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Julius Caesar (Theatre)
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As the play is Older Than Steam and based on historical events, and as most twists in Shakespeare's plots are now widely known, all spoilers on this page are unmarked.One of William Shakespeare's tragedies, the play is his take on the assassination of Julius Caesar in Ancient Rome and its bloody aftermath.The protagonist is Marcus Junius Brutus, a scrupulously honest, loyal and patriotic statesman, who is nonetheless drawn by his friend Caius Cassius into a plot to assassinate the increasingly powerful Caesar. Brutus is torn between his love for Julius Caesar and what he believes to be his duty to Rome. He is eventually moved to the act only by his love of the republic; other characters in the conspiracy have less spotless motivations.Alternately, the protagonist is Marcus Brutus, a self-centered patrician whom Cassius flatters into betraying his former patron Caesar. Take your pick.In either case, Brutus is intended to be the most sympathetic character in a cast of villains. The title character? An Ambitious Decoy Protagonist. His other closest friend, Mark Antony? Uses his oratory skills to help woo the crowds to handing Caesar power, and when it comes to Avenging the Villain he really gets nasty, all while acting the part of the Faux Affably Evil Villain with Good Publicity. Octavian/Octavius/Augustus Caesar? Just as ambitious as his dear old uncle, but even smarter, smart enough in fact to maintain his good publicity throughout the events of the play so that it takes a knowledge of what actually happened afterwards historically (or in Antony and Cleopatra) to realize his villainy. Our actual protagonist's other best friend, Cassius? The Resenter to Caesar's power who gets Brutus involved in the conspiracy in the first place by being a Manipulative Bastard, with plans to set himself up as The Man Behind the Man where Brutus is The Man whether he wants the job or not; in fact, the less Brutus actually wants the job the easier he thinks it will be. The rest of the conspirators all have their own selfish motivations as well. Oh and the rest of Rome? Anyone who isn't just a victim of one of the villains ends up in the mob formed by Mark Antony's speech due to their fickle nature.Following the assassination, Rome is plunged into civil war, and a number of characters from the first several acts of the play die during the conflict, mostly through suicide.The play was adapted to film several times. The most famous is the 1953 version, which starred Marlon Brando as Mark Antony, James Mason as Brutus, John Gielgud as Cassius, Greer Garson as Calpurnia, and Deborah Kerr as Portia. The 1970 version stars Charlton Heston as Mark Antony (reprising the role from a lower budget 1950 film version), Jason Robards as Brutus and Gielgud again, as Caesar this time around, among others. The 2003 Julius Caesar miniseries, meanwhile, is not based off Shakespeare.The play factors heavily into the movie Me and Orson Welles. | |
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| Julius Caesar (Theatre) / int_10dcbe05 | type |
Aw, Look! They Really Do Love Each Other | |
| Julius Caesar (Theatre) / int_10dcbe05 | comment |
Aw, Look! They Really Do Love Each Other: Platonic example with Brutus and Cassius. Despite their difficulties with each other, their final scene together at Philippi has them affectionately saying goodbye to one another while re-affirming their friendship. | |
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| Julius Caesar (Theatre) / int_121b3725 | type |
Age Lift | |
| Julius Caesar (Theatre) / int_121b3725 | comment |
Age Lift: In the "Shakespeare: The Animated Tales" episode Cassius is a grey haired individual and looks more like he could be of Caesar's generation than of Brutus', which he historically was. | |
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No Celebrities Were Harmed | |
| Julius Caesar (Theatre) / int_1282bf4f | comment |
No Celebrities Were Harmed: It's not uncommon for productions to frame the various characters as stand-ins for contemporary politicians. Notably, the 2018 National Theater production had all the characters played this way — most obviously, Caesar is Donald Trump, Calpurnia is Melania Trump, a Gender Flipped Cassius is Hillary Rodham Clinton, Casca is Maxine Waters, and Decius is Kellyanne Conway. Back in the 1930s Orson Welles staged a production that was a thinly veiled commentary on Benito Mussolini and Fascist Italy. During Obama's Presidency, The Guthrie Theatre in Minneapolis had a rather obvious Obama stand-in as Caesar, with an older and white Antony, vaguely resembling Obama's older and white vice-president, Joe Biden. | |
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| Julius Caesar (Theatre) / int_13eea985 | type |
Arbitrary Skepticism | |
| Julius Caesar (Theatre) / int_13eea985 | comment |
Arbitrary Skepticism: Caesar accepts superstition regarding the Lupercalia festival as fact, and then refuses to believe a soothsayer warning him to beware the Ides of March. | |
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| Julius Caesar (Theatre) / int_1a2a363 | type |
Guilt by Coincidence | |
| Julius Caesar (Theatre) / int_1a2a363 | comment |
Guilt by Coincidence: Cinna the Poet gets killed by the Mob because he unfortunately shared a name with one of Caesar's murderers. An added irony is that the murdered Cinna was a good friend of Caesar. | |
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| Julius Caesar (Theatre) / int_1b122c5d | type |
Scare Chord | |
| Julius Caesar (Theatre) / int_1b122c5d | comment |
Scare Chord: In Orson Welles' famous version, the play was considered pedestrian until they changed the murder of the poet Cinna◊ by a mob. The change was that Cinna was grabbed by a mob accompanied by all of the keys of a pipe organ being blasted, as he's dragged into the darkness to his doom. Every performance was a sellout afterward. | |
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The Purge | |
| Julius Caesar (Theatre) / int_1c263b9f | comment |
The Purge: The Triumvirs' meeting at the beginning of Act 4 is the beginning of the proscriptions. | |
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| Julius Caesar (Theatre) / int_1d2400e9 | type |
Green-Eyed Monster | |
| Julius Caesar (Theatre) / int_1d2400e9 | comment |
Green-Eyed Monster: Every conspirator except (maybe) Brutus is motivated by this. | |
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| Julius Caesar (Theatre) / int_1e7c47ab | type |
Stealth Pun | |
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Stealth Pun: "Beware the Ides of March" would have been one to audiences at the time, as March 15, not April 15, was tax day in England. | |
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Take Our Word for It | |
| Julius Caesar (Theatre) / int_1ec3eb0a | comment |
Take Our Word for It: The odd events in Rome are entirely off screen. Justified as these events would be difficult to do at the time. | |
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| Julius Caesar (Theatre) / int_259d5879 | type |
Anachronism Stew | |
| Julius Caesar (Theatre) / int_259d5879 | comment |
Anachronism Stew: The characters refer to many things that didn't exist in Ancient Rome, but did exist in Elizabethan England. Most egregiously, at one point, a clock tolls the hour. | |
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Hurricane of Puns | |
| Julius Caesar (Theatre) / int_2937826d | comment |
Hurricane of Puns: Oh god the cobbler scene. Shakespeare was a big fan of puns. | |
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| Julius Caesar (Theatre) / int_2a7b0247 | type |
Could Say It, But... | |
