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Cabaret (Theatre)

389 statements
75 feature instances
68 referencing feature instances

Cabaret (Theatre)	type	TVTItem
Cabaret (Theatre)	label	Cabaret (Theatre)
Cabaret (Theatre)	page	Cabaret
Cabaret (Theatre)	comment	Cabaret is a 1966 stage musical with book by Joe Masteroff, music by John Kander and lyrics by Fred Ebb, based on several chapters from Christopher Isherwood's autobiographical 1939 novel Goodbye to Berlin, which was based in turn on real events and people. It also drew enormous influence from I Am a Camera (1951), a straight play based on Goodbye to Berlin. Cabaret itself was adapted into a film of the same name in 1972. No two versions of this story are the same, each featuring wildly different characters - or different versions of the same characters - and following different events. Hell, even the musical itself differs somewhat in content based on which revision you're talking about.With a sinister but attractive glint in his eye, the Emcee invites us into the decadent provocative world of the cabaret. The story is set in Germany in 1931. Sally Bowles, a middle-class lass from Chelsea, London, is working as a singer at Berlin's Kit Kat Klub in order to live the thrilling life the city is supposed to offer. In enters Cliff Bradshaw, a young American writer who comes to Berlin seeking inspiration for his novel, and Sally soon determinedly moves to join him in his room in the boarding house run by Fraulein Schneider (played by Miss Lotte Lenya in the original cast). Their fellow lodgers include the cheerful yet promiscuous working girl, Fraulein Kost, and the gentle, aging Herr Schultz.As the Nazi clouds gather, Sally, now with child, is still determined to show the world what a good time she is having. Defiant and brave, she either cannot or will not hear the threatening noises around her, yet the others can.Schultz courts Fraulein Schneider with old-world courtesy and they become engaged. However, he is Jewish; when Nazi sympathizer Ernst Ludwig breaks up their engagement party, the weary landlady is obliged to let her dreams of marriage go.Cliff finds he has been almost unwittingly smuggling Nazi funds for Ernst, and is beaten up when he refuses to continue the dangerous work. It's time to leave Berlin, but poor self-obsessed Sally can't let the party end. Back in the Kit Kat Klub, the Emcee introduces an ongoing pageant of delusional depravity, a commentary on the "mask of normalcy" people are wearing during the Nazi era.
Cabaret (Theatre)	fetched	2024-03-24T04:17:27Z
Cabaret (Theatre)	parsed	2024-03-24T04:17:27Z
Cabaret (Theatre)	processingComment	Dropped link to AdaptationalNameChange: Not a Feature - UNKNOWN
Cabaret (Theatre)	processingComment	Dropped link to AnAesop: Not a Feature - IGNORE
Cabaret (Theatre)	processingComment	Dropped link to Bowdlerise: Not a Feature - ITEM
Cabaret (Theatre)	processingComment	Dropped link to DiscussedTrope: Not a Feature - ITEM
Cabaret (Theatre)	processingComment	Dropped link to Fanservice: Not a Feature - IGNORE
Cabaret (Theatre)	processingUnknown	AdaptationalNameChange
Cabaret (Theatre)	isPartOf	DBTropes
Cabaret (Theatre) / int_108c268e	type	Hotter and Sexier
Cabaret (Theatre) / int_108c268e	comment	Hotter and Sexier: The 1993 London revival (directed by Sam Mendes) completely reinvented the show by amping up the sex appeal. This is best exemplified by its portrayal of the Emcee, famously played by Alan Cumming: in contrast to Joel Grey's dapper, tuxedo-clad Emcee, Cummings's version is a slinky Walking Shirtless Scene with a far more seductive personality.
Cabaret (Theatre) / int_108c268e	featureApplicability	1.0
Cabaret (Theatre) / int_108c268e	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_108c268e
Cabaret (Theatre) / int_13871049	type	Hakuna Matata
Cabaret (Theatre) / int_13871049	comment	Hakuna Matata: The opening number, "Willkommen", and the title song, "Cabaret", are both of the darker life-sucks-but-let's-pretend-for-a-moment-it-doesn't variety.
Cabaret (Theatre) / int_13871049	featureApplicability	1.0
Cabaret (Theatre) / int_13871049	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_13871049
Cabaret (Theatre) / int_14beeefd	type	Darker and Edgier
Cabaret (Theatre) / int_14beeefd	comment	Darker and Edgier: Every Broadway revival since the original has changed the book and songs to increase the sexual and political reality that the era was.
Cabaret (Theatre) / int_14beeefd	featureApplicability	1.0
Cabaret (Theatre) / int_14beeefd	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_14beeefd
Cabaret (Theatre) / int_1b4e322c	type	Mr. Fanservice
Cabaret (Theatre) / int_1b4e322c	comment	Mr. Fanservice: The Emcee is frequently presented as such, but Alan Cumming's portrayal really stands out and tends to ramp the Emcee's sexual side up to eleven.
Cabaret (Theatre) / int_1b4e322c	featureApplicability	1.0
Cabaret (Theatre) / int_1b4e322c	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_1b4e322c
Cabaret (Theatre) / int_1bc2e445	type	End of an Age
Cabaret (Theatre) / int_1bc2e445	comment	End of an Age: The final days of the Weimar Republic and the beginnings of Nazi Germany.
Cabaret (Theatre) / int_1bc2e445	featureApplicability	1.0
Cabaret (Theatre) / int_1bc2e445	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_1bc2e445
Cabaret (Theatre) / int_1ccad9a3	type	Villain Song
Cabaret (Theatre) / int_1ccad9a3	comment	Villain Song: "Tomorrow Belongs To Me" for the Nazis. It was so realistic and of the spirit that it got the (Jewish) producers accused of anti-Semitism!
