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Brexit: The Uncivil War
- 334 statements
- 64 feature instances
- 2 referencing feature instances
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Brexit: The Uncivil War (simply Brexit in the US and other countries) is a 2019 drama by James Graham, focusing on the role of Dominic Cummings, played by Benedict Cumberbatch, in the campaign for Britain to leave the European Union. | |
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Dying Town | |
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Dying Town: Jaywick, only because enough inhabitants remain to keep it from becoming a Ghost Town, as in real life. | |
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Ripped from the Headlines | |
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Ripped from the Headlines: The whole plot, to the point that Cummings's portrayal as an unknown figure made the film dated in just one year. In particular, James Graham decided to start writing when Jo Cox was murdered, one week before the Brexit referendum happened. | |
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Title Drop | |
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Title Drop: In a downplayed variant, at one point Cummings' tactics are called out as "uncivil" and that they have set a precedent to make British political tribalism worse. | |
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Gone Horribly Right | |
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Gone Horribly Right: Some on the Leave side have this reaction when their victory becomes clear. In the Framing Device, future!Cummings is also seen to be very unhappy with how the success of his campaign has made political tribalism and incompetence even worse. | |
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End of an Age | |
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End of an Age: Oliver tells Cummings that he's unleashed a new era in the way political campaigns are run, which he sees as for the worse; "it's uncivil, it's unsophisticated, and worst of all, it's unkind." | |
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Those Two Guys | |
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Those Two Guys: Arron Banks and Nigel Farage, later superseeded by Michael Gove and Boris Johnson. Both couples are portrayed as out-of-touch elitists, yet vulgar at the same time, and at a loss when trying to keep pace with Cummings's machinations. | |
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Framing Device | |
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Arguably subverted by the time the film ends however, as (a) the unexpected Leave victory proved Cummings correct in the way he handled the campaign, and (b) he does seem genuinely committed to his belief that the established political class need to be shaken out of their complacency. His testimony in the Framing Device also suggests that what he actually wanted was to "hit the reset button" and stop the shortsighted tribalism of Conservative vs Labour vs Lib Dem etc., and is sincerely disgusted that it's gotten even worse. | |
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Breaking the Fourth Wall | |
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Breaking the Fourth Wall: Cummings begins the film looking and speaking directly to the audience. | |
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The Dreaded | |
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The Dreaded: While Cummings names four members of the pro-Remain side to watch out, they only consider Cummings himself as a threat, mostly because he is unpredictable. | |
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The Bad Guy Wins | |
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The Bad Guy Wins: The movie makes no attempt to portray the Leave campaign as anything but ill-intentioned and dishonorable in its methods. And in case you have been living under a rock, they win. | |
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It Will Never Catch On | |
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It Will Never Catch On: The old pro-Leave figures don't have faith on Cummings or his methods to win. | |
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Hollywood Old | |
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Hollywood Old: Michael Gove (born 1967) played by Oliver Maltman (1976), and moreso Boris Johnson (1964), who is played by Richard Goulding (1981). Averted with Benedict Cumberbatch (1976) as Dominic Cummings (1971); they simply just don't look alike. | |
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Batman Gambit | |
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Batman Gambit: When Farage and Banks try to persuade Cummings to join forces with their campaign, Cummings is even more antagonistic than usual, provoking them to storm off. It's revealed soon afterwards that he's counting on them doing the heavy lifting with the genuine racists and isolationists, thus allowing his campaign to be more "respectable" and target a different voter base. He acknowledges it as a risky strategy, but it pays off. | |
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The Man Behind the Man | |
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The Man Behind the Man: Robert Mercer is noted to have provided substantial contributions to the Leave vote as well as to the election of Donald Trump in the U.S. It is heavily implied that he was simply using Britain as a test-case for an approach that could put Trump in power later. | |