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Could Say It, But...: Antony in his funeral speech, when talking about why he won't read Caesar's will to the crowd. | |
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Julius Caesar (Theatre) / int_2a7b0247 | |
| Julius Caesar (Theatre) / int_2d4d16d9 | type |
I Know You Know I Know | |
| Julius Caesar (Theatre) / int_2d4d16d9 | comment |
I Know You Know I Know: As everybody is headed into the Senate on March 15, a random Senator named Popilius says "I wish today your enterprise may thrive." | |
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Blood on the Debate Floor | |
| Julius Caesar (Theatre) / int_303e9b7e | comment |
Blood on the Debate Floor: The most famous example, as Caesar is turned into a pincushion during a session of the Senate. | |
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| Julius Caesar (Theatre) / int_315a2d0f | type |
AstroTurf | |
| Julius Caesar (Theatre) / int_315a2d0f | comment |
AstroTurf: Cassius pulls this on Brutus: | |
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| Julius Caesar (Theatre) / int_34889673 | type |
Gender Flip | |
| Julius Caesar (Theatre) / int_34889673 | comment |
Gender Flip: The 2018 National Theater production did this with a couple characters, most notably Cassius. (No, not crosscasting — they changed the pronouns and everything.) The 2018 Bell Shakespeare Company production did the same thing, this time making Mark Antony, Octavius, Casca, Trebonius and a bunch of minor characters (played by the same actresses) into women. | |
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| Julius Caesar (Theatre) / int_375bb8f2 | type |
Good Is Dumb | |
| Julius Caesar (Theatre) / int_375bb8f2 | comment |
Good Is Dumb: Brutus is portrayed as far-and-away the best-intentioned of the conspirators, but every time he overrules Cassius it's for something mind-bogglingly stupid. Brutus nixes a suggestion to kill Antony along with Caesar, resulting in Antony becoming one of their greatest threats. Brutus overrules Cassius and insists they allow Antony to speak at Caesar's funeral, and Antony incites the crowd to riot with his speech, decisively swinging public opinion against the assassins. Brutus again overrules Cassius and says they must advance and give battle at Phillipi, rather than bide their time as Cassius suggests, resulting in their final, total defeat. | |
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| Julius Caesar (Theatre) / int_382a6399 | type |
The Hero Dies | |
| Julius Caesar (Theatre) / int_382a6399 | comment |
The Hero Dies: The eponymous character himself midway through the play. Brutus, the true protagonist, dies at the end. | |
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| Julius Caesar (Theatre) / int_396e1c2a | type |
Face Death with Dignity | |
| Julius Caesar (Theatre) / int_396e1c2a | comment |
Face Death with Dignity: Julius Caesar, in spite of Calpurnia's attempts to keep him home: | |
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| Julius Caesar (Theatre) / int_3e4cb2cc | type |
Weird Weather | |
| Julius Caesar (Theatre) / int_3e4cb2cc | comment |
Weird Weather: Caesar's wife Calpurnia makes note of several portents which indicate bad things happening, including: | |
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| Julius Caesar (Theatre) / int_3e8d9cd3 | type |
Historical Hero Upgrade | |
| Julius Caesar (Theatre) / int_3e8d9cd3 | comment |
Historical Hero Upgrade: Shakespeare's play has done much to make Marcus Junius Brutus into a Republican hero Internal Reformist torn by Conflicting Loyalty. This characterization is entirely Shakespeare's invention and it's very compelling as an aesthetic achievement but the real Brutus as per Cicero's letters was a corrupt optimate and Loan Shark who extorted interest from the poor by sending goon squads to make them pay up and there's much debate among historians, such as Mary Beard, if Brutus was really going to restore the Republic or merely angling to be another warlord dictator out for his own powernote As historians point out, one of the signs of autocracy and decay of traditions in Ancient Rome is generals casting coins with their likeness. The first to do this was Pompey the Great, and Caesar was following suit. If Brutus and Cassius intended to restore the Republic, them casting coins in their likeness is Not Helping Your Case, nor is them putting daggers on the obverse, more or less gloating about killing Caesar, which goes against the whole I Did What I Had to Do reluctance that has become Pop-Cultural Osmosis. | |
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Blatant Lies | |
| Julius Caesar (Theatre) / int_40bb59d0 | comment |
Mark Antony's funeral oration: "I am no orator, as Brutus is..." | |
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| Julius Caesar (Theatre) / int_40c57041 | type |
Manipulative Bastard | |
| Julius Caesar (Theatre) / int_40c57041 | comment |
Manipulative Bastard: Depending on portrayal, Cassius can easily be this. It is left ambiguous whether Cassius is merely jealous of Caesar's new found power even though both Brutus and himself are just as honourable, and has contracted the world's most traitorous form of tall poppy syndrome: Or whether he genuinely fears that Caesar will be crowned king and therefore be a threat to the very anti-monarchy Roman ideology: Decius Brutus rather cleverly observes that the best way to flatter Caesar is to praise him for being so immune to flattery. | |
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| Julius Caesar (Theatre) / int_442a6995 | type |
Stupid Sacrifice | |
| Julius Caesar (Theatre) / int_442a6995 | comment |
Stupid Sacrifice: When Cassius sees Titinius captured, he asks Pindarus to take his sword and kill him. A few moments later, Messala reports that Octavius's forces have been defeated by Brutus's army, and Titinius commits suicide soon afterwards. | |
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| Julius Caesar (Theatre) / int_44989f6f | type |
"Could Have Avoided This!" Plot | |
| Julius Caesar (Theatre) / int_44989f6f | comment |
"Could Have Avoided This!" Plot: Part of the grief of this play is the sheer number of warnings that go ignored, both for Caesar to avoid his assassination and for Brutus and company to avoid violent reprisal for it. | |
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Leaning on the Fourth Wall | |
| Julius Caesar (Theatre) / int_4a3e547f | comment |
Leaning on the Fourth Wall | |
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| Julius Caesar (Theatre) / int_4aac92bd | type |
Sock Puppet | |
| Julius Caesar (Theatre) / int_4aac92bd | comment |
Sock Puppet: Cassius gets Brutus to join him by forging a bunch of petitions in various writing styles, all criticizing Caesar and praising Brutus. | |
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| Julius Caesar (Theatre) / int_4e3d253b | type |
Downer Ending | |
| Julius Caesar (Theatre) / int_4e3d253b | comment |
Downer Ending: Instead of preserving the Roman Republic, the assassins end up setting the stage for its slow and destructive collapse, and almost all of them are dead after the events at Philippi. That's not even talking about the slew of innocents, such as Cinna the poet, getting killed throughout the story. Making matters worse, the relationship between Antony and Octavian starts to show strains, hinting at even more instability to follow. | |
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Et Tu, Brute? | |
| Julius Caesar (Theatre) / int_5037b961 | comment |
Et Tu, Brute?: As the assassins attack, Caesar defends himself... but when he sees Brutus, his best friend, among the assassins, he gives up and lets himself be murdered - he didn't care about a bunch of strangers armed with pointy things, but having his buddy stab him is another story entirely. The full quote is: "Et tu, Brute? Then fall, Caesar." Marc Antony during Caesar's funeral would say of Brutus's betrayal that his was "the most unkindest cut of all." | |