Cabaret (Theatre) / int_1ccad9a3	featureApplicability	1.0
Cabaret (Theatre) / int_1ccad9a3	featureConfidence	1.0
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Cabaret (Theatre) / int_1e7487cd	type	Breaking the Fourth Wall
Cabaret (Theatre) / int_1e7487cd	comment	Breaking the Fourth Wall: In many productions, the Emcee will interact with those in the front-row seats. In the original production, the Club set had a mirror for this reason. In the 1998 Revival the theatre itself become The Kit Kat Klub, with the company walking though the audience. The 2021 Revival transforms the London Playhouse Theater into the Kit Kat Klub.
Cabaret (Theatre) / int_1e7487cd	featureApplicability	1.0
Cabaret (Theatre) / int_1e7487cd	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_1e7487cd
Cabaret (Theatre) / int_237404cc	type	Ironic Echo
Cabaret (Theatre) / int_237404cc	comment	Ironic Echo: All over the place in the last few scenes, which collectively comprise a darker mirror image of the first few scenes.
Cabaret (Theatre) / int_237404cc	featureApplicability	1.0
Cabaret (Theatre) / int_237404cc	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_237404cc
Cabaret (Theatre) / int_23f1384a	type	Babies Make Everything Better
Cabaret (Theatre) / int_23f1384a	comment	Babies Make Everything Better: Cliff tries to convince Sally of this.
Cabaret (Theatre) / int_23f1384a	featureApplicability	1.0
Cabaret (Theatre) / int_23f1384a	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_23f1384a
Cabaret (Theatre) / int_27c09b00	type	Camp Straight
Cabaret (Theatre) / int_27c09b00	comment	Camp Straight: The Emcee is often portrayed as this.
Cabaret (Theatre) / int_27c09b00	featureApplicability	1.0
Cabaret (Theatre) / int_27c09b00	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_27c09b00
Cabaret (Theatre) / int_2e6a41e0	type	Gratuitous English
Cabaret (Theatre) / int_2e6a41e0	comment	Gratuitous English: Many of the phrases in "Willkommen" are sung in Gratuitous German, then in Gratuitous French, then in Gratuitous English.
Cabaret (Theatre) / int_2e6a41e0	featureApplicability	1.0
Cabaret (Theatre) / int_2e6a41e0	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_2e6a41e0
Cabaret (Theatre) / int_2efc138f	type	Welcoming Song
Cabaret (Theatre) / int_2efc138f	comment	Welcoming Song: "Wilkommen".
Cabaret (Theatre) / int_2efc138f	featureApplicability	1.0
Cabaret (Theatre) / int_2efc138f	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_2efc138f
Cabaret (Theatre) / int_2fcf9bbc	type	Gratuitous Foreign Language
Cabaret (Theatre) / int_2fcf9bbc	comment	Gratuitous Foreign Language: Many of the phrases in the opening number "Willkommen" are sung in manner.
Cabaret (Theatre) / int_2fcf9bbc	featureApplicability	1.0
Cabaret (Theatre) / int_2fcf9bbc	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_2fcf9bbc
Cabaret (Theatre) / int_30863a53	type	Small Start, Big Finish
Cabaret (Theatre) / int_30863a53	comment	Small Start, Big Finish: "Maybe This Time". The song starts soft because Sally is contemplating about her relationship to herself in the mirror. Over the course of the song she starts singing more forcefully and with bigger notes, ending with some long belts. The accompanying instrumentation gets louder as well.
Cabaret (Theatre) / int_30863a53	featureApplicability	1.0
Cabaret (Theatre) / int_30863a53	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_30863a53
Cabaret (Theatre) / int_30f1cd6c	type	The Musical Musical
Cabaret (Theatre) / int_30f1cd6c	comment	The Musical Musical: The story revolves around the cabaret in which Sally performs, and many of the numbers are performed in-universe as part of the cabaret.
Cabaret (Theatre) / int_30f1cd6c	featureApplicability	1.0
Cabaret (Theatre) / int_30f1cd6c	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_30f1cd6c
Cabaret (Theatre) / int_3149c4b0	type	It Will Never Catch On
Cabaret (Theatre) / int_3149c4b0	comment	It Will Never Catch On: Played for drama with Herr Schultz's prediction that the rise of the Nazis will pass soon enough. Particularly tragic since he is Jewish.
Cabaret (Theatre) / int_3149c4b0	featureApplicability	1.0
Cabaret (Theatre) / int_3149c4b0	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_3149c4b0
Cabaret (Theatre) / int_3202a9b0	type	Money Song
Cabaret (Theatre) / int_3202a9b0	comment	Money Song: "Sitting Pretty/The Money Song" is a quintessential example.
Cabaret (Theatre) / int_3202a9b0	featureApplicability	1.0
Cabaret (Theatre) / int_3202a9b0	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_3202a9b0
Cabaret (Theatre) / int_3a2da4c3	type	One True Threesome
Cabaret (Theatre) / int_3a2da4c3	comment	One True Threesome: "Two Ladies" is about an in-universe example between the Emcee and two of the Cabaret Girls. In some versions, it's the Emcee, a Cabaret Girl and a cross-dressing Cabaret Boy. In the Budapesti OperettszinhÃ¡z production, the threesome is between Sally, Cliff, and the Emcee. In all versions, it's Fanservice.
