...it's like TV Tropes, but LINKED DATA!
Jazz
- 551 statements
- 100 feature instances
- 61 referencing feature instances
| Jazz | type |
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| Jazz | label |
Jazz | |
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Jazz | |
| Jazz | comment |
What is Jazz? Here are some (attributed) answers from a few of the best and most influential jazz musicians of all time: Okay, so that probably didn't help much. But, in our defense, defining jazz really is hard. (Just look at what The Other Wiki has to say about that!) So maybe we can just stick with the following: At its heart, jazz is about spontaneity. That usually means improvising solos, the art of playing (to a greater or lesser extent) without written-out, arranged parts and being free to play whatever you like over a chord progression, sometimes without even confines of traditional music structure (which is what Free Jazz is all about). Jazz started out in the United States in the beginning of the 20th century as 'black music' and is closely related to Blues, to the extent that many famous jazz compositions can be considered Blues pieces. Since then, there have been different forms of jazz, listed roughly in historical order: New Orleans/Dixieland, Swing/Big Band, Bebop, Cool, Modal, Avant-Garde, Free Jazz, jazz-rock Fusion, Nu Jazz... and this is a very incomplete list. Jazz itself probably started out in a small band format in many different cities throughout the US, most famously New Orleans. It became the most popular type of music in the US in its Big Band format (10-30 musicians) during the Twenties to The '40s. Big bands had large horn section with saxophones, trumpets, and trombones, along with a rhythm section consisting of chordal instruments (piano, guitar, etc), double bass and drums, often along with vocalist and a string section (violins and violas). This large ensemble needed written arrangements and a bandleader, but the soloists still improvised their solos. This evolved into a multitude of different styles, pretty much all of which were played by small bands (duos, trios, quartets, amd larger groups, such as octets), starting out with Bebop. The classic jazz quartet is a solo instrument (saxophone, trumpet, etc), piano, double bass and drums. The organ trio is a Hammond organ player, a guitarist (or other melodic instrument) and a drummer. The emphasis also changed back to playing more in jazz clubs and having fewer concerts (with some important exceptions, such as the Newport Jazz Festival). The ascension of pop music and Rock & Roll in The '50s led to the fading of jazz's popularity. Jazz today has, for the most part, a relatively small, but enthusiastic audience, somewhat of a 'cult' following. Somewhat amusingly (and probably shockingly to the original founders of the genre), jazz has become "respectable" music thanks to the development of its technical artistry and a sophisticated pedagogical approach. Jazz is now taught alongside Classical Music in many university music departments across the US—unheard-of for any other popular music genre. Jazz has made a deep impression in music. The extended improvised solos and complex harmonies of jazz are also seen in progressive rock. Jazz also contributed to the development of musical instruments, such as the modern drum set, which was largely developed by early jazz musicians. Jazz is a unique cultural contributions that the United States brought to the world, along with Rock & Roll. Jazz Fusion and Jazz Rap, two associated genres that originated in the late 1960s and late 1980s, respectively, have their own pages. Jazz fusion melds the extended improvised solos of traditional jazz with heavily-amplified electric instruments such as electric guitar and electric bass and it also uses synthesizers. Finally, a note on the name: there are many, many, many ideas for where and how the word originated. |
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| Jazz | fetched |
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| Jazz | parsed |
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| Jazz | processingUnknown |
Art Farmer (Music) | |
| Jazz | processingUnknown |
BetteMidler | |
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Guitar (Music) | |
| Jazz | processingUnknown |
Ptah The El Daoud (Music) | |
| Jazz | processingUnknown |
Southern Nights (Music) | |
| Jazz | processingUnknown |
The Epic (Music) | |
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World Galaxy (Music) | |
| Jazz | isPartOf |
DBTropes | |
| Jazz / int_117e3e40 | type |
Jazz | |
| Jazz / int_117e3e40 | comment |
1959 - Kind of Blue | |
| Jazz / int_117e3e40 | featureApplicability |
1.0 | |
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1.0 | |
| Kind of Blue (Music) | hasFeature |
Jazz / int_117e3e40 | |
| Jazz / int_1292243c | type |
Jazz | |
| Jazz / int_1292243c | comment |
1976 - Small Change | |
| Jazz / int_1292243c | featureApplicability |
1.0 | |
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| Small Change (Music) | hasFeature |
Jazz / int_1292243c | |
| Jazz / int_1504dda1 | type |
Jazz | |
| Jazz / int_1504dda1 | comment |
1978 - Blue Valentine | |
| Jazz / int_1504dda1 | featureApplicability |
1.0 | |
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1.0 | |
| Blue Valentine (Music) | hasFeature |
Jazz / int_1504dda1 | |
| Jazz / int_184da50 | type |
Jazz | |
| Jazz / int_184da50 | comment |
1974 - The Revolution Will Not Be Televised | |
