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Deconstructed Trope
- 98 statements
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The intentional use and exploration of a trope, typically for ironic or satirical purposes. This differs from subverting a trope and Lampshade Hanging because the trope is not altered in any way, nor is any attempt made to make it more believable. It is used straight — far straighter than normal, in fact — and is examined in great detail, usually to try and show what circumstances would cause the trope to manifest in real life and/or what the real-life consequences of this trope would be, revealing some flaws beneath, like saying, "Be careful: this is what happens when you have this trope." Alternately, the trope can be used in a manner that differs greatly from its usual context. For example, many characters in comedies display behavior that, though played for laughs in the show, could in Real Life be the end result of a mental or social anxiety problem — Yanderes, Hard Drinking Party Girls, Tsunderes, Lovable Sex Maniacs, the list goes on. A more serious show might play with these tropes by presenting identical characters as unstable or even dangerous. If an entire genre gets this treatment (which usually happens over the course of an entire story), then it's a Genre Deconstruction, and they belong in that article, not here. Deconstructed Tropes occur in Deconstructions, but they can just as easily appear in straight examples of a genre, or even in Reconstructionist works. It's (probably) Older Than Dirt. Ancient people might not have the term "deconstruct" or "trope" and it's hard to know exactly what tropes existed in earliest human history, but what might be the oldest preserved story, The Epic of Gilgamesh, deconstructs the idea of a perfect Femme Fatale. The goddess Ishtar lures men to their destruction, but by the time she tries this with Gilgamesh, word about what happens to her lovers has gotten around. Not being completely ruled by his private parts, Gilgamesh simply says "no". Likewise the story of Helen of Troy seems to deconstruct what really happens if there was such a thing as a woman that was clearly the World's Most Beautiful Woman — some lustful man kidnaps her and a war breaks out. It should be noted that a deconstruction doesn't have to be Darker and Edgier than its source. If a negative trope is taken apart and shown to not necessarily be as bad as it's generally made to look, that's a Lighter and Softer deconstruction. Also, just because the trope is taken in a darker direction, it doesn't mean it's been deconstructed. Tropes darkened unrealistically don't provide the meaningful insight that a deconstruction is supposed to. For more examples of what a deconstruction is not, see Not a Deconstruction. This can overlap with Played for Horror if the deconstruction plays up the scary consequences. Deconstructed Character Archetype is a subtrope (insofar as character archetypes are tropes in their own right): examples of character types being deconstructed go on that page. See also Playing with a Trope for comparison with the other ways tropes can be used. May lead to a Surprisingly Realistic Outcome. When a Trope Maker seems to have done this, it's because it was an Unbuilt Trope. Examples from Fan Fic are to go in Deconstruction Fic. |
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Dropped link to AllDevouringBlackHoleLoanSharks: Not an Item - FEATURE | |
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Deconstructed Trope / int_257912b7 | type |
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Deconstructed Trope / int_257912b7 | comment |
Name any realistic drama of Ibsen and you will bump into some kind of deconstruction: An Enemy of the People, about a political idealist who ends up with the entire society hating him, is another good example of this. And then there is his masterpiece Peer Gynt, deconstructing Norway. | |
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Carmen also deconstructs Manic Pixie Dream Girl: she's a gypsy woman who seduces and enchants the lead male, Don Jose, with her free-spirited nature, but quickly tires of him as he proclaims his everlasting love for her. Turns out she's not so much for the forever love, and she leaves him for someone much more exciting. As a result, he kills her out of jealousy at the end of the opera. | |
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The fate of Ophelia in Hamlet is a sad deconstruction of It's Not You, It's My Enemies. Hamlet itself is a deconstruction of the revenge-tragedy genre that was extremely popular in the decades before the play was written (Shakespeare had contributed to the trend himself with Titus Andronicus). Hence, Hamlet's constant deliberation over his actions - the play has the structure of a revenge tragedy but, unlike other plays in the genre which tend not to question the motivations of their heroes, it's very serious about the moral and theological consequences of seeking vengeance. |
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The Temptations deconstructed the previously romantic view of being a runaway in "Runaway Child, Running Wild". | |
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Likewise, The Threepenny Opera deconstructs the idea of the Lovable Rogue and/or Magnificent Bastard with the famous character of Mackie "Mack the Knife"/"Macheath" Messer. | |
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Exalted deconstructs every single trope that can be attributed to Heroism. If an Exalt is a hero, expect him to eventually step on everyone even as he believes that he's doing the right thing. He's a Hero, he believes he's a hero, he won't listen to anyone who says otherwise, and he's got more than enough firepower to blow the world to smithereens. Underwent a Decon-Recon Switch later in its run, when it became clear that overdoing the deconstruction could make people stop caring. | |
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Hamlet itself is a deconstruction of the revenge-tragedy genre that was extremely popular in the decades before the play was written (Shakespeare had contributed to the trend himself with Titus Andronicus). Hence, Hamlet's constant deliberation over his actions - the play has the structure of a revenge tragedy but, unlike other plays in the genre which tend not to question the motivations of their heroes, it's very serious about the moral and theological consequences of seeking vengeance. | |
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A Doll's House and Hedda Gabler are best known for their deconstruction of Happily Ever After; they criticized the institution of marriage and the nuclear family. | |
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Romeo and Juliet is a big deconstruction of the idea of Love at First Sight. The titular characters aren't presented as lovers who are destined to be together; they're two infatuated kids who are in way over their heads, making an already bad situation even worse. It's also possibly the earliest example of why Faking the Dead isn't a good idea. If someone thinks that you're dead, you never really know how they're going to react. Juliet finds this out the hard way when Romeo, thinking she's dead, kills himself. |
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Many of the songs written by Serge Gainsbourg for the 60's French pop star France Gall were deconstructions of common themes in pop music and its role at the time in everyday life. The most well-known example is probably Poupée de cire, Poupée de son, winner of the Eurovision Song Contest of 1965, which deconstructs the idea of a star too young to actually understand love singing Silly Love Songs for cash that younger kids will believe. | |
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This YouTube comment says it all: | |
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