Cabaret (Theatre) / int_3a2da4c3	featureApplicability	1.0
Cabaret (Theatre) / int_3a2da4c3	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_3a2da4c3
Cabaret (Theatre) / int_3f1f6c04	type	The Cover Changes the Meaning
Cabaret (Theatre) / int_3f1f6c04	comment	The Cover Changes the Meaning: Depending on what version you're watching; some stage productions have "Tomorrow Belongs to Me" sung by Hitler Youth boys, as in the movie. Others have the reprise sung by Nazis, but the original sung by a young, gay Cabaret boy, often a racial minority. While the 2021 versions of "Cabaret" and "Finale" are sung by the same cast members, Jessie Buckley and Eddie Redmayne's performances have Sally and the Emcee undergo Sanity Slippage as their world collapses around them.
Cabaret (Theatre) / int_3f1f6c04	featureApplicability	1.0
Cabaret (Theatre) / int_3f1f6c04	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_3f1f6c04
Cabaret (Theatre) / int_46290b93	type	Manic Pixie Dream Girl
Cabaret (Theatre) / int_46290b93	comment	Manic Pixie Dream Girl: Sally tries to be a Manic Pixie for Cliff, but her determined spunky optimism and unwillingness to grow up make her ignore the threat of Nazism and drive Cliff away from her.
Cabaret (Theatre) / int_46290b93	featureApplicability	1.0
Cabaret (Theatre) / int_46290b93	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_46290b93
Cabaret (Theatre) / int_4781adbb	type	Jerk with a Heart of Gold
Cabaret (Theatre) / int_4781adbb	comment	Jerk with a Heart of Gold: Sally is naive, frivolous, and may be very selfish, but she does mean well, and while she may suffer from a Lack of Empathy, she can very well sympathize to peoples troubles and try to cheer them up.
Cabaret (Theatre) / int_4781adbb	featureApplicability	1.0
Cabaret (Theatre) / int_4781adbb	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_4781adbb
Cabaret (Theatre) / int_49f6a9e4	type	Most Writers Are Writers
Cabaret (Theatre) / int_49f6a9e4	comment	Most Writers Are Writers: Cliff is a writer and is trying to write a novel.
Cabaret (Theatre) / int_49f6a9e4	featureApplicability	1.0
Cabaret (Theatre) / int_49f6a9e4	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_49f6a9e4
Cabaret (Theatre) / int_4a0ec47a	type	Cheshire Cat Grin
Cabaret (Theatre) / int_4a0ec47a	comment	Cheshire Cat Grin: The Emcee is frequently shown sporting one; Joel Gray's portrayal is a noteworthy example.
Cabaret (Theatre) / int_4a0ec47a	featureApplicability	1.0
Cabaret (Theatre) / int_4a0ec47a	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_4a0ec47a
Cabaret (Theatre) / int_4e3d253b	type	Downer Ending
Cabaret (Theatre) / int_4e3d253b	comment	Downer Ending: Cliff leaves Berlin heartbroken, Herr Shultz and Fraulein Schneider break up, Germany slides into Nazi tyranny and Sally and everyone else will quite likely suffer the consequences. The Revival takes it a step further, with the Emcee stripping off his coat to reveal a prisoner garb, and a Star of David and a pink triangle, indicating that he has been placed in Nazi concentration camp due to being Jewish and gay, and most likely will face the execution line soon. Some performances have him leap forward accompanied by a cymbal crash and a flash of light, implying he killed himself by jumping into an electric fence.
Cabaret (Theatre) / int_4e3d253b	featureApplicability	1.0
Cabaret (Theatre) / int_4e3d253b	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_4e3d253b
Cabaret (Theatre) / int_4e7c4536	type	Wham Line
Cabaret (Theatre) / int_4e7c4536	comment	Wham Line: The final line of "If You Could See Her" recontextualizes the whole song: "But if you could see her through my eyes... She wouldn't look Jewish at all."
Cabaret (Theatre) / int_4e7c4536	featureApplicability	1.0
Cabaret (Theatre) / int_4e7c4536	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_4e7c4536
Cabaret (Theatre) / int_537dd8fe	type	Affably Evil
Cabaret (Theatre) / int_537dd8fe	comment	Affably Evil: Ernst seems to be a very cordial person, offering Cliff work and recommending a boarding house... up until the audience sees the swastika armband. Depending on the production, the Emcee can seem to be this at times.
Cabaret (Theatre) / int_537dd8fe	featureApplicability	1.0
Cabaret (Theatre) / int_537dd8fe	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_537dd8fe
Cabaret (Theatre) / int_5565bf30	type	Three-Way Sex
Cabaret (Theatre) / int_5565bf30	comment	Three-Way Sex: The subject of the "Two Ladies" act at the cabaret.
Cabaret (Theatre) / int_5565bf30	featureApplicability	1.0
Cabaret (Theatre) / int_5565bf30	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_5565bf30
Cabaret (Theatre) / int_557838d1	type	Adaptational Attractiveness
Cabaret (Theatre) / int_557838d1	comment	Adaptational Attractiveness: More of a vocal example; in the original Christopher Isherwood stories, Sally has an unremarkable, even squawky voice. That doesn't work so well for the main character of a musical. In the revival, Natasha Richardson played her with a suitable voice, but with added tired inflections that managed to fit both ways. The 2014 revival with Michelle Williams took this even further.
Cabaret (Theatre) / int_557838d1	featureApplicability	1.0
Cabaret (Theatre) / int_557838d1	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_557838d1
Cabaret (Theatre) / int_57918465	type	Seven Minute Lull
Cabaret (Theatre) / int_57918465	comment	Seven Minute Lull: Herr Ludwig loudly proclaims to Fraulein Schneider that her husband-to-be, Herr Schultz, is "not a German" after discovering he is Jewish. The din of the party immediately dies down as everyone turns to stare.