| Jazz / int_184da50 | featureApplicability |
1.0 | |
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1.0 | |
| The Revolution Will Not Be Televised (Music) | hasFeature |
Jazz / int_184da50 | |
| Jazz / int_1a79ea64 | type |
Jazz | |
| Jazz / int_1a79ea64 | comment |
The Four Freshmen: Vocal jazz group from the 1950s, known as a major influence for Brian Wilson. | |
| Jazz / int_1a79ea64 | featureApplicability |
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| Jazz / int_1be15442 | type |
Jazz | |
| Jazz / int_1be15442 | comment |
Mark Isham | |
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| Jazz / int_1bf196b | type |
Jazz | |
| Jazz / int_1bf196b | comment |
Kamasi Washington: A popular jazz saxophonist who rose to fame after being featured on Kendrick Lamar's To Pimp A Butterfly. The Epic |
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| Jazz / int_1cdeeaa | type |
Jazz | |
| Jazz / int_1cdeeaa | comment |
Herb Alpert: American trumpeter with a decades-long instrumentalist career, particularly for Jazz. Also known for The Tijuana Brass which also incorporates a mariachi sound. | |
| Jazz / int_1cdeeaa | featureApplicability |
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| Jazz / int_1f5efc27 | type |
Jazz | |
| Jazz / int_1f5efc27 | comment |
1970 - Bitches Brew | |
| Jazz / int_1f5efc27 | featureApplicability |
1.0 | |
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1.0 | |
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| Jazz / int_1fd2af2d | type |
Jazz | |
| Jazz / int_1fd2af2d | comment |
Thundercat: While notoriously difficult to classify, Thundercat (the solo work of former Suicidal Tendencies bassist, onetime Kendrick Lamar collaborator, and frequent Flying Lotus collaborator Stephen Bruner) is generally accepted as jazz-related, as he freely mixes jazz and jazz fusion with elements of hip-hop, soul, funk, psychedelic rock, synth-funk, and yacht rock. | |
| Jazz / int_1fd2af2d | featureApplicability |
1.0 | |
| Jazz / int_1fd2af2d | featureConfidence |
1.0 | |
| Thundercat (Music) | hasFeature |
Jazz / int_1fd2af2d | |
| Jazz / int_26744f7f | type |
Jazz | |
| Jazz / int_26744f7f | comment |
Neil Diamond | |
| Jazz / int_26744f7f | featureApplicability |
1.0 | |
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| Neil Diamond (Music) | hasFeature |
Jazz / int_26744f7f | |
| Jazz / int_276dd2c8 | type |
Jazz | |
| Jazz / int_276dd2c8 | comment |
1961 - The Futuristic Sounds of Sun Ra | |
| Jazz / int_276dd2c8 | featureApplicability |
1.0 | |
| Jazz / int_276dd2c8 | featureConfidence |
1.0 | |
| The Futuristic Sounds of Sun Ra (Music) | hasFeature |
Jazz / int_276dd2c8 | |
| Jazz / int_2a466245 | type |
Jazz | |
| Jazz / int_2a466245 | comment |
Ornette Coleman: Texan saxophonist, composer and bandleader with a uniquely loose, exploratory approach to playing and composing. His third album The Shape of Jazz to Come rewrote the rules of jazz harmony and melody, but his 1960 album Free Jazz, which is Exactly What It Says on the Tin, pretty much tore the rules into shreds and flushed them down the drain. Coleman got heaped with more derision than almost any other musician of his generation, some of it coming from his own peers, but he persevered and became a beloved figure. One notable later album is his dizzying 1985 collaboration with guitarist Pat Metheny, Song X. Coleman tunes such as "Lonely Woman" and "Mob Job" have become standards. Winner of the 2007 Pulitzer Prize in Music. 1959 - The Shape of Jazz to Come |
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| Jazz / int_2a466245 | featureApplicability |
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| Jazz / int_2a466245 | featureConfidence |
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| Ornette Coleman (Music) | hasFeature |
Jazz / int_2a466245 | |
| Jazz / int_2c0074fc | type |
Jazz | |
| Jazz / int_2c0074fc | comment |
1964 - Out to Lunch! | |
| Jazz / int_2c0074fc | featureApplicability |
1.0 | |
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1.0 | |
| OutToLunch | hasFeature |
Jazz / int_2c0074fc | |
| Jazz / int_31c146e4 | type |
Jazz | |
| Jazz / int_31c146e4 | comment |
Gil Scott-Heron: A civil rights activist and poet who became well-known for reciting racially-charged poems, such as "Whitey on the Moon", "Peace Go With You, Brother", and his oft-parodied signature poem "The Revolution Will Not Be Televised". His unfiltered, blunt delivery and social consciousness was an early predictor of rap. 1974 - The Revolution Will Not Be Televised 1974 - Winter in America |
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1.0 | |
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Jazz / int_31c146e4 | |
| Jazz / int_37ce630b | type |
Jazz | |
| Jazz / int_37ce630b | comment |
SOUND HOLIC | |
| Jazz / int_37ce630b | featureApplicability |
1.0 | |
| Jazz / int_37ce630b | featureConfidence |
1.0 | |
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Jazz / int_37ce630b | |
| Jazz / int_38a9e361 | type |
Jazz | |
| Jazz / int_38a9e361 | comment |
1965 - A Love Supreme | |
| Jazz / int_38a9e361 | featureApplicability |
1.0 | |
| Jazz / int_38a9e361 | featureConfidence |
1.0 | |
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Jazz / int_38a9e361 | |
| Jazz / int_39e2c4f3 | type |
Jazz | |
| Jazz / int_39e2c4f3 | comment |
1971 - Journey in Satchidananda | |
| Jazz / int_39e2c4f3 | featureApplicability |
1.0 | |
| Jazz / int_39e2c4f3 | featureConfidence |
1.0 | |
