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Titanic (Theatre)

 Titanic (Theatre)
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TVTItem
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Titanic (Theatre)
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Titanic
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The Musical of the RMS Titanic's launching and eventual tragic sinking.Yes, you read that right.Titanic: The Musical, (or officially just Titanic) was a Broadway musical that opened in 1997 at the Lunt-Fontanne Theatre on the 23rd of April, starring John Cunningham as Captain E. J. Smith, Michael Cerveris as Thomas Andrews, and David Garrison as J. Bruce Ismay. The musical won 5 Tonys including Best Musical and Best Book of a Musical, and ran for two years. A UK production opened in 2018.The plot of the musical follows the crew and passengers of the RMS Titanic as it makes its maiden voyage from Southampton to New York in April 1912. It focuses on no-one in particular, instead choosing to give almost every class of person on the ship a song and or a moment and therefore has no one single protagonist (Other than the Titanic herself, if you will).The musical is also unique in that the Broadway stage could tilt to simulate the sinking of the ship, and that most of the characters are actually people who were on the Titanic with only a few names changed here and there and a few people who died lived and vice versa.The relation to James Cameron's Titanic in the same year is probably just coincidental.The 2023 U.K. tour was filmed, streamed live to theaters, then released online via BroadwayHD on December 15, 2023.
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Dropped link to ANightToRemember: Not a Feature - ITEM
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ArtisticLicenceHistory
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Artistic Licence – History: For being a show that got most things right about the Titanic, it does get a few things wrong: One of the lyrics in "Mr. Andrews’ Vision" says "the water poured in a 300-foot gash". It didn't, it poured in several holes along a 300-foot length and this was 1997, they knew by then. It probably just rhymed better. Additionally, Andrews said the exact same thing in A Night to Remember, at the time the most accurate dramatization of the sinking. Both Edgar Beane and Stoker Frederick Barrett die in the musical, but in real life, they lived, despite both being part of groups (Second-Class men and Engineering Crew respectively) that had one of the highest casualty rates. A Frederick Barrett did perish with the ship, but he was married and his wife had given birth to twins shortly before the sinking. Henry Etches is portrayed as the Chief Steward and Andrew Latimer as his subordinate. In real life, it was the other way around. The proshot, however, casts Etches as younger-looking than Latimer.
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Framing Device
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Framing Device: The 2023 proshot's Overture starts after the disaster has taken place as reporters and survivors rake Ismay over the coals, then flashes back as Andrews displays his plans for the ship.
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Quarreling Song
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Quarreling Song: "The Blame", where the Captain (E.J. Smith), one of the designers (Thomas Andrews), and the owner (J. Bruce Ismay) of the Titanic argue about who was to blame for dooming the currently sinking ship.
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Foregone Conclusion
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Foregone Conclusion: It's a musical about the Titanic, one of the most famous shipwrecks ever.
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Massive Multiplayer Ensemble Number
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Massive Multiplayer Ensemble Number: "The Launching: I Must Get On That Ship", where the 3rd and 2nd class passengers sing about why they are, well... getting on that ship.
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Death by Adaptation
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Both Edgar Beane and Stoker Frederick Barrett die in the musical, but in real life, they lived, despite both being part of groups (Second-Class men and Engineering Crew respectively) that had one of the highest casualty rates. A Frederick Barrett did perish with the ship, but he was married and his wife had given birth to twins shortly before the sinking.
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Wham Shot
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Wham Shot: The passengers' complaints about being turned out of bed and dressed in their pyjamas in the Grand Salon stop and everything goes dead silent for about 10 seconds as a serving tray rolls across the stage by itself due to an (at that time imperceptible) incline, as it hits everyone that the ship really is sinking. Panic ensues. The proshot replaces this with an awful bone-chilling screeching metallic noise as the lights flicker and go out.
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All Musicals Are Adaptations
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All Musicals Are Adaptations: A real-life example.
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Driven to Suicide
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Driven to Suicide: The 2023 proshot has Captain Smith kill himself with a pistol during the sinking.
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Henpecked Husband
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Henpecked Husband: Edgar Beane is the long-suffering spouse of Alice Beane, who'd rather spend her time associating with the rich and famous than spend time with her husband on a leisure trip overseas.
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Epic Rocking
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Epic Rocking: If "In Every Age" and "The Launching", which is made up of roughly five or six songs, are both considered one continuous musical number, then the opening number of the show lasts for about sixteen minutes.
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Motor Mouth
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Motor Mouth: Alice Beane has a Patter Song as she excitedly raves to her Henpecked Husband about each of the First-Class Passengers, doubling as exposition to modern-day audience members who may not necessarily know who each of the then-famous passengers were.
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"I Want" Song
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"I Want" Song: "Lady's Maid", a song about what the 3rd class passengers want to do when they get to America. "I Must Get on That Ship", a song about, well, wanting to get on that ship. "I Have Danced" - Mrs. Beane enthuses about the lives of the rich and powerful and desiring it for herself (and her husband), while the more practical and cynical Mr. Beane tries to talk her out of dreaming.