Cabaret (Theatre) / int_57918465	featureApplicability	1.0
Cabaret (Theatre) / int_57918465	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_57918465
Cabaret (Theatre) / int_5941d75	type	Beta Couple
Cabaret (Theatre) / int_5941d75	comment	Beta Couple: Herr Schultz and Fraulein Schneider
Cabaret (Theatre) / int_5941d75	featureApplicability	1.0
Cabaret (Theatre) / int_5941d75	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_5941d75
Cabaret (Theatre) / int_5d777251	type	That's All, Folks!
Cabaret (Theatre) / int_5d777251	comment	That's All, Folks!: At the end, the Emcee (who introduced the show with "Willkommen — Bienvenue — Welcome") sings, "Auf wiedersehn! Ã€ bientÃ´t!" The implied last word, "Goodbye!", is never sung (but sometimes spoken as he takes his final bow).
Cabaret (Theatre) / int_5d777251	featureApplicability	1.0
Cabaret (Theatre) / int_5d777251	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_5d777251
Cabaret (Theatre) / int_62434fe2	type	Sanity Slippage
Cabaret (Theatre) / int_62434fe2	comment	While the 2021 versions of "Cabaret" and "Finale" are sung by the same cast members, Jessie Buckley and Eddie Redmayne's performances have Sally and the Emcee undergo Sanity Slippage as their world collapses around them.
Cabaret (Theatre) / int_62434fe2	featureApplicability	1.0
Cabaret (Theatre) / int_62434fe2	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_62434fe2
Cabaret (Theatre) / int_658f7193	type	Lack of Empathy
Cabaret (Theatre) / int_658f7193	comment	Lack of Empathy: Sally's problem, she means well, but she has trouble connecting to the genuine problems that people are facing during the rise of the Third Reich in Berlin, and instead pushes for everyone to live life believing that if they ignore them, they'll be happier for it. The entirety of her show stopping Title Song is all about this.
Cabaret (Theatre) / int_658f7193	featureApplicability	1.0
Cabaret (Theatre) / int_658f7193	featureConfidence	1.0
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Cabaret (Theatre) / int_697b5232	type	Those Wacky Nazis
Cabaret (Theatre) / int_697b5232	comment	Those Wacky Nazis: Zigzagged. The main Nazi sympathizer in the show is Ernst Ludwig and by all accounts starts out a pretty decent fellow but the higher the Nazis rise in prominence, the more obsessed he becomes. Same with the menace the Nazis represent, it's more subtle and in the shadows, growing uglier until the end when they can't escape it.
Cabaret (Theatre) / int_697b5232	featureApplicability	1.0
Cabaret (Theatre) / int_697b5232	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_697b5232
Cabaret (Theatre) / int_69ac64a0	type	Too Broken to Break
Cabaret (Theatre) / int_69ac64a0	comment	Too Broken to Break: Fraulein Schneider is implied to be this in her "I Am" Song, "So What." The gist of this song is that she's lost so much in her life, such as a luxurious house, that the promise of Cliff not paying enough for his room in her boarding house just doesn't matter.
Cabaret (Theatre) / int_69ac64a0	featureApplicability	1.0
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Cabaret (Theatre) / int_6d332aea	type	Driven to Suicide
Cabaret (Theatre) / int_6d332aea	comment	The Revival takes it a step further, with the Emcee stripping off his coat to reveal a prisoner garb, and a Star of David and a pink triangle, indicating that he has been placed in Nazi concentration camp due to being Jewish and gay, and most likely will face the execution line soon. Some performances have him leap forward accompanied by a cymbal crash and a flash of light, implying he killed himself by jumping into an electric fence.
Cabaret (Theatre) / int_6d332aea	featureApplicability	1.0
Cabaret (Theatre) / int_6d332aea	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_6d332aea
Cabaret (Theatre) / int_6de438eb	type	The Everyman
Cabaret (Theatre) / int_6de438eb	comment	The Everyman: Played mostly straight with Cliff.
Cabaret (Theatre) / int_6de438eb	featureApplicability	1.0
Cabaret (Theatre) / int_6de438eb	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_6de438eb
Cabaret (Theatre) / int_74149c93	type	Epic Rocking
Cabaret (Theatre) / int_74149c93	comment	Epic Rocking: The reprise of "Tomorrow Belongs To Me".
Cabaret (Theatre) / int_74149c93	featureApplicability	1.0
Cabaret (Theatre) / int_74149c93	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_74149c93
Cabaret (Theatre) / int_759985ec	type	Crotch-Grab Sex Check
Cabaret (Theatre) / int_759985ec	comment	Crotch-Grab Sex Check: In some productions, this is how the MC tells Victor and Bobby apart. (Maybe Bobby is really a girl?)
Cabaret (Theatre) / int_759985ec	featureApplicability	1.0
Cabaret (Theatre) / int_759985ec	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_759985ec
Cabaret (Theatre) / int_789d50eb	type	Multilingual Song
Cabaret (Theatre) / int_789d50eb	comment	Multilingual Song: The lyrics to "Wilkommen" have phrases that are spoken or sung in German, then repeated in French and English.
Cabaret (Theatre) / int_789d50eb	featureApplicability	1.0
Cabaret (Theatre) / int_789d50eb	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_789d50eb
Cabaret (Theatre) / int_78c85191	type	Grapes of Luxury
Cabaret (Theatre) / int_78c85191	comment	Grapes of Luxury: Fraulein Schneider treats Schultz's gift of a pineapple as more luxurious than diamonds or pearls.
Cabaret (Theatre) / int_78c85191	featureApplicability	1.0
Cabaret (Theatre) / int_78c85191	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_78c85191
Cabaret (Theatre) / int_78e8eba5	type	"I Am" Song
Cabaret (Theatre) / int_78e8eba5	comment	"I Am" Song: "So What" for Fraulein Schneider.
