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Spider-Man: Turn Off the Dark (Theatre)

 Spider-Man: Turn Off the Dark (Theatre)
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Spider-Man: Turn Off the Dark (Theatre)
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SpiderManTurnOffTheDark
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Spider-Man: Turn Off the Dark is a Broadway musical based on the Marvel Comics superhero Spider-Man. It was directed by Julie Taymor, with a book by Taymor, Glen Berger, and Roberto Aguirre-Sacasa, and music by Bono and the Edge of U2. It is the single most expensive Broadway musical ever produced, costing about seventy-five million dollars. note  The average budget for a Broadway show is about $2-10 million. TOTD would've had to play to nothing but packed houses for two years straight just to break even. Storywise, the final product is largely based on the first two Sam Raimi films, with the myth of Arachne and the Maximum Carnage story arc added into the mix. Peter Parker becomes Spider-Man and, after losing his Uncle Ben, uses his newfound powers to fight crime under the guidance of the mythical Arachne. Meanwhile, the genetic scientist Norman Osborn becomes the Green Goblin after an experiment gone wrong. Desiring to forcibly mutate the world, he creates a supervillain "family" called the Sinister Six who must be stopped. The first version of the show had a heavy focus on Arachne in Act II, making her the main villain who wove illusions into Peter's mind in a bid to either win his love or have him kill her.OBC cast members include Reeve Carney as Peter, Jennifer Damiano as Mary Jane, TV Carpio as Arachne, and Patrick Page as Norman Osborn.The musical is best known for its very, very Troubled Production. Several actors were injured during rehearsals and the preview period, falling while performing the show's elaborate aerial stunts, causing many to joke that it should have been called Spider-Man: Notify Next of Kin. The script underwent Retooling more than once, and Julie Taymor was fired, during this time. The whopping one hundred and eighty-two performances, spanning 2010-2011, before the show officially debuted was the longest preview period in Broadway history. The production closed in January 2014; while it looks to be one of the biggest flops in Broadway history with its backers looking at losses of $60 million, the producers intend to stage it elsewhere in years to come. Las Vegas and a touring production were also considered, though nothing has come of it yet.In 2013, Glen Berger published a book detailing his experiences with the musical and its troubled production, titled Song of Spider-Man: The Inside Story of the Most Controversial Musical in Broadway History.
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Canon Foreigner
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Canon Foreigner: Arachne's character and general plotline was created for the show; in 1.0 she was the mythological Arachne who served as Peter's Spirit Advisor and became the Big Bad in Act 2, while in 2.0 she was simply his mythological guardian. Swiss Miss was created for the musical. In Version 1.0, the in-universe explanation for her presence is that Miss Arrow of the Geek Chorus creates her on the spot because she wants a female villain in the Sinister Six, while in 2.0 she's one of Osborn's scientists and is experimented on. In this continuity, OsCorp is funded by a Nebulous Evil Organization called Viper Worldwide, which plans on using Osborn's experiments to create an army of super soldiers. No such organization exists in the comic continuity. Several minor characters, such as Buttons McBride, Mrs. Gribrock, and Maxie have no comic counterparts.
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Creator Cameo
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Creator Cameo: A few U2 snippets, including "New Years Day" and "Vertigo" appear in the soundtrack. And "Bouncing Off the Walls" is very similar to the latter.
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The Artifact
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The Artifact: Several bits, most notably everything involving Arachne (including the title song!), have no impact on the 2.0 version of the story, and clearly only exist because Julie Taymor had already paid for the costumes and props (Arachne was originally the Big Bad in the 1.0 version). In Version 1.0, Swiss Miss was thrown in by Miss Arrow because said "Geek Chorus" member thought she sounded cool, and is a member of the Sinister Six in 2.0 to fill out the villain quota. The initial design for the Green Goblin costume included a large green mohawk◊, though it was later replaced with a shorter, pointier hairstyle that resembled the comic iteration's hat. Despite the redesign, footage of the mohawk Goblin was still used for the show's projection scenes.
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Tempting Fate
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Tempting Fate: In 2.0, after "If the World Should End", Peter agrees to take the night off to be with MJ, saying "It's just one night". Cue video of an Apocalyptic Montage, featuring the Sinister Six terrorizing the city overnight.
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Evil Sounds Deep
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Evil Sounds Deep: Green Goblin, as voiced by Patrick Page, has a deep voice.
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Genre Savvy
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Genre Savvy: Something the Goblin points out to Peter. He figured out that Spider-Man was Peter Parker because on the Daily Bugle's newspaper pages, Peter was the only guy taking Spider-Man's photos. It doesn't take long for anyone to put two and two together. Goblin had the added bonus of remembering Peter was in his lab when the Oscorp spider got loose.
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The Cameo
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The Cameo: The villains Kingpin and Hammerhead briefly appear as bank robbers during Spider-Man's introduction. Swiss Miss appears as an Easter Egg in Spider-Man: Across the Spider-Verse's multiversal villain jail.
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Cartoon Bug-Sprayer
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Cartoon Bug-Sprayer: Spider-Man uses one to defeat Swarm.
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Villain Song
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Villain Song: "A Freak Like Me Needs Company" (sung while creating the Sinister Six) and "I'll Take Manhattan" (a piano solo where he challenges Spider-Man to confront him), both by the Goblin. "Bullying By Numbers" for Flash and the other bullies. "Think Again" and "Deeply Furious" in Version 1.0, by Arachne. "Pull The Trigger" for Viper, the criminal organization trying to convince Osborn to use his genetic research for evil.
