...it's like TV Tropes, but LINKED DATA!
Industrial
- 381 statements
- 59 feature instances
- 19 referencing feature instances
| Industrial | type |
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Industrial | |
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Industrial | |
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Primary Stylistic Influences (Old-School Industrial): Electronic Music, Avant-Garde Music, Punk Rock, Musique Concrete, Electroacoustic Music, Psychedelic Rock, Art Pop, Free Improvisation, Performance Art Secondary Stylistic Influences (Old-School Industrial): Post-Punk, Proto Punk, Free Jazz, Krautrock, Progressive Rock, Early Comedy Music, various others Primary Stylistic Influences (EBM and Futurepop): Old-School Industrial, Electronic Music, Synth Punk Secondary Stylistic Influences (EBM and Futurepop): Post-Punk and Italo Disco (On EBM), Classical Music, House Music, Techno and Trance (Both on Futurepop) Primary Stylistic Influences (Electro-Industrial): Electronic Music, EBM, Synth-Pop Secondary Stylistic Influences (Electro-Industrial): Old School Industrial, Dark Wave, House Music, Techno, Soundtracks, sometimes Trance, Hardcore Techno, Noise Rock, and Harsh Noise Primary Stylistic Influences (Industrial Hip-Hop): Old-School Industrial, Hip-Hop (Generally Hardcore Hip-Hop and Alternative Hip Hop) Secondary Stylistic Influences (Industrial Hip-Hop): EBM, Electro-Industrial, Trip Hop, Alternative Dance, Alternative Rock, Synth-Pop Primary Stylistic Influences (Ambient-Industrial, Post-Industrial and Martial): Old-School Industrial, Ambient, Drone Music, Harsh Noise, Neoclassical Dark Wave, Neofolk, Marches Secondary Stylistic Influences (Ambient-Industrial, Post-Industrial and Martial): Avant-Garde Music, Classical Music, Folk Music, World Music (In Post-Industrial and some Ambient Industrial), Psychedelic Rock (In Post-Industrial) and Noise Rock Primary Stylistic Influences (Power Noise): Old-School Industrial, Harsh Noise, Electro-Industrial, Hardcore Techno, Secondary Stylistic Influences (Power Noise): EBM, Noise Rock Primary Stylistic Influences (Power Electronics and Death Industrial): Old-School Industrial, Modern Classical Music Secondary Stylistic Influences (Power Electronics and Death Industrial): Avant-Garde Music, Ambient (Especially in Death Industrial), Harsh Noise In the late seventies, when Punk Rock was the dominant form of rebellious music, several artists who were more underground felt that punk was not as effective a means of expressing true rebellion as many had claimed. These musicians decided to move towards the more weird sounds of Electronic Music instead. Rather than embracing the mainstream electronica of their time, however, they drew inspiration from bands like Suicide and strove to combine Electronic Music with various experimental styles such as Avant-Garde Music, Musique Concrete, and Free Improvisation, with a punk mentality. The new genre grew to be referred to as "Industrial" partly (and primarily) because the majority of its artists were signed to Industrial Records (which was itself founded by members of the pioneering Industrial group Throbbing Gristle), and partly because of the tendency of artists within the genre to involve unconventional, metallic sounding instruments/sounds in the composition of their work (sounding like a Nightmarish Factory). The first widely recognized Industrial group was the aforementioned Throbbing Gristle, a highly experimental outfit that incorporated electronic music with elements of avant-garde, Dada, and performance art. Their lyrical themes focused mainly on violence, rebellion, sexuality, and neo-pagan philosophy. Band membership consisted of several English performance/visual artists, musicians, and writers already well-known within Britain's underground art scene. Their material was not strictly composed of recognizable electronic instruments; they would use any sound they deemed necessary. Arguably, German group Einstürzende Neubauten