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Career Opportunities

 Career Opportunities
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 Career Opportunities
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Career Opportunities
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CareerOpportunities
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Career Opportunities is a 1991 romantic comedy. Written and produced by John Hughes, the film was directed by Bryan Gordon in his feature film debut. It stars Frank Whaley and Jennifer Connelly, with co-stars including Dermot Mulroney, Kieran Mulroney, John M. Jackson, Noble Willingham, Jenny O'Hara, Barry Corbin, and William Forsythe.Jim Dodge, a persuasive but irresponsible kid, lands a job as an overnight janitor at a local Target store. One evening after hours, he finds himself stuck inside the store, cleaning up, and bumping into affluent but mistreated Josie McClellan, a childhood crush. The pair get to know each other all night, with their night capping off with two robbers looking to rob the Target and the both of them still stuck inside.
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 Career Opportunities / int_1b65dfad
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The Cameo
 Career Opportunities / int_1b65dfad
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The Cameo: Per the norm with a Hughes film, this film has an uncredited cameo from Hughes regular John Candy, playing C.D. Marsh, the manager of the Target store.
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Chekhov's Gun
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Chekhov's Gun: The custodian's shotgun comes back into play at the end when Jim finally turns the tables on the criminals.
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Aborted Arc
 Career Opportunities / int_23698fa8
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Aborted Arc: Josie's father and the town sheriff spend several scenes looking for Josie. Other than a scene where Jim covers for her, this never affects the plot. Several scenes are spent on Jim's father eating a progressively outlandish Midnight Snack, which never amounts to anything.
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Head-Turning Beauty
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Head-Turning Beauty: Most men's reactions to Josie.
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The Slacker
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The Slacker: Jim pretty much is one at the start of the film, who doesn't care much about what type of job he has. Even when he's fired from his job at the start of the movie, he doesn't care much about finding another one. Only when his father gets him an interview at Target does he land the position of an overnight janitor.
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Blatant Lies
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Blatant Lies: Jim is a young loser who can't keep a job down, but he holds court with several local kids, making all sorts of outrageous claims.
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But for Me, It Was Tuesday
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But for Me, It Was Tuesday: Jim gives a detailed account of dancing with Josie for the better part of a song in high school, ending with her getting her hair caught in his braces, but she doesn't remember anything of the interaction.
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Reckless Gun Usage
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Reckless Gun Usage: The custodian points a shotgun at Jim during their first meeting to show him who's boss.
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Establishing Character Moment
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Establishing Character Moment: Jim is introduced making outlandish claims to a bunch of loose dogs at a kennel, only for the owner to burst in and fire him, establishing him as a self-aggrandizing loser. Josie's first character-establishing scene has her try to sneak away from her father, only for him to call her over to show her off to two political stooges. She turns the tables by passionately kissing one of them, establishing herself as a willful and attractive young woman who bristles under the thumb of her powerful father.
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Jerk Jock
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Jerk Jock: Jim's principal recollections of high school are of receiving wedgies from guys like this.
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Bait-and-Switch
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Bait-and-Switch: When Josie's father introduces her to two of the governor's stooges, she walks up and passionately kisses the first man. When the second man introduces himself and puckers up... she shakes his hand.
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Stupid Crooks
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Stupid Crooks: Let's just say that Nestor and Gil, the two robbers, aren't the brightest bulbs in the bunch.
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 Career Opportunities / int_a6fa41b
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Recycled Premise
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Recycled Premise: John Hughes basically mashes three of his previous movies together to form this one: Home Alone: A youth makes a playground of a place when left alone and then must face two Stupid Crooks. The Breakfast Club: Youths from different walks of life are trapped in a location and use their time together to goof around and form a mutual understanding. Ferris Bueller's Day Off: A brash and irresponsible youth spins tall tales and talks to the camera.
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Big Ol' Unibrow
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Big Ol' Unibrow: Nestor the crook sports a cartoonish one to make him look villainous and stupid.
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Chekhov's Skill
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Chekhov's Skill: Jim constantly lies. He uses this skill to convince the two crooks that he's working with law enforcement. However, Jim is also susceptible to lies.
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Ms. Fanservice
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Ms. Fanservice: Throughout the movie, Jennifer Connelly walks around in skin-tight clothing and a white tank top.
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Bottomless Magazines
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Bottomless Magazines: Jim fires about a dozen shots in quick succession from a double-barreled shotgun.
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No OSHA Compliance
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No OSHA Compliance: The custodian locks Jim in the Target. When Jim asks what will happen if there's a fire, the custodian just says that firemen will put it out.
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Dysfunctional Family
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Dysfunctional Family: The Dodge and McClellan families are pretty dysfunctional, to say the least. Jim and his sister bicker, though his parents do support him. However, Josie and her father argue the bulk of the time they have together.
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Midnight Snack
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Midnight Snack: For no particular reason, we follow Jim's father through several scenes of him eating a huge late-night snack, including cold chicken dipped in peanut butter. We see him toward morning at a diner suffering from indigestion.
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Chekhov's Gunman
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Chekhov's Gunman: The two crooks from the paper Jim reads from in the first scene show up in the third act.
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Expy
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Expy: Whaley has said Jim was "a little akin to Ferris Bueller." This is true in his opening scene, right down to him Breaking the Fourth Wall at the start, only for the viewers to see he was talking to dogs.
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Product Placement
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Product Placement: This could be the poster child for this trope. The film is set primarily in a Target department store, with store logos and copious amounts of products visible in virtually every scene. And several sequences basically add up to saying, "Look at all the cool stuff you can do in our stores, including romancing Jennifer Connelly."
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Career Opportunities

The following is a list of statements referring to the current page from other pages.

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Erotic Eating / int_a0478219
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Films of 1990–1994 / int_a0478219
 Career Opportunities
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Midnight Snack / int_a0478219