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Who's Afraid of Virginia Woolf? (Theatre)

523 statements
102 feature instances
28 referencing feature instances

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Who's Afraid of Virginia Woolf? (Theatre)	label	Who's Afraid of Virginia Woolf? (Theatre)
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Who's Afraid of Virginia Woolf? (Theatre)	comment	A classic 1962 play by Edward Albee, this character study follows George, a "boring" middle-aged history professor at a small New England college, and his caustic, abusive wife Martha. Martha invites another, younger professor, Nick, and his meek and mousy wife, Honey, into their home one very drunken night into early morning. The older couple verbally spar in front of their guests, then gradually turn their abuse—and lust—onto them.The original Broadway production starred Arthur Hill as George, Uta Hagen as Martha, George Grizzard as Nick, and Melinda Dillon as Honey. It won several important dramatic awards, including Tonys for Best Play, Best Actor, and Best Actress. The play was also selected for the Pulitzer Prize for Drama by that yearâ€™s drama jury, but the jury was overruled by the advisory board, which objected to its profanity and sexual content; correspondingly, no prize for drama was awarded that year.The play was adapted into a 1966 film directed by Mike Nichols, starring Richard Burton as George, Elizabeth Taylor as Martha, George Segal as Nick, and Sandy Dennis as Honey. The film received Academy Award nominations in every category for which it was eligible—thirteen in all—and won five, including Best Actress for Taylor (in what is generally considered her greatest performance) and Best Supporting Actress for Dennis.Featuring a screenplay adaptation by Ernest Lehman, the film was also a major step in the unraveling of The Hays Code, as it featured dialogue that was profane and extremely sexually explicit by 1960s standards and was released with almost no changes (to the point where it was the first film to ever be rated R by the MPAA, even before its rating system was formally established). Later in 1966, MGM released Blowup without Hays Code approval, which effectively marked the end of the Code.
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Who's Afraid of Virginia Woolf? (Theatre) / int_10dcbe05	type	Aw, Look! They Really Do Love Each Other
Who's Afraid of Virginia Woolf? (Theatre) / int_10dcbe05	comment	Aw, Look! They Really Do Love Each Other: Or possibly don't, depending on which aspects of the characters' personae you believe. However, when Nick accidentally (?) insults Martha by calling her the "widest avenue" on campus, George takes offense and verbally but subtly skewers him, prompting Martha's "pygmy hunting" comment.
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Who's Afraid of Virginia Woolf? (Theatre) / int_113480b7	type	Canon Foreigner
Who's Afraid of Virginia Woolf? (Theatre) / int_113480b7	comment	Canon Foreigner: The minor characters of the roadhouse owner, who has only a few lines of dialogue, and his wife, who serves a tray of drinks and leaves silently, were added to the film and played by the gaffer, Frank Flanagan, and his wife, Agnes.
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Who's Afraid of Virginia Woolf? (Theatre) / int_11b01fc7	type	Happy Marriage Charade
Who's Afraid of Virginia Woolf? (Theatre) / int_11b01fc7	comment	Happy Marriage Charade: Jury's still out on which of the two couples has the shakier marriage. However, while George and Martha may be unable to communicate using anything other than insults and verbal abuse, they make no pretense to having a happy marriage (and yet are probably too dependent on each other emotionally to seriously consider divorcing); it is Nick and Honey who have the happy marriage charade, Nick having married Honey mostly for her father's money (her pregnancy was a convenient excuse) and Honey faked being pregnant (having taken birth control pills secretly).
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Who's Afraid of Virginia Woolf? (Theatre) / int_1392fbe7	type	Drunk Driver
Who's Afraid of Virginia Woolf? (Theatre) / int_1392fbe7	comment	Drunk Driver: In the film adaptation. First Georgenote Given Richard Burton's history with alcohol, that's a hell of a Reality Subtext. and later Martha, who nearly ends up parking the car inside their house.
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Who's Afraid of Virginia Woolf? (Theatre) / int_1777688d	type	Genre Savvy
Who's Afraid of Virginia Woolf? (Theatre) / int_1777688d	comment	Genre Savvy: George and Martha, but George especially, and he weaponizes it. See Parlor Games below.
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Who's Afraid of Virginia Woolf? (Theatre) / int_18d15922	type	Title Drop
Who's Afraid of Virginia Woolf? (Theatre) / int_18d15922	comment	Title Drop: During a round of drunken singing (to the tune of "Who's afraid of the big bad wolf?"). Somewhat invoked at other parts, particularly at the end. In the film version, due to legal conflict with Disney, the song is sung to the tune of "Here We Go 'Round the Mulberry Bush."
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Who's Afraid of Virginia Woolf? (Theatre) / int_19da8a03	type	Incurable Cough of Death
Who's Afraid of Virginia Woolf? (Theatre) / int_19da8a03	comment	Incurable Cough of Death: An Averted Trope. Characters in the film adaptation frequently cough, but it doesn't portend anything.
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Who's Afraid of Virginia Woolf? (Theatre) / int_1bcfe069	type	Absurdism
Who's Afraid of Virginia Woolf? (Theatre) / int_1bcfe069	comment	Absurdism: A notable American entry in the Theatre of the Absurd. At first the characters come off as odd, but grounded enough. But as things unfold, they act more and more mad, and the story and their history just gets stranger.