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Adaptational Job Change
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Adaptational Job Change: In the original comics, Electro was an electric lineman who gained powers in a freak accident, Kraven the Hunter was a hunter and Carnage was a serial killer. In this musical, they are all made scientists who used to work for OsCorp as part of the musical's Adaptation Origin Connection. At least one production even had the Green Goblin refer to Carnage as "Dr. Kasady, our blood guy" when introducing him in "A Freak Like Me Needs Company", implying this version of Cletus Kasady to be a hematologist.
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Patriotic Fervor
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Patriotic Fervor: The Viper execs try to invoke this in Osborn to get him to make them Super Soldiers.
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Mythology Gag
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Mythology Gag: Peter asks Mary Jane if The Fantasticks is a musical version of the Fantastic Four. The classic Spider-Man theme from the 1967 cartoon is subtly alluded to at the beginning of "Pull the Trigger". In version 1.0, five of the scientists that leave Oscorp are named Quesada, Loeb, Lee, Romita, and Straczynski, as in Joe Quesada, Jeph Loeb, Stan Lee, John Romita Sr., and J. Michael Straczynski. This reference was omitted in version 2.0, and the scientists were rewritten to be the future members of the Sinister Six instead (though the nod to Stan Lee remained, with "Lee" being the implied surname of Swiss Miss).
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Spikes of Villainy
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Spikes of Villainy: The Goblin and Swiss Miss are both villains with spikes all over themselves.
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Ax-Crazy
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Ax-Crazy: The Goblin, as to be expected, is insane and has violent tendencies. Carnage is stated to have murdered his grandmother and tortured his mother's dog when introduced in "A Freak Like Me Needs Company".
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Adapted Out
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Adapted Out: Harry Osborn doesn't exist in this continuity, as Norman and Emily are childless. 1.0 has the Goblin mention they always wanted a son and attempt to use this line of reasoning to get Spider-Man to join him. Despite being the creature that spawned Carnage in the comics, Venom is not part of the cast due to Carnage being an experiment of OsCorp.
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Mad Scientist
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Mad Scientist: Osborn is a scientist bent on improving the world through genetic experiments. His own wife even refers to him as such.
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Evil Is One Big, Happy Family
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Evil Is One Big, Happy Family: The Goblin refers to the Sinister Six as his family, and is understandably upset when Spider Man defeats them.
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Fourth-Wall Observer
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Fourth-Wall Observer: Norman becomes completely aware of the audience's existence once he becomes the Goblin, and is the only character to do so. He speaks directly to them at the top of Act II, and even croons to them with a sadistic lounge song right before the climax.
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Curb-Stomp Battle
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Curb-Stomp Battle: Spidey has one with each of the Sinister Six that lasts just a few seconds. In the first version, he even did it without any of his powers.
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Take That, Critics!
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Take That, Critics!: J. Jonah Jameson on the Bugle: "This isn't The New York Times, it's not the Daily News, and it certainly isn't the Post." All three were papers that were skeptical of the show during previews.
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"I Know You're in There Somewhere" Fight
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"I Know You're in There Somewhere" Fight: Spider-Man reasons with Goblin on the Chrysler Building. He says Norman Osborn was a good man and was better than this. Goblin derisively says that Norman Osborn is no more.
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Malaproper
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Malaproper: In 1.0, when the Geek Chorus debates whether the spider biting Peter was fate or chance:
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Professor Guinea Pig
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Professor Guinea Pig: Dr. Norman Osborn, bereft of funding for his experiments and against the objections of his wife, tests his DNA-splicing equipment on himself. It turns him into the Green Goblin.
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Leaning on the Fourth Wall
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Leaning on the Fourth Wall: The wrestling announcer says Peter is making Bonesaw look like an inflatable doll, which he is.
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Apocalyptic Montage
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Apocalyptic Montage: The Sinister Six gets one in Act 2 (albeit through pre-recorded video), set to the song "Sinistereo".
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Fashion Show
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Fashion Show: The Sinister Six are introduced as if the Green Goblin is hosting a fashion show, and in 1.0 it was even more blatant with a number called the "Ugly Pageant."
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Girl Next Door
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Girl Next Door: Mary Jane is a nice girl and it is established that she and Peter knew each other since they were children.
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All of the Other Reindeer
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All of the Other Reindeer: Peter even has a song about how everyone else picks on him.
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Doing in the Scientist
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Doing in the Scientist: While Norman's genetic experiments created the spider that bit Peter and gave him his powers, Arachne gives him his costume and motivations for becoming Spider-Man, and with the spider explicitly being female it's implied she had a hand in the fateful bite as well. This was more pronounced in 1.0 as the Geeks debate whether it was fate that intervened, much like the Spider-Totem debate in the comics.
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 Spider-Man: Turn Off the Dark (Theatre) / int_4e7c4536
type
Wham Line
 Spider-Man: Turn Off the Dark (Theatre) / int_4e7c4536
comment
Wham Line: Goblin tells Spider-Man to take his mask off when they meet on the Chrysler. Spider-Man naturally refuses. Goblin then calls him "Peter". In a mix of Oh, Crap! and Death Glare, Peter takes off his mask and asks how Goblin found out.
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type
Self-Disposing Villain
 Spider-Man: Turn Off the Dark (Theatre) / int_51ecf708
comment
Self-Disposing Villain: The Goblin ends up killing himself accidentally.
