...it's like TV Tropes, but LINKED DATA!
Deathcore
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Primary Stylistic Influences: Death Metal, Metalcore, Hardcore Punk Secondary Stylistic Influences: Melodic Metalcore, Alternative Metal, Djent, Nu Metal, Black Metal Deathcore is a generic term for music that combines Metalcore with Death Metal (usually more of the former than the latter, although there are certainly exceptions to thatnote Good examples being Whitechapel, Infant Annihilator, and Thy Art is Murder.). It usually combines blastbeat-led riffing akin to Death Metal with breakdowns influenced by both Metalcore and Brutal Death "slams". Deathcore's prominent vocal style is the growling of Death Metal, often juxtaposed with Metalcore-derived screams and high-pitched backing shrieks a la Cannibal Corpse and Deicide. There are many subsets of the genre, and a general breakdown of them is as follows: First-wave deathcore: The original acts in the genre and a few acts that started around that time, but took off later. Almost universally overlaps with deathgrind, often with prominent mathcore influences as well (primarily odd time signatures and heavy usage of "panic chords"). Famous acts include The Red Chord, Despised Icon, Antagony, Animosity, Bodies in the Gears of the Apparatus, and Deadwater Drowning. MySpace deathcore: The most famous variant of the 2000s, so named because it gained its popularity through MySpace. Heavily melodic death metal-influenced, with lots of pedalpoint riffing, a prominent high/low vocal approach, faster and more overtly hardcore-influenced breakdowns, and occasional chaotic technical passages that heavily emphasize sweep picking and tapping. Famous acts include All Shall Perish, As Blood Runs Black, Winds of Plague, Through the Eyes of the Dead, Suffokate, Rose Funeral, and Molotov Solution. Brutal deathcore: Exactly What It Says on the Tin: deathcore with a far less melodic and more brutal approach, usually with faster and more overtly brutal death-influenced riffing and slower, "chuggier" breakdowns, as well as a more guttural vocal approach. Famous acts include early Suicide Silence, early Whitechapel, Oceano, early Impending Doom, I Declare War, Crown Magnetar, and early Slaughter to Prevail. Technical deathcore: Another self-evident tag: more overtly Technical Death Metal-influenced deathcore. Runs the gamut from more melodic acts all the way to overlapping with brutal deathcore, but is generally on the more brutal end. Famous acts include Rings of Saturn, Beneath the Massacre, Infant Annihilator, Enterprise Earth, early The Faceless, Within the Ruins, Ovid's Withering, Aversions Crown, and Wretched. Djentcore: Deathcore that overlaps with djent (and often also modern metalcore); clean vocals and symphonic or atmospheric synths are common, and while most of these acts are lighter, heavier examples do exist, often with some mathcore and/or downtempo overlap. Famous acts include Born of Osiris, later Chelsea Grin, After the Burial, early Veil of Maya, later Ion Dissonance, Betraying the Martyrs, DeadVectors, and Humanity's Last Breath. Blackened deathcore: Deathcore with prominent blackened death metal and/or black metal influences; runs the gamut from heavily Behemoth-influenced acts all the way to acts with prominent black metal riffing and melodic ideas, and typically overlaps with Symphonic Metal. Famous acts include Thy Art Is Murder, later Carnifex, Lorna Shore, later Mental Cruelty, later A Wake in Providence, Nitheful, The Breathing Process, and Worm Shepherd. Slamming deathcore: An offshoot of brutal deathcore with prominent slam elements, usually involving a more gurgly vocal approach and slam breaks in addition to more traditional deathcore breakdowns. Famous acts include Waking the Cadaver, Disfiguring the Goddess, Vulvodynia, early Signs of the Swarm, mid-era Within Destruction, Acrania, early Mental Cruelty, and 9 Dead. Downtempo: Another offshoot of brutal deathcore, focusing almost exclusively on very slow tempos (often with dissonant lead themes laid over the top) and extremely long breakdowns, while more nu metal-oriented acts tend to take a somewhat faster and groovier approach. Also frequently involves very little actual death metal influence, as many acts are far more rooted in beatdown hardcore and/or nu metal. Famous acts include Black Tongue, early Bodysnatcher, Traitors, Falsifier, Bound in Fear, Distant, and CABAL. Nu deathcore: Deathcore combined with nu metal, usually involving groovier and bouncier riffing, droning atmospheric textures, and possibly some sort of clean vocal or rapping presence. Famous examples include modern Suicide Silence, Emmure, Spite, Brand of Sacrifice, The Last Ten Seconds of Life, To the Grave, later Within Destruction, and Left to Suffer. Spaz deathcore: A somewhat nebulous title, but generally