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Who's Afraid of Virginia Woolf? (Theatre) / int_222dc873	type	Black Comedy
Who's Afraid of Virginia Woolf? (Theatre) / int_222dc873	comment	Black Comedy: The whole film/play, really.
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Who's Afraid of Virginia Woolf? (Theatre) / int_237404cc	type	Ironic Echo
Who's Afraid of Virginia Woolf? (Theatre) / int_237404cc	comment	Ironic Echo: "I am, George. I am."
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Who's Afraid of Virginia Woolf? (Theatre) / int_23f1384a	type	Babies Make Everything Better
Who's Afraid of Virginia Woolf? (Theatre) / int_23f1384a	comment	Babies Make Everything Better: Honey loses her fear of getting pregnant, and during Martha's soliloquy about her (fake) son, she states firmly she wants to get pregnant and have a baby with Nick after all. However, she's drunk as a skunk, so God knows if this actually sticks after she has time to sober up and clear her head.
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Who's Afraid of Virginia Woolf? (Theatre) / int_24321e44	type	Only Sane Man
Who's Afraid of Virginia Woolf? (Theatre) / int_24321e44	comment	Only Sane Man: Though he's got his own issues, Nick is at least able to act like a normal human being. George and Martha don't even bother with it, while Honey quickly descends into drunken, loony behavior.
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Who's Afraid of Virginia Woolf? (Theatre) / int_24cf8a0e	type	Speech-Centric Work
Who's Afraid of Virginia Woolf? (Theatre) / int_24cf8a0e	comment	Speech-Centric Work: It's a very talky play overall, which makes the moments with less dialogue stand out even more.
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Who's Afraid of Virginia Woolf? (Theatre) / int_25c7b33a	type	Cruel to Be Kind
Who's Afraid of Virginia Woolf? (Theatre) / int_25c7b33a	comment	Cruel to Be Kind: George killing off his and Martha's fictional son all but breaks her, but there's the implication that removing this delusion will help their abysmal marriage. Of course, George was still very much trying to hurt Martha through this, even if he ultimately thought it was for their own good.
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Who's Afraid of Virginia Woolf? (Theatre) / int_2764d432	type	Bitch in Sheep's Clothing
Who's Afraid of Virginia Woolf? (Theatre) / int_2764d432	comment	Bitch in Sheep's Clothing: The start of the show makes George look much more preferable to compared to Martha. But once he learns of her inviting guests, his claws start to come out. When first introduced, Nick and Honey look to be a much more normal and healthy couple in comparison with George and Martha. But as the show goes on it becomes clear they're both very flawed people in their own right.
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Who's Afraid of Virginia Woolf? (Theatre) / int_2b80abf4	type	Trivial Title
Who's Afraid of Virginia Woolf? (Theatre) / int_2b80abf4	comment	Trivial Title: Named after an Orphaned Punchline in the play.
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Who's Afraid of Virginia Woolf? (Theatre) / int_2c628d38	type	Worf Had the Flu
Who's Afraid of Virginia Woolf? (Theatre) / int_2c628d38	comment	Worf Had the Flu: The very beginning of the show tricks the audience into thinking George is some kind of Henpecked Husband. Later on, after he's made it clear just how utterly ferocious he can be, he tells Martha that he's managed to drown her out and accept her behavior, but her actions through the night brought out the fight in him, thus explaining the contrast between his attitude at the very beginning with the rest of the play.
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Who's Afraid of Virginia Woolf? (Theatre) / int_304f9e0b	type	Flowery Insults
Who's Afraid of Virginia Woolf? (Theatre) / int_304f9e0b	comment	Flowery Insults: George and Martha throw these at each other non-stop, particularly George, e.g.
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Who's Afraid of Virginia Woolf? (Theatre) / int_30c40e9a	type	Deconstructor Fleet
Who's Afraid of Virginia Woolf? (Theatre) / int_30c40e9a	comment	Deconstructor Fleet: The play takes a hatchet to the idea of the perfect American family in a way that was arguably completely unprecedented at the time. It also fits in the canon of deconstructions of The American Dream, along with other plays like Death of a Salesman.
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Who's Afraid of Virginia Woolf? (Theatre) / int_3b113b7	type	Character Development
Who's Afraid of Virginia Woolf? (Theatre) / int_3b113b7	comment	Character Development: Honey, along with Hidden Depths. She figures out long before Nick that George and Martha's son is imaginary, and goes from being frightened of pregnancy and motherhood to insisting, "I want a baby. I want a child."
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Who's Afraid of Virginia Woolf? (Theatre) / int_3d699462	type	Curb-Stomp Battle
Who's Afraid of Virginia Woolf? (Theatre) / int_3d699462	comment	Curb-Stomp Battle: Nick and Honey are easily dominated in George and Martha's battle of wits. Nick tries putting up a fight while Honey seems to realize right away she's better off trying to keep peace. Eventually, Nick also seems to figure there's not much point in continuing to bicker with two people who have been verbally whipping him for hours on end.
