...it's like TV Tropes, but LINKED DATA!
Grindcore
- 190 statements
- 31 feature instances
- 20 referencing feature instances
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Primary Stylistic Influences: Hardcore Punk, D-Beat/Crust Punk, Anarcho-Punk, Powerviolence, Noise Rock, Crossover Thrash, Thrash Metal, Death Metal Secondary Stylistic Influences: Post-Punk, Industrial, No Wave, Harsh Noise, Free Jazz, Power Electronics, Modern Classical Music, Post-Hardcore Grindcore, often shortened to "grind", is what you get when you take hardcore, thrashcore, and crust punk and mix them with the spirit of noise and power electronics — short, brutal, and apparently a joke to begin with. While there are some examples of bands playing an early form of the genre in the early eighties, grind really started in the late eighties in the UK, Japan, and the US, when the crust punk band Napalm Death decided to take their already pretty extreme music to a new level. Combining their music with extreme metal, they created a new subgenre of both punk and metal. The term "grindcore" reportedly came from Napalm Death's drummer Mick Harris describing a Swans album to a friend. The genre is characterized by incredibly short songs (songs lasting under a minute aren't unusual, and the barely-over-one-second song is a staple of the genre, first pioneered by Napalm Death with their song "You Suffer"note recognized by the Guinness World Records as the shortest recorded song ever at 1.316 seconds), growled vocals akin to Death Metal mixed with thrashcore shouts and shrieks, a chaotic, stripped-down but still very heavy sound, fast drumming, and an overall simplicity in everything: time signatures, three-chords-by-song, no chorus, or so. Later bands, particularly in the 2000s (like the Swedish band Nasum), added a whole new level of musicianship to the genre. The lyrical content of grindcore is faithful to its punk roots and is usually about political and social content, although being as a genre highly prone to mutation and fusion, it can be about virtually anything. The principal characteristic of grind music is its intense density: everything is pushed to the extreme, so much that on first listening it can be difficult to discern what is happening, and it sounds just like a wall of speedy noise and shrieking vocalsnote Some bands actually do this, in fact; it's called "noisegrind". Grind in general is often mistaken for brutal death metal, which is a subgenre of death metal that strips away melodic elements to focus on a dense pounding sound. However, brutal death metal is much slower and more technical, and relies more on heaviness, non-stop beating and linearity than the monster speed and aggression of grindcore. Musically speaking, grind tends to use more power chords, simple tremolo pickings and fast beats while brutal death tends more to use intricate tremolo picking, a lot of palm muting and intricate riffs, and much more technical and heavy drumming. While in pure speed, both genres are on par, grind feels "faster" than brutal death, which feels more "overwhelming". Just compare the second Napalm Death album to anything by, say, Hate Eternal. Yeah, it's confusing, especially when you have bands that merge the two. Grind has witnessed a huge evolution during years and has several subgenres. Apart from straightforward grindcore, you'll find: Deathgrind: grindcore that's less compressed, making it easier to understand what's going on with all the instruments. Some bands combine grind with the aforementioned brutal death metal. Think of the later Napalm Death. Alternatively, some bands such as Cephalic Carnage play more with the musical complexity common to death metal but do it at the intense speeds of grindcore; this can often sound like death metal with far too many notes, or grindcore that's far too long and complex. There is also some overlap with deathcore, as numerous early bands in the latter genre took heavy influence from deathgrind. Full of Hell, Brutal Truth, Terrorizer, Gorerotted, Assück, and Rotten Sound are some of the best examples of the genre. Goregrind: basically the gory death metal version of grindcore, relying much more on death metal aesthetics than grindcore, but less on death metal sounds than deathgrind. The lyrics are almost entirely focused on extreme gore with some exceptions (primarily sociopolitical critiques using gore as a metaphor), the sound is usually fatter and more organic in a death metal fashion, melodic guitar solos are fairly common, and vocals are usually modified by a pitch-shifter. Early Carcass, early Exhumed, and Haemorrhage are the best examples of the genre. Pornogrind: a derivative of goregrind that relies more on groove and fun than pure aggression and gore (though considering how goregrind is already quite abrasive, that's not saying a whole lot). Of course, the lyrics are often sexually explicit. Bears a lot of resemblance to goregrind, may be a little slower though. It's not unusual to have high pitched falsetto vocals (in a tongue-in-cheek way) along the usual pitch-shifted gurgling vocals. Gut, Rompeprop, Gutalax, Cemetary Rapist, Cock and Ball Torture, and Meat Shits are the most famous examples. Extending from pornogrind is hentaigrind, which is basically