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| Julius Caesar (Theatre) / int_50b05d30 | type |
Disproportionate Retribution | |
| Julius Caesar (Theatre) / int_50b05d30 | comment |
Disproportionate Retribution: When the angry mob surrounds Cinna the poet, this exchange occurs: | |
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| Julius Caesar (Theatre) / int_5424d12d | type |
Life of the Party | |
| Julius Caesar (Theatre) / int_5424d12d | comment |
Life of the Party: Mark Antony is seen as a frivolous party animal and Brutus has little respect for him, doubting he even cares that much about Caesar, which turns out to be completely wrong. | |
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| Julius Caesar (Theatre) / int_56515a39 | type |
Artistic License – History | |
| Julius Caesar (Theatre) / int_56515a39 | comment |
Artistic License – History: Although this play is much more historically accurate than other Shakespeare plays, he did take some liberties so as to curtail time and compress the facts so that the play could be staged more easily: Shakespeare made Caesar's triumph take place on the day of Lupercalia (February 15) instead of six months earlier. For dramatic effect, Shakespeare made the Capitol the venue of Caesar's death rather than the Curia Pompeia (Curia of Pompey). Shakespeare has Caesar say "Et tu, Brute?" ("And you, Brutus?") before he dies. Plutarch and Suetonius each report that he said nothing, with Plutarch adding that he pulled his toga over his head when he saw Brutus among the conspirators, although Suetonius does record other reports that Caesar said in Latin, "Ista quidem vis est" ("This is violence"). Caesar's murder, the funeral, Antony's oration, the reading of the will, and the arrival of Octavius all take place on the same day in the play. However, historically, the assassination took place on March 15 (The Ides of March), the will was published on March 18, the funeral was on March 20, and Octavius arrived only in May. Shakespeare had the Triumvirs first meet in Rome instead of near Bononia to avoid an additional locale. There were actually two battles of Philippi over two weeks apart, with Cassius committing suicide after the first one, incorrectly thinking the Liberators had been defeated, and Brutus committing suicide after the second one in which the Liberators really were defeated. | |
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| Julius Caesar (Theatre) / int_58e83efd | type |
Disease by Any Other Name | |
| Julius Caesar (Theatre) / int_58e83efd | comment |
Disease by Any Other Name: Brutus mentions that Caesar has "falling sickness," aka epilepsy. (Many historians say he did.) | |
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Julius Caesar (Theatre) / int_58e83efd | |
| Julius Caesar (Theatre) / int_5ab24dc5 | type |
Portent of Doom | |
| Julius Caesar (Theatre) / int_5ab24dc5 | comment |
Portent of Doom: Calpurnia urges Caesar not to go to the Senate because of the various omens she's either witnessed or heard about from reliable sources. Caesar pooh-poohs it and goes anyway. | |
| Julius Caesar (Theatre) / int_5ab24dc5 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_5ab24dc5 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_5ab24dc5 | |
| Julius Caesar (Theatre) / int_5da2ba27 | type |
Open Shirt Taunt | |
| Julius Caesar (Theatre) / int_5da2ba27 | comment |
Open Shirt Taunt: Cassius becomes so worked up during an argument with Brutus in Act IV, Scene III that he throws open his toga, presents Brutus with a dagger, and all but dares Brutus to kill him. It's not entirely clear whether this is cynical manipulation or he's sincerely aggrieved, and the interpretation frequently varies between productions. | |
| Julius Caesar (Theatre) / int_5da2ba27 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_5da2ba27 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_5da2ba27 | |
| Julius Caesar (Theatre) / int_60194b82 | type |
Spanner in the Works | |
| Julius Caesar (Theatre) / int_60194b82 | comment |
Spanner in the Works: While the assassination initially looks like a success, Mark Antony turns the crowd against Brutus and company in short order. Tragically, Brutus was the one who insisted that the man be spared when the other conspirators knew better than to let him live. | |
| Julius Caesar (Theatre) / int_60194b82 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_60194b82 | featureConfidence |
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| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_60194b82 | |
| Julius Caesar (Theatre) / int_69fb91e8 | type |
Chewing the Scenery | |
| Julius Caesar (Theatre) / int_69fb91e8 | comment |
Chewing the Scenery: Several good scenes for it. Caesar, whenever he talks about himself. "Speak! CAESAR is turned to hear." Mark Antony: "Cry HAVOC! And let slip the dogs of war!" | |
| Julius Caesar (Theatre) / int_69fb91e8 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_69fb91e8 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_69fb91e8 | |
| Julius Caesar (Theatre) / int_6b35bdff | type |
Serious Business | |
| Julius Caesar (Theatre) / int_6b35bdff | comment |
Serious Business: When Brutus meets with the conspirators for the first time, Cassius's line, "And let us swear our resolution," triggers a 30-line speech from Brutus to the effect that oaths are unnecessary. It's unclear if Brutus feels that strongly on the subject, or if he's reacting because he feels that his authority is being subtly challenged by Cassius. | |
| Julius Caesar (Theatre) / int_6b35bdff | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_6b35bdff | featureConfidence |
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| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_6b35bdff | |
| Julius Caesar (Theatre) / int_6d332aea | type |
Driven to Suicide | |
| Julius Caesar (Theatre) / int_6d332aea | comment |
Driven to Suicide: Several characters after everything gets worse following the assassination, most notably Portia, Brutus' wife, and ultimately Cassius and Brutus themselves. | |
| Julius Caesar (Theatre) / int_6d332aea | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_6d332aea | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_6d332aea | |
| Julius Caesar (Theatre) / int_7286e96d | type |
Idiot Ball | |
| Julius Caesar (Theatre) / int_7286e96d | comment |
Idiot Ball: Brutus permits Marc Antony to speak at Caesar's funeral, provided he speaks all the good he can of Caesar and not to blame the conspirators. This backfires when Antony extols Caesar's generosity and humility while calling Brutus and the conspirators "honorable men", and once he tells the crowds of Caesar's will, they start to ransack the conspirators' houses. | |
| Julius Caesar (Theatre) / int_7286e96d | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_7286e96d | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_7286e96d | |
| Julius Caesar (Theatre) / int_7464705c | type |
Arc Words | |
| Julius Caesar (Theatre) / int_7464705c | comment |
Arc Words: "Beware the Ides of March..." | |
| Julius Caesar (Theatre) / int_7464705c | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_7464705c | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_7464705c | |
| Julius Caesar (Theatre) / int_79bfd876 | type |
The Only Believer | |
| Julius Caesar (Theatre) / int_79bfd876 | comment |
The Only Believer: The main interpretation of the play, as well as the opinion of Anthony in universe, is that Brutus is this. The conspiracy to kill Caesar, despite the fact that it's supposedly about stopping Caesar from overthrowing the Republic and turning into a dictator, mostly consists of power hungry nobles opposing Caesar because they want that power for themselves. Brutus, on the other hand is genuinely distressed at the thought of Caesar being crowned. Mark Anthony's line eulogizing Brutus is the page quote. | |