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Who's Afraid of Virginia Woolf? (Theatre) / int_3eb0f889	type	Pun-Based Title
Who's Afraid of Virginia Woolf? (Theatre) / int_3eb0f889	comment	Pun-Based Title: An obvious play on "Who's Afraid of the Big Bad Wolf?" (which naturally makes it a Questioning Title? as well). Albee decided to substitute "Virginia Woolf" for "Big Bad Wolf" for fear of possible copyright infringement. (He'd also seen it as a graffito on a bathroom mirror and found it amusing.) It also adds to the concept of absurdism throughout the play.
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Who's Afraid of Virginia Woolf? (Theatre) / int_3f89452c	type	Sad Clown
Who's Afraid of Virginia Woolf? (Theatre) / int_3f89452c	comment	Sad Clown: All four characters hide their miserableness through humor to an extent, but Honey fits this best. The most explicitly comic of them all, she's also the most in denial of her unhappiness.
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Who's Afraid of Virginia Woolf? (Theatre) / int_40bb59d0	type	Blatant Lies
Who's Afraid of Virginia Woolf? (Theatre) / int_40bb59d0	comment	Blatant Lies: The film's tagline, "You are cordially invited to George and Martha's for an evening of fun and games". The exact opposite comes out of it.
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Who's Afraid of Virginia Woolf? (Theatre) / int_40cc0c7e	type	Bittersweet Ending
Who's Afraid of Virginia Woolf? (Theatre) / int_40cc0c7e	comment	Bittersweet Ending: George destroys the fictional son that he and Martha invented, but this may be just the thing for the couple to move forward with no illusions to cling to. Nick and Honey resolve their marital issues, and bond with George and Martha just before leaving.
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Who's Afraid of Virginia Woolf? (Theatre) / int_4192763e	type	Malaproper
Who's Afraid of Virginia Woolf? (Theatre) / int_4192763e	comment	Malaproper: One of George's embarrassing moments is when he ordered "bergin" (burgundy) as a drink during a dinner party (where he was trying to impress Martha and her parents.)
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Who's Afraid of Virginia Woolf? (Theatre) / int_4d0fea06	type	Lonely Together
Who's Afraid of Virginia Woolf? (Theatre) / int_4d0fea06	comment	Lonely Together: Basically the whole plot: miserable couple invites younger couple over for "an evening of fun and games" that mostly involves inflicting their miseries on each other. As the play progresses, we see that the younger couple was, in a quieter way, already miserable as well.
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Who's Afraid of Virginia Woolf? (Theatre) / int_4e7c4536	type	Wham Line
Who's Afraid of Virginia Woolf? (Theatre) / int_4e7c4536	comment	Wham Line: When Nick and George drink from a bottle of bourbon and hang out by the rope swing and share secrets, George has this to say about Martha regarding the topic of "hysterical pregnancies":
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Who's Afraid of Virginia Woolf? (Theatre) / int_549a92e7	type	Minimalism
Who's Afraid of Virginia Woolf? (Theatre) / int_549a92e7	comment	Minimalism: The play has one location, four characters and is in Real Time. The movie added a few outside locations and two bit parts.
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Who's Afraid of Virginia Woolf? (Theatre) / int_550754dc	type	Improbable Infant Survival
Who's Afraid of Virginia Woolf? (Theatre) / int_550754dc	comment	Improbable Infant Survival: Double subverted. Played with in that Martha is affected by the Broken Masquerade as much as if it would've actually happened.
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Who's Afraid of Virginia Woolf? (Theatre) / int_590eb583	type	Domestic Abuse
Who's Afraid of Virginia Woolf? (Theatre) / int_590eb583	comment	Domestic Abuse: Take a guess. Both George and Martha can't help making their spouse suffer. When Martha starts pushing George too far he actually physically attacks her.
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Who's Afraid of Virginia Woolf? (Theatre) / int_5941d75	type	Beta Couple
Who's Afraid of Virginia Woolf? (Theatre) / int_5941d75	comment	Beta Couple: Majorly deconstructed with Nick and Honey.
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Who's Afraid of Virginia Woolf? (Theatre) / int_5a365ed2	type	Incompatible Orientation
Who's Afraid of Virginia Woolf? (Theatre) / int_5a365ed2	comment	Incompatible Orientation: George and Martha possibly married despite it. She explicitly notes that she loves him, but her attempts to get physical are shut down, and while clearly quite strong, his exact feelings for her are more vague. It's also easy to read George as coming on to Nick at a few points but neglecting to go further when the latter doesn't seem to be playing along.
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Who's Afraid of Virginia Woolf? (Theatre) / int_5ce7dbb9	type	Central Theme
Who's Afraid of Virginia Woolf? (Theatre) / int_5ce7dbb9	comment	Central Theme: The lies couples tell each other to cope (illusions), and the painful necessity to have truth.
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Who's Afraid of Virginia Woolf? (Theatre) / int_60e5e6a9	type	Fake Weakness
Who's Afraid of Virginia Woolf? (Theatre) / int_60e5e6a9	comment	Fake Weakness: George. He seems wimpy and over-matched compared to his loud, shrewish wife, but he proves that she's no match for him, let alone Nick and Honey, whom he dominates almost effortlessly; Martha amusedly calls it "pygmy hunting."