like the aforementioned genre, but with Hentai (and to a lesser extent, Ecchi) replacing "regular" pornography. Fan Disservice is arguably more a rule than an exception. Notable bands include Jig-Al, Gokkun, Go-Zen and Anal Kudasai. In essence, both hentaigrind and pornogrind can be considered as Darker and Edgier Spiritual Successor to Hair Metal. Cybergrind: the electronic side of grind. Basically a mixture of Hardcore Techno and grind. Think of Carcass playing in a rave party, you'll pretty much understand cybergrind. Usually revolves around grindcore (or goregrind) played over techno beats with added samples and electronic sounds; noise and breakcore are also common influences, and remix EPs and compilations are a staple of the genre. Almost always uses a drum machine (with the one notable exception of The Berzerker). It also has its own microgenre in “cybergoreâ€�, which is basically a mixture of cybergrind and pornogore. Agoraphobic Nosebleed, Genghis Tron, Gigantic Brain, The Locust, and The Berzerker are probably the most well-known bands in the genre. One notable artist is the late Chu Ishikawa, who composed the score for the Tetsuo trilogy. Noisegrind: the aforementioned mess of noise and screams, often with strong doses of Harsh Noise influence for good measure. It's an offensive subgenre that relies on shock value, whether in its "music" (some bands just improvise all the songs) or its lyrical content. Anal Cunt, Holy Grinder, Meat Shits, Sete Star Sept, Sore Throat, Fear of God, Arsedestroyer, and Gore Beyond Necropsy are the best examples. The genre is very similar to noisecore. Powerviolence: Though stylistically closer to hardcore punk, powerviolence is sometimes seen as a grindcore subgenre due to how similar it sounds to the latter. Sonically, it takes inspiration from grindcore, Harsh Noise and thrashcore with a more dissonant riffage and Hardcore Punk-style shouts (as opposed to grindcore's Death Metal growls and shrieks), while also adding fluctuating tempos akin to Sludge Metal and crust punk along with samples from action films, TV shows, and video games as postmodern meta-commentary. California’s flourishing skateboarding, Hip-Hop, and graffiti culture during the mid-90s also left an imprint on the powerviolence scene. Key artists from the original powerviolence scene include Siege, Spazz, No Comment, Infest, Gasp, Despise You, Man Is the Bastard, and Crossed Out, while notable contemporary acts include Zulu, Witch Cult, ACxDC, Bucket Full of Teeth, Weekend Nachos, Magrudergrind, and Hatred Surge. Non-American PV bands include Conga Fury (Japan) and Yacøpsæ (Germany). Crustgrind: grindcore that kept more of its crust roots rather than its extreme metal roots. To sum it up, it's d-beat crust with blast beats; but it's definitely more than that. Examples would be Extreme Noise Terror, Electro Hippies, and Disrupt. Gorenoise: a harsh noise variation of goregrind that features no dynamic range and is practically a subgenre of noise music itself. Vocals are usually pitch shifted and are given effects that sound like gurgling, or running water. The style is extremely underground, as it is generally very harsh to listen to. Popular bands of the style would be Phyllomedusa, Last Days of Humanity, and much of Robert Maggard's projects, most notably Dissolved and Urinary Tract Infection from Severe Pus Clots. Pornogore: an extreme lo-fi style of grindcore and goregrind that often lacks musical quality and production. Bands of this style do so in an "edgy" humorous sense, where the lyrical themes are always about gore, fetishism, misogyny, among other dark and perverted topics. As an anti-music style of grindcore, influences and musicianship also incorporate gorenoise, pornogrind, and sometimes noisegrind, making minimalistic groovy mid-paced music that has a very amateurish quality. Despite the name, pornogore and pornogrind are unrelated genres, where bands of this style are often vaguely lumped together as low quality styles of grindcore. The genre does not have a very defined history and is often disregarded by most grindcore fans, as bands of this style deliberately make their songs as harsh and unmusical as possible. Most individuals who make this style do so as a joke, which makes the lyrical themes an extension of it. It also has its own subgenre in cybergore, which is essentially a fusion of pornogore and cybergrind. Some of the more popular bands that play these two styles are Spermswamp, Libido Airbag, Mulk, and S.M.E.S.. Mincecore: rarely used, but exists nonetheless. Coined by Belgium's Agathocles, it refers to punkish grindcore that resembles the early days of the genre, with a more aggressive and sharp sound and a tendency to release a lot of split records (as of January 2014, Agathocles have released 304 records, with only 12 albums). Musically, it's often really close to the sound of Agathocles themselves, or closer to the first Napalm Death album, Scum. Think of mincecore as the polar opposite of newer, cleaner bands like Nasum and Rotten Sound. Notable bands of the genre are Rot (from Brazil) and Archagathus (Canada). The gory side of mincecore also exists and is sometimes referred as minceGORE (although even more rarely used), rising in late 2012. It's