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Così Fan Tutte (Theatre)

 Così Fan Tutte (Theatre)
type
TVTItem
 Così Fan Tutte (Theatre)
label
Così Fan Tutte (Theatre)
 Così Fan Tutte (Theatre)
page
CosiFanTutte
 Così Fan Tutte (Theatre)
comment
The third collaboration of one Wolfgang Amadeus Mozart and Lorenzo da Ponte, Così fan tutte (roughly translated as "Thus do all [women]" or, more idiomatically, "They [women] are all like that") is an opera buffa, with catchy tunes, a subverted Love Dodecahedron and a very Hard Truth Aesop by today's standards. The plot was allegedly based on a story told to the Austrian Emperor, who allegedly requested an opera based on it.Two young officers, Ferrando and Guiglielmo, boast the unending fidelity of their fiancees in a tavern. An old philosopher, Don Alfonso, bets them that he can get the girls to betray them for other men after just a day. Confident in the virtue of their beloveds, the pair agree. Their fiancees are two noble ladies called Fiordiligi and Dorabella, sisters and apparently completely infatuated with their lovers. Their happiness is crushed when they are told that the soldiers are being called away to war, perhaps to never return away. Their world-wise maid Despina advises them that men - especially soldiers - are hardly faithful and that women should pursue their pleasure just as freely, much to their horror.Of course, all this is just a ruse. The soldiers disguise themselves as Albanians and return to woo the sisters. Alfonso, worried that the sharp-tongued Despina might recognize them anyway, decides to bribe her over to their side. He needn't bother, because Despina doesn't recognize them and even if she did, she would likely help for her own amusement. The sisters arrive to scold Despina, only for each of them to be wooed by the disguised fiancé of the other. Alfonso returns and quickly establishes that these two are his best friends.Fiordiligi will have none of it, though, and sends them both away, which doesn't help much. Alfonso despairs that he may have found the rare breed of a constant woman, but Despina, tempted by the promise of cash, devises a plan; the 'Albanians' burst into the room where the sisters are mourning and threaten to kill themselves with arsenic. Once they do, a doctor (Despina in disguise) revives them with a magnet and they try once again to play on the sisters' sympathies.In act two, Despina urges the sisters to do as they please. Dorabella is tempted and the sisters eventually agree that they can flirt, as long as they break it off the moment their fiances return. Unbeknownst to them, each chooses the fiance of the other as the man she'll allow to woo her. Eventually, both of them succumb to these overtures - Dorabella eagerly, Fiordiligi much later and only after a long and difficult aria about how she hopes her fiancé will forgive this 'folly of the heart' (and when Ferrando foils her plan to disguise herself as a man to follow Guiglielmo to war) - much to the shame and anger of their fiances. Don Alfonso, however, points out that women are naturally flirtatious and shouldn't be blamed; it's the men's fault for not being too appreciative and attentive to them.The finale involves a double wedding with Despina disguised as the notary, with the soldiers 'returning' just as the Albanians rush off to hide. As this is an opera buffa, the girls realize they were tricked, but Alfonso shrugs off the guilt: "I deceived you, but undeceived your beloveds; now they will love you for who you are, not how they dreamed you up!" Even Despina feels some shame at her free-wheeling philosophy and the general happy ending comes along.
 Così Fan Tutte (Theatre)
fetched
2023-03-27T01:01:19Z
 Così Fan Tutte (Theatre)
parsed
2023-03-27T01:01:19Z
 Così Fan Tutte (Theatre)
processingComment
Dropped link to SeductionAsOneUpmanship: Not a Feature - UNKNOWN
 Così Fan Tutte (Theatre)
processingUnknown
Seduction as One-Upmanship
 Così Fan Tutte (Theatre)
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DBTropes
 Così Fan Tutte (Theatre) / int_129749df
type
All Men Are Perverts
 Così Fan Tutte (Theatre) / int_129749df
comment
Despina claims that All Men Are Perverts (especially soldiers) to justify the cheating.
 Così Fan Tutte (Theatre) / int_129749df
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1.0
 Così Fan Tutte (Theatre) / int_129749df
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Così Fan Tutte (Theatre) / int_129749df
 Così Fan Tutte (Theatre) / int_18d15922
type
Title Drop
 Così Fan Tutte (Theatre) / int_18d15922
comment
Title Drop: In the Aesop.