| Julius Caesar (Theatre) / int_79bfd876 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_79bfd876 | featureConfidence |
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| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_79bfd876 | |
| Julius Caesar (Theatre) / int_7e577db | type |
Slashed Throat | |
| Julius Caesar (Theatre) / int_7e577db | comment |
Slashed Throat: Invoked by Caesar, and averted by Casca: | |
| Julius Caesar (Theatre) / int_7e577db | featureApplicability |
-1.0 | |
| Julius Caesar (Theatre) / int_7e577db | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_7e577db | |
| Julius Caesar (Theatre) / int_7fbb2a3 | type |
Nice Job Breaking It, Hero! | |
| Julius Caesar (Theatre) / int_7fbb2a3 | comment |
Nice Job Breaking It, Hero / Nice Job Fixing It, Villain: Brutus decides to let Mark Antony speak on condition he doesn't say anything bad about the conspirators. Antony goes on to prove what a Manipulative Bastard he truly is and gets the people of Rome to riot against them. Good going. Brutus assassinated Caesar because he was afraid that Caesar would crown himself monarch of Rome and do away with Roman democracy. Brutus's actions in killing Julius Caesar paved the way for Julius's heir Gaius Octavius to become Augustus, the first Emperor of Rome. Good going. | |
| Julius Caesar (Theatre) / int_7fbb2a3 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_7fbb2a3 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_7fbb2a3 | |
| Julius Caesar (Theatre) / int_820133fd | type |
Tragic Hero | |
| Julius Caesar (Theatre) / int_820133fd | comment |
Tragic Hero: Brutus. | |
| Julius Caesar (Theatre) / int_820133fd | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_820133fd | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_820133fd | |
| Julius Caesar (Theatre) / int_823c6e3e | type |
Large Ham | |
| Julius Caesar (Theatre) / int_823c6e3e | comment |
Large Ham: Even from just reading the play, it seems like Caesar is intended to be played as one: | |
| Julius Caesar (Theatre) / int_823c6e3e | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_823c6e3e | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_823c6e3e | |
| Julius Caesar (Theatre) / int_863fa679 | type |
What Happened to the Mouse? | |
| Julius Caesar (Theatre) / int_863fa679 | comment |
What Happened to the Mouse?: After Caesar's assassination, the rest of the conspirators basically vanish. However, it can be inferred that they were most likely hunted down and killed after Antony and Octavius seize power and initiate a series of purges all across Roman society. This in fact did happen in real life: Following the assassination, Trebonius immediately left for Roman province of Asia (modern-day Turkey). While there, he raised money and troops for Brutus and Cassius. He also helped Cassius on his way to Syria later in the year. However, the Caesarian general Dolabella captured Trebonius, and in January 43 BC, put him on trial for treason before proceeding to torture and then behead him. Decimus Brutus, attempting to reach Macedonia where Brutus and Cassius were, was executed en route in mid-September 43 BC by a Gallic chief loyal to Mark Antony. It is highly likely that both Cinna and Ligarius were executed during the proscriptions against the supporters of Brutus and Cassius in Italy no earlier than late 43 BC. Both Casca and Cimber, like Brutus and Cassius, perished during the Philippi campaign in October 42 BC. | |
| Julius Caesar (Theatre) / int_863fa679 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_863fa679 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_863fa679 | |
| Julius Caesar (Theatre) / int_8a2d8868 | type |
Not Afraid to Die | |
| Julius Caesar (Theatre) / int_8a2d8868 | comment |
Not Afraid to Die: Caesar shows no fear when he's killed. Earlier in the play he tells his wife Calpurnia: | |
| Julius Caesar (Theatre) / int_8a2d8868 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_8a2d8868 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_8a2d8868 | |
| Julius Caesar (Theatre) / int_8c681acc | type |
Third-Person Person | |
| Julius Caesar (Theatre) / int_8c681acc | comment |
Third-Person Person: Caesar often refers to himself in third person, which serves to demonstrate his gigantic ego. Truth in Television; Caesar did this in his writing as was literary convention well into the Middle Ages. | |
| Julius Caesar (Theatre) / int_8c681acc | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_8c681acc | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_8c681acc | |
| Julius Caesar (Theatre) / int_8f612013 | type |
Token Good Teammate | |
| Julius Caesar (Theatre) / int_8f612013 | comment |
Token Good Teammate: Brutus can be viewed as this among the other conspirators. | |
| Julius Caesar (Theatre) / int_8f612013 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_8f612013 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_8f612013 | |
| Julius Caesar (Theatre) / int_90d44f44 | type |
Karmic Death | |
| Julius Caesar (Theatre) / int_90d44f44 | comment |
Karmic Death: Cassius is killed by the same sword he used to kill Caesar. | |
| Julius Caesar (Theatre) / int_90d44f44 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_90d44f44 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_90d44f44 | |
| Julius Caesar (Theatre) / int_9591377d | type |
Heel Realization | |
| Julius Caesar (Theatre) / int_9591377d | comment |
Heel Realization: One interpretation of "Then fall, Caesar." That is, Caesar realizes that if his closest friend thinks his death is necessary, then maybe he's not the hero he thought he was. | |
| Julius Caesar (Theatre) / int_9591377d | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_9591377d | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_9591377d | |
| Julius Caesar (Theatre) / int_95e5155e | type |
I'm Going to Hell for This | |
| Julius Caesar (Theatre) / int_95e5155e | comment |
I'm Going to Hell for This: After Casca tells Cassius and Brutus the events of the Lupercal, including when Caesar offered Casca a chance to slit his throat: | |
| Julius Caesar (Theatre) / int_95e5155e | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_95e5155e | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_95e5155e | |
| Julius Caesar (Theatre) / int_966da803 | type |
Defiant to the End | |
| Julius Caesar (Theatre) / int_966da803 | comment |
Defiant to the End: Caesar is strongly resolved to attend the Senate meeting, in spite of Calpurnia's ominous nightmare of the bloody fountain and the dangers awaiting him: | |
| Julius Caesar (Theatre) / int_966da803 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_966da803 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_966da803 | |
| Julius Caesar (Theatre) / int_9843be73 | type |
As You Know | |
| Julius Caesar (Theatre) / int_9843be73 | comment |
As You Know: Caesar explains a famous superstition about Lupercalia to Antony, lest the audience be confused. | |
| Julius Caesar (Theatre) / int_9843be73 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_9843be73 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_9843be73 | |
| Julius Caesar (Theatre) / int_99298c71 | type |
Better to Die than Be Killed | |
| Julius Caesar (Theatre) / int_99298c71 | comment |
Better to Die than Be Killed: Hence the suicides. Truth in Television; this was fairly common among patrician Romans. | |
| Julius Caesar (Theatre) / int_99298c71 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_99298c71 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_99298c71 | |
| Julius Caesar (Theatre) / int_9e1e14ea | type |