also fit alongside Throbbing Gristle in terms of being one of Industrial's experimental forebears. Lesser known but equally innovative acts like experimental trio Cabaret Voltaire of Sheffield, Chrome of San Francisco, and extreme performance artists SPK of Australia and NON of California also contributed significantly to the fledgling genre. As electronic music became more popular during The '80s, the earlier kinds of experimental Industrial music underwent refinement and became increasingly synthesizer based. The genre grew in two major directions, the first approaching almost entirely electronic music in the bizarre and experimental spirit of Throbbing Gristle (this direction being exemplified by Canadian group Skinny Puppy), while the second focused more on producing danceable electronic music that retained the cold and aggressive Darker and Edgier qualities and attitude of the early experimental Industrial artists (this direction, often called Electronic Body Music (or EBM) or Industrial Dance, was exemplified by groups such as Nitzer Ebb and Front 242). Two other, frequently-intersecting "purist" directions in Industrial music also emerged at the turn of the decade: Power Electronics and Post-Industrial. The former was first pioneered by a group called Whitehouse in the late seventies with the express purpose of fusing deliberately offensive lyrics and Sensory Abuse into one teeming mass of Nightmare Fuel. The latter is a much more nebulous term, applying mostly to the many esoterically-inclined groups formed by members, ex-members and colleagues of Psychic TV and Coil (groups that formed from the ashes of Throbbing Gristle following the band's 1981 breakup) alongside those of Nurse With Wound and Current 93. Coil would evolve into Harsh Noise, then Dark Ambient. Nurse with Wound debuted two years after Throbbing Gristle, incorporating Musique Concrète with numerous surrealist influences over time. Current 93 eventually transitioned from nightmare-inducing drones and chants into a form of lilting acoustic music which would become known as "Apocalyptic Folk". These bands made little direct impact on the future Industrial genre (Coil's early albums being an exception), although there is a certain degree of fan overlap. As the genre kept evolving, it began adding elements from other genres and/or recombining with various forms of itself. Bill Leeb, an early member of Skinny Puppy, tamed his former group's bizarre experimentalism by building his songs around an EBM backbone and going all-out Cyberpunk in attitude. Albums from his project Front Line Assembly, particularly Tactical Neural Implant, have often been considered landmarks in the genre. The EBM faction of the genre kept making itself progressively Darker and Edgier, sometimes increasing the tempo and toughening up the drums whenever possible. The project Leaether Strip (misspelling deliberate) embodies this trend pretty well. Naturally, the dark, chaotic lyrics and sound of Industrial music caused it to acquire a fanbase within the goth community and it didn't take too long for stylistic blending to occur. Industrial was already pretty Dark and Edgy, but when some very depressed Germans decided to goth it up (influenced by a gothic-inspired form of Synth-Pop known as Dark Wave), it became Nightmare Fuel. The project :wumpscut: took this to potentially Wangsty extremes: their album Embryodead is a Concept Album which argues that it is better to die in the womb than to be born in this cruel and miserable world full of hate and beyond reason. Needless to say, it isn't the most pleasant listen for most audiences. Of course, this new audience opened up a new marketing opportunity for many Industrial bands, leading to an increasing focus on making successful dance-floor hits for goths. The more mainstream Industrial groups (for a given value of mainstream) progressively incorporated influences from pop-based dance genres. Trance became a significant influence (though admittedly, Electronic Body