| Journey in Satchidananda (Music) | hasFeature |
Jazz / int_39e2c4f3 | |
| Jazz / int_3a3b0d61 | type |
Jazz | |
| Jazz / int_3a3b0d61 | comment |
1975 - Nighthawks at the Diner | |
| Jazz / int_3a3b0d61 | featureApplicability |
1.0 | |
| Jazz / int_3a3b0d61 | featureConfidence |
1.0 | |
| Nighthawks at the Diner (Music) | hasFeature |
Jazz / int_3a3b0d61 | |
| Jazz / int_3f972c78 | type |
Jazz | |
| Jazz / int_3f972c78 | comment |
Rahsaan Roland Kirk: The blind jazz multi-instrumentalist who played more instruments than one can count - often at the same time, which may be what he's most famous for. Also known for his virtuosic playing ability, improvisation, wild stage presence, DIY instruments, and outspoken politics. | |
| Jazz / int_3f972c78 | featureApplicability |
1.0 | |
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Jazz / int_3f972c78 | |
| Jazz / int_3fae0cc2 | type |
Jazz | |
| Jazz / int_3fae0cc2 | comment |
Eric Dolphy: Gifted multi-instrumentalist, playing alto sax, flute and bass clarinet with equal facility. Influenced by hard bop, free jazz and also 20th century classical music such as Bartok and Stravinsky; played with Mingus and Coltrane and was equally at home with both. His style was notable for its use of wide intervals; he used to listen to birdsong and try to imitate it. Beloved by everyone who worked with him, apparently. Died young of an undiagnosed diabetic condition after collapsing onstage in Germany. 1964 - Out to Lunch! |
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Jazz / int_3fae0cc2 | |
| Jazz / int_40237bcc | type |
Jazz | |
| Jazz / int_40237bcc | comment |
Fats Waller: Fine pianist and singer but chiefly memorable for writing great songs, some of which ("Honeysuckle Rose", "Ain't Misbehavin'") are so standard it's almost ridiculous. | |
| Jazz / int_40237bcc | featureApplicability |
1.0 | |
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| Fats Waller (Music) | hasFeature |
Jazz / int_40237bcc | |
| Jazz / int_4053e625 | type |
Jazz | |
| Jazz / int_4053e625 | comment |
1954 - Songs for Young Lovers | |
| Jazz / int_4053e625 | featureApplicability |
1.0 | |
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1.0 | |
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Jazz / int_4053e625 | |
| Jazz / int_40b1e41c | type |
Jazz | |
| Jazz / int_40b1e41c | comment |
1942 - Merry Christmas | |
| Jazz / int_40b1e41c | featureApplicability |
1.0 | |
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1.0 | |
| Merry Christmas (Music) | hasFeature |
Jazz / int_40b1e41c | |
| Jazz / int_4384d744 | type |
Jazz | |
| Jazz / int_4384d744 | comment |
1983 - Future Shock | |
| Jazz / int_4384d744 | featureApplicability |
1.0 | |
| Jazz / int_4384d744 | featureConfidence |
1.0 | |
| Future Shock (Music) | hasFeature |
Jazz / int_4384d744 | |
| Jazz / int_4915b31d | type |
Jazz | |
| Jazz / int_4915b31d | comment |
1960 - Giant Steps | |
| Jazz / int_4915b31d | featureApplicability |
1.0 | |
| Jazz / int_4915b31d | featureConfidence |
1.0 | |
| Giant Steps (Music) | hasFeature |
Jazz / int_4915b31d | |
| Jazz / int_4a474266 | type |
Jazz | |
| Jazz / int_4a474266 | comment |
Carsie Blanton | |
| Jazz / int_4a474266 | featureApplicability |
1.0 | |
| Jazz / int_4a474266 | featureConfidence |
1.0 | |
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Jazz / int_4a474266 | |
| Jazz / int_4e36d026 | type |
Jazz | |
| Jazz / int_4e36d026 | comment |
Paul Anka | |
| Jazz / int_4e36d026 | featureApplicability |
1.0 | |
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Jazz / int_4e36d026 | |
| Jazz / int_51126d3c | type |
Jazz | |
| Jazz / int_51126d3c | comment |
Charles Mingus: Double bass player, composer and bandleader, the angry man of jazz, absolutely brilliant and over-opinionated in every place that counted. Known for taking pot shots at other jazz musicians, being an outspoken social activist, inspiring The Who to trash their instruments on stage, and writing a guide for how to toilet-train cats. Also one of the great jazz composers after Duke Ellington (who he cited as a major influence), writing longer, more complex compositions that seamlessly brought together blues and more avant-garde influences (as a teenager growing up in Watts, Los Angeles, he studied Schoenberg and Stravinsky alongside Ellington) in addition to more conventional jazz "tunes" based on 16- or 32-bar progressions. He was the first jazz musician to have his entire (gigantic) catalog acquired by the Library of Congress. 1959 - Mingus Ah Um 1963 - The Black Saint and the Sinner Lady 1972 - Let My Children Hear Music |
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| Jazz / int_51126d3c | featureApplicability |
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Jazz / int_51126d3c | |
| Jazz / int_5260de79 | type |
Jazz | |
| Jazz / int_5260de79 | comment |
Allen Toussaint 1975 - Southern Nights |
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| Jazz / int_5260de79 | featureApplicability |
1.0 | |
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| Allen Toussaint (Music) | hasFeature |
Jazz / int_5260de79 | |
| Jazz / int_599779b8 | type |
Jazz | |
| Jazz / int_599779b8 | comment |
1959 - The Shape of Jazz to Come | |
| Jazz / int_599779b8 | featureApplicability |
1.0 | |
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1.0 | |
| The Shape of Jazz to Come (Music) | hasFeature |
Jazz / int_599779b8 | |
| Jazz / int_5db7f147 | type |
Jazz | |
| Jazz / int_5db7f147 | comment |