Ambition Is Evil | |
| Julius Caesar (Theatre) / int_9e1e14ea | comment |
Ambition Is Evil: Brutus kills Caesar because he fears Caesar will accept being made Emperor of Rome. Antony builds his rebuke of the conspirators around decontructing Brutus' claim, citing with some of Caesar's deeds that would imply otherwise. | |
| Julius Caesar (Theatre) / int_9e1e14ea | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_9e1e14ea | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_9e1e14ea | |
| Julius Caesar (Theatre) / int_9f62723d | type |
Get Out! | |
| Julius Caesar (Theatre) / int_9f62723d | comment |
Get Out!: When the poet barges into Brutus' and Cassius' tent, they promptly send him on his way: | |
| Julius Caesar (Theatre) / int_9f62723d | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_9f62723d | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_9f62723d | |
| Julius Caesar (Theatre) / int_9f80e1da | type |
Sarcasm Mode | |
| Julius Caesar (Theatre) / int_9f80e1da | comment |
Sarcasm Mode: Antony's speech is a dramatic example: He begins with a seemingly-sincere claim that Brutus and the conspirators are honourable men who acted for good reasons. But as he continues, he makes Caesar look better and better in the crowd's eyes, while the repeated phrase "and Brutus is an honourable man" becomes ironic, then insulting, and finally utterly venomous. | |
| Julius Caesar (Theatre) / int_9f80e1da | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_9f80e1da | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_9f80e1da | |
| Julius Caesar (Theatre) / int_a679184b | type |
Due to the Dead | |
| Julius Caesar (Theatre) / int_a679184b | comment |
Due to the Dead: Antony and Octavian give Brutus a proper burial after his suicide. | |
| Julius Caesar (Theatre) / int_a679184b | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_a679184b | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_a679184b | |
| Julius Caesar (Theatre) / int_a7aef9ff | type |
Obfuscating Stupidity | |
| Julius Caesar (Theatre) / int_a7aef9ff | comment |
Obfuscating Stupidity: Antony is the master at this; his appearing stupid is what ultimately convinces Brutus not to kill him. Because of this, he has the chance to rile up the crowd and convince them to kill the conspirators. Casca pretends to be less intelligent around people he mistrusts. | |
| Julius Caesar (Theatre) / int_a7aef9ff | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_a7aef9ff | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_a7aef9ff | |
| Julius Caesar (Theatre) / int_a90fff3 | type |
Based on a True Story | |
| Julius Caesar (Theatre) / int_a90fff3 | comment |
Based on a True Story: Mostly. Shakespeare got all his historical information from Plutarch, and Julius Caesar is much more historically accurate than many of his other plays. | |
| Julius Caesar (Theatre) / int_a90fff3 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_a90fff3 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_a90fff3 | |
| Julius Caesar (Theatre) / int_aa96059e | type |
Disabled in the Adaptation | |
| Julius Caesar (Theatre) / int_aa96059e | comment |
Disabled in the Adaptation: Caesar is depicted as being deaf in one ear, even though there's no evidence that he had any kind of hearing impairment in Real Life. | |
| Julius Caesar (Theatre) / int_aa96059e | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_aa96059e | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_aa96059e | |
| Julius Caesar (Theatre) / int_aaece264 | type |
Rousing Speech | |
| Julius Caesar (Theatre) / int_aaece264 | comment |
Rousing Speech: Mark Antony's speech at Caesar's funeral is one of the greatest examples in literature. All while sticking to Brutus' rule of not saying anything bad about the conspirators (even when from the text he clearly gets increasingly sarcastic throughout the speech). | |
| Julius Caesar (Theatre) / int_aaece264 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_aaece264 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_aaece264 | |
| Julius Caesar (Theatre) / int_ab5eea65 | type |
Dramatic Irony | |
| Julius Caesar (Theatre) / int_ab5eea65 | comment |
Dramatic Irony: It's very ironic to see Antony as a Magnificent Bastard in the play as well as the seeds of his disagreement with Octavian, as both in history and in Shakespeare's own Antony and Cleopatra, Octavian proved to be the greater Magnificent Bastard of the two. | |
| Julius Caesar (Theatre) / int_ab5eea65 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_ab5eea65 | featureConfidence |
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| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_ab5eea65 | |
| Julius Caesar (Theatre) / int_acf8f71a | type |
Dispense with the Pleasantries | |
| Julius Caesar (Theatre) / int_acf8f71a | comment |
Dispense with the Pleasantries: Caesar is proud of his hatred of attempts to flatter him. | |
| Julius Caesar (Theatre) / int_acf8f71a | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_acf8f71a | featureConfidence |
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| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_acf8f71a | |
| Julius Caesar (Theatre) / int_b4dcdf5b | type |
Antagonist in Mourning | |
| Julius Caesar (Theatre) / int_b4dcdf5b | comment |
Antagonist in Mourning: After Brutus dies, Antony calls him "the noblest Roman of them all" and says that the others conspired against Caesar out of jealousy, but Brutus did it because he thought it was the right thing. He and Octavian agree to give him a respectful burial. | |
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1.0 | |
| Julius Caesar (Theatre) / int_b4dcdf5b | featureConfidence |
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| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_b4dcdf5b | |
| Julius Caesar (Theatre) / int_b731fa6e | type |
I Cannot Self-Terminate | |
| Julius Caesar (Theatre) / int_b731fa6e | comment |
I Cannot Self-Terminate: Brutus' philosophy will not let him directly kill himself, so he gets someone to help. Cassius likewise. Although, Brutus's suicide is more honorable (in their society's norms) than Cassius's because Brutus has his servant hold his sword while he runs himself on it, while Cassius makes his servant kill him while he looks away. | |
| Julius Caesar (Theatre) / int_b731fa6e | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_b731fa6e | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_b731fa6e | |
| Julius Caesar (Theatre) / int_b773ec0e | type |
DidNotThinkThisThrough | |
| Julius Caesar (Theatre) / int_b773ec0e | comment |
Did Not Think This Through: In spite of Cassius' objections, Brutus permits Antony to speak, unsupervised, at Caesar's funeral, asking only that he not speak ill of the assassins. Needless to say, the more experienced Antony quickly turns the crowd, causing them to form a mob and seek vengeance on the conspirators. | |
| Julius Caesar (Theatre) / int_b773ec0e | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_b773ec0e | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_b773ec0e | |
| Julius Caesar (Theatre) / int_bcba27a1 | type |
Putting on the Reich | |
| Julius Caesar (Theatre) / int_bcba27a1 | comment |
Putting on the Reich: Orson Welles' version was inspired by Fascist Italy with Caesar being modelled on Mussolini. | |
| Julius Caesar (Theatre) / int_bcba27a1 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_bcba27a1 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_bcba27a1 | |
| Julius Caesar (Theatre) / int_bdbfdf8a | type |
The Dying Walk | |
| Julius Caesar (Theatre) / int_bdbfdf8a | comment |
The Dying Walk: The stage directions do not specify it, but most productions and adaptations will have a dying Caesar stagger up to Brutus for the "Et tu, Brute" line, or stagger over to Pompey's statue to die as happened in Real Life, or both. | |