Music can at times sound like Darker and Edgier Trance, so it wasn't a particularly huge deviation from established norms), something which resulted in the rise of a Sub-Genre called "Futurepop". Bands that pioneered this style include VNV Nation (whose album Empires is the Trope Codifier for Futurepop), Icon of Coil and Apoptygma Berzerk. A less dance-friendly fringe style known as Noise later appeared as a reaction against Futurepop and an attempt to remove any and all mainstream elements form industrial and focus solely on the abrasiveness. Noise mostly consists of loud electronic samples brickwalled and distorted in order to inflict pain upon the audience. If there are any lyrics then they're usually angry, offensive and violent. Merzbow is the most recognizable name among fans of Noise music. Members of the subculture that arose from the Industrial scene became known as "rivet-heads", and adopted a militaristic dress code. Unsurprisingly, rivet-heads got on supremely well with goths, due in no small part to their shared love of Industrial and Industrial-related styles. Fans who fall somewhere between rivet-head and goth are often referred to as "cybergoths". As of the writing of this page, Industrial music has entered a period of stagnation, with two main sub-genres/derivative genres retaining some level of popularity - the remnants of the Futurepop acts that are sliding into synthpop and/or more retro forms of electronic music, and the Darker and Edgier "Hellektro" or “Aggrotech� (essentially really, really hard EBM, sometimes with insanely angry and/or miserable attitudes and sometimes without) acts like Combichrist and Psyclon Nine. This is, of course, a simplification, and many artists can be found that defy this basic characterization, but it certainly applies to the majority of the Industrial that gets played at most goth clubs these days. Several older Industrial Dance songs sometimes get spun in clubs as part of '80s nights, due to their compatibility with the format; it helps that Alternative Dance bands like Depeche Mode incorporated conspicuous industrial elements into their sound as a means of distinguishing themselves from more traditional Synth-Pop (for instance, compare "Shake the Disease" to Ministry's "Every Day is Halloween", or Nine Inch Nails' Pretty Hate Machine to DM's Music for the Masses; Trent Reznor even cited Depeche Mode's Black Celebration as a major influence on Pretty Hate Machine). While the Industrial genre itself may be developing a bit of rust on its rivets, modern movements like Dubstep, Harsh Noise, and Glitch owe a debt to the pioneers who discovered the art creating emotionally charged music from controlled chaos and many artists in these genres cite Industrial groups as a major influence. Not to be confused with Industrial Metal (the genre into which bands like Ministry, Rammstein, Nine Inch Nails, and KMFDM fall), which is the result of bands combining elements of industrial music with metal. See that genre's page for more detail. |
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| Industrial | fetched |
2024-04-18T10:46:18Z | |
| Industrial | parsed |
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| Industrial | processingComment |
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IronicNurseryRhyme | |
| Industrial | isPartOf |
DBTropes | |
| Industrial / int_11c85b97 | type |
Industrial | |
| Industrial / int_11c85b97 | comment |
Information Society | |
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| Industrial / int_192bf9a0 | type |
Industrial | |
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Chino Amobi (is this with elements of industrial hip hop, Harsh Noise and Alternative R&B) | |
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Industrial | |
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1987 - Songs About Fucking | |
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Industrial | |
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Death in June (Trope Makers for the Neo-Folk-influenced fringe of the genre) | |
