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Futurepunk
- 120 statements
- 22 feature instances
- 2 referencing feature instances
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The Futurepunk setting is The 'Verse created by C.T. Phipps for a series of science fiction stories that take place over an extremely long length of time, showing the setting advance and change as well as shift science fiction subgenres. It starts 20 Minutes in the Future, moves into Cyberpunk Dystopia, becomes a Solar Punk Utopia, collapses into a dark Space Opera set After the End, and then jumps ahead to a Sufficiently Advanced Dark Fantasy setting to end it all.The setting shares not only a singular timeline but also some general themes of Capitalism Is Bad, Eat the Rich, What Measure Is a Non-Human? and Antihero protagonists attempting to fight against a system that keeps plodding along regardless. Multiple protagonists crossover through the storyline and interweave with the setting's history. While there has been crossovers with his The Supervillainy Saga and United States Of Monsters books, these are all three separate universes.The setting can be divided into the following time periods: | |
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2023-05-30T20:28:20Z | |
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2023-05-30T20:28:20Z | |
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Dropped link to SpaceAcademy: Not a Feature - ITEM | |
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Dropped link to TheVerse: Not a Feature - IGNORE | |
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Abusive Precursors | |
Futurepunk / int_109b036e | comment |
Abusive Precursors: The Elder Races are this in Space Academy and Lucifer's Star with the gods being the same in Wraith Knight. They are prone to genocide and delusions of divinity. | |
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Post-Cyberpunk | |
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Post-Cyberpunk: Most of the setting is after a Cyberpunk period of humanity's history and First Contact. | |
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Earth That Was | |
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Earth That Was: Earth is eventually rendered uninhabitable by terrorists. | |
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Benevolent A.I. | |
Futurepunk / int_2a4222ff | comment |
Benevolent A.I.: The Cognition AI were able to help bring humanity out of a Dark Age and into a Solar Punk Golden Age. However, this doesn't mean they weren't viewed with suspicion and some of them went bad. | |
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After the End | |
Futurepunk / int_334e48a1 | comment |
After the End: Happens twice with the Eruption triggering a Cyberpunk future and the Second Dark Age when Earth is destroyed. | |
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Solar Punk | |
Futurepunk / int_3a997f9e | comment |
Solar Punk: The Post-First Contact period is the Golden Age of Humanity with humans working in tandem with aliens as well as AI to spread across the universe. | |
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Dystopia | |
Futurepunk / int_3b39c254 | comment |
Dystopia: The Post-Eruption United States becomes one of these as a tyrannical Emergency Council rules, corporations run amuck, and much of the citizenry live in Refugee Zones that are effectively ghettos. | |
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Punk Punk | |
Futurepunk / int_3d19dd09 | comment |
Punk Punk: The setting runs the gamult between Cyberpunk, Solar Punk, and Post Cyber Punk. | |
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A.I. Is a Crapshoot | |
Futurepunk / int_40496097 | comment |
AI Is A Crap Shoot: While the AI are wildly successful creations, they very often rebel against their creators and do their own agendas. Which isn't necessarily a bad thing. | |
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Fantastic Racism | |
Futurepunk / int_57b80b45 | comment |
Fantastic Racism: AI are considered to be property for much of the timeline with them either enslaved or attempted to be destroyed as a threat to mankind. In some parts of the timeline, they assume A God Am I status and dominate humans completely. Aliens and humans get along only some of the time with prejudice against 'xenos' being met in kind. | |
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Dark Fantasy | |
Futurepunk / int_7243f3cb | comment |
Dark Fantasy: Lucifer's Star has shades of this as a space opera with laser swords, feudal planets, and weird alien gods. Wraith Knight goes full on this as it is a (mostly) Medieval world with Precussor technology. | |
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Capitalism Is Bad | |
Futurepunk / int_8b60a09b | comment |
Capitalism Is Bad: A persistent theme of the setting is corporations and Greed doing massive human rights (sapient rights) violations and being the villains. Nothing ever seems to dislodge its place in the setting, though. Even during the Solar Punk period. | |
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What Measure Is a Non-Human? | |
Futurepunk / int_9e08a5c2 | comment |
What Measure Is A Nonhuman: Many of the protagonists are either AI, dating AI, or dealing with them as close companions. However, they are subject to Fantastic Racism or Slavery Is a Special Kind of Evil. | |
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MegaCorp | |
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Megacorp: A persistent feature of the setting with companies like Karma Corp, Ares Electronics, and other lasting sometimes thousands of years. | |
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Futurepunk / int_bd0bc351 | type |
Cyberpunk for Flavor | |
Futurepunk / int_bd0bc351 | comment |
Cyberpunk for Flavor: The setting never loses its transhumanist themes, AI, cybernetic modifications, and capitalism run amuck even when it shifts genres. | |
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Ascend to a Higher Plane of Existence | |
Futurepunk / int_bd2812b5 | comment |
Ascend to a Higher Plane of Existence: The eventual fate of humanity. However, they leave behind functionally identical constructs. | |
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ArtificialHumans | |
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Artificial Humans: Bioroids range between this and Ridiculously Human Robot. | |
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A God Am I | |
Futurepunk / int_dc1761bd | comment |
AI are considered to be property for much of the timeline with them either enslaved or attempted to be destroyed as a threat to mankind. In some parts of the timeline, they assume A God Am I status and dominate humans completely. | |
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Crossover | |
Futurepunk / int_eb7c34cf | comment |
Crossover: Agent G has visited the The Supervillainy Saga and dated Jane Doe from The United States of Monsters. | |
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Futurepunk / int_fb01ee16 | type |
Cyberpunk | |
Futurepunk / int_fb01ee16 | comment |
Cyberpunk: The setting for the Agent G and Cyber Dragons Trilogy where the world is on the verge of collapse and corporations rule through puppet governments. The setting eventually gets better but never quite shakes its influence. | |
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Feudal Future | |
Futurepunk / int_fea715c1 | comment |
Feudal Future: What eventually happens to many planets in Lucifer's Star and Wraith Knight. | |
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The following is a list of statements referring to the current page from other pages.
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Full-Conversion Cyborg / int_7db50c92 |
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Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.