applied to acts with heavy mathcore and math/white belt grind elements, possibly also overlapping with Avant-Garde Metal. Heavy usage of electronics are also common, while later acts also may have some nu metal elements. Famous examples include Iwrestledabearonce, Darko US, The Tony Danza Tapdance Extravaganza, Dr. Acula, Arsonists Get All the Girls, Methwitch, and See You Next Tuesday. Because it borrows heavily from its commercially successful grandparent Metalcore, Deathcore is arguably more viable in the mainstream than Death Metal. It could be seen as a Darker and Edgier version of the former and, if critics are to be believed, a Lighter and Softer descendant of the latter*This isn't entirely true, as most deathcore bands are just as hard, if not harder, than most pure death metal bands, due to being primarily rooted in brutal/slam death metal and deathgrind. Examples include Suicide Silence, Methwitch, Infant Annihilator, and Thy Art Is Murder.. Because It's Popular, Now It Sucks! and the genre's heavy influence from modern Metalcore supposedly makes it a "bastardization" of Heavy Metal, the genre has become a prominent target for contempt from purists in recent years, though this has faded as the two genres have largely become separate entities with far more limited crossover, coupled with deathcore elements bleeding into death metal and many older acts becoming Vindicated by History. |
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| Deathcore / int_136d30ca | type |
Deathcore | |
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Thy Art Is Murder (started off as brutal deathcore before going into a more blackened direction with Hate; they largely abandoned the genre in favor of Death Metal with Dear Desolation) | |
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Deathcore | |
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Underoath (Their first two albums could be considered an Unbuilt Trope for the genre-they do have noticeable death metal influences, but it's generally overshadowed by the Black Metal and Metalcore elements) | |
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Deathcore | |
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Infant Annihilator (mixed with brutal death and tech-death) | |
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Deathcore | |
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Crystal Lake (Ryo Kinoshita era, mixed with nu-metalcore on Helix) | |
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Deathcore | |
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Carnifex (combined with Black Metal and blackened death metal) | |
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Deathcore | |
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Fallujah (first few EPs and demos) | |
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Deathcore | |
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Volumes (also Djent and Nu Metal, largely abandoned the style from No Sleep onwards) | |
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Deathcore | |
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Job for a Cowboy (Trope Codifier; they were only part of this genre on their debut EP Doom, after which they abandoned the genre and moved onto straightforward Death Metal and Technical Death Metal) | |
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| Deathcore / int_48c3be7 | type |
Deathcore | |
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Fit for an Autopsy (some overlap with Groove Metal and Progressive Metal on Absolute Hope Absolute Hell and expanded on those elements on The Great Collapse) | |
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Deathcore | |
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PROJECT: VENGEANCE (supergroup featuring the vocalists of Lorna Shore, Infant Annihilator, Traitors, Left to Suffer, and Spite, formerly known as The Big Six) | |
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| Deathcore / int_4e3afbfa | type |
Deathcore | |
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Beneath the Massacre (mostly abandoned the genre on Maree Noire in favor of full-blown Technical Death Metal, but still has noticeable core elements) | |
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Deathcore | |
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Despised Icon (sometimes considered a Trope Maker along with The Red Chord) | |
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Deathcore | |
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All Shall Perish (one of the most loved examples) | |
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Deathcore | |
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The Agonist (Lullabies for the Dormant Mind onward, earlier material was melodic metalcore) | |
