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Flyaway Shot
- 176 statements
- 33 feature instances
- 45 referencing feature instances
| Flyaway Shot | type |
FeatureClass | |
| Flyaway Shot | label |
Flyaway Shot | |
| Flyaway Shot | page |
FlyawayShot | |
| Flyaway Shot | comment |
That trick when the camera slowly zooms out and gives an aerial view of the setting, as though it had taken off. Usually a Hat-and-Coat Shot, although there are exceptions. Compare Astronomic Zoom, "Pan Up to the Sky" Ending and Fly-at-the-Camera Ending. Contrast Ending by Ascending, when a character does this instead of a camera. |
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| Flyaway Shot | fetched |
2024-02-14T19:46:42Z | |
| Flyaway Shot | parsed |
2024-02-14T19:46:42Z | |
| Flyaway Shot | processingComment |
Dropped link to DisneyAcidSequence: Not an Item - FEATURE | |
| Flyaway Shot | processingComment |
Dropped link to RomCom: Not an Item - UNKNOWN | |
| Flyaway Shot | processingComment |
Dropped link to TheTeaser: Not an Item - FEATURE | |
| Flyaway Shot | processingUnknown |
RomCom | |
| Flyaway Shot | isPartOf |
DBTropes | |
| Flyaway Shot / int_12300cc3 | type |
Flyaway Shot | |
| Flyaway Shot / int_12300cc3 | comment |
The book version of Watchmen ends Chapter 1 exactly like this. | |
| Flyaway Shot / int_12300cc3 | featureApplicability |
1.0 | |
| Flyaway Shot / int_12300cc3 | featureConfidence |
1.0 | |
| Watchmen (Comic Book) | hasFeature |
Flyaway Shot / int_12300cc3 | |
| Flyaway Shot / int_12b12556 | type |
Flyaway Shot | |
| Flyaway Shot / int_12b12556 | comment |
The Bourne Identity ends with the camera giving an aerial shot of the heroes' new location followed by a quick zoom-out before cutting to black. | |
| Flyaway Shot / int_12b12556 | featureApplicability |
1.0 | |
| Flyaway Shot / int_12b12556 | featureConfidence |
1.0 | |
| The Bourne Identity | hasFeature |
Flyaway Shot / int_12b12556 | |
| Flyaway Shot / int_1449a8e8 | type |
Flyaway Shot | |
| Flyaway Shot / int_1449a8e8 | comment |
Dirty Harry movies end like this. | |
| Flyaway Shot / int_1449a8e8 | featureApplicability |
1.0 | |
| Flyaway Shot / int_1449a8e8 | featureConfidence |
1.0 | |
| Dirty Harry | hasFeature |
Flyaway Shot / int_1449a8e8 | |
| Flyaway Shot / int_263d5756 | type |
Flyaway Shot | |
| Flyaway Shot / int_263d5756 | comment |
At the end of Live Free or Die Hard, with Creedence's "Fortunate Son" reprising itself in the background. | |
| Flyaway Shot / int_263d5756 | featureApplicability |
1.0 | |
| Flyaway Shot / int_263d5756 | featureConfidence |
1.0 | |
| Live Free or Die Hard | hasFeature |
Flyaway Shot / int_263d5756 | |
| Flyaway Shot / int_3018c949 | type |
Flyaway Shot | |
| Flyaway Shot / int_3018c949 | comment |
Bambi II: Subverted at the end, which has the camera zoom out as Bambi and the Great Prince stand in the spot where he first met Bambi's mother, only to cut away to a shot of a small plant growing on their den. | |
| Flyaway Shot / int_3018c949 | featureApplicability |
-0.3 | |
| Flyaway Shot / int_3018c949 | featureConfidence |
1.0 | |
| Bambi II | hasFeature |
Flyaway Shot / int_3018c949 | |
| Flyaway Shot / int_30d9627b | type |
Flyaway Shot | |
| Flyaway Shot / int_30d9627b | comment |
In The Hitchhiker's Guide to the Galaxy (1978), Fit the Sixth was supposed to end like this, despite radio being a non-visual medium. The Original Hitch-Hiker Radio Scripts tells the behind-the-scenes story: | |