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Who's Afraid of Virginia Woolf? (Theatre) / int_66755d29	type	Author Avatar
Who's Afraid of Virginia Woolf? (Theatre) / int_66755d29	comment	Author Avatar. According to the Word of God, George is more or less based on Edward Albee's life.
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Who's Afraid of Virginia Woolf? (Theatre) / int_6891554e	type	Parlor Games
Who's Afraid of Virginia Woolf? (Theatre) / int_6891554e	comment	Parlor Games: Used metaphorically by George to express how awful the night has been going.
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Who's Afraid of Virginia Woolf? (Theatre) / int_68a171b6	type	Sadist Show
Who's Afraid of Virginia Woolf? (Theatre) / int_68a171b6	comment	Sadist Show: The characters spend most of the play being absolutely vicious to one another, which is ultimately revealed to be a result of their underlying miseries and insecurities... which, in turn, mostly stem from how much their lives suck. This ultimately ties in with the play's central theme: on paper, these characters look like people who have achieved the American Dream, but every signifier of status proves ultimately empty and meaningless, and despite their positions in society, most of the characters' ambitions are unfulfilled.
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Who's Afraid of Virginia Woolf? (Theatre) / int_6b2b3b59	type	The Reveal
Who's Afraid of Virginia Woolf? (Theatre) / int_6b2b3b59	comment	The Reveal: It's not explicitly stated until near the end of the play that George and Martha made up the existence of their son, though there are hints dropped to this extent as early as the first act. It may arguably qualify as an Internal Reveal when Nick figures it out, as Honey gives hints of having figured it out much earlier.
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Who's Afraid of Virginia Woolf? (Theatre) / int_6e37c196	type	Once Done, Never Forgotten
Who's Afraid of Virginia Woolf? (Theatre) / int_6e37c196	comment	Once Done, Never Forgotten: Martha will never let George forget he ordered "bergin and water" (he meant bourbon). It leads a pissed George to perform a Cat Scare with a shotgun-umbrella.
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Who's Afraid of Virginia Woolf? (Theatre) / int_72852a93	type	Henpecked Husband
Who's Afraid of Virginia Woolf? (Theatre) / int_72852a93	comment	Henpecked Husband: At first George appears to be this in relation to Martha. Events show that while Martha can be vicious, George is lethal.
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Who's Afraid of Virginia Woolf? (Theatre) / int_72856b70	type	Godzilla Threshold
Who's Afraid of Virginia Woolf? (Theatre) / int_72856b70	comment	Godzilla Threshold: Martha broke the most solemn rule — never speak of their son to others. This allows George to do a verbal No Holds Beatdown of her, and gave him permission to kill their fictional son.
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Who's Afraid of Virginia Woolf? (Theatre) / int_780a078e	type	Self-Made Orphan
Who's Afraid of Virginia Woolf? (Theatre) / int_780a078e	comment	Self-Made Orphan: George, though not intentionally. Thanks to Unreliable Narrator, he is probably lying since his fictional son is killed in the same way.
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Who's Afraid of Virginia Woolf? (Theatre) / int_7b6e47a5	type	Armor-Piercing Question
Who's Afraid of Virginia Woolf? (Theatre) / int_7b6e47a5	comment	Armor-Piercing Question: Nick and Honey tells George they really ought to go home, causing George to snap, "For what? You keeping the babysitter up or something?"note Another example of Flaw Exploitation from George.
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Who's Afraid of Virginia Woolf? (Theatre) / int_7eebe99c	type	The Alcoholic
Who's Afraid of Virginia Woolf? (Theatre) / int_7eebe99c	comment	The Alcoholic: Everyone. The play starts after a dinner party where all of the characters have presumably been drinking, and they all keep drinking for 10 hours.
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Who's Afraid of Virginia Woolf? (Theatre) / int_8387bb18	type	Good Girls Avoid Abortion
Who's Afraid of Virginia Woolf? (Theatre) / int_8387bb18	comment	Good Girls Avoid Abortion: Subverted. It is implied that the sweet, fragile Honey has given herself a series of chemical miscarriages (possibly resulting in her frail constitution) because she doesn't want to have children.
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Who's Afraid of Virginia Woolf? (Theatre) / int_853e45d1	type	Mistaken for Pregnant
Who's Afraid of Virginia Woolf? (Theatre) / int_853e45d1	comment	Mistaken for Pregnant: Honey, charitably interpreted.
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Who's Afraid of Virginia Woolf? (Theatre) / int_8b3fe1cb	type	Flaw Exploitation
Who's Afraid of Virginia Woolf? (Theatre) / int_8b3fe1cb	comment	Flaw Exploitation: Hoo boy. George and Martha practice on each other so much that Nick and Honey don't stand a chance when they turn their barbs towards them.
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Who's Afraid of Virginia Woolf? (Theatre) / int_8e3b5b4d	type	Minimalist Cast
Who's Afraid of Virginia Woolf? (Theatre) / int_8e3b5b4d	comment	The last names of George, Martha and Nick are not given. And Nick's first name is never spoken on stage (though obviously it's in the program and can be deduced by whittling down the Minimalist Cast).