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Noodle Incident | |
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Noodle Incident: Cummings has some troubled past history with Westminster politics and Oliver in particular, but it is never elaborated on. | |
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Blatant Lies | |
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Blatant Lies: Most notably the infamous "£350m a week" written on the side of the big red bus, as well as claiming that Turkey would be joining the EU. | |
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Manipulative Bastard | |
| Brexit: The Uncivil War / int_40c57041 | comment |
Manipulative Bastard: Cummings, despite his apparent lack of social skills, is seemingly capable of convincing anyone of anything at anytime. He manages to convince John Mills, his main rival in the Leave campaign, to resign when Mills wants Cummings to resign. And he does it on the fly. | |
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Xanatos Speed Chess | |
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Xanatos Speed Chess: Cummings' speciality, best shown when the directors of the Leave campaign, exasperated by his antics, ambush him with a jump-before-you're-pushed "request" to resign. His quick thinking and veneer of calm to their outrage sees him retain his position and his main opponent resign instead, with nobody quite able to work out what just happened. Ultimately, Leave's victory is shown to be because of this; in the digital age, Cummings' better grasp of social media and recruitment of AggregateIQ and their algorithms that can modify and target adverts to specific people in real time gives him an edge that Oliver's conventional approach can't match, and makes the Attack! Attack! Attack! method mentioned above far more effective. | |
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Worthy Opponent | |
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Worthy Opponent: Averted. Cummings loathes the Remain campaigners as snobby establishment elites. See above for Oliver's utter contempt for Cummings. Though one of the Labour members of the campaign does have some admiration for the effectiveness of the Leave Campaign's methods. | |
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Enemy Mine | |
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Enemy Mine: Both Leave and Remain campaigns have tories and labourists working together. Only UKIP is solidly for Leave and the Lib-Dems solidly for Remain. | |
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Bunny-Ears Lawyer | |
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Bunny-Ears Lawyer: Cummings is prone to scribbling his notes on walls and locking himself in a closet to sit on a cardboard box when working. | |
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Even Evil Has Loved Ones | |
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Even Evil Has Loved Ones: While "evil" is definitely stretching it, Cummings is not a nice person at all and resorts to various shady methods to turn the vote for Brexit in his party's favor. However, he's shown to love his wife Mary and eagerly anticipates the birth of their child. | |
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Lack of Empathy | |
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Lack of Empathy: On the eve of the vote things in the Remain focus group heat up, with an elderly woman supporting Leave attempting to explain her troubles and reasons for supporting the issue, only for a glued-to-her-phone Millennial sitting beside her to dismiss her concerns by callously declaring that she'd "already lived [her] life" and, thus, should have little to say on the matter. Cue a complete emotional breakdown by the elderly woman as she elaborates on her grievances, and a realization from the Remain coordinators that they're very possibly in serious trouble. | |
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Hauled Before a Senate Subcommittee | |
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Hauled Before A Senate Subcommittee: The framing narrative has Cummings explaining himself, or trying to, before a fictional future hearing of the Information Commission. At the end he walks out.note In real life, Cummings has been held in contempt of Parliament for refusing to testify before some of its hearings into Vote Leave's finances and uses of media. | |
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Room Full of Crazy | |
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Room Full of Crazy: Cummings works out the themes of the Leave campaign, the original "take control" slogan, by writing a large Venn-ish sort of diagram on the back wall of his office. | |
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Invisible President | |
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Invisible President: Downplayed Trope. PM David Cameron is identified by name and appears in Stock Footage, but is otherwise only featured as a voice provided by actor Mark Dexter. | |
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Flyover Country | |
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Flyover Country: A key part of Cummings' strategy is targeting Britain's equivalent of flyover country, the poorest working-class neighborhoods that are all but ignored by other political campaigns. The Leave leaders personally visit the dying village of Jaywick to interview the locals. | |