| Flyaway Shot / int_30d9627b | featureApplicability |
1.0 | |
| Flyaway Shot / int_30d9627b | featureConfidence |
1.0 | |
| The Hitchhiker's Guide to the Galaxy (1978) (Radio) | hasFeature |
Flyaway Shot / int_30d9627b | |
| Flyaway Shot / int_39ce4618 | type |
Flyaway Shot | |
| Flyaway Shot / int_39ce4618 | comment |
The zoom-out shot from Zahra at the end of The Stoning of Soraya M. giving an aerial view of the setting. | |
| Flyaway Shot / int_39ce4618 | featureApplicability |
1.0 | |
| Flyaway Shot / int_39ce4618 | featureConfidence |
1.0 | |
| The Stoning of Soraya M. | hasFeature |
Flyaway Shot / int_39ce4618 | |
| Flyaway Shot / int_43576f5 | type |
Flyaway Shot | |
| Flyaway Shot / int_43576f5 | comment |
In the Supernatural episode "What Is And What Should Never Be" (S02, Ep20), the camera rises above the cemetery to show the bare tree branches and a river as Dean walks away from his father's grave. | |
| Flyaway Shot / int_43576f5 | featureApplicability |
1.0 | |
| Flyaway Shot / int_43576f5 | featureConfidence |
1.0 | |
| Supernatural | hasFeature |
Flyaway Shot / int_43576f5 | |
| Flyaway Shot / int_4578dbc5 | type |
Flyaway Shot | |
| Flyaway Shot / int_4578dbc5 | comment |
This was the end credits sequence for The Big Breakfast, in itself the Title Sequence (a short-range Astronomic Zoom) played in reverse. | |
| Flyaway Shot / int_4578dbc5 | featureApplicability |
1.0 | |
| Flyaway Shot / int_4578dbc5 | featureConfidence |
1.0 | |
| The Big Breakfast | hasFeature |
Flyaway Shot / int_4578dbc5 | |
| Flyaway Shot / int_4ae827cc | type |
Flyaway Shot | |
| Flyaway Shot / int_4ae827cc | comment |
Pay It Forward ends with a Flyaway Shot, zooming out from the hero's home onto the nightly skyline of Las Vegas. | |
| Flyaway Shot / int_4ae827cc | featureApplicability |
1.0 | |
| Flyaway Shot / int_4ae827cc | featureConfidence |
1.0 | |
| Pay It Forward | hasFeature |
Flyaway Shot / int_4ae827cc | |
| Flyaway Shot / int_5b3356f8 | type |
Flyaway Shot | |
| Flyaway Shot / int_5b3356f8 | comment |
Turning Red: Combined with an Orbital Shot during the red moon ritual scene. | |
| Flyaway Shot / int_5b3356f8 | featureApplicability |
1.0 | |
| Flyaway Shot / int_5b3356f8 | featureConfidence |
1.0 | |
| Turning Red | hasFeature |
Flyaway Shot / int_5b3356f8 | |
| Flyaway Shot / int_5bc2ba38 | type |
Flyaway Shot | |
| Flyaway Shot / int_5bc2ba38 | comment |
The Garden of Words has a zoom-out from the park into the sky before the "Where Are They Now?" Epilogue. | |
| Flyaway Shot / int_5bc2ba38 | featureApplicability |
1.0 | |
| Flyaway Shot / int_5bc2ba38 | featureConfidence |
1.0 | |
| The Garden of Words | hasFeature |
Flyaway Shot / int_5bc2ba38 | |
| Flyaway Shot / int_5cdad167 | type |
Flyaway Shot | |
| Flyaway Shot / int_5cdad167 | comment |
The last shot of Minority Report is a zoom out from the cottage of the three precogs to an bird-eye view of the island they are now living on. | |
| Flyaway Shot / int_5cdad167 | featureApplicability |
1.0 | |
| Flyaway Shot / int_5cdad167 | featureConfidence |
1.0 | |
| Minority Report | hasFeature |
Flyaway Shot / int_5cdad167 | |
| Flyaway Shot / int_6c2356d2 | type |
Flyaway Shot | |
| Flyaway Shot / int_6c2356d2 | comment |
Gangs of New York does this at the end of the fight scene at the beginning, showing all of 1840's New York. | |