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Who's Afraid of Virginia Woolf? (Theatre) / int_93b92ca4	type	Lousy Lovers Are Losers
Who's Afraid of Virginia Woolf? (Theatre) / int_93b92ca4	comment	Lousy Lovers Are Losers: Martha throws this accusation at her husband George during one of her many, many The Reason You Suck Speeches to him, calling him a "big, fat FLOP." She later does the same to Nick when he has trouble performing in bed while drunk.
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Who's Afraid of Virginia Woolf? (Theatre) / int_96a33f11	type	Riddle for the Ages
Who's Afraid of Virginia Woolf? (Theatre) / int_96a33f11	comment	Riddle for the Ages: What was Nick going to say to George before he left?
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Who's Afraid of Virginia Woolf? (Theatre) / int_96e5792c	type	Moral Guardians
Who's Afraid of Virginia Woolf? (Theatre) / int_96e5792c	comment	Moral Guardians: The film version helped weaken film censorship after MPAA president Jack Valenti ordered minimal dialogue cuts to the already-profane script.
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Who's Afraid of Virginia Woolf? (Theatre) / int_97926168	type	Rewatch Bonus
Who's Afraid of Virginia Woolf? (Theatre) / int_97926168	comment	Rewatch Bonus: The film gets better the more the viewer knows about both couple's secrets in advance.
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Who's Afraid of Virginia Woolf? (Theatre) / int_97980a6e	type	First Law of Tragicomedies
Who's Afraid of Virginia Woolf? (Theatre) / int_97980a6e	comment	First Law of Tragicomedies: Averted, since the humor is biting and sarcastic. There are several hilariously sick burns even in the more tense moments, not to mention the nervous laughter the tension can jar from you.
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Who's Afraid of Virginia Woolf? (Theatre) / int_9858c391	type	Chick Magnet
Who's Afraid of Virginia Woolf? (Theatre) / int_9858c391	comment	Chick Magnet: Nick is two for two with the only women featured in this play, already being married to Honey and catching Martha's eye, which then leads to them getting more intimate. Going further than that, Nick also seems to be three for three with the whole cast, as George also gets flirtatious with him and and notes what a fine specimen he is.
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Who's Afraid of Virginia Woolf? (Theatre) / int_9c550e26	type	Word Salad Title
Who's Afraid of Virginia Woolf? (Theatre) / int_9c550e26	comment	Word Salad Title: The play (and the film) is not a biography on Virginia Woolf. Virginia Woolf doesn't appear in the play, except by name, nor is there a character coincidentally named Virginia Woolf. For that matter, the play is not about a support group for people with an irrational fear of the early 20th century feminist and modernist writer. See Pun-Based Title for the actual reason.
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Who's Afraid of Virginia Woolf? (Theatre) / int_9d12bbc1	type	Foreshadowing
Who's Afraid of Virginia Woolf? (Theatre) / int_9d12bbc1	comment	Foreshadowing: When Honey tells George she didn't know he had a son and his birthday was tomorrow, George reacts in shock, asking "She told you about him?" then glares upstairs and mutters, "OK, Martha, OK... Damn destructive." George drops plenty of hints to Nick that their child doesn't exist but he's too drunk to notice.
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Who's Afraid of Virginia Woolf? (Theatre) / int_a2036225	type	The Gloves Come Off
Who's Afraid of Virginia Woolf? (Theatre) / int_a2036225	comment	The Gloves Come Off: At the midpoint, George and Martha take their bickering to all-new levels.
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Who's Afraid of Virginia Woolf? (Theatre) / int_a3fe170	type	Mediation Backfire
Who's Afraid of Virginia Woolf? (Theatre) / int_a3fe170	comment	Mediation Backfire: There are hints that George and Martha deliberately invoke this trope in order to have something to bond over (i.e., abusing others instead of one another).
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Who's Afraid of Virginia Woolf? (Theatre) / int_a5adbbe7	type	Unreliable Expositor
Who's Afraid of Virginia Woolf? (Theatre) / int_a5adbbe7	comment	Unreliable Expositor/Unreliable Narrator: In-universe. Almost everything George and Martha say to the guests is at best a distortion of the truth, if not an outright lie. A little later:
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Who's Afraid of Virginia Woolf? (Theatre) / int_a7382a73	type	Imagine Spot
Who's Afraid of Virginia Woolf? (Theatre) / int_a7382a73	comment	Imagine Spot: The idea of George and Martha's child exists as nothing more than a means to put up the illusion of them being a happy couple, which the both of them prove that, of course, they are decidedly not.
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Who's Afraid of Virginia Woolf? (Theatre) / int_a7aef9ff	type	Obfuscating Stupidity
Who's Afraid of Virginia Woolf? (Theatre) / int_a7aef9ff	comment	Obfuscating Stupidity: Honey. She initially seems like a ditz, but she's far more conniving than Nick, and figures out George and Martha's secret long before her husband.