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Nostalgia Filter | |
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Nostalgia Filter: Discussed. Cummings notes how people have a rose-colored impression of how things used to be, so he paints the narrative of leaving the EU not as a new change, but as a return to the way things used to be. This is fully realized when he changes the slogan from "take control" to "take back control." | |
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The Faceless | |
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The Faceless: Steve Bannon has a brief cameo where he is only seen in shadows and from behind. | |
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Celebrity Paradox | |
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Celebrity Paradox: Matthew Elliot references The Avengers to Douglas Carswell, who doesn't understand the reference. Benedict Cumberbatch, who plays Dominic Cummings, also plays Doctor Strange in the Marvel Cinematic Universe, which features the Avengers as prominent characters. | |
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"The Reason You Suck" Speech | |
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"The Reason You Suck" Speech: Cummings makes a speech about why referendums are terrible mechanisms to make policy decisions (they are divisive and reduce complex issues to binary choices, among other things) to John Mills, who considers the coming referendum his lifetime achievement and mistrusts Cummings's online-based campaign plan. He gives another, direct dress down when Mills tries to bully Cummings into resigning, which Cummings is able to turn against and make Mills resign instead. | |
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Refusal of the Call | |
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Refusal of the Call: Cummings turns down Carswell and Elliott's first proposal to lead the Vote Leave campaign, but agrees when Carswell promises him full control. Elliott himself is repeatedly told to take the reins and front of the Leave campaign, but he argues he's not cut for the role unlike Cummings. | |
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Stiff Upper Lip | |
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Stiff Upper Lip: Cummings's ability to keep himself cool and appear in control is best exemplified in the scene where he is almost asked to resign from the Leave campaign. He realizes he's sweating in fear, but pulls out the sweat in a way his interlocutors don't realize it, then argues his case and convinces them to stay and make his main critic resign instead. | |
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Villain Protagonist | |
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Villain Protagonist: The film is written by a left-wing Europhile, centering on the actions of right-wing Eurosceptics. | |
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Ragtag Bunch of Misfits | |
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Ragtag Bunch of Misfits: The Leave campaign. | |
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Rule of Symbolism | |
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Rule of Symbolism: The Tube tracks that divide Cummings and Oliver when they first see each other on the night after Jo Cox was killed. | |
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Wild Card | |
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Wild Card: Cummings is referred to as "an egotist with a wrecking ball" by Oliver, shortly followed by a grudging admission that this does make him rather unpredictable. Cummings' own (nominal) bosses find this out too, when they attempt to fire him for this reason, and he simply texts all his staff to resign immediately and gut the campaign, ignoring the bosses' spluttering that it's his patriotic duty to convince them to stay. Arguably subverted by the time the film ends however, as (a) the unexpected Leave victory proved Cummings correct in the way he handled the campaign, and (b) he does seem genuinely committed to his belief that the established political class need to be shaken out of their complacency. His testimony in the Framing Device also suggests that what he actually wanted was to "hit the reset button" and stop the shortsighted tribalism of Conservative vs Labour vs Lib Dem etc., and is sincerely disgusted that it's gotten even worse. | |
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Never My Fault | |
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Never My Fault: Cummings washes his hands of the colossal mess that Brexit has become after spearheading its passage. | |
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"Not So Different" Remark | |
| Brexit: The Uncivil War / int_984ef9ef | comment |
"Not So Different" Remark: Massingham claims that the rightwing Leave's targeted advertising is but a progression of the methods used by Barack Obama in his presidential campaign. Because of this, he doesn't consider it a Left vs Right thing but Old vs New, and Donald Trump's campaign is implicitly set up as the next step in the ladder. | |
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My God, What Have I Done? | |
| Brexit: The Uncivil War / int_a1b141f4 | comment |