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| Deathcore / int_5b93f695 | type |
Deathcore | |
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MySpace: It is not really a stretch to say that this was the platform that made the genre explode. Acts like Job for a Cowboy, Suicide Silence, Whitechapel (Band), Carnifex, Oceano, As Blood Runs Black, and Born of Osiris all owed their almost overnight rises to fame to that site, while acts that took off just slightly before its rise to dominance (namely All Shall Perish, Despised Icon, and Suffokate) all jumped on board and took advantage of the format. "MySpace deathcore" has also become something of a colloquialism to refer to the style of deathcore that most of those bands played, which was usually characterized by melodic death metal-influenced riffing styles, heavy usage of gang vocals, melodic and often relatively unstructured leadwork that made heavy use of sweep picking, breakdowns that were usually faster and more overtly hardcore-influenced (oftentimes also featuring extremely fast double bass rolls), the regular usage of the "pig squeal/bree" from vocalists, and chaotic technical passages that heavily featured tapping. Most of these traits were commonplace in the music of All Shall Perish and As Blood Runs Black, who are generally agreed to be the figureheads of the style. | |
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Deathcore | |
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Whitechapel (Band) (started moving towards Groove Metal and Nu Metal with the self-titled, though still deathcore as a whole) | |
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Deathcore | |
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Through the Eyes of the Dead (first two EPs and Bloodlust, though their later material still has core elements) | |
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Deathcore | |
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Mire Lore (side project of Dan Watson) | |
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Deathcore | |
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The Red Chord (sometimes considered a Trope Maker along with Despised Icon; overlaps with Technical Death Metal and Grindcore) | |
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| Deathcore / int_6c50d399 | type |
Deathcore | |
| Deathcore / int_6c50d399 | comment |
Signs of the Swarm (some slam elements) | |
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| Deathcore / int_6c7e41ce | type |
Deathcore | |
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Shadow of Intent (took a substantially more Death Metal-oriented turn on Melancholy) | |
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Deathcore | |
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Make Them Suffer (They have progressive and symphonic influences too, and draw the line between this and Metalcore) | |
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Deathcore | |
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Black Tongue (heavy overlap with beatdown hardcore and Doom Metal) | |
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Deathcore | |
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Emmure (overlaps with Nu Metal) | |
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Deathcore | |
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Oceano | |
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Deathcore | |
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Animosity (significant overlap with technical death metal, also one of the only bands that is more or less universally liked by metal fans) | |
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Deathcore | |
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XavlegbmaofffassssitimiwoamndutroabcwapwaeiippohfffX (side project of Duncan Bentley and a throwback to the earliest bands of the genre) | |
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Deathcore | |
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Suicide Silence (Trope Codifier, later material overlaps with Nu Metal) | |
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Deathcore | |
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Cryptopsy (The Unspoken King) | |
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Deathcore | |
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The Faceless (EP and first full-length) | |
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| Deathcore / int_bc848d30 | type |
Deathcore | |
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"Knee Deep" seems to have been the song that set off the "Your favorite song, performed by Spongebob's Band" meme. | |
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| Deathcore / int_bcee4f39 | type |
Deathcore | |
| Deathcore / int_bcee4f39 | comment |