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Who's Afraid of Virginia Woolf? (Theatre) / int_ad1ab367	type	The Masochism Tango
Who's Afraid of Virginia Woolf? (Theatre) / int_ad1ab367	comment	The Masochism Tango: George and Martha are arguably the Trope Codifiers in modern pop culture. Nick and Honey's marriage looks happier on the surface, but as we ultimately see, they're not that different.
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Who's Afraid of Virginia Woolf? (Theatre) / int_ad3e13c5	type	The Loins Sleep Tonight
Who's Afraid of Virginia Woolf? (Theatre) / int_ad3e13c5	comment	The Loins Sleep Tonight: After drinking for "ten hours," Nick turns out to be "a flop."
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Who's Afraid of Virginia Woolf? (Theatre) / int_ae3d6438	type	Deadpan Snarker
Who's Afraid of Virginia Woolf? (Theatre) / int_ae3d6438	comment	Deadpan Snarker: George, frequently.
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Who's Afraid of Virginia Woolf? (Theatre) / int_b21ddb6b	type	Content Warnings
Who's Afraid of Virginia Woolf? (Theatre) / int_b21ddb6b	comment	Content Warnings: An example that predates the American film rating system. The poster's Tag Line ("You are cordially invited to George and Martha's for an evening of fun and games") was followed by this footnote: "Important Exception: No one under 18 will be admitted unless accompanied by his parent." According to IMDb, the film has a rating equivalent to PG-13 or R in most countries.
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Who's Afraid of Virginia Woolf? (Theatre) / int_b352e864	type	Sexless Marriage
Who's Afraid of Virginia Woolf? (Theatre) / int_b352e864	comment	Sexless Marriage: George is averse to kissing Martha, with her having to force one on him. And while The Reveal that they couldn't have children could be due to biological reasons, this along with George's possible homosexuality hints that he just couldn't bring himself to sleep with Martha, or at least not enough to ever conceive.
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Who's Afraid of Virginia Woolf? (Theatre) / int_b532f68b	type	Everybody Has Lots of Sex
Who's Afraid of Virginia Woolf? (Theatre) / int_b532f68b	comment	Everybody Has Lots of Sex: According to George and Martha, â€œmusical bedsâ€� is a popular pastime among the campus faculty. Unreliable Expositor may apply here, however. Itâ€™s implied that Martha and Nick attempt to sleep together, but itâ€™s also implied that he couldnâ€™t perform because he was too intoxicated.
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Who's Afraid of Virginia Woolf? (Theatre) / int_b5e63cc4	type	Shadow Archetype
Who's Afraid of Virginia Woolf? (Theatre) / int_b5e63cc4	comment	Shadow Archetype: George and Martha put on vivid display the conflicts that Honey and Nick try to keep submerged.
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Who's Afraid of Virginia Woolf? (Theatre) / int_b707726f	type	Hypocritical Humor
Who's Afraid of Virginia Woolf? (Theatre) / int_b707726f	comment	Hypocritical Humor: When George and Martha try to find out where the "What a dump" line comes from, George suggests Chicago. Martha responds: "Don't you know anything? Chicago was a '30s musical starring little Miss Alice Faye. Don't you know anything?" The film she's talking about is actually called In Old Chicago.
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Who's Afraid of Virginia Woolf? (Theatre) / int_bc00493f	type	Precision F-Strike
Who's Afraid of Virginia Woolf? (Theatre) / int_bc00493f	comment	Precision F-Strike: In the revival starring Bill Irwin and Kathleen Turner, Martha screams, "FUCK YOU!" at George instead of "Goddamn you!" (The line in the original play was "Screw you!"—which still got censored in the film adaptation.)
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Who's Afraid of Virginia Woolf? (Theatre) / int_bd0230fb	type	Ambiguously Bi
Who's Afraid of Virginia Woolf? (Theatre) / int_bd0230fb	comment	Goes hand in hand with Ambiguously Bi, since he also refers to Honey as sexy and calls her "angel-tits" once.
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Who's Afraid of Virginia Woolf? (Theatre) / int_bda2a088	type	Did They or Didn't They?
Who's Afraid of Virginia Woolf? (Theatre) / int_bda2a088	comment	Did They or Didn't They?: Martha seems to be disappointed when she comes back down from the bedroom. The conversation she has with George later implies that Nick was ultimately unable to "perform".
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Who's Afraid of Virginia Woolf? (Theatre) / int_bef696dd	type	Mind Screw
Who's Afraid of Virginia Woolf? (Theatre) / int_bef696dd	comment	Mind Screw: How on Earth did two whack-jobs ever produce a son who is the embodiment of perfection? He didn't exist. He was totally fake, a story made-up for Martha and George so that they could feel like they had something. Lucky for him. The whole play qualifies to some extent, given how thoroughly it uses Unreliable Expositor. Itâ€™s considered a central work of the Theatre of the Absurd for a reason, after all.
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Who's Afraid of Virginia Woolf? (Theatre) / int_c2cedc1c	type	Big "NO!"