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Industrial | |
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1975 - Metal Machine Music (Often considered an Ur-Example of this and Harsh Noise) | |
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| Industrial / int_397f963d | type |
Industrial | |
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clipping. | |
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Industrial | |
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1982 - Security | |
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| Industrial / int_3d03f557 | type |
Industrial | |
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2018 - You Won't Get What You Want | |
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Industrial | |
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Dreamcrusher | |
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Industrial | |
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Die Krupps | |
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| Industrial / int_42dc389d | type |
Industrial | |
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1977 - The Idiot (often considered an Ur-Example of the genre, released the same year as Throbbing Gristle's debut) | |
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| Industrial / int_4368ec08 | type |
Industrial | |
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Death Grips | |
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| Industrial / int_497b3e28 | type |
Industrial | |
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Suicide (Ur-Example) | |
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| Industrial / int_4bf2ab29 | type |
Industrial | |
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This Heat (a Genre-Busting experimental band who helped to pioneer the genre) 1979 - This Heat 1981 - Deceit |
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| Industrial / int_4e895265 | type |
Industrial | |
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1994 - The Downward Spiral | |
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| Industrial / int_5d645352 | type |
Industrial | |
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Whitehouse (Trope Maker, Trope Namer and Trope Codifier) | |
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| Industrial / int_71bd74c6 | type |
Industrial | |
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1979 - This Heat | |
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| Industrial / int_78935f5e | type |
Industrial | |
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REPULSIVE | |
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Industrial | |
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1992 - Broken | |
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Industrial | |
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Daughters 2018 - You Won't Get What You Want |
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| Industrial / int_7f5e3e05 | type |
Industrial | |
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Deadsy | |
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| Industrial / int_7f5f2949 | type |
Industrial | |
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1981 - Deceit | |
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| Industrial / int_845fc677 | type |
Industrial | |
| Industrial / int_845fc677 | comment |
HEALTH (mixed with Noise Rock starting with Death Magic) | |
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Industrial | |
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Cabaret Voltaire (Their mid-period work was one of the Trope Makers; later became House Music) | |
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Industrial | |
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1997 - Earthling (overlaps with Drum and Bass and Techno) | |