 Spider-Man: Turn Off the Dark (Theatre) / int_51ecf708
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1.0
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Spider-Man: Turn Off the Dark (Theatre) / int_51ecf708
 Spider-Man: Turn Off the Dark (Theatre) / int_538273bd
type
Adaptational Superpower Change
 Spider-Man: Turn Off the Dark (Theatre) / int_538273bd
comment
Adaptational Superpower Change: Since the show is partly based on the Sam Raimi films, this version of Peter uses organic webs just like the Tobey Maguire version. The Green Goblin doesn't use a glider in this continuity. Instead, he's able to sprout a large pair of wings whenever he needs to go airborne. Funnily enough, the character would later sport wings in both Ultimate Spider-Man (2012) and Spider-Man: Into the Spider-Verse.
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 Spider-Man: Turn Off the Dark (Theatre) / int_546e23f6
type
Evilutionary Biologist
 Spider-Man: Turn Off the Dark (Theatre) / int_546e23f6
comment
Evilutionary Biologist: Osborn already believed that humanity needed to "mutate and live", and wanted to advance human evolution for its own good; after his transformation into the Green Goblin, he decides to force his mutations onto the world, and kill all who oppose him, changing his creed to "mutate or die".
 Spider-Man: Turn Off the Dark (Theatre) / int_546e23f6
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 Spider-Man: Turn Off the Dark (Theatre) / int_566f1565
type
10-Minute Retirement
 Spider-Man: Turn Off the Dark (Theatre) / int_566f1565
comment
10-Minute Retirement: Both 1.0 and 2.0 had Peter temporarily quit being Spider-Man over wanting to commit to Mary Jane. In 1.0 it lasts for much of the second act along with him losing his powers, while in 2.0 his retirement is much shorter as he changes his mind once the Goblin threatens to destroy the city in retaliation for Spider-Man's disappearance.
 Spider-Man: Turn Off the Dark (Theatre) / int_566f1565
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 Spider-Man: Turn Off the Dark (Theatre) / int_5bdcc85a
type
Disney Villain Death
 Spider-Man: Turn Off the Dark (Theatre) / int_5bdcc85a
comment
Disney Villain Death: This is how the Goblin dies. During the final confrontation, Spidey webs him to a piano he'd been using for a musical number, and when the Goblin pushes it off the Chrysler Building out of spite towards the people below, he's dragged down with it.
 Spider-Man: Turn Off the Dark (Theatre) / int_5bdcc85a
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I Have Your Wife
 Spider-Man: Turn Off the Dark (Theatre) / int_6201e8b0
comment
I Have Your Wife: Mary Jane, as usual, gets kidnapped by the villain to rile up Spider-Man — twice in Version 1.0.
 Spider-Man: Turn Off the Dark (Theatre) / int_6201e8b0
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1.0
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type
Spirit Advisor
 Spider-Man: Turn Off the Dark (Theatre) / int_6492f4ca
comment
Spirit Advisor: Arachne serves as a spirit advisor to Peter Parker.
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 Spider-Man: Turn Off the Dark (Theatre) / int_66755d29
type
Author Avatar
 Spider-Man: Turn Off the Dark (Theatre) / int_66755d29
comment
Author Avatar: The Geek Chorus was based on the creators of the show, with Professor Cobwell being a stand-in for Glen Berger, the scriptwriter, Jimmy-6 and Grim Hunter being based on Bono and the Edge, the musicians, and Miss Arrow being based on director and storywriter Julie Taymor. This is especially pronounced with Arrow as she's smarter than the boys around her and introduces several of Julie Taymor's original creations and concepts to the show, such as the Greek mythology aspect, Arachne being an unbeatable dream weaver, and adding Swiss Miss to the Sinister Six.
 Spider-Man: Turn Off the Dark (Theatre) / int_66755d29
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 Spider-Man: Turn Off the Dark (Theatre) / int_66ea7e5c
type
Brought Down to Normal
 Spider-Man: Turn Off the Dark (Theatre) / int_66ea7e5c
comment
Brought Down to Normal: Peter, in Version 1.0, ends up losing his spider powers for the majority of Act 2, only regaining them for the final confrontation with Arachne.
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type
Private Military Contractors
 Spider-Man: Turn Off the Dark (Theatre) / int_6c553873
comment
Private Military Contractors: The Viper corporation, which offers to fund Osborn's research so he'll create Super Soldiers for them. Norman refuses, but the pressure leads him to accelerate his project.
 Spider-Man: Turn Off the Dark (Theatre) / int_6c553873
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type
Driven to Suicide
 Spider-Man: Turn Off the Dark (Theatre) / int_6d332aea
comment
Driven to Suicide: Arachne, as per her myth, tried to take her own life. Arguably Peter in Version 1.0, where he jumps off a bridge after Mary Jane — knowing he's powerless.
 Spider-Man: Turn Off the Dark (Theatre) / int_6d332aea
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Disc-One Final Boss
 Spider-Man: Turn Off the Dark (Theatre) / int_6de71c57
comment
Disc-One Final Boss: The Green Goblin in Version 1.0. The first act builds up to Norman's transformation, but he's dead by intermission and Act Two makes it clear that the true Big Bad is Arachne.
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 Spider-Man: Turn Off the Dark (Theatre) / int_6e09e9b9
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Angry Mob Song
 Spider-Man: Turn Off the Dark (Theatre) / int_6e09e9b9
comment
Angry Mob Song: "Bullying By Numbers" is a slightly less vitriolic version of one, about how much fun beating up Peter is.
