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The Insider
- 255 statements
- 49 feature instances
- 11 referencing feature instances
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The Insider is a 1999 film from Touchstone Pictures, directed by Michael Mann and starring Russell Crowe, Al Pacino and Christopher Plummer.It tells the true story of Jeffrey Wigand (Crowe), a senior researcher at Brown & Williamson tobacco company. After Wigand is fired from B&W, he goes to 60 Minutes and producer Lowell Bergman (Pacino) to spill the secrets he knows about the tobacco industry. Wigand's and Bergman's attempts to reveal the truth about Big Tobacco unsurprisingly lead to resistance from B&W, as well as from other sources.The All-Star Cast has a raft of recognizable actors in supporting roles, like Gina Gershon as a weaselly network executive, Michael Gambon faking a Southern accent (most of the time) as a weaselly tobacco executive, and Bruce McGill as a stentorian lawyer who calls Wigand to testify in a lawsuit.Beware of unmarked spoilers below: | |
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Dropped link to Greed: Not a Feature - ITEM | |
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Dropped link to SixtyMinutes: Not a Feature - ITEM | |
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| The Insider / int_1439161f | type |
Heroic BSoD | |
| The Insider / int_1439161f | comment |
Lowell uses one to get him on the phone during Wigand's Heroic BSoD: | |
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| The Insider / int_1f799027 | type |
Obstructive Bureaucrat | |
| The Insider / int_1f799027 | comment |
Obstructive Bureaucrat: CBS higher-ups kill the story when confronted with the mere shadow of a possibility of a lawsuit from Brown & Williamson, and only relent when it becomes impossible for B&W to bring a tort case against them. | |
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| The Insider / int_1fb4d915 | type |
The Stool Pigeon | |
| The Insider / int_1fb4d915 | comment |
The Stool Pigeon: Of the "Whistleblower Wilson" type. Particularly notable, as this is one of the last sensationalist cases of a whistleblower before the Whistleblower Protection Act in the US, which prevented retaliation from the company that's being called out. When Wigand points out that B&W is fucking with his life, they are legally entitled to do so. Or at least, have zero reason not to, because they can do it with impunity so long as they're not breaking any other laws. | |
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Screw the Rules, I Have Money! | |
| The Insider / int_230d64 | comment |
Screw the Rules, I Have Money!: What the CBS lawyers explain to Mike and Lowell is the reason why getting an interview out of Wigand on 60 Minutes will be impossible: | |
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| The Insider / int_23ff95fb | type |
Brutal Honesty | |
| The Insider / int_23ff95fb | comment |
Brutal Honesty: Lowell is perfectly aware that he's harsh, brash and often rude. But he never lies nor avoids unpleasant facts - and this is how he wins the trust of Wigand. | |
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| The Insider / int_311bcac6 | type |
Beard of Sorrow | |
| The Insider / int_311bcac6 | comment |
Beard of Sorrow: Wigand grows this after seeing the smear campaign story that's run on him regarding his previous misdemeanors. | |
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Ooh, Me Accent's Slipping | |
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Ooh, Me Accent's Slipping: Gambon, playing Brown & Williamson CEO Thomas Sandefur, has a brief slip during the delivery of one line: "It's spooky how he can concentrate!" He sounds English on "spooky" especially, but otherwise maintains a Southern accent, as Sandefur was from Georgia. | |
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| The Insider / int_3d2c6d30 | type |
Skewed Priorities | |
| The Insider / int_3d2c6d30 | comment |
Skewed Priorities: At one point, Lowell and his assistant are shown looking over B-Roll footage for a segment on New Orleans police corruption. Lowell immediately has problems with the cameraman's obsession with mounted police: | |
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Bittersweet Ending | |
| The Insider / int_40cc0c7e | comment |
Bittersweet Ending: The interview is eventually aired in full, but Lowell quits CBS, knowing that after what happened, he no longer can provide proper support to his sources, as the Wigand case showed that the network will cave in if the right people apply enough pressure. Wigand has finally gotten his story out and can show his daughters why he did what he did. He also finds meaning in his new career as a teacher. However, he's still divorced. | |
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| The Insider / int_44d1e445 | type |
With or Without You | |
| The Insider / int_44d1e445 | comment |
With or Without You: "We're doing this with or without you, Lowell." | |
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| The Insider / int_4e7c4536 | type |
Wham Line | |
| The Insider / int_4e7c4536 | comment |
Wham Line: After Lowell delivers a long, winded speech about journalistic integrity and standing for truth with Mike, Mike himself drops the following line, making Lowell do a Double Take: | |
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Gratuitous Japanese | |
| The Insider / int_5558641 | comment |
Gratuitous Japanese: To drive point home the man speaks Japanese, Wigand makes an order in it in a Japanese restaurant. It's passable, but it's also clear Russell Crowe has no idea what he's saying. | |
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| The Insider / int_5f52cfcf | type |