basically the mincecore version of goregrind, with the same differences as traditional grindcore. Some bands that have been coined as mincegore are Hyperemesis (Canada) and Couple Skate (US). Grind 'n' Roll: The name says it all. It's a rock 'n' roll-like style of grindcore, similar to death 'n' roll. Imagine mixing hard rock with grindcore; that is how the style sounds. It came into fruition after the rise of death 'n' roll with bands such as Blood Duster and Mucupurulent in the late 1990s/early 2000s. It even has its own smaller styles: gore 'n' roll and grindabilly. As the name suggests, gore 'n' roll is a more goregrind driven style of the sound. Grindabilly is unique, combining more rockabilly influences with grindcore from acts such as Noise A Go Go's and Beelzebeat. Entombedcore: While technically rooted in metalcore, there's so much overlap with grindcore both sonically and in terms of the fanbase that it gets an honorary mention. The name itself is just a colloquialism that started seeing use on various blogs (there is no actual proper name for the genre); musically, it's old-school metallic hardcore that is always mixed with hefty amounts of Swedish death metal (not Melodic Death Metal, this is important) and usually also grindcore, crust punk, and powerviolence; depending on the band, sludge metal, beatdown hardcore, noise, or black metal may also be involved. Famous examples that skew particularly close to grindcore are Nails, Early Graves, and Call of the Void. Whitebelt, Mathgrind, Emogrind, Falsegrind (these are all variations that mean very similar things): Don't let the name scare you away; the label is due to its association with the early 2000s melodic metalcore and deathcore scenes. Whitebelt is a combination of Mathcore/Skramz/Emoviolence with grindcore. Needless to say, it's frantic, noisy, extremely discordant, and requires no small amount of technical ability. The genre term and the bands within it are rather obscure, but it's still a thing. Examples include early Daughters, The Locust, Bucket Full of Teeth and SeeYouSpaceCowboy. Blackened grindcore: Exactly What It Says on the Tin - Black Metal meets grindcore. Expect blatant Satanic imagery, corpse paint and Serious Business here. Oh, and intentionally lo-fi production as well. Notable bands in this subgenre include Knoll, Sunlight's Bane, and Knelt Rote. And of course, all of these subgenres can be merged. Messy? The style is, naturally, underground (and is known for having a particularly strong DIY component; house shows are a genre staple, and it's not uncommon to see multiple living rooms and basements on a list of tour dates), though some bands have gained some mainstream recognition. |
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| Grindcore / int_107e63 | type |
Grindcore | |
| Grindcore / int_107e63 | comment |
Bolt Thrower (on their first album In Battle There Is No Law, changed sound to Death Metal on next album Realms of Chaos) | |
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Grindcore | |
| Grindcore / int_113f1f60 | comment |
Melt-Banana (A female-fronted and highly experimental case; they include elements of Japanese Pop Music and Nu Metal, among many others.) | |
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Grindcore | |
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Carcass (early works were the Ur-Example/Trope Maker of Goregrind; later switched to straight Death Metal with Necroticism-Descanting the Insalubrious and then went on to become the Ur-Example of Melodic Death Metal with Heartwork) | |
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Grindcore | |
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Napalm Death (Trope Maker, with their song "You Suffer (But Why?)" being the Trope Codifier for the Miniscule Rocking grind is infamous for) | |
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| Grindcore / int_41c8c708 | type |
Grindcore | |
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Macabre (a Genre-Busting example, but this is one of the easier labels to stick them with) | |
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Grindcore | |
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END (supergroup featuring Will Putney, Gregory Thomas (Shai Hulud), Brendan Murphy (Counterparts), Jay Pepito (Reign Supreme), and Andrew McEnaney (Trade Wind, Structures) | |
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Grindcore | |
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Trap Them (overlaps with crust punk and grindcore, arguably the Ur-Example of "Entombedcore" along with Cursed and most certainly a Trope Codifier) | |
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| Grindcore / int_630126df | type |
Grindcore | |
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Mortification (experimented with it on their first three albums and, with a few exceptions, would typically have one or two songs in the genre per album afterwards) | |
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1.0 | |
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Grindcore | |
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Genghis Tron | |
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Grindcore / int_6376613d | |
| Grindcore / int_6a38ea81 | type |