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Deducing the Secret Identity
 Spider-Man: Turn Off the Dark (Theatre) / int_723943a9
comment
Deducing the Secret Identity: Before his fight against Spider-Man, the Green Goblin reveals he knows that it's Peter Parker under the mask, as while reading the Daily Bugle's Spider-Man retrospective, he noticed that every picture of the web-swinger was credited to one person - one of the same high schoolers who was at Oscorp the day his spider went missing.
 Spider-Man: Turn Off the Dark (Theatre) / int_723943a9
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type
Adaptational Badass
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comment
Adaptational Badass: Due to the constraints of live theater, Spider-Man's webbing alone is enough to vanquish Kraven and the Lizard despite both being capable of escaping his webs in the comics.
 Spider-Man: Turn Off the Dark (Theatre) / int_736d791f
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type
LEGO Genetics
 Spider-Man: Turn Off the Dark (Theatre) / int_73f38fe0
comment
LEGO Genetics: This seems to be the cornerstone of Osborn's research, and is the basis for the Crowd Song "DIY World," which is all about mutating your DNA to shapeshift and take on animal traits to survive catastrophes. Osborn later uses the same research to create supervillains, which is particularly weird when it comes to Swiss Miss. Do knives have DNA in this world?
 Spider-Man: Turn Off the Dark (Theatre) / int_73f38fe0
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 Spider-Man: Turn Off the Dark (Theatre) / int_7464705c
type
Arc Words
 Spider-Man: Turn Off the Dark (Theatre) / int_7464705c
comment
Arc Words: "And the boy/girl falls from the sky."
 Spider-Man: Turn Off the Dark (Theatre) / int_7464705c
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 Spider-Man: Turn Off the Dark (Theatre) / int_767dbf00
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Superhero Movie Villains Die
 Spider-Man: Turn Off the Dark (Theatre) / int_767dbf00
comment
Superhero Movie Villains Die: In 1.0 Peter killed every supervillain except Arachne, while in 2.0 the others are merely imprisoned and the Green Goblin accidentally kills himself.
 Spider-Man: Turn Off the Dark (Theatre) / int_767dbf00
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Hearing Voices
 Spider-Man: Turn Off the Dark (Theatre) / int_7bc90010
comment
Hearing Voices: One of the side effects of becoming the Green Goblin is hallucinations, with Norman hearing Emily egging his villainy on and students from "Freaktown High" coming to see the Sinister Six.
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type
What Happened to the Mouse?
 Spider-Man: Turn Off the Dark (Theatre) / int_863fa679
comment
What Happened to the Mouse?: Viper Worldwide is never seen after they demand Norman make supersoldiers for them, despite their general villainy and threats to get aid from his competition.
 Spider-Man: Turn Off the Dark (Theatre) / int_863fa679
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 Spider-Man: Turn Off the Dark (Theatre) / int_87c62ade
type
Deadly Dodging
 Spider-Man: Turn Off the Dark (Theatre) / int_87c62ade
comment
Deadly Dodging: Spider-Man defeats Swiss Miss and Electro by avoiding their attacks and causing them to hit one another.
 Spider-Man: Turn Off the Dark (Theatre) / int_87c62ade
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type
Medium Awareness
 Spider-Man: Turn Off the Dark (Theatre) / int_884e513b
comment
Medium Awareness: The Green Goblin mocks Peter's Eleven O'Clock Number "Boy Falls From the Sky" in Version 1.0. He also directs a few comments at the audience in the current version.
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type
Quirky Miniboss Squad
 Spider-Man: Turn Off the Dark (Theatre) / int_889cff96
comment
Quirky Miniboss Squad: The Sinister Six, whom the Goblin creates to wreak havoc on the streets of New York. This iteration of the Six consists of Electro, Kraven the Hunter, The Lizard, Swarm, Carnage, and a new villain named Swiss Miss.
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 Spider-Man: Turn Off the Dark (Theatre) / int_950bbfa7
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Take a Third Option
 Spider-Man: Turn Off the Dark (Theatre) / int_950bbfa7
comment
Take a Third Option: In 1.0, Arachne has two major plans: One is to have Peter be with her and leave the human world behind, and the other is to force him to kill her, either of which would free her of her spider's curse. Peter fights and then spares her, and the show of humanity leads to Arachne releasing him and Mary Jane and ascending to heaven instead.
 Spider-Man: Turn Off the Dark (Theatre) / int_950bbfa7
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type
Big Bad
 Spider-Man: Turn Off the Dark (Theatre) / int_970c790a
comment
Big Bad: Arachne in Version 1.0, the Green Goblin in 2.0.
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1.0
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Never My Fault
 Spider-Man: Turn Off the Dark (Theatre) / int_973d220f
comment
Never My Fault: The Green Goblin. "Emily... died... because of you [Spider-Man]!"
 Spider-Man: Turn Off the Dark (Theatre) / int_973d220f
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type
Master of Illusion
 Spider-Man: Turn Off the Dark (Theatre) / int_985d6d7f
comment
Master of Illusion: In 1.0 Arachne wove dreams and illusions in Peter's mind in an attempt to keep him being Spider-Man and sway him to her side.