| Flyaway Shot / int_6c2356d2 | featureApplicability |
1.0 | |
| Flyaway Shot / int_6c2356d2 | featureConfidence |
1.0 | |
| Gangs of New York | hasFeature |
Flyaway Shot / int_6c2356d2 | |
| Flyaway Shot / int_7b82aa31 | type |
Flyaway Shot | |
| Flyaway Shot / int_7b82aa31 | comment |
101 Dalmatians ends with a shot of the camera panning back from the Radcliffes' flat while the dogs' barking wakes up the entire neighborhood. | |
| Flyaway Shot / int_7b82aa31 | featureApplicability |
1.0 | |
| Flyaway Shot / int_7b82aa31 | featureConfidence |
1.0 | |
| 101 Dalmatians | hasFeature |
Flyaway Shot / int_7b82aa31 | |
| Flyaway Shot / int_7f9d3074 | type |
Flyaway Shot | |
| Flyaway Shot / int_7f9d3074 | comment |
Solaris (1972) ends with the camera flying away from the house, giving us an aerial view of the location which turns out to be an isle on the planet Solaris instead of Earth. | |
| Flyaway Shot / int_7f9d3074 | featureApplicability |
1.0 | |
| Flyaway Shot / int_7f9d3074 | featureConfidence |
1.0 | |
| Solaris (1972) | hasFeature |
Flyaway Shot / int_7f9d3074 | |
| Flyaway Shot / int_829b2f67 | type |
Flyaway Shot | |
| Flyaway Shot / int_829b2f67 | comment |
At the end of The Sound of Music the camera pulls back to give us panorama shot of the mountains. | |
| Flyaway Shot / int_829b2f67 | featureApplicability |
1.0 | |
| Flyaway Shot / int_829b2f67 | featureConfidence |
1.0 | |
| The Sound of Music (Theatre) | hasFeature |
Flyaway Shot / int_829b2f67 | |
| Flyaway Shot / int_8d814070 | type |
Flyaway Shot | |
| Flyaway Shot / int_8d814070 | comment |
M*A*S*H ends with such a shot. Hawkeye is taking a helicopter away from the camp's final location at the end of the war, and we see it from his point of view in the helicopter along with stones spelling out "Goodbye" left by B.J. | |
| Flyaway Shot / int_8d814070 | featureApplicability |
1.0 | |
| Flyaway Shot / int_8d814070 | featureConfidence |
1.0 | |
| M*A*S*H | hasFeature |
Flyaway Shot / int_8d814070 | |
| Flyaway Shot / int_9591f30c | type |
Flyaway Shot | |
| Flyaway Shot / int_9591f30c | comment |
Another reversed zoom can be seen at the end of Time Bandits, while the camera's zooming out on Kevin. The remains of Kevin's parents billow smoke backwards. | |
| Flyaway Shot / int_9591f30c | featureApplicability |
1.0 | |
| Flyaway Shot / int_9591f30c | featureConfidence |
1.0 | |
| Time Bandits | hasFeature |
Flyaway Shot / int_9591f30c | |
| Flyaway Shot / int_984757ed | type |
Flyaway Shot | |
| Flyaway Shot / int_984757ed | comment |
The last scene in When Marnie Was There before the credits is a zoom-out from the house into the sky (where Marnie lives). | |
| Flyaway Shot / int_984757ed | featureApplicability |
1.0 | |
| Flyaway Shot / int_984757ed | featureConfidence |
1.0 | |
| When Marnie Was There | hasFeature |
Flyaway Shot / int_984757ed | |
| Flyaway Shot / int_99055407 | type |
Flyaway Shot | |
| Flyaway Shot / int_99055407 | comment |
The end credits of Family Matters zooms out from the Winslow house to show all of Chicago. | |
| Flyaway Shot / int_99055407 | featureApplicability |
1.0 | |
| Flyaway Shot / int_99055407 | featureConfidence |
1.0 | |
| Family Matters | hasFeature |
Flyaway Shot / int_99055407 | |
| Flyaway Shot / int_a60e69d0 | type |
Flyaway Shot | |
| Flyaway Shot / int_a60e69d0 | comment |