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Exactly What It Says on the Tin
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"I Must Get on That Ship", a song about, well, wanting to get on that ship.
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Upper-Class Twit
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Upper-Class Twit: The young Madeleine Astor is the "Airhead Heiress" version of this trope, and almost runs back away from the lifeboats while the ship is sinking because she accidentally left her precious diamonds behind.
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Mood Whiplash
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Mood Whiplash: As Bride is frantically sending distress calls to anyone who would listen, screaming his lines - "CQD, Titanic CQD, situation critical, repeat situation critical," - Captain Smith comes up to him asking whether he's reached any ship. An understandably irritated Bride snaps back that he is busy and that the asker should go bother the captain, at which Smith retorts, "I am the Captain!" Bride's resulting panicked snapping to attention would be extremely comical if the situation wasn't so stressful.
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Dramatic Irony
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Dramatic Irony: The Musical! Act 1 of the show largely depicts the hopes and dreams of the passengers and crew as they sail aboard the majestic ship, all the while the audience is well aware of the fate that awaits them all.
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Oh, Crap!
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Oh, Crap!: Frederick Fleet's reaction when he spots the iceberg. "Dear Mother of God! ICEBERG, STRAIGHT AHEAD!" Harold Bride panics when he realized he's just told the Captain to go bother the Captain, springing to his feet. His earphones are yanked off his head by the force, as he has forgotten to take them off. The complaints about being roused out of bed and being in pyjamas in the Grand Salon dies as a serving tray rolls across the stage due to an (at that time imperceptible) incline, as it hits everyone that the ship really is sinking. This is replaced with a metallic screech in the proshot.
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Cool Boat
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Cool Boat: Takes place on one. It was the largest and most luxurious ship ever made at that time after all.
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Minor Character, Major Song
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Minor Character, Major Song: Fleet, one of the ship's lookouts (at the time of hitting the iceberg) gets "No Moon".
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Pregnant Badass
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Pregnant Badass: In some productions, pregnant Kate McGowan physically fights off a seaman trying to get her into a lifeboat, and runs back into Jim's arms.
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"When I'm Gone" Song
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"When I'm Gone" Song: "We'll Meet Tomorrow" is a collective version of this, with the soloists being two men (Frederick Barrett and Charles Clarke) singing to their love interests. The cast says goodbye to their loved ones and prays for a reunion even while knowing that they are doomed.
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Historical Villain Upgrade
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Historical Villain Upgrade: As is typical for many adaptations of the incident, Bruce Ismay is depicted in a very critical light. He spends most of the first act constantly urging the captain to increase the ship's speed (despite objections from the crew) to generate good press for the Titanic's maiden voyage and to please the wealthy first-class passengers - directly leading to the ship's fatal impact with the iceberg due to being unable to turn in time to avoid it. In reality, there is no evidence that Ismay ever did such a thing, and indeed as the head of White Star Line (whose ships were famed for prioritising luxury and comfort over speed), he would be the least likely person to insist on hastening the voyage.note For context, the fast, flighty Cunarders that contended for the Blue Riband had an average cruising speed of around 25 knots — which is as fast as the Olympic-class' maximum speed. But the "Greyhounds of the Atlantic" paid a price for all that power: they were known to rattle uncomfortably during the voyage from the vibration of the engines. White Star, on the other hand, deliberately chose to go in the other direction, and were quite successful at it.
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Final Love Duet
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Final Love Duet: "Still", a duet between Isidor and Ida Straus. More final than most because they die soon after.
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Composite Character
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Composite Character: The real Kate McGowan was a middle-aged spinster who died in the sinking, unlike the younger Kate in the show. She appears to have been conflated, whether intentionally or accidentally, with Kate Gilnagh, who was the right age, was really friends with the people the fictional McGowan associates with, and survived the sinking. Jim Farrell boards a lifeboat by claiming to be a seaman. This is how First Class passenger Arthur Peuchen managed to get into Lifeboat 6, Jim Farrell died during the disaster. The Major appears to be based on both Archibald Butt and Archibald Gracie. The major shares his rank and friends with Archibald Butt, while his personality is very similar to Archibald Gracie. Like Archibald Butt, the major is not shown amongst the survivors whilst Archibald Gracie would survive and write a famous book about his experience. Harold Bride is merged with his fellow radio operator, Jack Phillips, who died in the sinking. note This trope actually happened in real life. Conflicting reports about Phillips getting to Collapsible B was chalked down to a mix-up between Bride and Phillips. Bride was, in fact, on that collapsible, which overturned. No one knew how Phillips really died, and his body was never recovered.