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| Industrial / int_8ad99a47 | type |
Industrial | |
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2005 - With Teeth | |
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| Industrial / int_95ae94de | type |
Industrial | |
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1994 - Portrait of an American Family | |
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| Industrial / int_a1c0719b | type |
Industrial | |
| Industrial / int_a1c0719b | comment |
Xiu Xiu (also experimental rock) | |
| Industrial / int_a1c0719b | featureApplicability |
1.0 | |
| Industrial / int_a1c0719b | featureConfidence |
1.0 | |
| Xiu Xiu (Music) | hasFeature |
Industrial / int_a1c0719b | |
| Industrial / int_a3ccb7e8 | type |
Industrial | |
| Industrial / int_a3ccb7e8 | comment |
Killing Joke | |
| Industrial / int_a3ccb7e8 | featureApplicability |
1.0 | |
| Industrial / int_a3ccb7e8 | featureConfidence |
1.0 | |
| Killing Joke (Music) | hasFeature |
Industrial / int_a3ccb7e8 | |
| Industrial / int_a693b013 | type |
Industrial | |
| Industrial / int_a693b013 | comment |
1996 - Antichrist Superstar | |
| Industrial / int_a693b013 | featureApplicability |
1.0 | |
| Industrial / int_a693b013 | featureConfidence |
1.0 | |
| Antichrist Superstar (Music) | hasFeature |
Industrial / int_a693b013 | |
| Industrial / int_a6f92e00 | type |
Industrial | |
| Industrial / int_a6f92e00 | comment |
2007 - Year Zero | |
| Industrial / int_a6f92e00 | featureApplicability |
1.0 | |
| Industrial / int_a6f92e00 | featureConfidence |
1.0 | |
| Year Zero (Music) | hasFeature |
Industrial / int_a6f92e00 | |
| Industrial / int_a7a76a34 | type |
Industrial | |
| Industrial / int_a7a76a34 | comment |
2000 - Holy Wood (In the Shadow of the Valley of Death) | |
| Industrial / int_a7a76a34 | featureApplicability |
1.0 | |
| Industrial / int_a7a76a34 | featureConfidence |
1.0 | |
| Holy Wood (In the Shadow of the Valley of Death) (Music) | hasFeature |
Industrial / int_a7a76a34 | |
| Industrial / int_b03b07c2 | type |
Industrial | |
| Industrial / int_b03b07c2 | comment |
1999 - The Fragile | |
| Industrial / int_b03b07c2 | featureApplicability |
1.0 | |
| Industrial / int_b03b07c2 | featureConfidence |
1.0 | |
| The Fragile (1999) (Music) | hasFeature |
Industrial / int_b03b07c2 | |
| Industrial / int_ba7203f7 | type |
Industrial | |
| Industrial / int_ba7203f7 | comment |
Gary Numan (from Sacrifice onward, combined with Dark Wave) | |
| Industrial / int_ba7203f7 | featureApplicability |
1.0 | |
| Industrial / int_ba7203f7 | featureConfidence |
1.0 | |
| Gary Numan (Music) | hasFeature |
Industrial / int_ba7203f7 | |
| Industrial / int_bc5cec59 | type |
Industrial | |
| Industrial / int_bc5cec59 | comment |
1995 - Smells Like Children | |
| Industrial / int_bc5cec59 | featureApplicability |
1.0 | |
| Industrial / int_bc5cec59 | featureConfidence |
1.0 | |
| Smells Like Children (Music) | hasFeature |
Industrial / int_bc5cec59 | |
| Industrial / int_c01498d8 | type |
Industrial | |
| Industrial / int_c01498d8 | comment |
The Body (On recent tours, earlier work is Avant-Garde Metal) | |
| Industrial / int_c01498d8 | featureApplicability |
1.0 | |
| Industrial / int_c01498d8 | featureConfidence |
1.0 | |
| The Body (Music) | hasFeature |
Industrial / int_c01498d8 | |
| Industrial / int_c01c4876 | type |
Industrial | |
| Industrial / int_c01c4876 | comment |
2008 - The Slip | |
| Industrial / int_c01c4876 | featureApplicability |
1.0 | |
| Industrial / int_c01c4876 | featureConfidence |
1.0 | |
| The Slip (Music) | hasFeature |
Industrial / int_c01c4876 | |
| Industrial / int_c5c38da | type |
Industrial | |
| Industrial / int_c5c38da | comment |
Dälek (Along with lots of other things) | |
| Industrial / int_c5c38da | featureApplicability |
1.0 | |
| Industrial / int_c5c38da | featureConfidence |
1.0 | |
| Dälek (Music) | hasFeature |
Industrial / int_c5c38da | |
| Industrial / int_ceae00ca | type |
Industrial | |
| Industrial / int_ceae00ca | comment |
1995 - Outside | |