 Così Fan Tutte (Theatre) / int_18d15922
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 Così Fan Tutte (Theatre) / int_18d15922
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Così Fan Tutte (Theatre) / int_18d15922
 Così Fan Tutte (Theatre) / int_2059a430
type
The Hedonist
 Così Fan Tutte (Theatre) / int_2059a430
comment
The Hedonist: Despina could be considered one if one takes the time when the story takes place into account.
 Così Fan Tutte (Theatre) / int_2059a430
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 Così Fan Tutte (Theatre) / int_2059a430
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_2059a430
 Così Fan Tutte (Theatre) / int_237404cc
type
Ironic Echo
 Così Fan Tutte (Theatre) / int_237404cc
comment
Ironic Echo: "What woman can resist a Gugliemo" becomes "What woman can resist a Ferrando?" later.
 Così Fan Tutte (Theatre) / int_237404cc
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1.0
 Così Fan Tutte (Theatre) / int_237404cc
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_237404cc
 Così Fan Tutte (Theatre) / int_2e206837
type
Bed Trick
 Così Fan Tutte (Theatre) / int_2e206837
comment
Bed Trick: This is one of the main premises, except brought down to PG proportions.
 Così Fan Tutte (Theatre) / int_2e206837
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1.0
 Così Fan Tutte (Theatre) / int_2e206837
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Così Fan Tutte (Theatre) / int_2e206837
 Così Fan Tutte (Theatre) / int_42215dce
type
Ambiguous Ending
 Così Fan Tutte (Theatre) / int_42215dce
comment
Ambiguous Ending: Mozart and Da Ponte never specify which man ends up with which sister at the end of the opera, which has left directors free to choose any pairing they want, or to leave it unresolved.
 Così Fan Tutte (Theatre) / int_42215dce
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1.0
 Così Fan Tutte (Theatre) / int_42215dce
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_42215dce
 Così Fan Tutte (Theatre) / int_48b9731f
type
Paper-Thin Disguise
 Così Fan Tutte (Theatre) / int_48b9731f
comment
Paper-Thin Disguise: Despina's diguises as a doctor and a notary.
 Così Fan Tutte (Theatre) / int_48b9731f
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 Così Fan Tutte (Theatre) / int_48b9731f
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_48b9731f
 Così Fan Tutte (Theatre) / int_4a3e547f
type
Leaning on the Fourth Wall
 Così Fan Tutte (Theatre) / int_4a3e547f
comment
Leaning on the Fourth Wall: Guglielmo's tirade against faithless women.
 Così Fan Tutte (Theatre) / int_4a3e547f
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1.0
 Così Fan Tutte (Theatre) / int_4a3e547f
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Così Fan Tutte (Theatre) / int_4a3e547f
 Così Fan Tutte (Theatre) / int_4e7017f1
type
Wig, Dress, Accent
 Così Fan Tutte (Theatre) / int_4e7017f1
comment
Wig, Dress, Accent: How the fiances disguise themselves.
 Così Fan Tutte (Theatre) / int_4e7017f1
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 Così Fan Tutte (Theatre) / int_4e7017f1
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Così Fan Tutte (Theatre) / int_4e7017f1
 Così Fan Tutte (Theatre) / int_4f84cdef
type
Smug Snake
 Così Fan Tutte (Theatre) / int_4f84cdef
comment
Smug Snake: Gugliemo briefly turns into one when it seems only he's succeeded in seducing his friend's fiancée. Gets thrown back in his face later.
 Così Fan Tutte (Theatre) / int_4f84cdef
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 Così Fan Tutte (Theatre) / int_4f84cdef
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Così Fan Tutte (Theatre) / int_4f84cdef
 Così Fan Tutte (Theatre) / int_58b42f3d
type
Trickster Mentor
 Così Fan Tutte (Theatre) / int_58b42f3d
comment
Trickster Mentor: Don Alfonso.
 Così Fan Tutte (Theatre) / int_58b42f3d
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 Così Fan Tutte (Theatre) / int_58b42f3d
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Così Fan Tutte (Theatre) / int_58b42f3d
 Così Fan Tutte (Theatre) / int_65dfbf11
type
Innocent Soprano
 Così Fan Tutte (Theatre) / int_65dfbf11
comment
Innocent Soprano: The gentle and naive Fiordiligi is a high soprano, who struggles with her conscience more than her lower-voiced sister.
 Così Fan Tutte (Theatre) / int_65dfbf11
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1.0
 Così Fan Tutte (Theatre) / int_65dfbf11
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Così Fan Tutte (Theatre) / int_65dfbf11
 Così Fan Tutte (Theatre) / int_66755d29
type
Author Avatar
 Così Fan Tutte (Theatre) / int_66755d29
comment
Author Avatar: Some studies suppose that Despina's lines allowed da Ponte to speak freely, with her being a servant.