Once Upon a Studio: Used for the Group Picture Ending, starting on Jiminy Cricket standing in Mickey's hand, and then zooming to reveal 500+ Disney characters as they sing the last line of "When You Wish Upon a Star". Afterward, Tinker Bell flies up to the camera and waves her wand, transitioning to a shot of the photo hanging on the wall (most likely in the studio's main reception). | |
| Flyaway Shot / int_a60e69d0 | featureApplicability |
1.0 | |
| Flyaway Shot / int_a60e69d0 | featureConfidence |
1.0 | |
| Once Upon a Studio | hasFeature |
Flyaway Shot / int_a60e69d0 | |
| Flyaway Shot / int_acfbff0a | type |
Flyaway Shot | |
| Flyaway Shot / int_acfbff0a | comment |
Once Upon a Studio: Version 2.0 is an extended cut of the below mentioned OUAS, and features several compared to the existing film; first there's the epic zoomout from Mickey, which fades into an epic panning shot of the entire chorus of all of Disney's animated characters singing the final verse of "When You Wish Upon a Star". This then fades into a closer shot of Mickey and gang, Cinderella, Belle, Moana, and their respective Princes and families. Cinderella and Prince Charming gently sing the opening line to "A Dream Is a Wish Your Heart Makes" to the audience, before Rapunzel and Eugene sing the first line of the chorus to "I See The Light" with even more passion and gusto, and Aladdin and Jasmine do the same for "A Whole New World" before we get a second zoom-out, showing everyone triumphantly singing the final line one more time, as the photo is magically created. | |
| Flyaway Shot / int_acfbff0a | featureApplicability |
1.0 | |
| Flyaway Shot / int_acfbff0a | featureConfidence |
1.0 | |
| Once Upon a Studio: Version 2.0 (Fanfic) | hasFeature |
Flyaway Shot / int_acfbff0a | |
| Flyaway Shot / int_b1072514 | type |
Flyaway Shot | |
| Flyaway Shot / int_b1072514 | comment |
Forrest Gump has this as bookend shots, following a Faux Symbolism feather. | |
| Flyaway Shot / int_b1072514 | featureApplicability |
1.0 | |
| Flyaway Shot / int_b1072514 | featureConfidence |
1.0 | |
| Forrest Gump | hasFeature |
Flyaway Shot / int_b1072514 | |
| Flyaway Shot / int_b9bfb610 | type |
Flyaway Shot | |
| Flyaway Shot / int_b9bfb610 | comment |
Recess: School's Out: Inverted right after the prologue, we cut to an aerial view of the town the show takes place in (no name), and go down while the movie title shows up, ending at the school. This is played straight at the end as well, after the kids leave the school, the camera goes up to the sky before the cut to black and the Disney Acid Sequence credits, in a Book Ends way. |
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| Flyaway Shot / int_b9bfb610 | featureApplicability |
1.0 | |
| Flyaway Shot / int_b9bfb610 | featureConfidence |
1.0 | |
| Recess: School's Out | hasFeature |
Flyaway Shot / int_b9bfb610 | |
| Flyaway Shot / int_ba9c90a1 | type |
Flyaway Shot | |
| Flyaway Shot / int_ba9c90a1 | comment |
At the end of Shara, the camera zooms out, pans the rooftops, and then the image segues to a view of the city from a helicopter flying higher and higher. | |
| Flyaway Shot / int_ba9c90a1 | featureApplicability |
1.0 | |
| Flyaway Shot / int_ba9c90a1 | featureConfidence |
1.0 | |
| Shara | hasFeature |
Flyaway Shot / int_ba9c90a1 | |
| Flyaway Shot / int_c487221e | type |
Flyaway Shot | |
| Flyaway Shot / int_c487221e | comment |
Men in Black zooms out from the streets of New York City, through the Earth's atmosphere and past the outer reaches of the Milky Way to show that our entire galaxy is being used as the shooter in a marbles game played by space aliens. | |
