (Theatre) / int_27c09b00
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An American in Paris (Theatre) / int_27c09b00
 An American in Paris (Theatre) / int_2c3ec06e
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Better as Friends
 An American in Paris (Theatre) / int_2c3ec06e
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Better as Friends: The inevitable outcome of Milo and Jerry's relationship.
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An American in Paris (Theatre) / int_2c3ec06e
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Hidden Depths
 An American in Paris (Theatre) / int_2dc0d2bf
comment
Hidden Depths: It turns out that Henri was a member of La Résistance during World War II, while his parents hid Lise from the Nazis and funneled much of their personal fortune into the Resistance. Moreover, Lise is also an example of this. Originally, it just seems like she's a mysterious girl, but it's revealed that she is so quiet and mysterious because she is a Jewish woman, who has lost her parents in the Holocaust.
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Wrong Assumption
 An American in Paris (Theatre) / int_38072b53
comment
Wrong Assumption: Adam believes that Henri is only so optimistic because he hasn't seen the cruelty of the world. He did not know what Henri did to try to save Lise and many others during World War Two.
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 An American in Paris (Theatre) / int_44606d14
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Becoming the Mask
 An American in Paris (Theatre) / int_44606d14
comment
Becoming the Mask: Henri's parents survived the occupation of France by hiding their intentions from the Germans. They became so good at it that they had all but buried their former selves. Mrs. Baurel came to realize this when Mr. Baurel reminded her how, despite their love of jazz music, they had agreed to say that they hated jazz during the Occupation.
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 An American in Paris (Theatre) / int_4523420b
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Love Dodecahedron
 An American in Paris (Theatre) / int_4523420b
comment
Love Dodecahedron: Milo falls for Jerry, who's in love with Lise, who is engaged to Henri and shares mutual affection with him but falls in love with Jerry, whose friend Adam is also falling for Lise.
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 An American in Paris (Theatre) / int_46290b93
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Manic Pixie Dream Girl
 An American in Paris (Theatre) / int_46290b93
comment
Manic Pixie Dream Girl: Refreshingly averted. At first, it seems like Lise is going to be this for all three of the main male characters: a mysterious, dreamy, slightly distant inspiration and object of desire. The story quickly dispels with that, however, giving her a story and character arc of her own that revolves around her own dreams, not just those of her "boys."
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 An American in Paris (Theatre) / int_4712bc4f
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Exact Eavesdropping
 An American in Paris (Theatre) / int_4712bc4f
comment
Exact Eavesdropping: At the party celebrating the upcoming ballet, Jerry and Lise have an angst-filled conversation just outside about the impossibility of their love for each other. In the windows behind them, Adam, Milo, and Henri each have a moment of overhearing just at the right/wrong moments.
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An American in Paris (Theatre) / int_4712bc4f
 An American in Paris (Theatre) / int_4814d132
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Big Fancy House
 An American in Paris (Theatre) / int_4814d132
comment
Big Fancy House: Milo's apartment is glamorous and modern and the Baurels have a fashionable mansion, in stark contrast with the simpler settings of the less wealthy characters.
 An American in Paris (Theatre) / int_4814d132
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An American in Paris (Theatre) / int_4814d132
 An American in Paris (Theatre) / int_49f6a9e4
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Most Writers Are Writers
 An American in Paris (Theatre) / int_49f6a9e4
comment
Most Writers Are Writers: The narrator, Adam, is a songwriter.
 An American in Paris (Theatre) / int_49f6a9e4
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 An American in Paris (Theatre) / int_60547993
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I Want My Beloved to Be Happy
 An American in Paris (Theatre) / int_60547993
comment
I Want My Beloved to Be Happy: Milo, Adam, and Henri all walk away from their would-be love interests to allow them to be happy together.
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 An American in Paris (Theatre) / int_615fdb1f
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Dream Sequence
 An American in Paris (Theatre) / int_615fdb1f
comment
Dream Sequence: In a fashion. The titular climatic ballet is no longer in Jerry's psyche, but instead is a real performance given by the dancer characters. However, the pas de deux between Jerry and Lise is partially imagined: she is really dancing, but she is imagining Jerry as her partner. Similarly, Henri really does sing "A Stairway to Paradise" in the nightclub, but the number turning into a huge Follies-esque production number is all in his imagination.
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 An American in Paris (Theatre) / int_62b65869
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And I'm the Queen of Sheba
 An American in Paris (Theatre) / int_62b65869
comment
And I'm the Queen of Sheba: Adam sarcastically identifies himself as George Gershwin at a fancy party.
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 An American in Paris (Theatre) / int_707bb8ce
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Pair the Spares
 An American in Paris (Theatre) / int_707bb8ce
comment
Pair the Spares: Implied with Milo and Henri; they certainly seem to get along quite well.
 An American in Paris (Theatre) / int_707bb8ce
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 An American in Paris (Theatre) / int_7febc23b
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Establishing Character Moment
 An American in Paris (Theatre) / int_7febc23b
comment
Establishing Character Moment: When the audience first meets Henri, he is rushing into Adam's cafe, uninvited, and begging him, in French, not to tell his parents that he's there. This establishes that Henri is French, and also that he is anxious, it establishes his closeness with Adam, and (If you know French) the secrets he keeps from his family.