Cabaret (Theatre) / int_78e8eba5	featureApplicability	1.0
Cabaret (Theatre) / int_78e8eba5	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_78e8eba5
Cabaret (Theatre) / int_7b454a57	type	White Sheep
Cabaret (Theatre) / int_7b454a57	comment	White Sheep: Show Within a Show example: the Mama of "Don't Tell Mama" seems to be the only family member not involved in something seedy, as her daughter is a dancer at a seedy nightclub, her husband is a customer of the nightclub, her brother or brother-in-law is her daughter's agent for the nightclub, her mother or mother-in-law is also a dancer at the nightclub, and her son is involved in something bad enough that her daughter 'will squeal on him' if he squeals on her.
Cabaret (Theatre) / int_7b454a57	featureApplicability	1.0
Cabaret (Theatre) / int_7b454a57	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_7b454a57
Cabaret (Theatre) / int_8338de89	type	"I Want" Song
Cabaret (Theatre) / int_8338de89	comment	"I Want" Song: "Maybe This Time", when she realizes Cliff is starting to fall in love with her, Sally allows herself to hope and believe that she's finally found the right man for her.
Cabaret (Theatre) / int_8338de89	featureApplicability	1.0
Cabaret (Theatre) / int_8338de89	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_8338de89
Cabaret (Theatre) / int_833d49b2	type	Broken-Window Warning
Cabaret (Theatre) / int_833d49b2	comment	Broken-Window Warning: After it becomes known that Herr Schultz is Jewish, there is a brick thrown through his Grocery's windows, which convinces Fraulein Schneider to break up with him.
Cabaret (Theatre) / int_833d49b2	featureApplicability	1.0
Cabaret (Theatre) / int_833d49b2	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_833d49b2
Cabaret (Theatre) / int_8387bb18	type	Good Girls Avoid Abortion
Cabaret (Theatre) / int_8387bb18	comment	Good Girls Avoid Abortion: Sally Bowles, on the other hand, doesn't.
Cabaret (Theatre) / int_8387bb18	featureApplicability	1.0
Cabaret (Theatre) / int_8387bb18	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_8387bb18
Cabaret (Theatre) / int_90b66e22	type	Femme Fatale
Cabaret (Theatre) / int_90b66e22	comment	Femme Fatale: A Deconstructed Trope. Sally thinks she can pull it off, but she really, really can't.
Cabaret (Theatre) / int_90b66e22	featureApplicability	1.0
Cabaret (Theatre) / int_90b66e22	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_90b66e22
Cabaret (Theatre) / int_92d6af50	type	Truck Driver's Gear Change
Cabaret (Theatre) / int_92d6af50	comment	Truck Driver's Gear Change: Happens in the majority of the songs.
Cabaret (Theatre) / int_92d6af50	featureApplicability	1.0
Cabaret (Theatre) / int_92d6af50	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_92d6af50
Cabaret (Theatre) / int_99298c71	type	Better to Die than Be Killed
Cabaret (Theatre) / int_99298c71	comment	Better to Die than Be Killed: Some productions of the revival have the MC jump into an electric fence before he can be sent to a gas chamber.
Cabaret (Theatre) / int_99298c71	featureApplicability	1.0
Cabaret (Theatre) / int_99298c71	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_99298c71
Cabaret (Theatre) / int_a4c37cbe	type	Mood Whiplash
Cabaret (Theatre) / int_a4c37cbe	comment	Mood Whiplash: In the revival in the final song, Emcee rather suggestively starts to remove his coat, revealing a concentration camp uniform. At the very end of the reprise of "Tomorrow Belongs to Me," the Emcee moons the audience, showing he has a swastika painted on his ass. You want to laugh, but the context is so horrifying. The end of "If You Could See Her."
Cabaret (Theatre) / int_a4c37cbe	featureApplicability	1.0
Cabaret (Theatre) / int_a4c37cbe	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_a4c37cbe
Cabaret (Theatre) / int_a5de0ab9	type	Polyamory
Cabaret (Theatre) / int_a5de0ab9	comment	Polyamory: "Two Ladies" is about a mÃ©nage-a-trois style household - one lady does the cooking, the other makes the bed, while the Emcee is the family breadwinner. It parallels the threesome of Sally, Cliff and Max. The nature of Cliff and Sally's relationship may be interpreted as an open one (at least initially), given that they've been together for several months before Sally discovers she is pregnant, and is uncertain as to who the father is. This interpretation is made less ambiguous in the 2017 UK tour version of the show, as Cliff sings "Why Should I Wake Up?" while moving between various sexual partners' beds - namely Sally, a pair of cabaret girls and one of the cabaret boys.
Cabaret (Theatre) / int_a5de0ab9	featureApplicability	1.0
Cabaret (Theatre) / int_a5de0ab9	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_a5de0ab9
Cabaret (Theatre) / int_a757d9a0	type	Quirky Girl, Quirky Tux
Cabaret (Theatre) / int_a757d9a0	comment	Quirky Girl, Quirky Tux: Sally Bowles may wear the fishnet variant in some of the numbers. The Emcee may play with the trope by wearing the tux (or at least pieces of it), but also while wearing very feminine make-up. Sally is a quirky person who lives by her own rules and is the star attraction of the Kit-Kat Club Cabaret. The Emcee gets honorable mention for wearing a tux in a way that flouts gender norms.