| Flyaway Shot / int_c487221e | featureApplicability |
1.0 | |
| Flyaway Shot / int_c487221e | featureConfidence |
1.0 | |
| Men in Black | hasFeature |
Flyaway Shot / int_c487221e | |
| Flyaway Shot / int_caa848c3 | type |
Flyaway Shot | |
| Flyaway Shot / int_caa848c3 | comment |
Chocolat ends with a zoom-out from the statue to an aerial shot of the whole village. | |
| Flyaway Shot / int_caa848c3 | featureApplicability |
1.0 | |
| Flyaway Shot / int_caa848c3 | featureConfidence |
1.0 | |
| Chocolat | hasFeature |
Flyaway Shot / int_caa848c3 | |
| Flyaway Shot / int_d66ef045 | type |
Flyaway Shot | |
| Flyaway Shot / int_d66ef045 | comment |
Atlantis: The Lost Empire ends with a zoom-out from showing Milo and Kida as, respectively, the new King and Queen of Atlantis watching the stone face of Kida's dead father fly away to join the other stone king faces orbiting the Heart of Atlantis crystal, now moved to high above the city to showing the now resurrected Atlantis, with the various fish vehicles constantly flying around (and one of them flying towards the camera to end the movie before the credits start.) Fun fact: the ending scene is actually made up of a massive 1500-ft. drawing made up of thousands of smaller background drawings, with the main reason for all those fish vehicles flying around being to trick the viewers into thinking that this is all but a single background. | |
| Flyaway Shot / int_d66ef045 | featureApplicability |
1.0 | |
| Flyaway Shot / int_d66ef045 | featureConfidence |
1.0 | |
| Atlantis: The Lost Empire | hasFeature |
Flyaway Shot / int_d66ef045 | |
| Flyaway Shot / int_e79c539b | type |
Flyaway Shot | |
| Flyaway Shot / int_e79c539b | comment |
The Skeleton Key ends with a zoom-out of the mansion. | |
| Flyaway Shot / int_e79c539b | featureApplicability |
1.0 | |
| Flyaway Shot / int_e79c539b | featureConfidence |
1.0 | |
| The Skeleton Key | hasFeature |
Flyaway Shot / int_e79c539b | |
| Flyaway Shot / int_f9cca474 | type |
Flyaway Shot | |
| Flyaway Shot / int_f9cca474 | comment |
Ruyi's Royal Love in the Palace: When Ruyi stands at the top of a building in episode twenty-seven the camera pans back to show most of the Forbidden City. | |
| Flyaway Shot / int_f9cca474 | featureApplicability |
1.0 | |
| Flyaway Shot / int_f9cca474 | featureConfidence |
1.0 | |
| Ruyi's Royal Love in the Palace | hasFeature |
Flyaway Shot / int_f9cca474 | |
| Flyaway Shot / int_fa368ad1 | type |
Flyaway Shot | |
| Flyaway Shot / int_fa368ad1 | comment |
Dead Man's Shoes ends with the camera flying out like an angel going to heaven. | |
| Flyaway Shot / int_fa368ad1 | featureApplicability |
1.0 | |
| Flyaway Shot / int_fa368ad1 | featureConfidence |
1.0 | |
| Dead Man's Shoes | hasFeature |
Flyaway Shot / int_fa368ad1 | |
| Flyaway Shot / int_fa7ffb67 | type |
Flyaway Shot | |
| Flyaway Shot / int_fa7ffb67 | comment |
Field of Dreams has this at the end. It starts out with a shot of Ray and his dad playing catch, and zooms away to reveal that a long line of cars is driving towards the field to visit. | |
| Flyaway Shot / int_fa7ffb67 | featureApplicability |
1.0 | |
| Flyaway Shot / int_fa7ffb67 | featureConfidence |
1.0 | |
| Field of Dreams | hasFeature |
Flyaway Shot / int_fa7ffb67 |
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