 Spider-Man: Turn Off the Dark (Theatre) / int_985d6d7f
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type
Screen-to-Stage Adaptation
 Spider-Man: Turn Off the Dark (Theatre) / int_99244825
comment
Screen-to-Stage Adaptation: The musical is loosely based on the first two films of the Sam Raimi trilogy.
 Spider-Man: Turn Off the Dark (Theatre) / int_99244825
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1.0
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 Spider-Man: Turn Off the Dark (Theatre) / int_9b0f37de
type
Contemplate Our Navels
 Spider-Man: Turn Off the Dark (Theatre) / int_9b0f37de
comment
Contemplate Our Navels: In 1.0, the Geek Chorus spent half the time narrating and half the time commentating on the story, characters' motivations, and whether fate or something else led the spider to bite Peter when it did.
 Spider-Man: Turn Off the Dark (Theatre) / int_9b0f37de
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 Spider-Man: Turn Off the Dark (Theatre) / int_9c550e26
type
Word Salad Title
 Spider-Man: Turn Off the Dark (Theatre) / int_9c550e26
comment
Word Salad Title: There is no explanation given for the Turn Off the Dark subtitle. (It's a variation on the phrase "Turn on the light".)
 Spider-Man: Turn Off the Dark (Theatre) / int_9c550e26
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 Spider-Man: Turn Off the Dark (Theatre) / int_9d12bbc1
type
Foreshadowing
 Spider-Man: Turn Off the Dark (Theatre) / int_9d12bbc1
comment
Foreshadowing: The reps of Viper Worldwide, the organization that pushes Norman to use his science for evil, wear entirely green suits. This, of course, foreshadows Norman's tragic transformation into the Green Goblin.
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type
FanFic
 Spider-Man: Turn Off the Dark (Theatre) / int_9d725e12
comment
Fan Fic: Version 1.0's Framing Device presented the show as an in-universe fanfiction written by the Geek Chorus. Arachne's furies later took over from them, writing the story on their own.
 Spider-Man: Turn Off the Dark (Theatre) / int_9d725e12
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 Spider-Man: Turn Off the Dark (Theatre) / int_a3f1531b
type
Standard Snippet
 Spider-Man: Turn Off the Dark (Theatre) / int_a3f1531b
comment
Standard Snippet: Swarm's theme samples the classical piece "Flight of the Bumblebee."
 Spider-Man: Turn Off the Dark (Theatre) / int_a3f1531b
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 Spider-Man: Turn Off the Dark (Theatre) / int_a4328a91
type
For Inconvenience, Press "1"
 Spider-Man: Turn Off the Dark (Theatre) / int_a4328a91
comment
For Inconvenience, Press "1": In 2.0, the Goblin trying to leave a message for Jameson is interrupted when the receptionist puts him on hold, he has to navigate the recorded menu options, and finally gets the answering machine.
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type
Mood Whiplash
 Spider-Man: Turn Off the Dark (Theatre) / int_a4c37cbe
comment
Mood Whiplash: Peter winning the wrestling match and excitedly counting his money, to a reprise of "Bouncing off the Walls," is cut short with the sound of a gunshot and Aunt May screaming for Uncle Ben.
 Spider-Man: Turn Off the Dark (Theatre) / int_a4c37cbe
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type
Dramatic Irony
 Spider-Man: Turn Off the Dark (Theatre) / int_ab5eea65
comment
Dramatic Irony: Mary Jane gets on Broadway, playing the girlfriend of The Flynote The 1986 film's second act can be read as a twisted version of a traditional superhero origin story.
 Spider-Man: Turn Off the Dark (Theatre) / int_ab5eea65
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1.0
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Spider-Man: Turn Off the Dark (Theatre) / int_ab5eea65
 Spider-Man: Turn Off the Dark (Theatre) / int_ad1db87c
type
Oh, Crap!
 Spider-Man: Turn Off the Dark (Theatre) / int_ad1db87c
comment
Oh, Crap!: Peter has this reaction when the Goblin calls him by his name in Spider-Man garb.
 Spider-Man: Turn Off the Dark (Theatre) / int_ad1db87c
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1.0
 Spider-Man: Turn Off the Dark (Theatre) / int_ad1db87c
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1.0
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Spider-Man: Turn Off the Dark (Theatre) / int_ad1db87c
 Spider-Man: Turn Off the Dark (Theatre) / int_b11ac9f5
type
Abusive Parents
 Spider-Man: Turn Off the Dark (Theatre) / int_b11ac9f5
comment
Abusive Parents: Mary Jane's father is a mean drunk, as implied in her part of "No More." This was more explicit in the first version, where he actually hit her with a beer bottle in the middle of the song.
 Spider-Man: Turn Off the Dark (Theatre) / int_b11ac9f5
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1.0
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Spider-Man: Turn Off the Dark (Theatre) / int_b11ac9f5
 Spider-Man: Turn Off the Dark (Theatre) / int_b1dde8fd
type
Loophole Abuse
 Spider-Man: Turn Off the Dark (Theatre) / int_b1dde8fd
comment
Loophole Abuse: The long, long preview run led some to speculate that the producers were deliberately avoiding ever debuting the show, in order to exploit a tradition that theater critics won't issue reviews until after opening night. This eventually failed them, as the critics decided that was what they were doing and reviewed the previews.
 Spider-Man: Turn Off the Dark (Theatre) / int_b1dde8fd
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 Spider-Man: Turn Off the Dark (Theatre) / int_b731fa6e
type
I Cannot Self-Terminate
 Spider-Man: Turn Off the Dark (Theatre) / int_b731fa6e
comment
I Cannot Self-Terminate: In 1.0, due to Arachne's suicide being interrupted she's unable to die unless someone else kills her.