Cabaret (Theatre) / int_a757d9a0	featureApplicability	1.0
Cabaret (Theatre) / int_a757d9a0	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_a757d9a0
Cabaret (Theatre) / int_a8cbf649	type	I Should Write a Book About This
Cabaret (Theatre) / int_a8cbf649	comment	I Should Write a Book About This: Cliff spends most of the play trying to write a novel and not getting anywhere. At the end, he starts from scratch, writing an opening paragraph that makes it clear he's now writing about his time in Berlin.
Cabaret (Theatre) / int_a8cbf649	featureApplicability	1.0
Cabaret (Theatre) / int_a8cbf649	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_a8cbf649
Cabaret (Theatre) / int_ab5eea65	type	Dramatic Irony
Cabaret (Theatre) / int_ab5eea65	comment	Dramatic Irony: Also historical irony. Herr Schultz's prediction that the rise of the Nazis will pass soon enough. Particularly tragic since he is Jewish.
Cabaret (Theatre) / int_ab5eea65	featureApplicability	1.0
Cabaret (Theatre) / int_ab5eea65	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_ab5eea65
Cabaret (Theatre) / int_b032e4ed	type	Ms. Fanservice
Cabaret (Theatre) / int_b032e4ed	comment	Ms. Fanservice: Sally Bowles. Just look at the image above!
Cabaret (Theatre) / int_b032e4ed	featureApplicability	1.0
Cabaret (Theatre) / int_b032e4ed	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_b032e4ed
Cabaret (Theatre) / int_b29cc937	type	Sidekick Song
Cabaret (Theatre) / int_b29cc937	comment	Sidekick Song: Though Herr Schultz isn't exactly a sidekick, "Meeskite" has a lot in common with other Sidekick Songs.
Cabaret (Theatre) / int_b29cc937	featureApplicability	1.0
Cabaret (Theatre) / int_b29cc937	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_b29cc937
Cabaret (Theatre) / int_b5fb096b	type	People Puppets
Cabaret (Theatre) / int_b5fb096b	comment	People Puppets: The 2017 UK tour version had "Tomorrow Belongs to Me" performed by ensemble members dressed as puppets in lederhosen, with their strings being pulled by the Emcee standing on a high platform. At the climax of the song, the puppets pull out pistols and shoot themselves in the head.
Cabaret (Theatre) / int_b5fb096b	featureApplicability	1.0
Cabaret (Theatre) / int_b5fb096b	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_b5fb096b
Cabaret (Theatre) / int_b7a18b59	type	Opening Chorus
Cabaret (Theatre) / int_b7a18b59	comment	Opening Chorus: "Wilkommen" featuring the Emcee and the Cabaret Performers.
Cabaret (Theatre) / int_b7a18b59	featureApplicability	1.0
Cabaret (Theatre) / int_b7a18b59	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_b7a18b59
Cabaret (Theatre) / int_bda474d2	type	Last Note Nightmare
Cabaret (Theatre) / int_bda474d2	comment	Last Note Nightmare: "Tomorrow Belongs to Me" on the 1998 Broadway Cast Recording is already kind of creepy since it's intentionally made to sound low-quality and distorted. Then it stops and the MC harshly whispers the last two words. At least they give you a few seconds to brace yourself. This is because on stage the MC is playing the song on a Gramophone. Also from the 1998 cast, there is the beginnings of a lovely reprise of "Married" between the sweet old couple. Which is then promptly interrupted by a brick being "thrown" through a shop window. Well, there go all the good feelings.
Cabaret (Theatre) / int_bda474d2	featureApplicability	1.0
Cabaret (Theatre) / int_bda474d2	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_bda474d2
Cabaret (Theatre) / int_c6898a73	type	Ret-Canon
Cabaret (Theatre) / int_c6898a73	comment	Ret-Canon: Productions since 1972 often incorporate one or more of the songs ("Maybe This Time", "Mein Herr", "Money Money") that were added for the movie.
Cabaret (Theatre) / int_c6898a73	featureApplicability	1.0
Cabaret (Theatre) / int_c6898a73	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_c6898a73
Cabaret (Theatre) / int_d08595d3	type	Broken Bird
Cabaret (Theatre) / int_d08595d3	comment	Broken Bird: Sally. Detailed in "Maybe This Time". The 2021 revival has her undergoing a full mental breakdown during her performance of the titular song.
Cabaret (Theatre) / int_d08595d3	featureApplicability	1.0
Cabaret (Theatre) / int_d08595d3	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_d08595d3
Cabaret (Theatre) / int_d5c79ce4	type	Last Chorus Slow-Down
Cabaret (Theatre) / int_d5c79ce4	comment	Last Chorus Slow-Down: "Cabaret" slows down to begin the final strain ("Start by admitting from cradle to tomb"). After a few bars, it starts picking up speed again as Sally rallies her desperate optimism.
Cabaret (Theatre) / int_d5c79ce4	featureApplicability	1.0
Cabaret (Theatre) / int_d5c79ce4	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_d5c79ce4
Cabaret (Theatre) / int_d97f6f0c	type	Musicalis Interruptus
Cabaret (Theatre) / int_d97f6f0c	comment	Musicalis Interruptus: In the scene where Fraulein Schneider considers ending her engagement with Herr Schultz and he attempts to reassure her, there is a moment when he seems to be succeeding and they start a reprise of the song they sang when he proprosed — which is interrupted after a few lines by somebody throwing a brick through Herr Schultz's window, ending the song and the engagement.
Cabaret (Theatre) / int_d97f6f0c	featureApplicability	1.0
Cabaret (Theatre) / int_d97f6f0c	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_d97f6f0c
Cabaret (Theatre) / int_e4d079c1	type	Greek Chorus
Cabaret (Theatre) / int_e4d079c1	comment	Greek Chorus: The Emcee, though for the most part his songs are only tied in thematically, and don't directly comment on the action.