My God, What Have I Done?: Late in the campaign, after the focus group goes disastrously wrong following Oliver's backfired attempt to correct everyone's misconceptions, he realizes that the tendency of British politicians to blame the EU for anything and everything they couldn't accomplish is now coming back to bite them hard. The murder of Jo Cox also prompts some soul-searching from the Leavers, as they consider to what extent their approach stirred up violent people. Cummings himself, though horrified by it, concludes that his campaign only "exposed" the ugliness and division already present in British society, rather than causing any of it. | |
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The Beautiful Elite | |
| Brexit: The Uncivil War / int_a2484b0e | comment |
The Beautiful Elite: After some twenty minutes dealing exclusively with pro-Leave figures, Cummings introduces the pro-Remain side as this, and they are indeed more beautiful and better groomed than the sometimes grotesque people behind Leave. | |
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Obfuscating Stupidity | |
| Brexit: The Uncivil War / int_a7aef9ff | comment |
Obfuscating Stupidity: Boris Johnson. Even more disheveled-looking than Cummings and with a characteristically dorky voice and gait, he is introduced while Michael Gove looks down on him during an opera, with Johnson seemingly lost. However, during their first political act for the Leave campaign, it is Gove who can't handle the pressure and freezes on the face of a simple question from a journalist, and Johnson who quickly saves the day by providing a distraction with a non-sequitur about puppies. He also questions if they can legally use the NHS logo for a political campaign as soon as he sees the infamous Red Bus, but slides into support when neither Cummings nor Gove listen to the (implied) criticism. | |
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No-Sell | |
| Brexit: The Uncivil War / int_abd29ad8 | comment |
No-Sell: Cummings is seemingly unimpressed with everybody. | |
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Be Careful What You Wish For | |
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Be Careful What You Wish For: Cummings and Oliver's meeting ends with Cummings gloating that he has introduced a new form of political discourse that the Westminster elite won't be able to control... to which Oliver replies that Cummings won't be able to control either. | |
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Everyone Has Standards | |
| Brexit: The Uncivil War / int_b4a6ae4c | comment |
Everyone Has Standards: The murder of Jo Cox horrifies everyone on all sides, and Cummings is clearly disgusted when Farage's victory speech seems to have forgotten her. | |
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Demoted to Extra | |
| Brexit: The Uncivil War / int_b8e3f20a | comment |
Demoted to Extra: David Cameron had a large part in the first draft, but was almost Adapted Out. Oliver acts as the face of Westminster and the Remain tories in the final film. | |
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| Brexit: The Uncivil War / int_bb18a227 | type |
It's All About Me | |
| Brexit: The Uncivil War / int_bb18a227 | comment |
It's All About Me: Despite coming up with the most outrageous attacks on the European Union, Cummings never actually voices his own opinion on it or Brexit. All he wants is total control over the Leave campaign, then to win at any cost and consequence. His vague claims that he intends the Leave victory to be a "reset" of British politics appears to be just an excuse to avenge his resentment for having been expelled from Westminster in the past. | |
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| Brexit: The Uncivil War / int_c3ca1064 | type |
Lowest Common Denominator | |
| Brexit: The Uncivil War / int_c3ca1064 | comment |
Lowest Common Denominator: In-universe, Cummings refuses to discuss traditional Leave talking points like immigration, bureaucracy, and EU institutions for being too complex for the general public, preferring soundbites and simple concepts like "cost" and "control". | |
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Shout-Out | |
| Brexit: The Uncivil War / int_c75df49a | comment |
Shout-Out: One of the first scenes features Matthew Elliot quoting "Avengers, assemble!" Douglas Carswell admits that he doesn't get the reference. Craig Oliver disputes the reputation of Dominic Cummings as a brilliant sage, saying "He's not the messiah, he's a very naughty... fucking asshole." | |
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No Name Given | |
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No Name Given: The man and woman interviewing Cummings in 2020 are simply credited as "male consultant" and "female consultant". | |
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We ARE Struggling Together | |
| Brexit: The Uncivil War / int_cbdd9a55 | comment |
We ARE Struggling Together: A lot of the drama is between Vote Leave and Leave.EU for primacy as the official campaign in the referendum. On the Remain side, the Conservative, Labour, and Liberal Democrat parties are rather reluctant to work together. | |
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Dude, Not Funny! | |
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Dude, Not Funny!: David Cameron makes a joke on a conference call of how catastrophic it will be if the Vote Leave campaign succeeds. He follows up with, "Too soon?" after silence. The pro-Leave tories don't like it when Cummings attacks Cameron in a magazine and almost make him resign over it. | |
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| Brexit: The Uncivil War / int_cf16cfa9 | type |