 Così Fan Tutte (Theatre) / int_66755d29
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1.0
 Così Fan Tutte (Theatre) / int_66755d29
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_66755d29
 Così Fan Tutte (Theatre) / int_67fe4b8e
type
Ship Sinking
 Così Fan Tutte (Theatre) / int_67fe4b8e
comment
Ship Sinking / Ship Tease: When Don Alfonso comes to Despina and tells her he needs a favor, her first response is: "An old guy like you and a young girl like me can do nothing together."
 Così Fan Tutte (Theatre) / int_67fe4b8e
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1.0
 Così Fan Tutte (Theatre) / int_67fe4b8e
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_67fe4b8e
 Così Fan Tutte (Theatre) / int_78e8eba5
type
"I Am" Song
 Così Fan Tutte (Theatre) / int_78e8eba5
comment
"I Am" Song: Come scoglio (Like a rock), Fiordiligi's big aria about the sisters' faithfulness. Subverted later on.
 Così Fan Tutte (Theatre) / int_78e8eba5
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 Così Fan Tutte (Theatre) / int_78e8eba5
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Così Fan Tutte (Theatre) / int_78e8eba5
 Così Fan Tutte (Theatre) / int_823c6e3e
type
Large Ham
 Così Fan Tutte (Theatre) / int_823c6e3e
comment
Large Ham: How Despina usually gets away with her interpretations of doctors and notaries, along with nonsensical Latin phrases and odd accents.
 Così Fan Tutte (Theatre) / int_823c6e3e
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_823c6e3e
 Così Fan Tutte (Theatre) / int_9f80e1da
type
Sarcasm Mode
 Così Fan Tutte (Theatre) / int_9f80e1da
comment
Sarcasm Mode: Many modern adaptations have the two heroes use this at the end, when returning to their faithful fiancées and their good friend Don Alfonso.
 Così Fan Tutte (Theatre) / int_9f80e1da
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1.0
 Così Fan Tutte (Theatre) / int_9f80e1da
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_9f80e1da
 Così Fan Tutte (Theatre) / int_a8217606
type
Sweet Polly Oliver
 Così Fan Tutte (Theatre) / int_a8217606
comment
Sweet Polly Oliver: Despina, whenever crossdressing as a man. Fiordiligi plans to do this to join her fiancé in the war as a soldier, but Ferrando manages to woo her before she can make good on that.
 Così Fan Tutte (Theatre) / int_a8217606
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1.0
 Così Fan Tutte (Theatre) / int_a8217606
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_a8217606
 Così Fan Tutte (Theatre) / int_af4d6174
type
Setting Update
 Così Fan Tutte (Theatre) / int_af4d6174
comment
Setting Update: A 1995 film version turns Don Alfonso into a sleazy diner owner, Despina into the waitress, and the Albanians into hippies (and the poison they drink? The mustard and ketchup bottles).
 Così Fan Tutte (Theatre) / int_af4d6174
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 Così Fan Tutte (Theatre) / int_af4d6174
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_af4d6174
 Così Fan Tutte (Theatre) / int_b42b7e7b
type
Moral Myopia
 Così Fan Tutte (Theatre) / int_b42b7e7b
comment
Moral Myopia: In the 1983 Dresden production, Guglielmo and Ferrando are ready to fight for the honor of their fiancées... while amusing themselves with a crowd of girls.
 Così Fan Tutte (Theatre) / int_b42b7e7b
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1.0
 Così Fan Tutte (Theatre) / int_b42b7e7b
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_b42b7e7b
 Così Fan Tutte (Theatre) / int_b53077b3
type
Take That!
 Così Fan Tutte (Theatre) / int_b53077b3
comment
Take That!: Despina, disguised as a (male) doctor, cured the heroes' faked arsenic poisoning by waving a magnet over their bodies. This was a dig at Franz Anton Mesmer's claims of "animal magnetism," which were in vogue at the time the opera was written.