| Industrial / int_ceae00ca | featureApplicability |
1.0 | |
| Industrial / int_ceae00ca | featureConfidence |
1.0 | |
| Outside (Music) | hasFeature |
Industrial / int_ceae00ca | |
| Industrial / int_d254efc | type |
Industrial | |
| Industrial / int_d254efc | comment |
SKYND | |
| Industrial / int_d254efc | featureApplicability |
1.0 | |
| Industrial / int_d254efc | featureConfidence |
1.0 | |
| SKYND (Music) | hasFeature |
Industrial / int_d254efc | |
| Industrial / int_d52da4cb | type |
Industrial | |
| Industrial / int_d52da4cb | comment |
Keith Le Blanc (mainly overlapping with Tackhead) | |
| Industrial / int_d52da4cb | featureApplicability |
1.0 | |
| Industrial / int_d52da4cb | featureConfidence |
1.0 | |
| Keith LeBlanc (Music) | hasFeature |
Industrial / int_d52da4cb | |
| Industrial / int_d59e2ca4 | type |
Industrial | |
| Industrial / int_d59e2ca4 | comment |
1996 - Quake soundtrack | |
| Industrial / int_d59e2ca4 | featureApplicability |
1.0 | |
| Industrial / int_d59e2ca4 | featureConfidence |
1.0 | |
| Quake (Video Game) | hasFeature |
Industrial / int_d59e2ca4 | |
| Industrial / int_d7ccb43a | type |
Industrial | |
| Industrial / int_d7ccb43a | comment |
Funker Vogt | |
| Industrial / int_d7ccb43a | featureApplicability |
1.0 | |
| Industrial / int_d7ccb43a | featureConfidence |
1.0 | |
| Funker Vogt (Music) | hasFeature |
Industrial / int_d7ccb43a | |
| Industrial / int_d85f8c8 | type |
Industrial | |
| Industrial / int_d85f8c8 | comment |
Yello (mainly on their first three albums and on much of their fourth; later material would lean increasingly away from industrial in favor of other Electronic Music genres) | |
| Industrial / int_d85f8c8 | featureApplicability |
1.0 | |
| Industrial / int_d85f8c8 | featureConfidence |
1.0 | |
| Yello (Music) | hasFeature |
Industrial / int_d85f8c8 | |
| Industrial / int_d8794a2e | type |
Industrial | |
| Industrial / int_d8794a2e | comment |
Juan Mutant (The heavier moments on 22/08/69) | |
| Industrial / int_d8794a2e | featureApplicability |
1.0 | |
| Industrial / int_d8794a2e | featureConfidence |
1.0 | |
| Juan Mutant (Music) | hasFeature |
Industrial / int_d8794a2e | |
| Industrial / int_dc9d1dce | type |
Industrial | |
| Industrial / int_dc9d1dce | comment |
One of Einstürzende Neubauten's most compelling songs is "Yü-Gung (Fütter Mein Ego)," which is a lengthy ode to speed induced megalomania. | |
| Industrial / int_dc9d1dce | featureApplicability |
1.0 | |
| Industrial / int_dc9d1dce | featureConfidence |
1.0 | |
| Einstürzende Neubauten (Music) | hasFeature |
Industrial / int_dc9d1dce | |
| Industrial / int_dd6883d9 | type |
Industrial | |
| Industrial / int_dd6883d9 | comment |
Les Friction | |
| Industrial / int_dd6883d9 | featureApplicability |
1.0 | |
| Industrial / int_dd6883d9 | featureConfidence |
1.0 | |
| Les Friction (Music) | hasFeature |
Industrial / int_dd6883d9 | |
| Industrial / int_ddfc9da9 | type |
Industrial | |
| Industrial / int_ddfc9da9 | comment |
Lingua Ignota (also neoclassical) | |
| Industrial / int_ddfc9da9 | featureApplicability |
1.0 | |
| Industrial / int_ddfc9da9 | featureConfidence |
1.0 | |
| Lingua Ignota (Music) | hasFeature |
Industrial / int_ddfc9da9 | |
| Industrial / int_e30f7467 | type |
Industrial | |
| Industrial / int_e30f7467 | comment |
Pop Will Eat Itself | |
| Industrial / int_e30f7467 | featureApplicability |
1.0 | |
| Industrial / int_e30f7467 | featureConfidence |
1.0 | |
| Pop Will Eat Itself (Music) | hasFeature |
Industrial / int_e30f7467 | |
| Industrial / int_e311649f | type |
Industrial | |
| Industrial / int_e311649f | comment |
2002 - Up | |
| Industrial / int_e311649f | featureApplicability |
1.0 | |
| Industrial / int_e311649f | featureConfidence |
1.0 | |
| Up (Peter Gabriel Album) (Music) | hasFeature |
Industrial / int_e311649f | |
| Industrial / int_e5fc324c | type |
Industrial | |
| Industrial / int_e5fc324c | comment |
1989 - Pretty Hate Machine | |
| Industrial / int_e5fc324c | featureApplicability |
1.0 | |