Who's Afraid of Virginia Woolf? (Theatre) / int_c2cedc1c	comment	Big "NO!":
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Who's Afraid of Virginia Woolf? (Theatre) / int_c75df49a	type	Shout-Out
Who's Afraid of Virginia Woolf? (Theatre) / int_c75df49a	comment	Shout-Out: "Flores! Flores por los muertos! Flores!" is one to A Streetcar Named Desire. Martha quotes a line ("What a dump!") from the Bette Davis movie Beyond the Forest (but she can't remember the title) which is mainly remembered for this reference. Made funnier by the fact that the in the initial casting for the film, Bette Davis herself was slated to play Martha. George thinks she's referencing the original non-musical version of Chicago. Plus the obvious reference to Virginia Woolf in the title. The names George and Martha are a reference to George and Martha Washington, the father and mother of the country. This pair of names is used in other places, including a children's book series about a pair of hippos, and the comic strip series Little Lulu, where George and Martha are the names of the parents of the protagonist.
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Who's Afraid of Virginia Woolf? (Theatre) / int_ca87e3ec	type	No Name Given
Who's Afraid of Virginia Woolf? (Theatre) / int_ca87e3ec	comment	No Name Given: "Honey" is just Nick's pet name for his wife, she's never given an actual name in-story. George refers to her as "Missy" at one point in the film version, but this is probably just a nickname as well. The last names of George, Martha and Nick are not given. And Nick's first name is never spoken on stage (though obviously it's in the program and can be deduced by whittling down the Minimalist Cast). George and Martha's son is never referred to by name either. This is probably the biggest clue that he doesn't actually exist.
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Who's Afraid of Virginia Woolf? (Theatre) / int_d028ca10	type	Deliberately Monochrome
Who's Afraid of Virginia Woolf? (Theatre) / int_d028ca10	comment	Deliberately Monochrome: The film. Not only does it serve to create a stark Chiaroscuro setting, but it also allows Martha to talk about having green eyes when Elizabeth Taylor has famously purple eyes.
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Who's Afraid of Virginia Woolf? (Theatre) / int_d0c13631	type	Mrs. Robinson
Who's Afraid of Virginia Woolf? (Theatre) / int_d0c13631	comment	Mrs. Robinson: After a few verbal and physical spats with her husband George, a drunken Martha blatantly flirts with the married young professor Nick, asks him about his physique, dances rather suggestively with him in front of George and Honey, and then later attempts to sleep with him. Unfortunately for her, it fails because he is too intoxicated to perform sexually and she mocks him for it.
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Who's Afraid of Virginia Woolf? (Theatre) / int_d129e13e	type	"Eureka!" Moment
Who's Afraid of Virginia Woolf? (Theatre) / int_d129e13e	comment	"Eureka!" Moment: Nick finally understands what Honey figured out earlier, bordering on Madness Mantra.
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Who's Afraid of Virginia Woolf? (Theatre) / int_d1affec1	type	That Came Out Wrong
Who's Afraid of Virginia Woolf? (Theatre) / int_d1affec1	comment	That Came Out Wrong: Nick and George talking about the campus pastime of "musical beds". Miraculously, given the conversation preceding it and the drunkenness of the participants, it doesn't come across as quite so hilariously offensive.
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Who's Afraid of Virginia Woolf? (Theatre) / int_d7a17494	type	Coupled Couples
Who's Afraid of Virginia Woolf? (Theatre) / int_d7a17494	comment	Coupled Couples: George and Martha, and Nick and Honey.
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Who's Afraid of Virginia Woolf? (Theatre) / int_d848560f	type	Unusual Euphemism
Who's Afraid of Virginia Woolf? (Theatre) / int_d848560f	comment	Unusual Euphemism: Parodied when Honey asks coyly about using the bathroom;
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Who's Afraid of Virginia Woolf? (Theatre) / int_da264b9c	type	Word-Salad Horror
Who's Afraid of Virginia Woolf? (Theatre) / int_da264b9c	comment	Word-Salad Horror: George likes to confuse and irritate Nick and Honey with obscure references, odd phrasing, and non-sequiturs that sometimes border on gibberish, e.g.
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Who's Afraid of Virginia Woolf? (Theatre) / int_da9131af	type	The Baby Trap
Who's Afraid of Virginia Woolf? (Theatre) / int_da9131af	comment	The Baby Trap: How Honey got Nick to marry her. It was a Fake Pregnancy, however. This is eventually defied by the end of the play, as what transpires between both couples gives her the idea to actually have a child with Nick.
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Who's Afraid of Virginia Woolf? (Theatre) / int_dda12cb3	type	Cat Scare
Who's Afraid of Virginia Woolf? (Theatre) / int_dda12cb3	comment	Cat Scare: George's umbrella.
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Who's Afraid of Virginia Woolf? (Theatre) / int_deecc9eb	type	Awful Wedded Life
Who's Afraid of Virginia Woolf? (Theatre) / int_deecc9eb	comment	Awful Wedded Life: A particularly dark example. Though George and Martha do share a strong bond, they also can't stand each other and live a lonely, miserable life. Nick and Honey are a more subtle example. While they don't actually abuse each other like George and Martha, they're an awkward pair, having seemingly no spark, and they only got married because Nick was essentially trapped into it.
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Who's Afraid of Virginia Woolf? (Theatre) / int_e16cd24e	type	Know When to Fold 'Em
Who's Afraid of Virginia Woolf? (Theatre) / int_e16cd24e	comment	Know When to Fold 'Em: Nick tries standing up for himself and putting up a fight, but he eventually realizes he can't keep up with their craziness.