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Hate Sink
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Hate Sink: Bruce Ismay, who’s given Historical Villain Upgrade, is turned into a bullying Jerkass who pressures the captain into speeding up despite everyone else telling him it’s a foolish idea. Upon grasping the seriousness of the situation, Ismay starts to point fingers at everyone except himself, before fleeing in one of the few lifeboats. Ismay's redeeming qualities, such as his guilt after surviving the disaster, are removed from this version of the story, making him much more loathsome than usual.
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"Setting Off" Song
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"Setting Off" Song: The Launching, a name for a collection of six songs about the launching of the Titanic that are, in order: "How Did They Build Titanic?", "There She Is", "Loading Inventory", "I Must Get On That Ship", "The 1st Class Roster" and finally "Godspeed Titanic".
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Ensemble Cast
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Ensemble Cast: Rather than focus on one particular member of the ship, the show is focused on multiple members of the crew and passengers. Practically everyone has at least one solo.
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One-Steve Limit
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One-Steve Limit: Very much averted, as almost every character in the show is named after a real-life crew member or passenger on the ship. The most notable example is the three Kates - Kate McGowan, Kate Mullins, and Kate Murphy - who all meet before boarding the ship and even bond over the fact that they share the same name. Captain Edward "E.J." Smith shares a small scene with one of the ship's bellboys and asks him for his name, only to discover that he is also named Edward. Furthermore, we have John Jacob Astor and John Thayer among the first-class passengers, as well as Frederick Fleet and Frederick Barrett among the crew.
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Sanity Slippage Song
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Sanity Slippage Song: "Mr. Andrews' Vision", where Thomas Andrews suffers a nervous breakdown over the design flaw that caused the sinking of the ship, redesigning the blueprints until he breaks off, imagining the fate of those left on the ship until he eventually dies.
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Mistaken for Servant
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Mistaken for Servant: When Captain Smith tries to address Harold Bride, the telegraph operator, while the latter is busy sending out the distress signal to alert other ships that the Titanic is sinking.
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Dark Reprise
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Dark Reprise: Plenty, after the iceberg is struck and things go rapidly downhill. "To Be A Captain" is a short song sung in the first act by First Officer Murdoch about the importance of the position of Captain and how he feels he isn't qualified to take it. In the end, the same song is reprised by Chief Steward Etches as a eulogy for Captain Smith. "Lady's Maid" is sung by Kate McGowan and the rest of the third-class passengers while dreaming of the bright future awaiting them in America. The reprise is sung to Kate by her new fiancé Jim as he tries to convince her to get into the lifeboat and leave him behind with most of the other third-class passengers as the ship sinks. "Autumn" is a sweeping melody about being content with one's life as one grows older. Andrews desperately sings a few lines from the song as water floods the doomed ship, his life's work failing before his eyes. "Godspeed, Titanic" concludes the opening number of the show as the entire cast bids the Titanic a safe journey across the ocean, and also concludes the show itself as the survivors of the disaster watch the ruined ship sink beneath the waves.
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Job Song
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Job Song: "Barrett's Song" discusses the lead stoker's job shoveling coal in the boiler room of the Titanic and compares it to his previous life as a miner, and how there's no real difference between them.
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The Song Before the Storm
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The Song Before the Storm: "Autumn/Finale" - Autumn is a slow, old-timey song that eventually gets mixed with bits of the previous song "No Moon" about how dark the night is and the fact that you cannot see anything but stars... then the iceberg hits.
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 Titanic (Theatre) / int_name
featureConfidence
1.0
 Titanic (Theatre)
hasFeature
Titanic (Theatre) / int_name
 Titanic (Theatre) / int_name
itemName
Titanic (Theatre)

The following is a list of statements referring to the current page from other pages.

 Titanic (Theatre)
hasFeature
Blame Game / int_aafcffd
 Titanic (Theatre)
hasFeature
Crowd Song / int_aafcffd
 Titanic (Theatre)
hasFeature
Filmed Stage Production / int_aafcffd
 Titanic (Theatre)
hasFeature
Final Love Duet / int_aafcffd
 Titanic (Theatre)
hasFeature
Heroic BSoD / int_aafcffd
 Titanic (Theatre)
hasFeature
"I Want" Song / int_aafcffd
 Titanic (Theatre)
hasFeature
Job Song / int_aafcffd
 Titanic (Theatre)
hasFeature
Minor Character, Major Song / int_aafcffd
 Titanic (Theatre)
hasFeature
Quarreling Song / int_aafcffd
 Titanic (Theatre)
hasFeature
"Setting Off" Song / int_aafcffd
 Titanic (Theatre)
hasFeature
Social Climber / int_aafcffd
 Titanic (Theatre)
hasFeature
Survivor Guilt / int_aafcffd
 Titanic (Theatre)
hasFeature
"The Villain Sucks" Song / int_aafcffd
 Titanic (Theatre)
hasFeature
Theatre of the 1990s / int_aafcffd
 Titanic (Theatre)
hasFeature
Uncommon Time / int_aafcffd