Bring Me the Horizon (first album and EP only; they dropped all elements of it starting with Suicide Season) | |
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| Deathcore / int_bd62eda1 | type |
Deathcore | |
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The Last Ten Seconds of Life (also Nu Metal, Groove Metal, beatdown hardcore, and stoner metal) | |
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| Deathcore / int_c117206e | type |
Deathcore | |
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Attila (Metalcore) (earlier material, later became nu metalcore) | |
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| Deathcore / int_c288767b | type |
Deathcore | |
| Deathcore / int_c288767b | comment |
Exotype (overlaps with a slew of Heavy Metal and Electronic Music genres) | |
| Deathcore / int_c288767b | featureApplicability |
1.0 | |
| Deathcore / int_c288767b | featureConfidence |
1.0 | |
| Exotype (Music) | hasFeature |
Deathcore / int_c288767b | |
| Deathcore / int_c3e5cd73 | type |
Deathcore | |
| Deathcore / int_c3e5cd73 | comment |
Waking the Cadaver (also slam/brutal death metal) | |
| Deathcore / int_c3e5cd73 | featureApplicability |
1.0 | |
| Deathcore / int_c3e5cd73 | featureConfidence |
1.0 | |
| Waking the Cadaver (Music) | hasFeature |
Deathcore / int_c3e5cd73 | |
| Deathcore / int_c90e054c | type |
Deathcore | |
| Deathcore / int_c90e054c | comment |
Abiotic (also technical death metal, especially circa Casuistry, which mostly but not entirely abandoned the deathcore genre) | |
| Deathcore / int_c90e054c | featureApplicability |
1.0 | |
| Deathcore / int_c90e054c | featureConfidence |
1.0 | |
| Abiotic (Music) | hasFeature |
Deathcore / int_c90e054c | |
| Deathcore / int_c963eef4 | type |
Deathcore | |
| Deathcore / int_c963eef4 | comment |
Coffin Feeder (side project of Sven de Caluwe of Aborted) | |
| Deathcore / int_c963eef4 | featureApplicability |
1.0 | |
| Deathcore / int_c963eef4 | featureConfidence |
1.0 | |
| Aborted (Music) | hasFeature |
Deathcore / int_c963eef4 | |
| Deathcore / int_cb3b3dba | type |
Deathcore | |
| Deathcore / int_cb3b3dba | comment |
Human Error (side project of Luke Griffin) | |
| Deathcore / int_cb3b3dba | featureApplicability |
1.0 | |
| Deathcore / int_cb3b3dba | featureConfidence |
1.0 | |
| Acrania (Music) | hasFeature |
Deathcore / int_cb3b3dba | |
| Deathcore / int_d020716e | type |
Deathcore | |
| Deathcore / int_d020716e | comment |
Mental Cruelty (also slam; they almost entirely shed the slam elements on Inferis for a blackened deathcore sound) | |
| Deathcore / int_d020716e | featureApplicability |
1.0 | |
| Deathcore / int_d020716e | featureConfidence |
1.0 | |
| Mental Cruelty (Music) | hasFeature |
Deathcore / int_d020716e | |
| Deathcore / int_d6bc1d65 | type |
Deathcore | |
| Deathcore / int_d6bc1d65 | comment |
Heaven Shall Burn (gets described as this often since it's particularly aggressive and grind-influenced Melodic Death Metal with some Metalcore elements, although it bears little similarity to other deathcore bands) | |
| Deathcore / int_d6bc1d65 | featureApplicability |
1.0 | |
| Deathcore / int_d6bc1d65 | featureConfidence |
1.0 | |
| Heaven Shall Burn (Music) | hasFeature |
Deathcore / int_d6bc1d65 | |
| Deathcore / int_e8feb7e | type |
Deathcore | |
| Deathcore / int_e8feb7e | comment |
Ingested (also brutal death metal; the amount of deathcore really depends on the album, though The Surreption had prominent brutal deathcore elements, while their releases from The Level Above Human onward had increasingly prominent deathcore elements that culminated in the extremely deathcore-leaning Where Only Gods May Tread) | |
| Deathcore / int_e8feb7e | featureApplicability |
1.0 | |
| Deathcore / int_e8feb7e | featureConfidence |
1.0 | |
| Ingested (Music) | hasFeature |
Deathcore / int_e8feb7e | |
| Deathcore / int_ec1f2b8e | type |
Deathcore | |
| Deathcore / int_ec1f2b8e | comment |
Brand of Sacrifice (also Industrial Metal, Symphonic Metal, and Nu Metal) | |
| Deathcore / int_ec1f2b8e | featureApplicability |
1.0 | |
| Deathcore / int_ec1f2b8e | featureConfidence |
1.0 | |
| Brand of Sacrifice (Music) | hasFeature |
Deathcore / int_ec1f2b8e | |
| Deathcore / int_ef0f0be | type |
Deathcore | |
| Deathcore / int_ef0f0be | comment |
Slaughter to Prevail (also Nu Metal circa Kostolom) | |
| Deathcore / int_ef0f0be | featureApplicability |
1.0 | |
| Deathcore / int_ef0f0be | featureConfidence |
1.0 | |
| Slaughter to Prevail (Music) | hasFeature |
Deathcore / int_ef0f0be | |
| Deathcore / int_fbcb7b98 | type |
Deathcore | |
| Deathcore / int_fbcb7b98 | comment |
Darko US (side project of Tom Barber and Josh Miller) | |
| Deathcore / int_fbcb7b98 | featureApplicability |
1.0 | |
| Deathcore / int_fbcb7b98 | featureConfidence |
1.0 | |
| Chelsea Grin (Music) | hasFeature |
Deathcore / int_fbcb7b98 |
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