 Spider-Man: Turn Off the Dark (Theatre) / int_b731fa6e
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1.0
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 Spider-Man: Turn Off the Dark (Theatre) / int_b7e0c5ff
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Love Triangle
 Spider-Man: Turn Off the Dark (Theatre) / int_b7e0c5ff
comment
Love Triangle: Arachne-Peter-Mary Jane, in Version 1.0 only.
 Spider-Man: Turn Off the Dark (Theatre) / int_b7e0c5ff
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1.0
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 Spider-Man: Turn Off the Dark (Theatre) / int_b8e3f20a
type
Demoted to Extra
 Spider-Man: Turn Off the Dark (Theatre) / int_b8e3f20a
comment
Demoted to Extra: Arachne in Version 2.0. In Version 1.0, she serves as a Spirit Advisor-turned-Big Bad. In 2.0 her role as Peter's Spirit Advisor is left intact, but her stage time is reduced to only three scenes. The role of the Big Bad ultimately went to the Green Goblin.
 Spider-Man: Turn Off the Dark (Theatre) / int_b8e3f20a
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 Spider-Man: Turn Off the Dark (Theatre) / int_b9fd7929
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Morality Chain
 Spider-Man: Turn Off the Dark (Theatre) / int_b9fd7929
comment
Morality Chain: After the death of his wife, Norman grows progressively more insane and violent. (The severe mutations could also be a factor, though.)
 Spider-Man: Turn Off the Dark (Theatre) / int_b9fd7929
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 Spider-Man: Turn Off the Dark (Theatre) / int_bda2a088
type
Did They or Didn't They?
 Spider-Man: Turn Off the Dark (Theatre) / int_bda2a088
comment
Did They or Didn't They?: Peter blows off fighting crime for a night at home with Mary Jane. A night which he later said was spent with no TV or radio...
 Spider-Man: Turn Off the Dark (Theatre) / int_bda2a088
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 Spider-Man: Turn Off the Dark (Theatre) / int_bfc2ec8a
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That Makes Me Feel Angry
 Spider-Man: Turn Off the Dark (Theatre) / int_bfc2ec8a
comment
That Makes Me Feel Angry: In 1.0 Arachne was prone to exclaiming how furious she was at Peter not taking her bait.
 Spider-Man: Turn Off the Dark (Theatre) / int_bfc2ec8a
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1.0
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 Spider-Man: Turn Off the Dark (Theatre) / int_c181a846
type
Dies Differently in Adaptation
 Spider-Man: Turn Off the Dark (Theatre) / int_c181a846
comment
Dies Differently in Adaptation: In both the comic and the 2002 film, the Green Goblin does himself in by accidentally ramming the Goblin Glider into his torso (though he does come Back from the Dead in the former). In the show, he suffers a Disney Villain Death, and is sent tumbling off the Chrysler Building while webbed to his piano.
 Spider-Man: Turn Off the Dark (Theatre) / int_c181a846
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1.0
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 Spider-Man: Turn Off the Dark (Theatre) / int_c253090a
type
Big Blackout
 Spider-Man: Turn Off the Dark (Theatre) / int_c253090a
comment
Big Blackout: The second act of 1.0 took place during a citywide blackout as Arachne tried in vain to make Spider-Man reappear. 2.0 also has a blackout but for a much shorter timespan.
 Spider-Man: Turn Off the Dark (Theatre) / int_c253090a
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 Spider-Man: Turn Off the Dark (Theatre) / int_c26e2b1
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New Powers as the Plot Demands
 Spider-Man: Turn Off the Dark (Theatre) / int_c26e2b1
comment
New Powers as the Plot Demands: The Goblin sprouts a pair of wings for the final confrontation atop the Chrysler Building.
 Spider-Man: Turn Off the Dark (Theatre) / int_c26e2b1
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Affirmative Action Girl
 Spider-Man: Turn Off the Dark (Theatre) / int_c3286c8f
comment
Affirmative Action Girl: Swiss Miss is an original female villain to add a girl to the Sinister Six. In the first version, Miss Arrow even states that she added her into the story because the Six needed "a woman's touch".
 Spider-Man: Turn Off the Dark (Theatre) / int_c3286c8f
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 Spider-Man: Turn Off the Dark (Theatre) / int_c420a553
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We Can Rule Together
 Spider-Man: Turn Off the Dark (Theatre) / int_c420a553
comment
We Can Rule Together: The Goblin offers Spider-Man a place by his side. Spidey, naturally, refuses.
 Spider-Man: Turn Off the Dark (Theatre) / int_c420a553
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 Spider-Man: Turn Off the Dark (Theatre) / int_c5193552
type
Mocking Music
 Spider-Man: Turn Off the Dark (Theatre) / int_c5193552
comment
Mocking Music: 1.0 featured a scene where Peter and MJ spend the night together during a blackout. The latter tries to ease their worries of the city falling apart, due to the Sinister Six's rampage, by putting on some music. Unfortunately, the first song that plays when she turns on the radio is "Sinistereo".
 Spider-Man: Turn Off the Dark (Theatre) / int_c5193552
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 Spider-Man: Turn Off the Dark (Theatre) / int_c5c79ad3
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And Your Little Dog, Too!