| Julius Caesar (Theatre) / int_bdbfdf8a | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_bdbfdf8a | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_bdbfdf8a | |
| Julius Caesar (Theatre) / int_c39846a3 | type |
Pride | |
| Julius Caesar (Theatre) / int_c39846a3 | comment |
Pride: Caesar is so assured of his invincibility that he ignores numerous unambiguous warnings of death and destruction and walks straight into the conspirators' trap. | |
| Julius Caesar (Theatre) / int_c39846a3 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_c39846a3 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_c39846a3 | |
| Julius Caesar (Theatre) / int_c3c18143 | type |
Hope Spot | |
| Julius Caesar (Theatre) / int_c3c18143 | comment |
Hope Spot: After the conspirators have killed Caesar, Publius Cimber, who was facing banishment, believes this to be a day of freedom: Unfortunately, after the conspirators flee Rome when Antony has swayed the crowd to sympathize with Caesar, Antony, Octavius and Lepidus are marking Publius Cimber among those to be executed. | |
| Julius Caesar (Theatre) / int_c3c18143 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_c3c18143 | featureConfidence |
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| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_c3c18143 | |
| Julius Caesar (Theatre) / int_c5f0119c | type |
Insane Troll Logic | |
| Julius Caesar (Theatre) / int_c5f0119c | comment |
Insane Troll Logic: Put briefly: | |
| Julius Caesar (Theatre) / int_c5f0119c | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_c5f0119c | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_c5f0119c | |
| Julius Caesar (Theatre) / int_c6074d96 | type |
I Am Spartacus | |
| Julius Caesar (Theatre) / int_c6074d96 | comment |
I Am Spartacus: Subverted when Lucilius pretends to be Brutus after he is captured by Antony: | |
| Julius Caesar (Theatre) / int_c6074d96 | featureApplicability |
-0.3 | |
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1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_c6074d96 | |
| Julius Caesar (Theatre) / int_c70059b4 | type |
Psychic Dreams for Everyone | |
| Julius Caesar (Theatre) / int_c70059b4 | comment |
Psychic Dreams for Everyone: Caesar's wife has a prophetic dream on the night before his assassination. He doesn't exactly ignore it, but he doesn't heed her wishes and stay home. | |
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1.0 | |
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1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_c70059b4 | |
| Julius Caesar (Theatre) / int_cbe3d017 | type |
Damned by Faint Praise | |
| Julius Caesar (Theatre) / int_cbe3d017 | comment |
Damned by Faint Praise: Marc Antony calling the assassins "honorable" while eulogizing Caesar's death helps in turning the public consciousness against them. | |
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1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_cbe3d017 | |
| Julius Caesar (Theatre) / int_ceec4df5 | type |
Roaring Rampage of Revenge | |
| Julius Caesar (Theatre) / int_ceec4df5 | comment |
Roaring Rampage of Revenge: Antony manipulates a city full of clueless schmucks into carrying one out for him. | |
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1.0 | |
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1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_ceec4df5 | |
| Julius Caesar (Theatre) / int_cf92fea8 | type |
Cassandra Truth | |
| Julius Caesar (Theatre) / int_cf92fea8 | comment |
Cassandra Truth: The soothsayer's warning. Lampshaded by Caesar as he meets the soothsayer on the Ides of March. The soothsayer reminds him the day isn't over yet. | |
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1.0 | |
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1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_cf92fea8 | |
| Julius Caesar (Theatre) / int_d001c42c | type |
Anti-Villain | |
| Julius Caesar (Theatre) / int_d001c42c | comment |
Anti-Villain: Brutus — consider how honourable and idealistic Brutus is in the play; then remember, the widespread idea used in Dante's Inferno which considered him one of the worst traitors in history along with Cassius and Judas. | |
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1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_d001c42c | |
| Julius Caesar (Theatre) / int_d0a48e7 | type |
Unaccustomed as I Am to Public Speaking... | |
| Julius Caesar (Theatre) / int_d0a48e7 | comment |
Unaccustomed as I Am to Public Speaking...: Mark Antony's funeral oration: "I am no orator, as Brutus is..." Cassius does this more subtly to Brutus in Act I, Scene II, when he expresses pleasure that his "weak words have struck but thus much show of fire from Brutus". | |
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Julius Caesar (Theatre) / int_d0a48e7 | |
| Julius Caesar (Theatre) / int_d5f31c75 | type |
Rabble Rouser | |
| Julius Caesar (Theatre) / int_d5f31c75 | comment |
Rabble Rouser: Mark Antony riles up the crowds at Caesar's funeral and sics them on the conspirators. | |
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1.0 | |
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1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_d5f31c75 | |
| Julius Caesar (Theatre) / int_da3e71e3 | type |
Inertial Impalement | |
| Julius Caesar (Theatre) / int_da3e71e3 | comment |
Inertial Impalement: How Brutus' servant kills Brutus. | |
| Julius Caesar (Theatre) / int_da3e71e3 | featureApplicability |
1.0 | |
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1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_da3e71e3 | |
| Julius Caesar (Theatre) / int_dc057cf3 | type |
Adaptation Name Change | |
| Julius Caesar (Theatre) / int_dc057cf3 | comment |
Adaptation Name Change: The figure of Decimus Brutus is mistakenly named Decius here. | |
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1.0 | |
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1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_dc057cf3 | |
| Julius Caesar (Theatre) / int_dd0c5d58 | type |
Acting for Two | |
| Julius Caesar (Theatre) / int_dd0c5d58 | comment |
The 2018 Bell Shakespeare Company production did the same thing, this time making Mark Antony, Octavius, Casca, Trebonius and a bunch of minor characters (played by the same actresses) into women. | |
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1.0 | |
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1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_dd0c5d58 | |
| Julius Caesar (Theatre) / int_dda99fa8 | type |
Despair Event Horizon | |
| Julius Caesar (Theatre) / int_dda99fa8 | comment |
Despair Event Horizon: Learning that his trusted friend Brutus is among the assassins ranged against him causes Caesar to lose heart and cease struggling. | |
| Julius Caesar (Theatre) / int_dda99fa8 | featureApplicability |
1.0 | |
| Julius Caesar (Theatre) / int_dda99fa8 | featureConfidence |
1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_dda99fa8 | |
| Julius Caesar (Theatre) / int_df410b77 | type |
Decoy Protagonist | |
| Julius Caesar (Theatre) / int_df410b77 | comment |
Decoy Protagonist: Caesar is the title character, but the real protagonist is Brutus. | |
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Julius Caesar (Theatre) / int_df410b77 | |
| Julius Caesar (Theatre) / int_e3cee2e7 | type |
Empathic Environment | |
| Julius Caesar (Theatre) / int_e3cee2e7 | comment |
Empathic Environment: Crazy things happen in Rome during this time of turmoil. | |
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1.0 | |
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Julius Caesar (Theatre) / int_e3cee2e7 | |
| Julius Caesar (Theatre) / int_e6fa475c | type |