Marianne Faithfull: From the late 1970s and 1980s on she reinvented herself as a jazz and blues singer. | |
| Jazz / int_5db7f147 | featureApplicability |
1.0 | |
| Jazz / int_5db7f147 | featureConfidence |
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Jazz / int_5db7f147 | |
| Jazz / int_5fd6faea | type |
Jazz | |
| Jazz / int_5fd6faea | comment |
Tito Puente 1958 - Dance Mania Vol 1 |
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1.0 | |
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| Tito Puente (Music) | hasFeature |
Jazz / int_5fd6faea | |
| Jazz / int_60882b51 | type |
Jazz | |
| Jazz / int_60882b51 | comment |
St Germain: a French musician, he's among the pioneers of Nu Jazz and the most famous exponent, combining electronic music with jazz. 2000 - Tourist |
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| Jazz / int_60882b51 | featureApplicability |
1.0 | |
| Jazz / int_60882b51 | featureConfidence |
1.0 | |
| St Germain (Music) | hasFeature |
Jazz / int_60882b51 | |
| Jazz / int_61a03168 | type |
Jazz | |
| Jazz / int_61a03168 | comment |
Sarah Vaughan 1954 - Sarah Vaughan with Clifford Brown 1961 - After Hours 1973 - Live in Japan |
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1.0 | |
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Jazz / int_61a03168 | |
| Jazz / int_675aaee7 | type |
Jazz | |
| Jazz / int_675aaee7 | comment |
1959 - Home Cookin' | |
| Jazz / int_675aaee7 | featureApplicability |
1.0 | |
| Jazz / int_675aaee7 | featureConfidence |
1.0 | |
| HomeCookin | hasFeature |
Jazz / int_675aaee7 | |
| Jazz / int_68039548 | type |
Jazz | |
| Jazz / int_68039548 | comment |
1961 - My Favorite Things | |
| Jazz / int_68039548 | featureApplicability |
1.0 | |
| Jazz / int_68039548 | featureConfidence |
1.0 | |
| My Favorite Things (Music) | hasFeature |
Jazz / int_68039548 | |
| Jazz / int_6c6b061 | type |
Jazz | |
| Jazz / int_6c6b061 | comment |
1998 - Panthalassa | |
| Jazz / int_6c6b061 | featureApplicability |
1.0 | |
| Jazz / int_6c6b061 | featureConfidence |
1.0 | |
| Panthalassa (Music) | hasFeature |
Jazz / int_6c6b061 | |
| Jazz / int_6d7d71c7 | type |
Jazz | |
| Jazz / int_6d7d71c7 | comment |
1973 - Closing Time | |
| Jazz / int_6d7d71c7 | featureApplicability |
1.0 | |
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1.0 | |
| Closing Time (Music) | hasFeature |
Jazz / int_6d7d71c7 | |
| Jazz / int_6e8b0683 | type |
Jazz | |
| Jazz / int_6e8b0683 | comment |
John Birks "Dizzy" Gillespie: Trumpet player and singer from North Carolina, probably the most virtuosic trumpeter in jazz history, known for his brilliant and powerful tone and terrifying speed; Miles Davis devised his own style of playing trumpet precisely because he couldn't play like Gillespie. One of the founding fathers of bebop, wrote many important compositions and also brought Afro-Cuban influences into jazznote with the help of Chano Pozo, who is mentioned above. Famous for his ebullient and often comic onstage persona, which has harmed his reputation among people who think jazz musicians should never smile; also for his peculiar habit of inflating his cheeks while playing, and for his strangely-shaped trumpet (a result of it having been accidentally dropped before a performance- he played it because he didn't have the time or money to get a replacement and ended up liking the way it looked). His tireless gigging and infectious enthusiasm probably did more than anyone else to popularise bebop and establish it as the foundation of mainstream jazz. | |
| Jazz / int_6e8b0683 | featureApplicability |
1.0 | |
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1.0 | |
| Dizzy Gillespie (Music) | hasFeature |
Jazz / int_6e8b0683 | |
| Jazz / int_6ef0aa15 | type |
Jazz | |
| Jazz / int_6ef0aa15 | comment |
The Rippingtons | |
| Jazz / int_6ef0aa15 | featureApplicability |
1.0 | |
| Jazz / int_6ef0aa15 | featureConfidence |
1.0 | |
| The Rippingtons (Music) | hasFeature |
Jazz / int_6ef0aa15 | |
| Jazz / int_6f3479f0 | type |
Jazz | |
| Jazz / int_6f3479f0 | comment |
1956 - Songs for Swingin' Lovers! | |
| Jazz / int_6f3479f0 | featureApplicability |
1.0 | |
| Jazz / int_6f3479f0 | featureConfidence |
1.0 | |
| Songs for Swingin' Lovers! (Music) | hasFeature |
Jazz / int_6f3479f0 | |
| Jazz / int_704aa74 | type |
Jazz | |
| Jazz / int_704aa74 | comment |
Antônio Carlos Jobim | |
| Jazz / int_704aa74 | featureApplicability |
1.0 | |
| Jazz / int_704aa74 | featureConfidence |
1.0 | |
| Antônio Carlos Jobim (Music) | hasFeature |
Jazz / int_704aa74 | |
| Jazz / int_71cdf71f | type |
Jazz | |
| Jazz / int_71cdf71f | comment |
Alice Coltrane: Widow of the late John Coltrane (see Bebop, Cool, and Modal above) who became a respected bandleader in her own right in the wake of her husband's death, recording a string of critically acclaimed albums in the late '60s and early '70s such as Ptah, the El Daoud, Journey in Satchidananda, and World Galaxy. One of the few jazz musicians to play the harp; also played the piano and organ. Also brought an extensive Indian music influence into her work (which John had already been starting to explore on his last few albums). Collaborated with Carlos Santana, Rahsaan Roland Kirk, and others. 1970 - Ptah, the El Daoud 1971 - Journey in Satchidananda 1972 - World Galaxy |
|
| Jazz / int_71cdf71f | featureApplicability |
1.0 | |
| Jazz / int_71cdf71f | featureConfidence |
1.0 | |
| Alice Coltrane (Music) | hasFeature |
Jazz / int_71cdf71f | |
| Jazz / int_7ad736b8 | type |