 Spider-Man: Turn Off the Dark (Theatre) / int_c5c79ad3
comment
And Your Little Dog, Too!: After Spider-Man defeats the Sinister Six, the Goblin vows revenge on his family for vanquishing them.
 Spider-Man: Turn Off the Dark (Theatre) / int_c5c79ad3
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 Spider-Man: Turn Off the Dark (Theatre) / int_c83a589c
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Luke, I Am Your Father
 Spider-Man: Turn Off the Dark (Theatre) / int_c83a589c
comment
Luke, I Am Your Father: Subverted in 2.0, where the Goblin claims Spider-Man is his son. Peter knows this is false for obvious reasons, though Jameson doesn't and runs headlines about their supposed connection.
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 Spider-Man: Turn Off the Dark (Theatre) / int_ce6555f0
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Lighter and Softer
 Spider-Man: Turn Off the Dark (Theatre) / int_ce6555f0
comment
Lighter and Softer: The revised production toned down a lot of the darker aspects of the first version. Mary Jane's father abusing her, female bullies sexually harassing Peter, and Arachne's whole plot about wanting to mate with and/or kill Peter were all toned down or cut out completely.
 Spider-Man: Turn Off the Dark (Theatre) / int_ce6555f0
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 Spider-Man: Turn Off the Dark (Theatre) / int_ceabe589
type
Incoming Ham
 Spider-Man: Turn Off the Dark (Theatre) / int_ceabe589
comment
Incoming Ham: This little gem from the top of Act Two...
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 Spider-Man: Turn Off the Dark (Theatre) / int_cf64a80d
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Hostile Show Takeover
 Spider-Man: Turn Off the Dark (Theatre) / int_cf64a80d
comment
Hostile Show Takeover: Towards the end of 1.0, Arachne's Furies chase the Geeks out and take over story-writing duties.
 Spider-Man: Turn Off the Dark (Theatre) / int_cf64a80d
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 Spider-Man: Turn Off the Dark (Theatre) / int_d397657d
type
Hoist by His Own Petard
 Spider-Man: Turn Off the Dark (Theatre) / int_d397657d
comment
Hoist by His Own Petard: Spider-Man defeats both Electro and Swiss Miss by tricking them into attacking each other; since Electro has electric powers and Swiss Miss is made entirely of metal, it doesn't bode well for either of them.
 Spider-Man: Turn Off the Dark (Theatre) / int_d397657d
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You Are Not Alone
 Spider-Man: Turn Off the Dark (Theatre) / int_d44ea142
comment
You Are Not Alone: Sung nearly word for word by Mary Jane and Arachne in the reprise of "Rise Above".
 Spider-Man: Turn Off the Dark (Theatre) / int_d44ea142
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 Spider-Man: Turn Off the Dark (Theatre) / int_d500b978
type
Adaptational Wimp
 Spider-Man: Turn Off the Dark (Theatre) / int_d500b978
comment
Adaptational Wimp: The Kingpin of the comics is a powerful crime lord, as well as one of Spider-Man's most formidable opponents. The musical portrays him as a mere bank robber who's webbed up by Spidey in a matter of seconds. Downplayed with the Sinister Six. "Sinistereo" shows that they are incredibly dangerous villains who nearly destroy all of New York City. Once they face Spider-Man in battle, however, they each go down relatively quickly after a few webs, kicks, and having their powers used against each other (Carnage in particular doesn't put up much of a fight here, despite his comic counterpart being a Symbiote who can easily go toe-to-toe with Venom).
 Spider-Man: Turn Off the Dark (Theatre) / int_d500b978
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 Spider-Man: Turn Off the Dark (Theatre) / int_dc1c7647
type
Voice of the Legion
 Spider-Man: Turn Off the Dark (Theatre) / int_dc1c7647
comment
Voice of the Legion: The entire weavers' chorus sings as the voice of Athena when she transforms Arachne into a spider.
 Spider-Man: Turn Off the Dark (Theatre) / int_dc1c7647
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The Fourth Wall Will Not Protect You
 Spider-Man: Turn Off the Dark (Theatre) / int_e0c470a1
comment
The Fourth Wall Will Not Protect You: Spider-Man and the Green Goblin's fight, as well as additional moments in the show, take place within and above the stalls of the theatre.
 Spider-Man: Turn Off the Dark (Theatre) / int_e0c470a1
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Spider-Man: Turn Off the Dark (Theatre) / int_e0c470a1
 Spider-Man: Turn Off the Dark (Theatre) / int_e18675e6
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Word Salad Lyrics
 Spider-Man: Turn Off the Dark (Theatre) / int_e18675e6
comment
Word Salad Lyrics: From "No More": "I count the grass as it grows/I go to sleep in my clothes/But the shoes don't fit"...
 Spider-Man: Turn Off the Dark (Theatre) / int_e18675e6
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 Spider-Man: Turn Off the Dark (Theatre) / int_e34400ab
type
Ambiguously Gay
 Spider-Man: Turn Off the Dark (Theatre) / int_e34400ab
comment
Ambiguously Gay: Norman may have been married, but the Green Goblin "said goodbye to [his] straight life ..." He also appears to be rather possessive of Spider-Man, considering him his "rightful property".