Cabaret (Theatre) / int_e4d079c1	featureApplicability	1.0
Cabaret (Theatre) / int_e4d079c1	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_e4d079c1
Cabaret (Theatre) / int_e624f0e8	type	Suspiciously Specific Denial
Cabaret (Theatre) / int_e624f0e8	comment	Suspiciously Specific Denial: "We have no troubles here!" Alan Cumming's delivery of the line, coupled with his facial expression, only makes the lie more obvious.
Cabaret (Theatre) / int_e624f0e8	featureApplicability	1.0
Cabaret (Theatre) / int_e624f0e8	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_e624f0e8
Cabaret (Theatre) / int_e6f232a0	type	Fanservice Pack
Cabaret (Theatre) / int_e6f232a0	comment	Fanservice Pack: The Emcee in the revival. Joel Grey's slinky, androgynous portrayal had previously been the standard, but the character as played by Alan Cumming really, really started servicing the fans, with a Stripperific redesign and a more blatantly bisexual characterization, including a shadow-curtain threesome with both sexes during the "Two Ladies" number.
Cabaret (Theatre) / int_e6f232a0	featureApplicability	1.0
Cabaret (Theatre) / int_e6f232a0	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_e6f232a0
Cabaret (Theatre) / int_e963adf1	type	Bad Girl Song
Cabaret (Theatre) / int_e963adf1	comment	Bad Girl Song: The song "Mein Herr", in productions which include it, establishes Sally as a Good Bad Girl.
Cabaret (Theatre) / int_e963adf1	featureApplicability	1.0
Cabaret (Theatre) / int_e963adf1	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_e963adf1
Cabaret (Theatre) / int_ec212e4d	type	Ensemble Cast
Cabaret (Theatre) / int_ec212e4d	comment	Ensemble Cast: The original stage musical doesn't have a true star part in terms of stage time or songs, in part because the Beta Couple of Schultz and Schneider were played by better-known actors than Sally and Cliff. Most subsequent productions, following the lead of the movie, beef up the roles of Sally and the Emcee to make them the clear stars.
Cabaret (Theatre) / int_ec212e4d	featureApplicability	1.0
Cabaret (Theatre) / int_ec212e4d	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_ec212e4d
Cabaret (Theatre) / int_eef90616	type	Bread, Eggs, Milk, Squick
Cabaret (Theatre) / int_eef90616	comment	Bread, Eggs, Milk, Squick: Two performers at the Kit Kat Klub perform "If You Could See Her", in which a love-struck man insists that his lady — portrayed by the other performer in a gorilla mask — isn't that bad when seen through the eyes of love. The final line of the song reveals the real problem: the lady is Jewish.
Cabaret (Theatre) / int_eef90616	featureApplicability	1.0
Cabaret (Theatre) / int_eef90616	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_eef90616
Cabaret (Theatre) / int_f3fd818b	type	Dark Reprise
Cabaret (Theatre) / int_f3fd818b	comment	Dark Reprise: "Wilkommen" gets one in the finale.
Cabaret (Theatre) / int_f3fd818b	featureApplicability	1.0
Cabaret (Theatre) / int_f3fd818b	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_f3fd818b
Cabaret (Theatre) / int_f5afa308	type	Hard-Drinking Party Girl
Cabaret (Theatre) / int_f5afa308	comment	Hard-Drinking Party Girl: Sally Bowles. Her drinking increases as the play goes on.
Cabaret (Theatre) / int_f5afa308	featureApplicability	1.0
Cabaret (Theatre) / int_f5afa308	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_f5afa308
Cabaret (Theatre) / int_f76b8969	type	Anthropomorphic Personification
Cabaret (Theatre) / int_f76b8969	comment	Anthropomorphic Personification: It's strongly implied the Emcee is one to Germany itself.
Cabaret (Theatre) / int_f76b8969	featureApplicability	1.0
Cabaret (Theatre) / int_f76b8969	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_f76b8969
Cabaret (Theatre) / int_fa1d0606	type	Interactive Narrator
Cabaret (Theatre) / int_fa1d0606	comment	Interactive Narrator: Played with in the Emcee.
Cabaret (Theatre) / int_fa1d0606	featureApplicability	1.0
Cabaret (Theatre) / int_fa1d0606	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_fa1d0606
Cabaret (Theatre) / int_fc299bf1	type	Hideous Hangover Cure
Cabaret (Theatre) / int_fc299bf1	comment	Hideous Hangover Cure: Prairie Oysters, which involves raw eggs and Worcestershire sauce together. Drink it from the toothpaste glass and it tastes just like peppermint!
Cabaret (Theatre) / int_fc299bf1	featureApplicability	1.0
Cabaret (Theatre) / int_fc299bf1	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_fc299bf1
Cabaret (Theatre) / int_name	type	ItemName
Cabaret (Theatre) / int_name	comment
Cabaret (Theatre) / int_name	featureApplicability	1.0
Cabaret (Theatre) / int_name	featureConfidence	1.0
Cabaret (Theatre)	hasFeature	Cabaret (Theatre) / int_name
Cabaret (Theatre) / int_name	itemName	Cabaret (Theatre)

The following is a list of statements referring to the current page from other pages.