Intrepid Reporter | |
| The Insider / int_5f52cfcf | comment |
Intrepid Reporter: Lowell Bergman. Once his own network decides to ditch him, he decides to still follow through with the interview and the case he opened, because that's what he considers the right thing to do. | |
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| The Insider / int_617f0563 | type |
Heel–Face Turn | |
| The Insider / int_617f0563 | comment |
Heel–Face Turn: When Wigand and Bergman are getting Screwed by the Network in-universe, Mike Wallace is shown trying to take the high road and side with CBS. But then they start manipulating his statements as well. | |
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| The Insider / int_71268450 | type |
Adaptation Title Change | |
| The Insider / int_71268450 | comment |
Adaptation Title Change: The Insider is based on the Vanity Fair article "The Man Who Knew Too Much" (likely changed to avoid confusion with the Alfred Hitchcock film. | |
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Honest Corporate Executive | |
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Honest Corporate Executive: Wigand. And the best part is how his honesty would assure everything stays under the wraps, as he was also following his confidentiality agreement to the letter. | |
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Establishing Character Moment | |
| The Insider / int_7febc23b | comment |
Establishing Character Moment: The opening sequence of Bergman arranging and overseeing the production of an interview of a sheikh in Lebanon. First, it establishes Bergman's role as a journalist, which is to scout out the interviewee to make sure they'll consent before Wallace flies out. Once Mike shows up, his refusal to back down when the sheikh's bodyguards try to intimidate him are to show he is a man who will see a story through to the end and won't let others browbeat him. | |
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Mamet Speak | |
| The Insider / int_822b648f | comment |
Mamet Speak: A significant number of scenes focus on high-level legalese and corporate double-speak, most notably when Wigand and Bergman are discussing his employment history while attempting to tiptoe around breaking his expanded confidentiality agreement. Fittingly, David Mamet's ex-wife Lindsay Crouse is in the cast. | |
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| The Insider / int_95b7c400 | type |
Faux Affably Evil | |
| The Insider / int_95b7c400 | comment |
Faux Affably Evil: Brown and Williamson chief executive Thomas Sandefur presents himself as a soft spoken, friendly, and folksy Good Ol' Boy as he basically threatens Dr. Wigand and his family if he dares to reveal company secrets. It's obvious that the stalking and threats that followed were by thugs hired by Sandefur. | |
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Character Tics | |
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Character Tics: When stressed or irritated, Wigand starts to stutter. On top of that, he has a very erratic moves in such state, which leads to his glasses sliding down on his nose, so he keeps pushing the bridge of them up with index finger. | |
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| The Insider / int_a0797fb3 | type |
Stunned Silence | |
| The Insider / int_a0797fb3 | comment |
Stunned Silence: Halfway through delivering a rousing speech to Hewitt about journalistic integrity and being a newsman for a living, Lowell is left completely speechless once Mike Wallace reveals he agrees with censoring the segment. His only reaction is silently leaving the room, not believing what he just heard and from whom. | |
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Smug Smiler | |
| The Insider / int_a10a7f9b | comment |
Smug Smiler: The smug tobacco lawyer who tries to intimidate Wigand into shutting up when Wigand is on the stand in Mississippi. He smiles rather arrogantly when sparring with Ron Motley in the Mississippi court hearing, leading Motley to issue a deeply satisfying smackdown. | |
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Imagine Spot | |
| The Insider / int_a7382a73 | comment |
Imagine Spot: After the censored interview is aired and the defeated Jeff is sitting in a hotel room, ignoring calls from Bergman, he starts to imagine his daughters playing in a garden, reminiscing happier, better times. | |
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Autobiographical Role | |
| The Insider / int_a7e85535 | comment |
Autobiographical Role: Mississippi Attorney General Michael Moore (no relation to the filmmaker of the same name) and private investigator Jack Palladino appear as themselves, playing the roles in the story that they played in real life. (Palladino's wife, Sandra Sutherland, did not appear as herself; the character is played by actress Megan Odebash.) | |
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Based on a True Story | |
| The Insider / int_a90fff3 | comment |
Based on a True Story: Broadly accurate. Some have suggested Wigand exaggerated his persecution at the hands of Brown & Williamson. The scene with a creepy guy stalking Wigand at a golf range is definitely fictional. Mike Wallace felt that the film lionized Bergman unfairly at his expense. Don Hewitt was also unhappy with his portrayal but joked that if they'd had Paul Newman playing him, "I would've forgiven them anything." The real Lowell Bergman, however, claimed that the portrayal of Wallace was largely true to how he acted in real life. | |
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Deadpan Snarker | |
| The Insider / int_ae3d6438 | comment |