 Così Fan Tutte (Theatre) / int_b53077b3
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1.0
 Così Fan Tutte (Theatre) / int_b53077b3
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_b53077b3
 Così Fan Tutte (Theatre) / int_bc97f0c6
type
Jealous Romantic Witness
 Così Fan Tutte (Theatre) / int_bc97f0c6
comment
Jealous Romantic Witness: Guglielmo and Ferrando decide to test their respective fiancees' fidelity and try to seduce them in disguise. As a result, each of the girls falls in love with the other one's fiance. At first Guglielmo's fiancee Fiordiligi is determined to stay faithful, but then Guglielmo is forced to watch her duet with Fernando when her resolve finally breaks, and he is absolutely heartbroken and nearly runs out to confront the couple at once (Don Alfonso, who instigated the whole thing, has to hold him back).
 Così Fan Tutte (Theatre) / int_bc97f0c6
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1.0
 Così Fan Tutte (Theatre) / int_bc97f0c6
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1.0
 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_bc97f0c6
 Così Fan Tutte (Theatre) / int_d08595d3
type
Broken Bird
 Così Fan Tutte (Theatre) / int_d08595d3
comment
Broken Bird: Arguably, Fiordiligi is the one who genuinely believes she loves her fiancé... and then she actually does fall in love with her new "suitor".
 Così Fan Tutte (Theatre) / int_d08595d3
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1.0
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Così Fan Tutte (Theatre) / int_d08595d3
 Così Fan Tutte (Theatre) / int_d7a17494
type
Coupled Couples
 Così Fan Tutte (Theatre) / int_d7a17494
comment
Coupled Couples
 Così Fan Tutte (Theatre) / int_d7a17494
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 Così Fan Tutte (Theatre)
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Così Fan Tutte (Theatre) / int_d7a17494
 Così Fan Tutte (Theatre) / int_e41a9801
type
All Women Are Lustful
 Così Fan Tutte (Theatre) / int_e41a9801
comment
All Women Are Lustful: Taken to the extent of I'm A Woman, I Can't Help It. According to Despina, "You can live without love, but not without lovers." Despina claims that All Men Are Perverts (especially soldiers) to justify the cheating.
 Così Fan Tutte (Theatre) / int_e41a9801
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Così Fan Tutte (Theatre) / int_e41a9801
 Così Fan Tutte (Theatre) / int_e5d37e0f
type
Divergent Character Evolution
 Così Fan Tutte (Theatre) / int_e5d37e0f
comment
Divergent Character Evolution: Fiordiligi and Dorabella have basically the same personality in Act 1, and frequently sing the same words. In Act 2, as they start to fall for their new suitors, Dorabella begins to get more lighthearted music while Fiordiligi's becomes more passionate.
 Così Fan Tutte (Theatre) / int_e5d37e0f
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 Così Fan Tutte (Theatre) / int_e5d37e0f
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Così Fan Tutte (Theatre) / int_e5d37e0f
 Così Fan Tutte (Theatre) / int_e963adf1
type
Bad Girl Song
 Così Fan Tutte (Theatre) / int_e963adf1
comment
Bad Girl Song / Sidekick Song: Both Despina's arias about her philosophy as a Good Bad Girl (by the standards of the time).
 Così Fan Tutte (Theatre) / int_e963adf1
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Così Fan Tutte (Theatre) / int_e963adf1
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Così Fan Tutte (Theatre)

The following is a list of statements referring to the current page from other pages.

 Così Fan Tutte (Theatre)
hasFeature
All Women Are Lustful / int_1338fbdc
 Così Fan Tutte (Theatre)
hasFeature
Ambiguous Ending / int_1338fbdc
 Così Fan Tutte (Theatre)
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Coupled Couples / int_1338fbdc
 Così Fan Tutte (Theatre)
hasFeature
Divergent Character Evolution / int_1338fbdc
 Così Fan Tutte (Theatre)
hasFeature
French Maid / int_1338fbdc
 Così Fan Tutte (Theatre)
hasFeature
Hair-Contrast Duo / int_1338fbdc
 Così Fan Tutte (Theatre)
hasFeature
Innocent Soprano / int_1338fbdc
 Così Fan Tutte (Theatre)
hasFeature
Jealous Romantic Witness / int_1338fbdc
 Così Fan Tutte (Theatre)
hasFeature
Notary Nonsense / int_1338fbdc
 Così Fan Tutte (Theatre)
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Opera / int_1338fbdc
 Così Fan Tutte (Theatre)
hasFeature
Seduction as One-Upmanship / int_1338fbdc
 Così Fan Tutte (Theatre)
hasFeature
The Help Helping Themselves / int_1338fbdc
 Così Fan Tutte (Theatre)
hasFeature
Weddings for Everyone / int_1338fbdc
 Così Fan Tutte (Theatre)
hasFeature
Fidelity Test / int_1338fbdc