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Detective Conan Film 07 Crossroad In The Ancient Capital

 Detective Conan Film 07 Crossroad In The Ancient Capital
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TVTItem
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Detective Conan Film 07 Crossroad In The Ancient Capital
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DetectiveConanFilm07CrossroadInTheAncientCapital
 Detective Conan Film 07 Crossroad In The Ancient Capital
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Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); }) Detective Conan: Crossroad in the Ancient Capital is the 7th Detective Conan Theatrical Film in the franchise. It was directed by Kenji Kodama, written by Kazunari Kochi, produced by Michihiko Suwa and scored by Katsuo Ono. It was released on April 19, 2003.Kogoro Mouri is called to a special case in the ancient capital of Kyoto. There, Conan meets Heiji and they team up once again to solve the case, recover the stolen Healing Buddha statue, and even discover the identity of Heiji's first love. Trailer Official Trailer
 Detective Conan Film 07 Crossroad In The Ancient Capital
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Deuteragonist
 Detective Conan Film 07 Crossroad In The Ancient Capital / int_7a4013f3
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Deuteragonist: Hattori has a lot of importance this time around.
 Detective Conan Film 07 Crossroad In The Ancient Capital / int_7a4013f3
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Identity Impersonator
 Detective Conan Film 07 Crossroad In The Ancient Capital / int_820a3792
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Identity Impersonator: Instead of the other way around like before, Shin’ichi impersonates Hattori for a bit.
 Detective Conan Film 07 Crossroad In The Ancient Capital / int_820a3792
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Badass Biker
 Detective Conan Film 07 Crossroad In The Ancient Capital / int_86af7ab0
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Badass Biker: Hattori as usual. This movie has several (some CGI) chase scenes.
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Big Bad
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Big Bad: The killer turns out to be Taiga Saijo. Saijo lost his favourite place to practice kendo, because the temple will be taken down without the leader's supervision.
 Detective Conan Film 07 Crossroad In The Ancient Capital / int_970c790a
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A Day in the Limelight
 Detective Conan Film 07 Crossroad In The Ancient Capital / int_9c8701b5
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A Day in the Limelight: Hattori takes second place to Conan in this film. There’s an argument to be made that Hattori’s The Protagonist this time around.
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