Jazz | |
| Jazz / int_7ad736b8 | comment |
2003 - Frank | |
| Jazz / int_7ad736b8 | featureApplicability |
1.0 | |
| Jazz / int_7ad736b8 | featureConfidence |
1.0 | |
| Frank (album) (Music) | hasFeature |
Jazz / int_7ad736b8 | |
| Jazz / int_7d1cde66 | type |
Jazz | |
| Jazz / int_7d1cde66 | comment |
1953 - Jazz at Massey Hall | |
| Jazz / int_7d1cde66 | featureApplicability |
1.0 | |
| Jazz / int_7d1cde66 | featureConfidence |
1.0 | |
| Jazz at Massey Hall (Music) | hasFeature |
Jazz / int_7d1cde66 | |
| Jazz / int_7f15dc45 | type |
Jazz | |
| Jazz / int_7f15dc45 | comment |
Ella Fitzgerald: One of the most well-known jazz vocalists of all time, her range, accuracy, sense of swing, and the cheerful quality of her voice led many to consider her one of the greatest singers of the 20th century, period. Expect Vocal Dissonance (Sorry Ella). She was the singer in Chick Webb's orchestra and took over as leader after his death. After the swing era came to a close she remained popular and pioneered singing in a bop style. | |
| Jazz / int_7f15dc45 | featureApplicability |
1.0 | |
| Jazz / int_7f15dc45 | featureConfidence |
1.0 | |
| Ella Fitzgerald (Music) | hasFeature |
Jazz / int_7f15dc45 | |
| Jazz / int_7ff1061a | type |
Jazz | |
| Jazz / int_7ff1061a | comment |
1992 - Doo-Bop | |
| Jazz / int_7ff1061a | featureApplicability |
1.0 | |
| Jazz / int_7ff1061a | featureConfidence |
1.0 | |
| Doo-Bop (Music) | hasFeature |
Jazz / int_7ff1061a | |
| Jazz / int_89b37209 | type |
Jazz | |
| Jazz / int_89b37209 | comment |
1974 - Winter in America | |
| Jazz / int_89b37209 | featureApplicability |
1.0 | |
| Jazz / int_89b37209 | featureConfidence |
1.0 | |
| Winter In America (Music) | hasFeature |
Jazz / int_89b37209 | |
| Jazz / int_8af103a7 | type |
Jazz | |
| Jazz / int_8af103a7 | comment |
1987 - Spillane | |
| Jazz / int_8af103a7 | featureApplicability |
1.0 | |
| Jazz / int_8af103a7 | featureConfidence |
1.0 | |
| Spillane (Music) | hasFeature |
Jazz / int_8af103a7 | |
| Jazz / int_8ddfebfa | type |
Jazz | |
| Jazz / int_8ddfebfa | comment |
1973 - Live in Japan | |
| Jazz / int_8ddfebfa | featureApplicability |
1.0 | |
| Jazz / int_8ddfebfa | featureConfidence |
1.0 | |
| Live In Japan (Music) | hasFeature |
Jazz / int_8ddfebfa | |
| Jazz / int_92210fb8 | type |
Jazz | |
| Jazz / int_92210fb8 | comment |
Thelonious Monk: Bebop's greatest composer and one of its founding geniuses; almost single-handedly defined its style with his jagged, quirky, exhilarating compositions, almost all of which have become standards. Became known for his odd onstage antics, his collection of unusual hats and his idiosyncratic style of piano playing — you have to be a really good musician to play so apparently haphazardly and still make it come out exactly right. One commentator said that Monk's compositions were like buildings which had been constructed, then decorated, and then everything had been taken away except the decoration, which was somehow still strong enough to keep the building up. 1957 - Brilliant Corners |
|
| Jazz / int_92210fb8 | featureApplicability |
1.0 | |
| Jazz / int_92210fb8 | featureConfidence |
1.0 | |
| Thelonious Monk (Music) | hasFeature |
Jazz / int_92210fb8 | |
| Jazz / int_93aab187 | type |
Jazz | |
| Jazz / int_93aab187 | comment |
Jaga Jazzist | |
| Jazz / int_93aab187 | featureApplicability |
1.0 | |
| Jazz / int_93aab187 | featureConfidence |
1.0 | |
| Jaga Jazzist (Music) | hasFeature |
Jazz / int_93aab187 | |
| Jazz / int_96b398 | type |
Jazz | |
| Jazz / int_96b398 | comment |
Mildred Bailey. A popular jazz singer in the 1930s. She was one of the first Native American jazz musicians and one of the first woman to front a predominantly male-led orchestra. Some of the best-known songs in her repertoire included "For Sentimental Reasons", "It's So Peaceful in the Country", "Doin' The Uptown Lowdown", "Trust in Me", "Where Are You?", "I Let a Song Go Out of My Heart", "Small Fry", "Please Be Kind", "Darn That Dream" and "Rockin' Chair". | |
| Jazz / int_96b398 | featureApplicability |
1.0 | |
| Jazz / int_96b398 | featureConfidence |
1.0 | |
| Mildred Bailey (Music) | hasFeature |
Jazz / int_96b398 | |
| Jazz / int_9a7c8f16 | type |
Jazz | |
| Jazz / int_9a7c8f16 | comment |
1967 - Tauhid | |
| Jazz / int_9a7c8f16 | featureApplicability |
1.0 | |
| Jazz / int_9a7c8f16 | featureConfidence |
1.0 | |
| Tauhid (Music) | hasFeature |
Jazz / int_9a7c8f16 | |
| Jazz / int_9c2c7fc | type |
Jazz | |
| Jazz / int_9c2c7fc | comment |
Pat Metheny: Missourian guitarist, composer and bandleader. Started out as a massive Wes Montgomery fan, but his own early stuff was in a fusion vein, and became enormously popular; he's one of the few jazz musicians who can sell out big venues. Famous for his big hair, enormous toothy smile, spacious and accessible compositions and remarkable willingness to try anything: collaborated with David Bowie on the soundtrack to the film The Falcon and the Snowman, and with Ornette Coleman on 1985's blistering Song X in the 1990s, released an album of solo skronk guitar that his fans hated, but which was praised by Thurston Moore of Sonic Youth, and also collaborated with English avant-guitar legend Derek Bailey on the album The Sign of Four. Despite all this, still regularly sells albums by the truckload. | |
| Jazz / int_9c2c7fc | featureApplicability |
1.0 | |
| Jazz / int_9c2c7fc | featureConfidence |
1.0 | |
| Pat Metheny (Music) | hasFeature |
Jazz / int_9c2c7fc | |
| Jazz / int_9cdaf9e1 | type |