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An American in Paris (Theatre) / int_7febc23b
 An American in Paris (Theatre) / int_857744e7
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Chew-Out Fake-Out
 An American in Paris (Theatre) / int_857744e7
comment
Chew-Out Fake-Out: Henri kept his desires to be a singer from his parents whom he believed would not approve. When they show up unexpectedly at his performance of "Stairway to Paradise", his mother is initially upset. Then his father approaches him with a stern expression.
 An American in Paris (Theatre) / int_857744e7
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 An American in Paris (Theatre) / int_863c780a
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Hopeless Suitor
 An American in Paris (Theatre) / int_863c780a
comment
Hopeless Suitor: As in the film, Milo to Jerry. Their relationship starts out with all the outward appearance of her wanting to be his patron and get "favors" in return, but in fact she falls in love with him. Although her feelings are unrequited, they do end up genuinely fond of one another, if not deeply in love.
 An American in Paris (Theatre) / int_863c780a
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 An American in Paris (Theatre) / int_8e4a0f15
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Dumb Blonde
 An American in Paris (Theatre) / int_8e4a0f15
comment
Dumb Blonde: Inverted. Milo is very much not dumb. She knows what she wants, and she knows how to get it, even if it doesn't work out in the long run. Misguided, sure, but definitely not dumb.
 An American in Paris (Theatre) / int_8e4a0f15
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 An American in Paris (Theatre) / int_9438e550
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The Big Damn Kiss
 An American in Paris (Theatre) / int_9438e550
comment
The Big Damn Kiss: Two, both between Jerry and Lise. The first, during their imagined pas de deux, and the second in the final moments of the play.
 An American in Paris (Theatre) / int_9438e550
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 An American in Paris (Theatre) / int_9ecb2ba8
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Reimagining the Artifact
 An American in Paris (Theatre) / int_9ecb2ba8
comment
Reimagining the Artifact: The original An American in Paris, while a great movie, is very much of its time with the lack of character for Lise and Milo, and the movie that only briefly touches on the stability of Paris after WW 2. The musical fixes this by giving Lise more development and dreams of her own, particularly involving the ballet and living for those that lost their lives, and having Milo learn that money cannot buy love, and show her having genuine feelings for Jerry. Along with that, the musical also makes all of the main characters, as well as the ensemble, feel the lingering effects of World War Two on Paris.
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 An American in Paris (Theatre) / int_a2492aff
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Dogged Nice Guy
 An American in Paris (Theatre) / int_a2492aff
comment
Dogged Nice Guy: Jerry is drawn to Lise the moment he meets her, and pursues her without giving up.
 An American in Paris (Theatre) / int_a2492aff
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An American in Paris (Theatre) / int_a2492aff
 An American in Paris (Theatre) / int_a82ff02f
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Meet Cute
 An American in Paris (Theatre) / int_a82ff02f
comment
Meet Cute: Jerry and Lise, in the very beginning. They do not meet again until a few days later.
 An American in Paris (Theatre) / int_a82ff02f
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 An American in Paris (Theatre) / int_ae3d6438
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Deadpan Snarker
 An American in Paris (Theatre) / int_ae3d6438
comment
Deadpan Snarker: In a Golden-Age-screwball fashion, Milo and Adam especially.
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 An American in Paris (Theatre) / int_bf9163d9
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Blonde, Brunette, Redhead
 An American in Paris (Theatre) / int_bf9163d9
comment
Blonde, Brunette, Redhead: Milo, Lise, and Madame Baurel, respectively.
 An American in Paris (Theatre) / int_bf9163d9
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 An American in Paris (Theatre) / int_d500b978
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Adaptational Wimp
 An American in Paris (Theatre) / int_d500b978
comment
Adaptational Wimp: While Henri was an established cabaret singer in the film, here he's a meek and mild mother's boy who keeps his dreams of performing from his parents.
 An American in Paris (Theatre) / int_d500b978
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An American in Paris (Theatre) / int_d500b978
 An American in Paris (Theatre) / int_e34400ab
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Ambiguously Gay
 An American in Paris (Theatre) / int_e34400ab
comment
Ambiguously Gay: Henri. He's an energetic, well-dressed young man who loves being on stage. His mother delicately questions his sexuality, and Adam and Jerry seem fairly unsurprised by the possibility. He does genuinely love Lise, but the exact nature of that love is left up in the air, possibly making this a case of Ambiguously Bi. For what it's worth, the actor originating the role definitively states Henri to be something other than heterosexual.
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Romantic Runner-Up
 An American in Paris (Theatre) / int_f2fe3a61
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Romantic Runner-Up: Milo loses Jerry to Lise, and Henri and Adam both step away from Lise so she can be happy with Jerry.
 An American in Paris (Theatre) / int_f2fe3a61
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True Art Is Angsty
 An American in Paris (Theatre) / int_f8b3d078
comment
True Art Is Angsty: In-Universe example: Adam, an Army veteran who fought in the war, believes in this trope through most of the play, while Henri holds the opposite view that art can and should be uplifting and joyous. Later Adam learns that Henri had witnessed the Occupation first hand and fought alongside La Résistance, and decides that if Henri could still hold to this belief, then maybe he has the right idea. Adam lampshades this by saying, "I hate it when the French guy's right!"
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An American in Paris (Theatre)

The following is a list of statements referring to the current page from other pages.

 An American in Paris (Theatre)
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