Cabaret (Theatre)	hasFeature	A cappella / int_78c1833b
Cabaret (Theatre)	hasFeature	Abortion Fallout Drama / int_78c1833b
Cabaret (Theatre)	hasFeature	Actor-Muso Show / int_78c1833b
Cabaret (Theatre)	hasFeature	Adaptation Name Change / int_78c1833b
Cabaret (Theatre)	hasFeature	Adaptational Sexuality / int_78c1833b
Cabaret (Theatre)	hasFeature	Audience Participation / int_78c1833b
Cabaret (Theatre)	hasFeature	Babies Make Everything Better / int_78c1833b
Cabaret (Theatre)	hasFeature	Beta Couple / int_78c1833b
Cabaret (Theatre)	hasFeature	Black Market Produce / int_78c1833b
Cabaret (Theatre)	hasFeature	Bread, Eggs, Milk, Squick / int_78c1833b
Cabaret (Theatre)	hasFeature	Breakthrough Hit / int_78c1833b
Cabaret (Theatre)	hasFeature	Broken-Window Warning / int_78c1833b
Cabaret (Theatre)	hasFeature	Burlesque / int_78c1833b
Cabaret (Theatre)	hasFeature	Credits Medley / int_78c1833b
Cabaret (Theatre)	hasFeature	Cross-Cast Role / int_78c1833b
Cabaret (Theatre)	hasFeature	Crotch-Grab Sex Check / int_78c1833b
Cabaret (Theatre)	hasFeature	Cut Song / int_78c1833b
Cabaret (Theatre)	hasFeature	Dastardly Dapper Derby / int_78c1833b
Cabaret (Theatre)	hasFeature	Don't Tell Mama / int_78c1833b
Cabaret (Theatre)	hasFeature	Drum Roll, Please / int_78c1833b
Cabaret (Theatre)	hasFeature	Gratuitous English / int_78c1833b
Cabaret (Theatre)	hasFeature	Gratuitous French / int_78c1833b
Cabaret (Theatre)	hasFeature	Gratuitous German / int_78c1833b
Cabaret (Theatre)	hasFeature	Greedy Jew / int_78c1833b
Cabaret (Theatre)	hasFeature	Gut Punch / int_78c1833b
Cabaret (Theatre)	hasFeature	Hakuna Matata / int_78c1833b
Cabaret (Theatre)	hasFeature	Hear Me the Money / int_78c1833b
Cabaret (Theatre)	hasFeature	Hideous Hangover Cure / int_78c1833b
Cabaret (Theatre)	hasFeature	Hotter and Sexier / int_78c1833b
Cabaret (Theatre)	hasFeature	I Should Write a Book About This / int_78c1833b
Cabaret (Theatre)	hasFeature	"I Want" Song / int_78c1833b
Cabaret (Theatre)	hasFeature	If I Were a Rich Man / int_78c1833b
Cabaret (Theatre)	hasFeature	Informed Flaw / int_78c1833b
Cabaret (Theatre)	hasFeature	Isn't It Ironic? / int_78c1833b
Cabaret (Theatre)	hasFeature	It Will Never Catch On / int_78c1833b
Cabaret (Theatre)	hasFeature	Lack of Empathy / int_78c1833b
Cabaret (Theatre)	hasFeature	Ladies and Germs / int_78c1833b
Cabaret (Theatre)	hasFeature	Last Chorus Slow-Down / int_78c1833b
Cabaret (Theatre)	hasFeature	Last Note Nightmare / int_78c1833b
Cabaret (Theatre)	hasFeature	Manic Pixie Dream Girl / int_78c1833b
Cabaret (Theatre)	hasFeature	Medley Overture / int_78c1833b
Cabaret (Theatre)	hasFeature	Money Song / int_78c1833b
Cabaret (Theatre)	hasFeature	Mood Motif / int_78c1833b
Cabaret (Theatre)	hasFeature	Most Writers Are Writers / int_78c1833b
Cabaret (Theatre)	hasFeature	Multilingual Song / int_78c1833b
Cabaret (Theatre)	hasFeature	Musical World Hypotheses / int_78c1833b
Cabaret (Theatre)	hasFeature	Musicalis Interruptus / int_78c1833b
Cabaret (Theatre)	hasFeature	Naughty Nuns / int_78c1833b
Cabaret (Theatre)	hasFeature	One True Threesome / int_78c1833b
Cabaret (Theatre)	hasFeature	Ooh, Me Accent's Slipping / int_78c1833b
Cabaret (Theatre)	hasFeature	Original Cast Precedent / int_78c1833b
Cabaret (Theatre)	hasFeature	Polyamory / int_78c1833b
Cabaret (Theatre)	hasFeature	Quirky Girl, Quirky Tux / int_78c1833b
Cabaret (Theatre)	hasFeature	Reprise Medley / int_78c1833b
Cabaret (Theatre)	hasFeature	Silly Rabbit, Romance Is for Kids! / int_78c1833b
Cabaret (Theatre)	hasFeature	Small Start, Big Finish / int_78c1833b
Cabaret (Theatre)	hasFeature	Song Parody / int_78c1833b
Cabaret (Theatre)	hasFeature	That's All, Folks! / int_78c1833b
Cabaret (Theatre)	hasFeature	The Musical Musical / int_78c1833b
Cabaret (Theatre)	hasFeature	The Roaring '20s / int_78c1833b
Cabaret (Theatre)	hasFeature	The Ugly Guy's Hot Daughter / int_78c1833b
Cabaret (Theatre)	hasFeature	The Vamp / int_78c1833b
Cabaret (Theatre)	hasFeature	There Is Only One Bed / int_78c1833b
Cabaret (Theatre)	hasFeature	Three-Way Sex / int_78c1833b
Cabaret (Theatre)	hasFeature	Too Broken to Break / int_78c1833b
Cabaret (Theatre)	hasFeature	Truck Driver's Gear Change / int_78c1833b
Cabaret (Theatre)	hasFeature	Voice Types / int_78c1833b
Cabaret / Theater	seeAlso	Cabaret (Theatre)

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