Jazz | |
| Jazz / int_9cdaf9e1 | comment |
1958 - Lady in Satin | |
| Jazz / int_9cdaf9e1 | featureApplicability |
1.0 | |
| Jazz / int_9cdaf9e1 | featureConfidence |
1.0 | |
| Lady in Satin (Music) | hasFeature |
Jazz / int_9cdaf9e1 | |
| Jazz / int_a1c6387b | type |
Jazz | |
| Jazz / int_a1c6387b | comment |
Moses Sumney. An experimental musician who mixes this with art pop and classical music. | |
| Jazz / int_a1c6387b | featureApplicability |
1.0 | |
| Jazz / int_a1c6387b | featureConfidence |
1.0 | |
| Moses Sumney (Music) | hasFeature |
Jazz / int_a1c6387b | |
| Jazz / int_a827414e | type |
Jazz | |
| Jazz / int_a827414e | comment |
1961 - After Hours | |
| Jazz / int_a827414e | featureApplicability |
1.0 | |
| Jazz / int_a827414e | featureConfidence |
1.0 | |
| After Hours (Music) | hasFeature |
Jazz / int_a827414e | |
| Jazz / int_a9a443c9 | type |
Jazz | |
| Jazz / int_a9a443c9 | comment |
Klaus Doldinger: German saxophonist, founder of the ensembles Oscar's Trio and more famously Passport. Also composed film and television music outside of jazz (Tatort, Das Boot, The Neverending Story. | |
| Jazz / int_a9a443c9 | featureApplicability |
1.0 | |
| Jazz / int_a9a443c9 | featureConfidence |
1.0 | |
| Klaus Doldinger (Music) | hasFeature |
Jazz / int_a9a443c9 | |
| Jazz / int_a9cbc558 | type |
Jazz | |
| Jazz / int_a9cbc558 | comment |
1974 - The Heart of Saturday Night | |
| Jazz / int_a9cbc558 | featureApplicability |
1.0 | |
| Jazz / int_a9cbc558 | featureConfidence |
1.0 | |
| The Heart of Saturday Night (Music) | hasFeature |
Jazz / int_a9cbc558 | |
| Jazz / int_aa1750df | type |
Jazz | |
| Jazz / int_aa1750df | comment |
1963 - The Black Saint and the Sinner Lady | |
| Jazz / int_aa1750df | featureApplicability |
1.0 | |
| Jazz / int_aa1750df | featureConfidence |
1.0 | |
| The Black Saint and the Sinner Lady (Music) | hasFeature |
Jazz / int_aa1750df | |
| Jazz / int_ad7f9157 | type |
Jazz | |
| Jazz / int_ad7f9157 | comment |
John Zorn: Eclectic and highly prolific saxophonist and composer, best known as the bandleader for the avant-garde klezmer/jazz group Masada and the multi-genre band Naked City. Founded the experimental jazz and improv label Tzadik Records. Impossible to pigeonhole, mostly active in jazz, though his gigantic catalogue has tried out various genres and styles throughout the years. 1987 - Spillane 1993 - Radio 1998 - Music for Children |
|
| Jazz / int_ad7f9157 | featureApplicability |
1.0 | |
| Jazz / int_ad7f9157 | featureConfidence |
1.0 | |
| John Zorn (Music) | hasFeature |
Jazz / int_ad7f9157 | |
| Jazz / int_af366907 | type |
Jazz | |
| Jazz / int_af366907 | comment |
1954 - Sarah Vaughan with Clifford Brown | |
| Jazz / int_af366907 | featureApplicability |
1.0 | |
| Jazz / int_af366907 | featureConfidence |
1.0 | |
| Sarah Vaughan with Clifford Brown (Music) | hasFeature |
Jazz / int_af366907 | |
| Jazz / int_b0b88f98 | type |
Jazz | |
| Jazz / int_b0b88f98 | comment |
1973 - Head Hunters | |
| Jazz / int_b0b88f98 | featureApplicability |
1.0 | |
| Jazz / int_b0b88f98 | featureConfidence |
1.0 | |
| Head Hunters (Music) | hasFeature |
Jazz / int_b0b88f98 | |
| Jazz / int_b3826291 | type |
Jazz | |
| Jazz / int_b3826291 | comment |
1977 - Foreign Affairs | |
| Jazz / int_b3826291 | featureApplicability |
1.0 | |
| Jazz / int_b3826291 | featureConfidence |
1.0 | |
| Foreign Affairs (Music) | hasFeature |
Jazz / int_b3826291 | |
| Jazz / int_b62d5b76 | type |
Jazz | |
| Jazz / int_b62d5b76 | comment |
Emergency! | |
| Jazz / int_b62d5b76 | featureApplicability |
1.0 | |
| Jazz / int_b62d5b76 | featureConfidence |
1.0 | |
| Emergency! (Music) | hasFeature |
Jazz / int_b62d5b76 | |
| Jazz / int_b856b557 | type |
Jazz | |
| Jazz / int_b856b557 | comment |
Art Tatum: An almost completely blind jazz pianist, whose technique is something that, that, ... Just see for yourself. No wonder too, as (so legend goes) he learned to play by repeating the movements on a autopiano... which played pieces for four hands! Playing his material is a truly monumental achievement even to this day. | |
| Jazz / int_b856b557 | featureApplicability |
1.0 | |
| Jazz / int_b856b557 | featureConfidence |
1.0 | |
| Art Tatum (Music) | hasFeature |
Jazz / int_b856b557 | |
| Jazz / int_bd4071a9 | type |
Jazz | |
| Jazz / int_bd4071a9 | comment |
Johnny Hodges: Longtime Ellington band member and virtuoso saxophonist who may as well be the Trope Codifier for the Sexophone. Hodges had a long career both as part of Ellington's band, running his own big band, and as a solo artist. | |
| Jazz / int_bd4071a9 | featureApplicability |
1.0 | |
| Jazz / int_bd4071a9 | featureConfidence |
1.0 | |
| Johnny Hodges (Music) | hasFeature |
Jazz / int_bd4071a9 | |
| Jazz / int_bdb95bee | type |
Jazz | |
| Jazz / int_bdb95bee | comment |
1980 - Heartattack and Vine | |
| Jazz / int_bdb95bee | featureApplicability |
1.0 | |
| Jazz / int_bdb95bee | featureConfidence |
1.0 | |
| Heartattack and Vine (Music) | hasFeature |
Jazz / int_bdb95bee | |
| Jazz / int_be89230e | type |
Jazz | |
| Jazz / int_be89230e | comment |
João Gilberto | |
| Jazz / int_be89230e | featureApplicability |
1.0 | |
| Jazz / int_be89230e | featureConfidence |
1.0 | |
| João Gilberto (Music) | hasFeature |
Jazz / int_be89230e | |
| Jazz / int_bf54646e | type |
Jazz | |
| Jazz / int_bf54646e | comment |