Deadpan Snarker: Bergman is this occasionally. The most memorable bit happens when Wigand is testing Lowell in a Japanese restaurant - Bergman makes it clear that they are both commodity to the network and the news business. | |
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What You Are in the Dark | |
| The Insider / int_afc6df04 | comment |
What You Are in the Dark: When he realises that his own network won't cover the case and duped Wigand already, Lowell Bergman goes through hell to both stand up for the guy and his own belief in journalistic integrity. All while he has nothing but profit for dropping the entire issue. | |
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Loophole Abuse | |
| The Insider / int_b1dde8fd | comment |
Loophole Abuse: After being told about Big Tobacco's use of the unlimited checkbook to tie up guys like Wigand in litigation, Bergman posits that they might be able to break through the confidentiality agreement legalese by arranging for Wigand to testify about what he knows in open court, so the information he knows is on public record. The CBS in-house counsel note that this tactic is plausible, though they also warn that Wigand should still find counsel willing to foot the bill for the many years of litigation B&W are going to bring against him anyways. | |
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Leave the Camera Running | |
| The Insider / int_b2af79fb | comment |
Leave the Camera Running: At over 2.5 hours in length, the film has a very leisurely pace, with long sections devoted to characters simply glancing around or staring silently into the distance. When scenes end, the camera will often pan over to contemplate the nearby surroundings for a few seconds before cutting to the next scene. | |
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Executive Meddling | |
| The Insider / int_b6de94d1 | comment |
Executive Meddling: In-Universe. One of the main themes of the movie is censorship and the tobacco industry's unlimited checkbook. Bergman can't get Wigand's interview aired because of CBS meddling. | |
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| The Insider / int_b77808f2 | type |
"Where Are They Now?" Epilogue | |
| The Insider / int_b77808f2 | comment |
"Where Are They Now?" Epilogue: Cards explain what happened to Wigand and Bergman after the events of the scandal before the credits. They don't document that Wigand's boss Thomas Sandefur died of aplastic anemia on July 14, 1996. | |
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Precision F-Strike | |
| The Insider / int_bc00493f | comment |
Precision F-Strike: Wigand declaring, "Fuck it. Let's go to court." Lowell uses one to get him on the phone during Wigand's Heroic BSoD: | |
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Off the Record | |
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Off the Record: The desperate call Bergman makes to the New York Times is entirely off-record, since he's basically trading insider knowledge about CBS situation. He doesn't even speak on his own, simply letting the journalist on the other side following the story on his own, only stopping him when he gets details wrong - which he never does. | |
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Mistreatment-Induced Betrayal | |
| The Insider / int_bce728ca | comment |
Mistreatment-Induced Betrayal: A recurring element of the story: Jeff Wigand's ultimate decision to go against B&W and start to whistle-blow is portrayed not on health concerns (which was his real-life motivation, before B&W made it personal), but rather the company treating him like crap when he was employed and then using heavy-handed means to make him stick to his confidentiality agreement, something he wasn't even considering breaking before their threats. Lowell Bergman goes against his own network - potentially risking being fired, burning all the bridges he has in any direction and facing a lawsuit on top of it all - when they do everything in their might to censor the piece he prepared and vouched for with his name. Upon realising he was used and duped just like Wigand, Mike Wallace sides back with Lowell against CBS management. | |
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Irony | |
| The Insider / int_c335b9ec | comment |
Irony: A particularly cruel example; the hotel room Wigand is forced to live in as his life collapses all around him is located directly opposite the offices of Brown & Williamson's legal department – the very people whose machinations forced him into that hotel room in the first place. | |
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One-Woman Wail | |
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One-Woman Wail: Lisa Gerrard of Dead Can Dance cribs a lot from "The Host of Seraphim" for the soundtrack. | |
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Get a Hold of Yourself, Man! | |
| The Insider / int_c87660d5 | comment |
Get A Hold Of Yourself Man: A verbal one, but still counts. When Wigand seems to be unresponsive to pleas to get on the phone, Lowell orders the hotel clerk to get abrasive and get him "on the fucking phone", in those exact words - then he proceeds to chew him on said phone. | |
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Corrupt Corporate Executive | |
| The Insider / int_cbe687ab | comment |
Corrupt Corporate Executive: The CEOs of the Big Tobacco companies, who insist, under an oath, that tobacco is harmless and non-addictive. There is also CBS corporate, and the top management of CBS network, which are too busy filling their pockets with incoming buy-out to risk drop of share prices due to a lawsuit from B&W. | |
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Blindfolded Trip | |
| The Insider / int_cccfa535 | comment |