Grindcore | |
| Grindcore / int_6a38ea81 | comment |
Wormwood (with particularly prominent doom metal and noise influences, best known for having Greg Weeks on bass) | |
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Grindcore | |
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Discordance Axis | |
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Grindcore | |
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Daughters (Only on their first album. Their later material is Noise Rock and no wave) | |
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Grindcore | |
| Grindcore / int_7f88ab6d | comment |
Circle Takes the Square (mixed with around a dozen other genres; they also have elements of Screamo, Post-Hardcore, Post-Rock, Progressive Rock, Progressive Metal, Math Rock, even Folk Music) | |
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Grindcore | |
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Spillane (1987) | |
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Grindcore | |
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Anaal Nathrakh (Started off as raw Black Metal, later mixed black metal with grindcore and Industrial Metal.) | |
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Grindcore | |
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Raised by Owls (with elements of Death Metal while being Played for Laughs) | |
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Grindcore | |
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Cattle Decapitation (early material; they went death metal on To Serve Man and progressive death on Karma.Bloody.Karma.) | |
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Grindcore | |
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John Zorn: Highly eclectic and impossible to pigeonhole artist, mostly active in jazz, though his gigantic catalogue has tried out various genres and styles throughout the years. Spillane (1987) Radio (1993) |
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Grindcore | |
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Pungent Stench | |
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Grindcore | |
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Exhumed (changed sound to Death Metal with Anatomy Is Destiny; as of Horror, they are back to playing grindcore) | |
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Grindcore | |
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Anal Cunt (essentially a Stealth Parody of the genre as a whole) | |
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Grindcore | |
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Dorso | |
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Grindcore | |
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Nails | |
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Grindcore | |
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Radio (1993) | |
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Grindcore | |
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The Senseless | |
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Grindcore | |
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Cephalic Carnage (essentially Deathgrind and Technical Death Metal, with the occasional Progressive Metal song thrown in here and there) | |
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Grindcore / int_d8675d6b | |
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Grindcore | |
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Dying Fetus (also brutal death metal) | |
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1.0 | |
| Grindcore / int_d89cec81 | featureConfidence |
1.0 | |
| Dying Fetus (Music) | hasFeature |
Grindcore / int_d89cec81 | |
| Grindcore / int_dae63a2a | type |
Grindcore | |
| Grindcore / int_dae63a2a | comment |
The Berzerker (along with Industrial Metal) | |
| Grindcore / int_dae63a2a | featureApplicability |
1.0 | |
| Grindcore / int_dae63a2a | featureConfidence |
1.0 | |
| The Berzerker (Music) | hasFeature |
Grindcore / int_dae63a2a | |
| Grindcore / int_dbea99de | type |
Grindcore | |
| Grindcore / int_dbea99de | comment |
Cult Leader (Spiritual Successor to Gaza, they started out with this sound before largely abandoning it by A Patient Man) | |
| Grindcore / int_dbea99de | featureApplicability |
1.0 | |
| Grindcore / int_dbea99de | featureConfidence |
1.0 | |
| Cult Leader (Music) | hasFeature |
Grindcore / int_dbea99de | |
| Grindcore / int_f193c2c2 | type |
Grindcore | |
| Grindcore / int_f193c2c2 | comment |
Misery Index | |
| Grindcore / int_f193c2c2 | featureApplicability |
1.0 | |
| Grindcore / int_f193c2c2 | featureConfidence |
1.0 | |
| Misery Index (Music) | hasFeature |
Grindcore / int_f193c2c2 | |
| Grindcore / int_f9f0136 | type |
Grindcore | |
| Grindcore / int_f9f0136 | comment |
Code Orange (originally known as Code Orange Kids; has a significant overlap with beatdown hardcore on I Am King before dropping this altogether on Forever for who the fuck knows) | |
| Grindcore / int_f9f0136 | featureApplicability |
1.0 | |
| Grindcore / int_f9f0136 | featureConfidence |
1.0 | |
| Code Orange (Music) | hasFeature |
Grindcore / int_f9f0136 |
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