Glenn Miller: One of the most popular band leaders, he led his orchestra as one of the biggest record sellers from 1939 to his death in late 1944, when the plane carrying him and two other men to France was lost without trace over the English Channel. His greatest hit was "In The Mood", not counting his work with the Andrews Sisters. Expect one of his pieces in any WWII setting. Generally regarded by jazz fans as not really a jazz musician, because his signature style of arranging left very little room for improvisation, but he doesn't really belong anywhere else. | |
| Jazz / int_bf54646e | featureApplicability |
1.0 | |
| Jazz / int_bf54646e | featureConfidence |
1.0 | |
| Glenn Miller (Music) | hasFeature |
Jazz / int_bf54646e | |
| Jazz / int_c01251b3 | type |
Jazz | |
| Jazz / int_c01251b3 | comment |
Bill Evans: Considered one of the most influential jazz pianists of all time. Eschewed Tatum-style soloing for a more collective approach, choosing languid, breezy sound colors. His short-lived trio with bassist Scott LaFaro and drummer Paul Motian was one of the most influential bands in jazz, even though it only lasted from 1959 to 1961.note It ended when LaFaro was killed in an auto accident. The jazz ballad, "Waltz for Debby", became an international hit, and a jazz standard. Lyrics have been added to the piece in many different languages. | |
| Jazz / int_c01251b3 | featureApplicability |
1.0 | |
| Jazz / int_c01251b3 | featureConfidence |
1.0 | |
| Bill Evans (Music) | hasFeature |
Jazz / int_c01251b3 | |
| Jazz / int_c0a0c1f9 | type |
Jazz | |
| Jazz / int_c0a0c1f9 | comment |
1969 - In a Silent Way | |
| Jazz / int_c0a0c1f9 | featureApplicability |
1.0 | |
| Jazz / int_c0a0c1f9 | featureConfidence |
1.0 | |
| In a Silent Way (Music) | hasFeature |
Jazz / int_c0a0c1f9 | |
| Jazz / int_c41cb469 | type |
Jazz | |
| Jazz / int_c41cb469 | comment |
The Complete Hot Five and Hot Seven Recordings (recorded between 1925 and 1928, but the CD release is from 2000.) | |
| Jazz / int_c41cb469 | featureApplicability |
1.0 | |
| Jazz / int_c41cb469 | featureConfidence |
1.0 | |
| The Complete Hot Five and Hot Seven Recordings (Music) | hasFeature |
Jazz / int_c41cb469 | |
| Jazz / int_c50aade3 | type |
Jazz | |
| Jazz / int_c50aade3 | comment |
Johnny Mathis | |
| Jazz / int_c50aade3 | featureApplicability |
1.0 | |
| Jazz / int_c50aade3 | featureConfidence |
1.0 | |
| Johnny Mathis (Music) | hasFeature |
Jazz / int_c50aade3 | |
| Jazz / int_c6cfbb98 | type |
Jazz | |
| Jazz / int_c6cfbb98 | comment |
1958 - Dance Mania Vol 1 | |
| Jazz / int_c6cfbb98 | featureApplicability |
1.0 | |
| Jazz / int_c6cfbb98 | featureConfidence |
1.0 | |
| Dance Mania Vol 1 (Music) | hasFeature |
Jazz / int_c6cfbb98 | |
| Jazz / int_c8ad8fb3 | type |
Jazz | |
| Jazz / int_c8ad8fb3 | comment |
1957 - Blue Train | |
| Jazz / int_c8ad8fb3 | featureApplicability |
1.0 | |
| Jazz / int_c8ad8fb3 | featureConfidence |
1.0 | |
| Blue Train (Music) | hasFeature |
Jazz / int_c8ad8fb3 | |
| Jazz / int_cbef4d5 | type |
Jazz | |
| Jazz / int_cbef4d5 | comment |
1969 - Karma | |
| Jazz / int_cbef4d5 | featureApplicability |
1.0 | |
| Jazz / int_cbef4d5 | featureConfidence |
1.0 | |
| Karma (Music) | hasFeature |
Jazz / int_cbef4d5 | |
| Jazz / int_ccfdba57 | type |
Jazz | |
| Jazz / int_ccfdba57 | comment |
2000 - Tourist | |
| Jazz / int_ccfdba57 | featureApplicability |
1.0 | |
| Jazz / int_ccfdba57 | featureConfidence |
1.0 | |
| Tourist (Music) | hasFeature |
Jazz / int_ccfdba57 | |
| Jazz / int_ce5a608 | type |
Jazz | |
| Jazz / int_ce5a608 | comment |
1969 - My Way | |
| Jazz / int_ce5a608 | featureApplicability |
1.0 | |
| Jazz / int_ce5a608 | featureConfidence |
1.0 | |
| My Way (Music) | hasFeature |
Jazz / int_ce5a608 | |
| Jazz / int_ceaf109f | type |
Jazz | |
| Jazz / int_ceaf109f | comment |
Squarepusher: Highly eclectic electronic artist, known for his fusions of IDM and drum & bass with jazz fusion, and he is also an accomplished jazz bassist. | |
| Jazz / int_ceaf109f | featureApplicability |
1.0 | |
| Jazz / int_ceaf109f | featureConfidence |
1.0 | |
| Squarepusher (Music) | hasFeature |
Jazz / int_ceaf109f | |
| Jazz / int_d005a802 | type |
Jazz | |
| Jazz / int_d005a802 | comment |
2006 - Back to Black | |
| Jazz / int_d005a802 | featureApplicability |
1.0 | |
| Jazz / int_d005a802 | featureConfidence |
1.0 | |
| Back to Black (Music) | hasFeature |
Jazz / int_d005a802 | |
| Jazz / int_d216460 | type |
Jazz | |
| Jazz / int_d216460 | comment |
1993 - Radio | |
| Jazz / int_d216460 | featureApplicability |
1.0 | |
| Jazz / int_d216460 | featureConfidence |
1.0 | |
| Radio (Music) | hasFeature |
Jazz / int_d216460 | |
| Jazz / int_d38b600 | type |
Jazz | |
| Jazz / int_d38b600 | comment |
Sun Ra: His birth certificate states that he was born Herman Blount in the early 20th century Birmingham, Alabama, but Sun Ra would maintain throughout much of his later life that he was in fact a native of a far away planet. As such, his eccentric worldview and lifestyle would often overshadowed his extremely extensive body of music, which ranges from bop, to free jazz, to doo-wop. His world view, a unique blend of black nationalism, science fiction, and magic realism, would prove to be extremely influential in both the musical and literary worlds. Marshall Allen: The Arkestra's longtime alto saxophonist, who eventually stepped up as the bandleader after the deaths of Sun Ra and John Gilmore. He continues to perform to this day as both a leader and sideman at the age of ninety-nine. 1961 - The Futuristic Sounds of Sun Ra 1974 - Space Is the Place |
|
| Jazz / int_d38b600 | featureApplicability |