Blindfolded Trip: The movie opens with Bergman being escorted blindfolded to meet a sheikh that Mike Wallace wants to secure an interview with. Bergman's job is to make sure that the sheikh will consent to the interview before arranging Mike's transportation. | |
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Hoist by His Own Petard | |
| The Insider / int_d397657d | comment |
Hoist by His Own Petard: Wigand takes his confidentiality agreement seriously, and it's all but stated that he only broke it because of his former employers' heavy-handed attempts at intimidating him. Even after having spoken with Bergman several times, he was still on the fence about doing the expose until he was directly threatened with an email saying his family would be killed and a bullet was placed in his mailbox. If they'd just left him alone, he might never have talked. | |
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Adaptational Wimp | |
| The Insider / int_d500b978 | comment |
Adaptational Wimp: Mike Wallace had much, much bigger sway, since, you know, he was the face of 60 Minutes. And he too wasn't so easily convinced to drop the segment. | |
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Historical Villain Upgrade | |
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Historical Villain Upgrade: Don Hewitt is portrayed as someone who willingly and actively caves-in to the outside pressure on the CBS. In reality, he was made completely powerless by the corporate branch, much like Lowell is portrayed in the movie - the fight was more of their duo against the corporate, than against each other. | |
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Artistic License – Sports | |
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Artistic License – Sports: Bergman asks if Wigand thinks the Knicks will make it to "the semi-finals." Basketball fans would actually say "third round" or "conference finals." | |
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Dirty Cop | |
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Dirty Cop: The federal agents who show up when Wigand calls regarding the bullet placed in his mailbox and the threatening email. Rather than taking him seriously, they spend the entire time accusing him of having planted the bullet himself before stealing his computer with the incriminating email on it. Bergman chews out their supervisor regarding how many ties they and their previous coworkers have to Big Tobacco, including their ex-supervisor who is currently employed by Brown & Williamson. | |
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Naïve Newcomer | |
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Naïve Newcomer: Both Jeffrey Wigand and his wife aren't fully prepared for what he got himself to. He struggles to understand why the fact he said nothing but truth is in any way bad for all of the film. | |
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But Now I Must Go | |
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But Now I Must Go: In a sense. Lowell continues his career as an investigative journalist, but resigns from 60 Minutes because he won't be able to secure sources for CBS now that it is known that they'll betray those sources if enough pressure is applied. | |
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Strawman News Media | |
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Strawman News Media: Downplayed, but still. The CBS is portrayed as such, when they are willing to self-censor their own material over a simple possibility of a lawsuit from B&W that could potentially ruin not the station itself, but the mother corporation. | |
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Shown Their Work | |
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Shown Their Work: Towards the end of the film, Mike shows Lowell an unflattering article and editorial about CBS in the latest issue of The New York Times. The article and editorial are in different sections of the paper. Usually, their editorial/op-ed pieces appear in the back of the main news section. The real-life pieces to which this scene refers, were published on a Sunday (November 12, 1995), however, which means that the news and editorials do in fact appear in separate sections. The scenes that took place in Pascagoula were filmed at the actual home of Richard Scruggs and the courtroom where the deposition was held. The opening sequence of the movie, while fictionalized, reflects Bergman's role in producing the first U.S. television interviews with Lebanon's Hezbollah leadership. | |
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The following is a list of statements referring to the current page from other pages.
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Acclaimed Flop / int_8b1d213f | |
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Adaptation Title Change / int_8b1d213f | |
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Blindfolded Trip / int_8b1d213f | |
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Films of 1995–1999 / int_8b1d213f | |
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Honest Corporate Executive / int_8b1d213f | |
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One-Woman Wail / int_8b1d213f | |
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Out of Job, into the Plot / int_8b1d213f | |
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Plausible Deniability / int_8b1d213f | |
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The Insider | |
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The Stool Pigeon / int_8b1d213f | |
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With or Without You / int_8b1d213f |
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