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Song of the Miraculous Hind (Animation)
- 75 statements
- 13 feature instances
- 2 referencing feature instances
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Ének a Csodaszarvasról (Song of the Miraculous Hind) is a semi-educational 2002 mythological animated movie from Hungary, directed by Marcell Jankovics and released by the Pannonia Film Studio. It chronicles the ancient Hungarian history and myths via abstract animation that switches between dreamlike and more realistic. The stories are told through a combination of pure visuals, numerous narrators, spoken dialogue and period-appropriate songs, composed by Levente Szörényi.The film is split into four main episodes or songs, each inspired by imagery found on an ancient vase from the Treasure of Nagyszentmiklós: �shaza (Land of Origin): Siberian Creation Myth about the genesis of the first humans, animals and plants, the mythological significance of deer, and origin of the Finno-Ugric peoples. Hunor és Magyar (Hunor and Magyar): The legend of the Miraculous Hind, a mythological telling of how Hungarians came to Europe. Mindig tovább (On and On): Compressed retelling of various myths and historical events related to the Hungarians' conquest of the Carpathian Basin. Pannónia: Hungarians cease their conquest and settle into Europe, taking up Christianity.Like many other Jankovics films, Song of the Miraculous Hind mainly focuses on mythology and an overwhelming barrage of symbolic and sublime imagery over a cohesive narrative or characters. Though shown in theaters, the movie was also made as a teaching tool for Hungarian schools, with no intent to reach a foreign market.The film, though not a failure, was also met with controversy and disinterest, and is Jankovics's most overlooked feature. Critics praised the bold and experimental visuals but were unimpressed by the animation quality and the lack of a plot. Much criticism targeted the way the film floods the senses with a constant, fast flowing stream of information via incomprehensible ancient symbolism, song lyrics that are hard to make out, little differentiation between fact, fiction and disputed theories, and bonkers art design most only describe as psychedelic. Being a partially educational work with no attempt to entertain, many viewers found it unengaging, while the nudity, violence and allusions to sex were thought unsuitable for young schoolchildren. Some even accused the film of being propaganda, in part due to Jankovics's strong rightwing nationalist leanings and his political position at the time of its production.These days, the film is seen as an interesting and passionate art experiment by most and a Stoner Flick by some, though its handling of its subject matter remains a topic of debate. | |
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| Song of the Miraculous Hind (Animation) / int_1cc9f5e5 | type |
Playing with Fire | |
| Song of the Miraculous Hind (Animation) / int_1cc9f5e5 | comment |
Playing with Fire: Hunor, the solar-aligned brother of the second segment, turns his hand into a small jet of fire and burns the swan disguises of the seven princesses. | |
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Patriotic Fervor | |
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Patriotic Fervor: Some viewers brought this up as a possible critique, calling the film nationalist propaganda. For his part, Jankovics felt that his Hungarian audience should be more attuned to their pre-Christian heritage and he was open about being a hardcore nationalist, but making art was his main calling. | |
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| Song of the Miraculous Hind (Animation) / int_285f34c7 | type |
World of Symbolism | |
| Song of the Miraculous Hind (Animation) / int_285f34c7 | comment |
World of Symbolism: The entire film alternates between realistic historical scenes and dreamlike visualizations of legends, especially the early Creation Myth segment where each character and act represents an aspect of the world's origins. | |
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| Song of the Miraculous Hind (Animation) / int_4aa3c552 | type |
Animorphism | |
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Animorphism: A recurrent motif in all segments is the characters morphing into animals and vice-versa, always of symbolic importance. | |
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Meaningful Name | |
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Meaningful Name: The mother of brothers Hunor and Magyar is called Eneth, meaning 'hind'. | |
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| Song of the Miraculous Hind (Animation) / int_912b24c4 | type |
Art Shift | |
| Song of the Miraculous Hind (Animation) / int_912b24c4 | comment |
Art Shift: Each segment has a different art style, ranging from realistically drawn and shaded scenes of humans to nearly psychedelic, abstract art with wild colors depicting the realm of gods and spirits. | |
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Rule of Seven | |
| Song of the Miraculous Hind (Animation) / int_a6be3ad5 | comment |
Rule of Seven: In the first segment, the pair of skiing hunter brothers chase after a deer and hind couple, which have begotten seven hinds. The last scene of the first segment is seven blazon-like golden eagles perching atop a tree crown. In the second segment, Hunor and Magyar chase after seven hinds that metamorphose themselves into seven swans and fly away. When the swans land, they come out of their avian shapes and become human princesses. | |
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Solar and Lunar | |
| Song of the Miraculous Hind (Animation) / int_b168ca7b | comment |
Solar and Lunar: In the "Hunor and Magyar" segment, Hunor is associated with the Sun, while Magyar is linked to the moon. This is also indicated by the diadems they wear. | |
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Creation Myth | |
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Creation Myth: The first part of the movie alone presents some of them: The first scene tells a Siberian folk myth of how the gods created the world: a pair of shaman brothers each go their separate ways, one to the upper world (bringing deer and birds to mankind) and the other to the lower world, bringing fishes to the human world. | |
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Gone Swimming, Clothes Stolen | |
| Song of the Miraculous Hind (Animation) / int_eafe9e0e | comment |
Gone Swimming, Clothes Stolen: In the "Hunor and Magyar" segment, a group of seven princesses turn into seven swans and fly to a distant pond, where they take a bath after getting out of the swan forms. Hunor and Magyar spy on them and Hunor burns their swan garments. | |
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The Marvelous Deer | |
| Song of the Miraculous Hind (Animation) / int_ee0e6e70 | comment |
The Marvelous Deer: All over the place: in the creation myth segment, and in the "Hunor and Magyar". In the creation myth, it symbolizes the creatress of mankind according to one of the stories, while in the second part of the movie it is a symbol for the female characters: their mother metamorphoses into one during their delivery, and the princesses the brothers chase after are also represented by one. | |
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| Song of the Miraculous Hind (Animation) / int_fc6845d0 | type |
Virile Stallion | |
| Song of the Miraculous Hind (Animation) / int_fc6845d0 | comment |
Virile Stallion: At the start of the second segment, a maiden with a reindeer-shaped head ornament goes to fetch water in the river (Don?), when a man on a horse, who was grazing a horse herd through the river, spots her. The man on a horse is called "white horse", and he rides the horse across the river to meet the maiden. His courtship of her is also represented by an animated segment, wherein the man and his horse transform into each other and chase after the maiden, who becomes a hind. | |
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The following is a list of statements referring to the current page from other pages.
| Song of the Miraculous Hind (Animation) | hasFeature |
Hungarian Media / int_4cedc75e | |
| Song of the Miraculous Hind (Animation) | hasFeature |
The Marvelous Deer / int_4cedc75e |
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