1.0 | |
| Jazz / int_d38b600 | featureConfidence |
1.0 | |
| Sun Ra (Music) | hasFeature |
Jazz / int_d38b600 | |
| Jazz / int_d41fed6c | type |
Jazz | |
| Jazz / int_d41fed6c | comment |
1972 - Let My Children Hear Music | |
| Jazz / int_d41fed6c | featureApplicability |
1.0 | |
| Jazz / int_d41fed6c | featureConfidence |
1.0 | |
| Let My Children Hear Music (Music) | hasFeature |
Jazz / int_d41fed6c | |
| Jazz / int_da52a42d | type |
Jazz | |
| Jazz / int_da52a42d | comment |
1959 - Mingus Ah Um | |
| Jazz / int_da52a42d | featureApplicability |
1.0 | |
| Jazz / int_da52a42d | featureConfidence |
1.0 | |
| Mingus Ah Um (Music) | hasFeature |
Jazz / int_da52a42d | |
| Jazz / int_de8e4550 | type |
Jazz | |
| Jazz / int_de8e4550 | comment |
Salvador Sobral | |
| Jazz / int_de8e4550 | featureApplicability |
1.0 | |
| Jazz / int_de8e4550 | featureConfidence |
1.0 | |
| Salvador Sobral (Music) | hasFeature |
Jazz / int_de8e4550 | |
| Jazz / int_df5d2891 | type |
Jazz | |
| Jazz / int_df5d2891 | comment |
The Disney tribute album Stay Awake (1988) features many different kinds of musical interpretations of classic Disney songs, some in a crooner version, others more jazzy and even avant-garde. | |
| Jazz / int_df5d2891 | featureApplicability |
1.0 | |
| Jazz / int_df5d2891 | featureConfidence |
1.0 | |
| Stay Awake (Music) | hasFeature |
Jazz / int_df5d2891 | |
| Jazz / int_e2a0b1c | type |
Jazz | |
| Jazz / int_e2a0b1c | comment |
Count Basie: Jazz composer and bandleader (and pianist as well) at the same time as Ellington, Basie's unique styles mark him solidly as a quintessential Big Band leader, along with Ellington. Developing his style with a number of orchestras, Basie specialised in riff-based jazz, which is Exactly What It Says on the Tin. | |
| Jazz / int_e2a0b1c | featureApplicability |
1.0 | |
| Jazz / int_e2a0b1c | featureConfidence |
1.0 | |
| Count Basie (Music) | hasFeature |
Jazz / int_e2a0b1c | |
| Jazz / int_e4fd070e | type |
Jazz | |
| Jazz / int_e4fd070e | comment |
1955 - In the Wee Small Hours | |
| Jazz / int_e4fd070e | featureApplicability |
1.0 | |
| Jazz / int_e4fd070e | featureConfidence |
1.0 | |
| In the Wee Small Hours (Music) | hasFeature |
Jazz / int_e4fd070e | |
| Jazz / int_e546f99d | type |
Jazz | |
| Jazz / int_e546f99d | comment |
1959 - Sketches of Spain | |
| Jazz / int_e546f99d | featureApplicability |
1.0 | |
| Jazz / int_e546f99d | featureConfidence |
1.0 | |
| Sketches of Spain (Music) | hasFeature |
Jazz / int_e546f99d | |
| Jazz / int_e722ad4c | type |
Jazz | |
| Jazz / int_e722ad4c | comment |
1974 - Space Is the Place | |
| Jazz / int_e722ad4c | featureApplicability |
1.0 | |
| Jazz / int_e722ad4c | featureConfidence |
1.0 | |
| Space Is the Place | hasFeature |
Jazz / int_e722ad4c | |
| Jazz / int_ea8c05c1 | type |
Jazz | |
| Jazz / int_ea8c05c1 | comment |
Tony Bennett | |
| Jazz / int_ea8c05c1 | featureApplicability |
1.0 | |
| Jazz / int_ea8c05c1 | featureConfidence |
1.0 | |
| Tony Bennett (Music) | hasFeature |
Jazz / int_ea8c05c1 | |
| Jazz / int_ecdb8a03 | type |
Jazz | |
| Jazz / int_ecdb8a03 | comment |
Caravan Palace, which mixes traditional gypsy-style jazz with Daft Punk-style house and techno. | |
| Jazz / int_ecdb8a03 | featureApplicability |
1.0 | |
| Jazz / int_ecdb8a03 | featureConfidence |
1.0 | |
| Caravan Palace (Music) | hasFeature |
Jazz / int_ecdb8a03 | |
| Jazz / int_f5df7567 | type |
Jazz | |
| Jazz / int_f5df7567 | comment |
1991 - Ask the Ages | |
| Jazz / int_f5df7567 | featureApplicability |
1.0 | |
| Jazz / int_f5df7567 | featureConfidence |
1.0 | |
| Ask the Ages (Music) | hasFeature |
Jazz / int_f5df7567 | |
| Jazz / int_f80b44fe | type |
Jazz | |
| Jazz / int_f80b44fe | comment |
1998 - Music for Children | |
| Jazz / int_f80b44fe | featureApplicability |
1.0 | |
| Jazz / int_f80b44fe | featureConfidence |
1.0 | |
| Music for Children (Music) | hasFeature |
Jazz / int_f80b44fe | |
| Jazz / int_f8d14b88 | type |
Jazz | |
| Jazz / int_f8d14b88 | comment |
Bakithi Kumalo: South African bassist known for his great technical ability, exclusive use of fretlesses, and playing style that blends jazz fusion and soul with South African folk. His work on Paul Simon's Graceland (particularly his playing on "You Can Call Me Al") catapulted him to international fame and cemented his status as a legend, but he had been one of the top session musicians in South Africa and had been touring internationally with various artists well before then. | |
| Jazz / int_f8d14b88 | featureApplicability |
1.0 | |
| Jazz / int_f8d14b88 | featureConfidence |
1.0 | |
| Graceland (Music) | hasFeature |
Jazz / int_f8d14b88 | |
| Jazz / int_fa93ca0b | type |
Jazz | |
| Jazz / int_fa93ca0b | comment |
Charles Aznavour | |
| Jazz / int_fa93ca0b | featureApplicability |
1.0 | |
| Jazz / int_fa93ca0b | featureConfidence |
1.0 | |
| Charles Aznavour (Music) | hasFeature |
Jazz / int_fa93ca0b | |
| Jazz / int_fdde93cf | type |
Jazz | |
| Jazz / int_fdde93cf | comment |
Jonah Dempcy (and his various pseudonyms): similar to the aforementioned St Germain, combines jazz with the various types of electronic music, creating an alternatingly darker and lighter style. A word of warning: hip-hop, dubstep, and house are in his musical vocabulary, and he will use them. | |
| Jazz / int_fdde93cf | featureApplicability |
1.0 | |
| Jazz / int_fdde93cf | featureConfidence |
1.0 | |
| Jonah Dempcy (Music) | hasFeature |
Jazz / int_fdde93cf |
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