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Who's Afraid of Virginia Woolf? (Theatre) / int_e1cee453	type	Hot Guy, Ugly Wife
Who's Afraid of Virginia Woolf? (Theatre) / int_e1cee453	comment	Hot Guy, Ugly Wife: Nick is repeatedly noted as being quite good looking while Honey is first described as "a mousey little type, without any hips, or anything".
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Who's Afraid of Virginia Woolf? (Theatre) / int_e34400ab	type	Ambiguously Gay
Who's Afraid of Virginia Woolf? (Theatre) / int_e34400ab	comment	Ambiguously Gay: George. It would explain why he wasn't able to have a child with Martha: he married her to get ahead in the university, but was unable to bring himself to have sex with her - even though they were good friends. It also would explain why he never got promoted, as Martha's father possibly became disillusioned with George's ability to give him a grandson and he knew George was gay. It also explains the Ho Yay between Nick and himself, if one-sided. Albee himself (who the part is also based on) was gay. Goes hand in hand with Ambiguously Bi, since he also refers to Honey as sexy and calls her "angel-tits" once.
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Who's Afraid of Virginia Woolf? (Theatre) / int_e54362ef	type	Hunk
Who's Afraid of Virginia Woolf? (Theatre) / int_e54362ef	comment	Hunk: Nick's handsome, well built appearance is frequently noted.
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Who's Afraid of Virginia Woolf? (Theatre) / int_e563bf09	type	Insistent Terminology
Who's Afraid of Virginia Woolf? (Theatre) / int_e563bf09	comment	Insistent Terminology: Nick, are you a houseboy or a stud?
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Who's Afraid of Virginia Woolf? (Theatre) / int_e6f2f710	type	But Liquor Is Quicker
Who's Afraid of Virginia Woolf? (Theatre) / int_e6f2f710	comment	But Liquor Is Quicker: Although it turns out Nick doesn't need a great deal of encouragement.
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Who's Afraid of Virginia Woolf? (Theatre) / int_e9db9908	type	Younger Than They Look
Who's Afraid of Virginia Woolf? (Theatre) / int_e9db9908	comment	Younger Than They Look: George is in his forties, but believes he looks more like he's in his fifties. Of course given he says this to Nick, and the amount of times that he tries baiting him into responses he can mock, maybe he doesn't think that. For his part, Nick neither agrees nor disagrees, just distractedly saying George looks fine.
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Who's Afraid of Virginia Woolf? (Theatre) / int_ea2e9f2d	type	No Ending
Who's Afraid of Virginia Woolf? (Theatre) / int_ea2e9f2d	comment	No Ending: Dawn breaks, Nick learns something about his marriage and George and Martha's, and leaves. This is also one of the rare modern films with no end credits, just a placard saying "EXIT MUSIC" as a mandolin plays.
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Who's Afraid of Virginia Woolf? (Theatre) / int_eb8ec7c8	type	Jerkass
Who's Afraid of Virginia Woolf? (Theatre) / int_eb8ec7c8	comment	Jerkass: Martha is loud, vulgar, rude, judgmental, adulterous, and all too happy to start drama. George is able to hide his mean spirited tendencies more than Martha, but he's all too happy to verbally assault all the other characters.
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Who's Afraid of Virginia Woolf? (Theatre) / int_f013bd87	type	Pick on Someone Your Own Size
Who's Afraid of Virginia Woolf? (Theatre) / int_f013bd87	comment	Pick on Someone Your Own Size: Martha's initial reaction to George turning on Nick is to accuse him of "pygmy hunting." It turns out to be a Be Careful What You Wish For, since George turns on her.
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Who's Afraid of Virginia Woolf? (Theatre) / int_f506d08c	type	Broken Masquerade
Who's Afraid of Virginia Woolf? (Theatre) / int_f506d08c	comment	Broken Masquerade: George's verbal takedown of Martha results in this.
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Who's Afraid of Virginia Woolf? (Theatre) / int_fccd06b6	type	Beware the Nice Ones
Who's Afraid of Virginia Woolf? (Theatre) / int_fccd06b6	comment	Beware the Nice Ones: George may seem more weak-willed than Martha, but he's the most vicious of the two, and when The Gloves Come Off, he undresses Nick, Honey and Martha devastatingly.
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Who's Afraid of Virginia Woolf? (Theatre) / int_fdb3b2b5	type	Lady Drunk
Who's Afraid of Virginia Woolf? (Theatre) / int_fdb3b2b5	comment	Lady Drunk: Martha. Heavily implied to be Honey's future.
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Who's Afraid of Virginia Woolf? (Theatre) / int_ff7f34c5	type	Pet the Dog
Who's Afraid of Virginia Woolf? (Theatre) / int_ff7f34c5	comment	Pet the Dog: At the end, after all secrets have been revealed, Nick and Honey sympathize with George and Martha, and vice versa. Nick appears to ask or say something conciliatory to George, but George gently escorts them both out.
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The following is a list of statements referring to the current page from other pages.

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