Golden Mean Fallacy | |
| Brexit: The Uncivil War / int_cf16cfa9 | comment |
Golden Mean Fallacy: Craig Oliver complains that the television studios are giving Leave's rambling nobodies equal footing with Remain's esteemed professionals. | |
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| Brexit: The Uncivil War / int_d129e13e | type |
"Eureka!" Moment | |
| Brexit: The Uncivil War / int_d129e13e | comment |
"Eureka!" Moment: While up late at night reading a book in preparation for the birth of his child, Cummings reads lines about how new fathers feel a need to take back control, and realizes the Leave slogan needs to be "Let's take back control", since potential Leave voters feel they have lost it. | |
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Sixth Ranger | |
| Brexit: The Uncivil War / int_dabc7a46 | comment |
Sixth Ranger: Cummings himself is a newcomer to the Leave campaign, as is Zack Massingham of AggregateIQ (who isn't even British, but Canadian), Michael Gove and Boris Johnson (whose stance on Brexit is introduced as "?" rather than "Leave" or "Remain" like other characters). Eventually the key to Leave victory is playing this on a nationwide scale: Both sides decide that Leave and Remain voters have their minds made on the issue, so they ignore them, and Cummings in particular bets on finding and convincing people who don't vote at all otherwise to vote Leave. | |
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| Brexit: The Uncivil War / int_dc579c91 | type |
Contrived Coincidence | |
| Brexit: The Uncivil War / int_dc579c91 | comment |
Contrived Coincidence: At one point, Cummings tries to get onto the subway but arrives just as it takes off. It turns out that Oliver happens to be on the other side of the tracks, setting up a scene where they go to a pub for drinks and try to talk out their grievances. Had Cummings arrived at the station a few seconds earlier and got on the train, it's highly possible that he might've never even spotted Oliver. | |
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| Brexit: The Uncivil War / int_e16217f8 | type |
Historical Villain Upgrade | |
| Brexit: The Uncivil War / int_e16217f8 | comment |
Historical Villain Upgrade: One of the few criticisms made about the film is that it depicts Douglas Carswell as being ignorant of Jaywick's situation despite being in his constituency, with Cummings directly addressing him over it. In reality, Carswell had been to the area as MP and was in a local campaign against TV companies depicting Jaywick in a negative light. This involvement in local issues was directly credited with allowing him to successfully cross party lines and become UKIP's only MP (though the fact that UKIP also refused to field a candidate against the euroskeptic Carswell while he was in the Conservative Party likely helped as much). | |
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| Brexit: The Uncivil War / int_e2d457 | type |
The Ditz | |
| Brexit: The Uncivil War / int_e2d457 | comment |
The Ditz: Leave spokesmen Michael Gove and Boris Johnson are portrayed as comically stupid. In a press interview, Gove stammers his way through responses to basic questions until Johnson provides a distraction. For his own part, Johnson can't help but start blabbing about all the inaccuracies in his campaign's statements about Turkey when caught off guard. | |
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While You Were in Diapers | |
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While You Were in Diapers: Cummings gets told this two times in quick succession in the beginning. First by John Mills, who wants to work the pro-Leave campaign like an old-school, door-to-door political campaign, and then by Nigel Farage. Both say that they have been working for Leave their whole life and that Cummings is a newcomer; both fail to impress him. | |
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Aside Glance | |
| Brexit: The Uncivil War / int_e8e3807 | comment |
Aside Glance: After the Leave vote wins, Cummings glances directly into the camera. | |
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0% Approval Rating | |
| Brexit: The Uncivil War / int_eda30d58 | comment |
0% Approval Rating: Nobody who works with Cummings trully likes him, the euroskeptic tories hate him in fact. But some appreciate his methods because they are effective. Cummings's data shows Farage to be a paradoxical case. He can become more popular, but everytime he does, the pro-Leave position also becomes more unpopular with the general public. Because of this, Cummings considers him toxic and refuses to join campaigns. | |
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Follow the Leader | |
| Brexit: The Uncivil War / int_fc451ba4 | comment |
Follow the Leader: In-universe, UKIP makes its own purple bus after the other Leave campaign's red bus and drive past it in an attempt to get more attention. | |
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Attack! Attack! Attack! | |
| Brexit: The Uncivil War / int_ff070bbd | comment |
Ultimately, Leave's victory is shown to be because of this; in the digital age, Cummings' better grasp of social media and recruitment of AggregateIQ and their algorithms that can modify and target adverts to specific people in real time gives him an edge that Oliver's conventional approach can't match, and makes the Attack! Attack! Attack! method mentioned above far more effective. | |
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