Offered the Crown | |
| Julius Caesar (Theatre) / int_e6fa475c | comment |
Offered the Crown: Antony tries to put one on Caesar's head three times; Caesar refuses it three times. Antony later brings this up in his eulogy for Caesar. | |
| Julius Caesar (Theatre) / int_e6fa475c | featureApplicability |
1.0 | |
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1.0 | |
| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_e6fa475c | |
| Julius Caesar (Theatre) / int_e9e35e8f | type |
Exact Words | |
| Julius Caesar (Theatre) / int_e9e35e8f | comment |
Exact Words: Brutus requires Antony to credit the assassins for giving him permission to speak at Caesar's funeral and to not lay blame on them. He keeps to the letter of those stipulations... and still agitates the audience into an angry mob howling for the assassins' blood. | |
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1.0 | |
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| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_e9e35e8f | |
| Julius Caesar (Theatre) / int_ee7a60e9 | type |
One-Steve Limit | |
| Julius Caesar (Theatre) / int_ee7a60e9 | comment |
One-Steve Limit: Averted, since the Romans had a very small pool of personal names. Marcus Junius Brutus shares the stage with Decius Brutus (who in Real Life was his distant cousin), and also with Marcus Lepidus, Marcus Tullius Cicero, and Mark Antony (Marcus Antonius). Then there are Cinna the conspirator and Cinna the poet, which turns out badly for the latter. | |
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Julius Caesar (Theatre) / int_ee7a60e9 | |
| Julius Caesar (Theatre) / int_f19b5fcf | type |
Died on Their Birthday | |
| Julius Caesar (Theatre) / int_f19b5fcf | comment |
Died on Their Birthday: Cassius mentions on the day of the Battle of Philippi that it's his birthday. He ends up committing suicide when his side loses. | |
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Julius Caesar (Theatre) / int_f19b5fcf | |
| Julius Caesar (Theatre) / int_f373d5e | type |
Powder Keg Crowd | |
| Julius Caesar (Theatre) / int_f373d5e | comment |
Powder Keg Crowd: They start out angry at the assassination. Within 5 minutes they're cheering Brutus. 15 minutes of Antony later, they're rioting. | |
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Julius Caesar (Theatre) / int_f373d5e | |
| Julius Caesar (Theatre) / int_f3e87937 | type |
Tears of Blood | |
| Julius Caesar (Theatre) / int_f3e87937 | comment |
Tears of Blood: From a statue of Caesar in his wife's dream. | |
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Julius Caesar (Theatre) / int_f3e87937 | |
| Julius Caesar (Theatre) / int_f6698528 | type |
Vigilante Execution | |
| Julius Caesar (Theatre) / int_f6698528 | comment |
Vigilante Execution: Cinna the poet is lynched by a mob. | |
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| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_f6698528 | |
| Julius Caesar (Theatre) / int_f7588306 | type |
Reverse Psychology | |
| Julius Caesar (Theatre) / int_f7588306 | comment |
Reverse Psychology: Antony's speech to the crowd. Since he has promised not to praise Caesar or speak out directly against the conspirators, he spends the whole speech saying that he simply can't tell the audience what a good person Caesar was, because they'd turn on Brutus... who is such an honourable man. Needless to say, they turn on the conspirators in short order. | |
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Julius Caesar (Theatre) / int_f7588306 | |
| Julius Caesar (Theatre) / int_f786350a | type |
Dying Curse | |
| Julius Caesar (Theatre) / int_f786350a | comment |
Dying Curse: An alternative interpretation of Caesar's final words; Caesar is cursing Brutus to suffer the same fate as Caesar himself. Brutus does in fact suffer the same fate, and at the hand of the same man. | |
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| Julius Caesar (Theatre) | hasFeature |
Julius Caesar (Theatre) / int_f786350a | |
| Julius Caesar (Theatre) / int_f7aa5a02 | type |
Haunting the Guilty | |
| Julius Caesar (Theatre) / int_f7aa5a02 | comment |
Haunting the Guilty: Brutus sees the ghost of Caesar, who ominously warns him of his fate in the upcoming battle. | |
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1.0 | |
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Julius Caesar (Theatre) / int_f7aa5a02 | |
| Julius Caesar (Theatre) / int_f9636192 | type |
Prophecies Are Always Right | |
| Julius Caesar (Theatre) / int_f9636192 | comment |
Prophecies Are Always Right: Caesar is told by a soothsayer, to his face, to beware the Ides of March. His wife Calpurnia also dreams of his death the night before. Caesar goes out anyway, telling her that he can't hide at home. | |
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| Julius Caesar (Theatre) / int_f97b5d33 | type |
Shoo Out the Clowns | |
| Julius Caesar (Theatre) / int_f97b5d33 | comment |
Shoo Out the Clowns: After Brutus and Cassius have reconciled, the poet breaks into their tent: | |
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| Julius Caesar (Theatre) / int_fa6bfde9 | type |
Have a Gay Old Time | |
| Julius Caesar (Theatre) / int_fa6bfde9 | comment |
Have a Gay Old Time: Everywhere. Words like "lovers" are used between men (with the old meaning of "good friend"), resulting in snickers in high school English classes everywhere. | |
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| Julius Caesar (Theatre) / int_fa9cd4db | type |
Democracy Is Bad | |
| Julius Caesar (Theatre) / int_fa9cd4db | comment |
Democracy Is Bad: The citizens are continually shown as highly fickle. | |
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| Julius Caesar (Theatre) / int_fdbd6162 | type |
With Friends Like These... | |
| Julius Caesar (Theatre) / int_fdbd6162 | comment |
With Friends Like These...: Brutus and Cassius are supposedly best friends, but in a lot of scenes, it's hard to see this. Almost, but not quite, Vitriolic Best Buds. Cassius sure does get snippy once in awhile. And he used less than honest means of winning Brutus to the conspiracy. | |
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| Julius Caesar (Theatre) / int_fde807fe | type |
Torn Apart by the Mob | |
| Julius Caesar (Theatre) / int_fde807fe | comment |
Torn Apart by the Mob: The mob that Marc Antony incensed find a poet unfortunate enough to share the name of Cinna, one of the conspirators responsible for Caesar's assassination. Either not hearing or not caring that he is not Cinna the conspirator, they kill him by tearing him to pieces. | |
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| Julius Caesar (Theatre) / int_ffad4e9f | type |
Shown Their Work | |
| Julius Caesar (Theatre) / int_ffad4e9f | comment |