 Spider-Man: Turn Off the Dark (Theatre) / int_e34400ab
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 Spider-Man: Turn Off the Dark (Theatre) / int_e4965307
type
Composite Character
 Spider-Man: Turn Off the Dark (Theatre) / int_e4965307
comment
Composite Character: This Green Goblin is a cross between the Goblin (Norman Osborn driven insane by a lab accident) and Doctor Octopus (gains powers from a lab accident and has a wife who gets killed) from the Sam Raimi films. A trait shared with the comics incarnation of Doctor Octopus is that this version of the Green Goblin is the founder of the Sinister Six. To a lesser extent, he also sprouts a pair of large green wings (replacing the Goblin Glider) for a final battle with Spidey in the sky; this is a shtick that is often used by the Vulture. The Green Goblin was also the result of a physical mutation, much like the Ultimate version of the character. Arachne in the first version of the play has shades of Shathra from the JMS run, such as being a mystical spider-being that eventually tries to seduce Peter.
 Spider-Man: Turn Off the Dark (Theatre) / int_e4965307
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Spider-Man: Turn Off the Dark (Theatre) / int_e4965307
 Spider-Man: Turn Off the Dark (Theatre) / int_e4d079c1
type
Greek Chorus
 Spider-Man: Turn Off the Dark (Theatre) / int_e4d079c1
comment
Greek Chorus: The first version had a team of four Spider-Man fans narrating the story and commenting on character motivations, known as the "Geek Chorus." They were eventually scrapped.
 Spider-Man: Turn Off the Dark (Theatre) / int_e4d079c1
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1.0
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Spider-Man: Turn Off the Dark (Theatre) / int_e4d079c1
 Spider-Man: Turn Off the Dark (Theatre) / int_e5ff9ca3
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Team Member in the Adaptation
 Spider-Man: Turn Off the Dark (Theatre) / int_e5ff9ca3
comment
Team Member in the Adaptation: Of the five members of the Sinister Six who actually originated from the comics, Swarm and Carnage were not included in any roster that existed prior to the musical's existence. Also sort-of counts for the Lizard, who was once a member of a Sinister Twelve before the play was made.
 Spider-Man: Turn Off the Dark (Theatre) / int_e5ff9ca3
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 Spider-Man: Turn Off the Dark (Theatre) / int_e8497e34
type
Adaptation Species Change
 Spider-Man: Turn Off the Dark (Theatre) / int_e8497e34
comment
Adaptation Species Change: In the comics, Kasady's alter ego Carnage was an alien parasite. In the musical, Carnage is an experiment of OsCorp made from human blood.
 Spider-Man: Turn Off the Dark (Theatre) / int_e8497e34
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1.0
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 Spider-Man: Turn Off the Dark (Theatre) / int_e8dca77c
type
Adaptation Origin Connection
 Spider-Man: Turn Off the Dark (Theatre) / int_e8dca77c
comment
Adaptation Origin Connection: Swarm, Kraven the Hunter, Carnage, Electro, and the Lizard, all villains with independent origins in the comics, were here mutants created by the Green Goblin to form the Sinister Six.
 Spider-Man: Turn Off the Dark (Theatre) / int_e8dca77c
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 Spider-Man: Turn Off the Dark (Theatre) / int_ea5c413d
type
Biting-the-Hand Humor
 Spider-Man: Turn Off the Dark (Theatre) / int_ea5c413d
comment
Biting-the-Hand Humor: Version 2.0 took Oscorp's funding problem and exacerbated it to an extreme funding problem, making a lot of in-jokes at the show's pricey production tag and its investors. The Goblin at one point remarks "I'm a sixty-five million dollar circus tragedy...actually, more like seventy-five" in "A Freak Like Me Needs Company". The musical itself cost $75 million to mount.
 Spider-Man: Turn Off the Dark (Theatre) / int_ea5c413d
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 Spider-Man: Turn Off the Dark (Theatre) / int_ea85d6ea
type
All Just a Dream
 Spider-Man: Turn Off the Dark (Theatre) / int_ea85d6ea
comment
All Just a Dream: Spider-Man's foes being resurrected and destroying the city in Act Two in Version 1.0 is all an illusion created by an angry Arachne to lure Spider-Man out.
 Spider-Man: Turn Off the Dark (Theatre) / int_ea85d6ea
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 Spider-Man: Turn Off the Dark (Theatre) / int_f1492605
type
Redemption Equals Death
 Spider-Man: Turn Off the Dark (Theatre) / int_f1492605
comment
Redemption Equals Death: After tormenting Peter, the city, and Mary Jane for the entirety of Act 2, Arachne regretted her villainous ways and ascended to heaven at the very end of 1.0.
 Spider-Man: Turn Off the Dark (Theatre) / int_f1492605
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 Spider-Man: Turn Off the Dark (Theatre) / int_fdf22cfd
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Evil Is Hammy
 Spider-Man: Turn Off the Dark (Theatre) / int_fdf22cfd
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Evil Is Hammy: The Goblin doesn't do nuanced subtlety. Matt Caplan, the actor who played Flash Thompson, sometimes put Bulk and Skull to shame.
 Spider-Man: Turn Off the Dark (Theatre) / int_fdf22cfd
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The following is a list of statements referring to the current page from other pages.

 Spider-Man (Franchise)
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Spider-Man: Turn Off the Dark (Theatre)
 Spider-Man: Turn Off the Dark (Theatre)
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Adaptational Early Appearance / int_b55489e1
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For Inconvenience, Press "1" / int_b55489e1
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LEGO Genetics / int_b55489e1
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 SpidermanTurnOffTheDark
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Spider-Man: Turn Off the Dark (Theatre)