| Industrial / int_e5fc324c | featureConfidence |
1.0 | |
| Pretty Hate Machine (Music) | hasFeature |
Industrial / int_e5fc324c | |
| Industrial / int_ef5a4c67 | type |
Industrial | |
| Industrial / int_ef5a4c67 | comment |
JPEGMafia (also Alternative Hip Hop) | |
| Industrial / int_ef5a4c67 | featureApplicability |
1.0 | |
| Industrial / int_ef5a4c67 | featureConfidence |
1.0 | |
| JPEGMafia (Music) | hasFeature |
Industrial / int_ef5a4c67 | |
| Industrial / int_f043b61c | type |
Industrial | |
| Industrial / int_f043b61c | comment |
mind.in.a.box | |
| Industrial / int_f043b61c | featureApplicability |
1.0 | |
| Industrial / int_f043b61c | featureConfidence |
1.0 | |
| mind.in.a.box (Music) | hasFeature |
Industrial / int_f043b61c | |
| Industrial / int_f37aa68a | type |
Industrial | |
| Industrial / int_f37aa68a | comment |
Chrome (The lesser-known Trope Maker) | |
| Industrial / int_f37aa68a | featureApplicability |
1.0 | |
| Industrial / int_f37aa68a | featureConfidence |
1.0 | |
| Chrome (Band) (Music) | hasFeature |
Industrial / int_f37aa68a | |
| Industrial / int_f4a684f7 | type |
Industrial | |
| Industrial / int_f4a684f7 | comment |
2013 - Hesitation Marks | |
| Industrial / int_f4a684f7 | featureApplicability |
1.0 | |
| Industrial / int_f4a684f7 | featureConfidence |
1.0 | |
| Hesitation Marks (Music) | hasFeature |
Industrial / int_f4a684f7 | |
| Industrial / int_f524ae09 | type |
Industrial | |
| Industrial / int_f524ae09 | comment |
Perturbator Originally cyberpunk influenced synthwave, added a heavy dose of industrial starting with New Model and Lustful Sacraments. | |
| Industrial / int_f524ae09 | featureApplicability |
1.0 | |
| Industrial / int_f524ae09 | featureConfidence |
1.0 | |
| Perturbator (Music) | hasFeature |
Industrial / int_f524ae09 | |
| Industrial / int_f95ad640 | type |
Industrial | |
| Industrial / int_f95ad640 | comment |
Ego Likeness | |
| Industrial / int_f95ad640 | featureApplicability |
1.0 | |
| Industrial / int_f95ad640 | featureConfidence |
1.0 | |
| Ego Likeness (Music) | hasFeature |
Industrial / int_f95ad640 | |
| Industrial / int_fc5e624d | type |
Industrial | |
| Industrial / int_fc5e624d | comment |
Zoviet France (Trope Makers for Industrial-Ambient. Well known for their unconventional album packaging.) | |
| Industrial / int_fc5e624d | featureApplicability |
1.0 | |
| Industrial / int_fc5e624d | featureConfidence |
1.0 | |
| Zoviet France (Music) | hasFeature |
Industrial / int_fc5e624d | |
| Industrial / int_ffd6a7bc | type |
Industrial | |
| Industrial / int_ffd6a7bc | comment |
How to Destroy Angels (Trent Reznor's side project) Trent Reznor's soundtrack collaborations with Atticus Ross fall here as well. |
|
| Industrial / int_ffd6a7bc | featureApplicability |
1.0 | |
| Industrial / int_ffd6a7bc | featureConfidence |
1.0 | |
| How to Destroy Angels (Music) | hasFeature |
Industrial / int_ffd6a7bc |
The following is a list of statements referring to the current page from other pages.
| Industrial | processingCategory2 |
Music Tropes | |
| Ergo Proxy / int_e0158a1e | type |
Industrial | |
| Texhnolyze / int_e0158a1e | type |
Industrial | |
| Chrome | seeAlso |
Industrial | |
| DarkMazeStudios | seeAlso |
Industrial | |
| StudiodeKadent | seeAlso |
Industrial | |
| Synthesizeritis | seeAlso |
Industrial | |
| WestGermany | seeAlso |
Industrial | |
| Cabaret Voltaire (Music) / int_e0158a1e | type |
Industrial | |
| Chrome (Band) (Music) / int_e0158a1e | type |
Industrial | |
| clipping. (Music) / int_e0158a1e | type |
Industrial | |
| Gary Numan (Music) / int_e0158a1e | type |
Industrial | |
| Industrial (Music) | seeAlso |
Industrial | |
| Metal Machine Music (Music) / int_e0158a1e | type |
Industrial | |
| SITD | processingCategory1 |
Industrial | |
| Songs of Faith and Devotion (Music) / int_e0158a1e | type |
Industrial | |
| Trance | seeAlso |
Industrial | |
| YouthCode | seeAlso |
Industrial | |
| Super Mario RPG (Video Game) / int_e0158a1e | type |
Industrial |
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