Shown Their Work: As stated above, the play is one of Shakespeare’s more historically accurate works. He therefore incorporated many details from the known historical record into the play: Most of the play’s characters are historical domain characters and were involved in the events depicted. At the festival of the Lupercalia, on February 15, 44 BC, Mark Antony tried to put a diadem (crown) on Caesar's head three times, with Caesar refusing each time. Many believe that Caesar's rejection of the diadem was a way to test the waters to see if there was enough support for him to become king. This incident was considered the last straw in a list of grievances which initiated the conspiracy against him. While the inclusion of the Soothsayer seemingly appears to be a Shakespearean plot device, there actually was a soothsayer involved in the events depicted. According to Plutarch, a seer had warned Caesar that his life would be in danger no later than the Ides of March. Suetonius identifies this seer as a haruspex (a person trained to practice a form of divination) named Spurinna. The conspiracy did originate with Cassius initially discussing the matter with Brutus, his brother-in-law, believing that something had to be done to prevent Caesar from becoming king of the Romans. Brutus was selected as the ringleader because his ancestor, Lucius Junius Brutus, helped depose Rome's last king several centuries earlier and establish the Roman Republic. Additionally, the conspiracy did eventually include all of those shown in the play: Casca, Decimus Brutus, Cinna, Cimber, Trebonius, and Ligarius. In the play, the conspirators reveal that they forged letters of support from the Roman people to tempt Brutus into joining. Brutus reads the letters and, after much moral debate, decides to join the conspiracy. Plutarch, Appian of Alexandria, and Cassius Dio all report that by late 45 BC, graffiti glorifying Brutus' ancestor Lucius Junius Brutus, panning Caesar’s kingly ambitions, and making derogatory comments of Brutus failing to live up to his ancestors appeared in Rome. While Dio reports this public support came from the people of Rome, Plutarch however has the graffiti created by elites to shame Brutus into action (similar to what is shown in the play). Caesar did apparently have misgivings about Cassius. On March 1, 44 BC, while he was watching Cassius speaking with Brutus at the senate house, he purportedly said to an aide, "What do you think Cassius is up to? I don't like him, he looks pale." Additionally, although Brutus ultimately became the leader of the conspiracy, Cassius was described as "the moving spirit" of the plot. There was discussion on whether to include Cicero, the famous orator, in the conspiracy. He was trusted by both Cassius and Brutus and had made it no secret that he considered Caesar’s rule oppressive. He also had great popularity among the common people and a large network of friends, which would help attract others to join their cause. However, the conspirators considered Cicero too cautious, and ultimately decided not to include him. Additionally, there was also discussion on whether to assassinate Mark Antony, with Cassius in particular advocating this action. However, it was Brutus who nixed this. He argued that killing Caesar, and doing nothing else, was the only option they should choose—the conspirators claimed to be acting based on the principles of law and justice, and it would be unjust to kill Antony. Porcia, Brutus's wife, may have at least known about the plot. As shown in the play, Plutarch claims that she happened upon Brutus while he was pondering over what to do about Caesar and asked him what was wrong. When he did not answer, she suspected that he distrusted her on account of her being a woman, for fear she might reveal something, however unwillingly, under torture. To prove herself to him, she secretly inflicted a wound upon her own thigh with a barber's knife to see if she could endure the pain. As a result of the wound, she suffered from violent pains, chills, and fever (she is shown as ill in the play). Brutus was allegedly marveled when he saw the gash and promised to relate the whole plot. He is also said to have prayed that he might succeed in his undertaking and thus show himself a worthy husband. Yet he never got the chance, as they were interrupted and never had a moment's privacy before the conspiracy was carried out. Caesar’s wife at the time, Calpurnia, did have an ominous nightmare in the early morning of March 15, 44 BC that mortal danger was awaiting him. Although there are different versions about what exactly she purportedly dreamed about, Shakespeare chose the version where she dreamed Caesar's body was streaming with blood. Calpurnia did beg Caesar not to go to the senate meeting that day. After some hesitation, he acquiesced. He then sent Mark Antony to dismiss the Senate. When the conspirators heard of this dismissal, Decimus Brutus, as in the play, went to Caesar’s home to try to convince him to come to the Senate meeting. After Decimus dismissed Calpurnia’s misgivings, Caesar ultimately decided to go to the Senate. According to Plutarch, there was an individual named Artemidorus of Knidos who tried to warn Caesar of the assassination plot on the Ides of March. He attempted to warn him with a written note, and although Caesar took the note, he did not look at it before entering the Senate. As Caesar took his seat in the Senate, Cimber, one of the conspirators, did actually present him with a petition to recall his exiled brother. This was meant to serve as a pretext to gather around and entrap Caesar. The other conspirators then crowded around to offer their support to Cimber, but Caesar tried to wave Cimber away. Additionally, as shown in the play, Casca was the first individual to stab Caesar, Caesar was ultimately stabbed 23 times, and according to Cicero, Caesar did fall at the foot of the statue of Pompey. There is some contention regarding actual Caesar's last words, as shown above. While there is no evidence that Caesar said "Et tu, Brute?", Plutarch reports that Caesar yielded to the attack after seeing Brutus' participation; Cassius Dio reported that Caesar shouted in Greek "kai su teknon" ("You too, child?"). Not long after the assassination, Brutus did speak before the people. While the text of that speech is lost, Cassius Dio says the liberatores (Caesar's assassins) promoted their alleged support of democracy and liberty and told the people not to expect harm. The support of the people was initially tepid, but the assassination ultimately backfired because Caesar had been immensely popular with the Roman middle and lower classes, becoming enraged that a small group of aristocrats had killed their champion. After initially fleeing Rome fearing reprisal, Mark Antony soon came to a quick accommodation with Caesar's assassins. However, on March 20, the day of Caesar's funeral, Antony, as Caesar's faithful lieutenant and incumbent consul, was chosen to preside over the ceremony and to recite a eulogy. As in the play, he gave a demagogic speech, enumerating the deeds of Caesar and, publicly reading his will (made public two days previous), detailing the donations Caesar had left to the Roman people. Antony then seized the blood-stained toga from Caesar's body and presented it to the crowd. Worked into a fury by the bloody spectacle, the assembly turned into a riot. Several buildings in the Forum and some houses of the conspirators were burned to the ground. Also, as shown in the play, the poet Cinna was killed due to mistaken identity with the conspirator Cinna. A Triumvirate was formed between Mark Antony, Octavius (Caesar's grandnephew, adopted son, and heir), and Lepidus (Caesar's Master of the Horse) to rule the Roman world. At the time the Triumvirate was formed, Antony was clearly the most senior member. The primary objective of the Triumvirate was to avenge Caesar's death and to make war upon his murderers and their supporters, both domestically and abroad. During the first Battle of Philippi on October 3, 42 BC, Cassius, defeated and overrun by Mark Antony and, unaware of Brutus' victory against Octavius, ordered his freeman Pindarus to help him kill himself, as shown in the play; Pindarus then fled. Additionally, the centurion Titinius, on returning to find Cassius dead, killed himself. After the second Battle of Philippi on October 23, 42 BC, the defeated Brutus fled into the nearby hills with about four legions. Knowing his army had been defeated and that he would be captured, he took his own life by falling on his sword, as shown in the play. Additionally, some sources report that Antony, upon discovering Brutus' body, as a show of respect, covered it with a purple garment. | |
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Julius Caesar (Theatre) |
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