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Misogyny Song
- 228 statements
- 35 feature instances
- 64 referencing feature instances
| Misogyny Song | type |
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The Misogyny Song is a song solely or primarily about the hatred or degradation of women. Often from the viewpoint of a deliberately psychopathic jerkass, and often to Lyrical Dissonance, of some sort. Quite a few fit the mold of "bitches and hos" Gangsta Rap songs, or are parodies thereof. The counterpart, about hatred or degradation of men, is the Misandry Song note which redirects to this page . Misogyny Songs tend to rely heavily on Stay in the Kitchen, "Not If They Enjoyed It" Rationalization, Black Comedy Rape, Domestic Abuse, heavy use of the Double Standard, and similar tropes. They may also rely on Intercourse with You and/or be Stuffy Old Songs About the Buttocks. (Although it is possible to do both without being a sexist jerk.) If it's a sexist man insulting an individual women or group of women for sexist reasons, it overlaps with The Diss Track. Please avoid Natter and Complaining About Songs You Don't Like. |
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CelebrityBreakupSong | |
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| Misogyny Song / int_1097de77 | type |
Misogyny Song | |
| Misogyny Song / int_1097de77 | comment |
"Girls" from Marina Diamandis's debut album The Family Jewels is an example from a Female Misogynist's perspective, which explains some of her subsequent Creator Backlash against that song. | |
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| Misogyny Song / int_22a51da6 | type |
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Kiss Me, Kate has both the misandrous song "I Hate Men" (sung by a woman) and the misogynous song "(I Am Ashamed That) Women Are So Simple" (also sung by a woman). Whether the latter is meant to be sarcastic is up to Alternate Character Interpretation. | |
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Theory of a Deadman's "Bitch Came Back" and "Gentleman". Both of which were co-written by a woman, Kara DioGuardi. (And it can be argued that "Gentleman" insults men at least as much as it insults women.) The music video for "Bitch Came Back" seems to imply an interesting twist to the song; the "Bitch" in question is a psychopath who was jilted by her jerkass boyfriend, and proceeds to systemically stalk and kill off the boyfriend and his friends. | |
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| Misogyny Song / int_2e66a325 | type |
Misogyny Song | |
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"Just The Way You Are (Drunk at the Bar)" by Brian McFadden is a pro-rape song. | |
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| Misogyny Song / int_32c65cad | type |
Misogyny Song | |
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"Break Up With Him" by Old Dominion, being an Entitled to Have You song, sometimes gets accused of being this. | |
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In "SHADYXV" Slim announces he is a misogynist and then describes several absolutely ridiculous acts of misogyny, like how he uses a prostitute with mechanical arms that automatically dispenses lubricant, slapping Linda Ronstadt with a lobster, and how he's so immune to feminine charms that even when Ronda Rousey is naked, throwing condoms at him and showing him her butt, he can't tell the difference between her and the fat guy out of Slaughterhouse. | |
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The Knack received a lot of their backlash partly as much of their lyrics resembled (or seemed to resemble) this trope. | |
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| Misogyny Song / int_49b38f57 | type |
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Robin Thicke described the theme of his song "Blurred Lines" (featuring Pharrell Williams and T.I.) as "what a pleasure to degrade a woman". However, he was quite upset by the backlash the song generated, insisting that it was all good, clean fun because he, Pharrell, and T.I. are all happily-married Nice Guys in Real Life. At one point, he even tried to spin the song as somehow feminist. | |
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Guns N' Roses "Used to Love Her", a lovely acoustic Murder Ballad about a man "had" to kill his girlfriend and bury her in his backyard because, well, she "bitched" so much. Slash did say it was actually about Axl's dog, and Izzy Stradlin claimed the song was written as a joke to mock a song he was annoyed by on the radio about "some guy whining about a broad who was treating him bad". | |
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| Misogyny Song / int_533d8965 | type |
Misogyny Song | |
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Minion Comics features a Teddy Ruxpin-esque stuffed turtle singing a rap song entitled "Punch Your Bitch In The Mouth" advising schoolchildren about how to treat their girlfriends. | |
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"In Praise Of Women" sung by Count Carl-Magnus Malcolm in A Little Night Music, which treats women as the possessions of men. The count is an unabashed Straw Misogynist who openly cheats on his wife. | |
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Parodied by Jon Lajoie in his "Show Me Your Genitals" songs. MC Vagina claims women are only good for three things: Cooking, Cleaning, and Vaginas. He later amends this by adding Their Sisters' Vaginas. | |
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Bell Biv DeVoe's "Poison" is a mildly justified example: The song's writer and producer had written it to vent about an ex-girlfriend who had taken advantage of him; first as a letter, and later as a song; and gave it to BBD to record. Namely, it criticizes gold diggers, and warns men to be careful when kicking game to women (Or, rather, "never trust a big butt and a smile"). | |
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Gaston's song "Me" from the stage version of Beauty and the Beast. | |
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Henry Higgins in My Fair Lady gets two: "I'm an Ordinary Man" (in which he declares that he'll never fall in love with a woman because they're obnoxious wastes of time who bring out the worst in him) and "A Hymn to Him" (in which he laments that his relationship with Eliza isn't as simple as his friendship with Pickering). | |
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The Rolling Stones had quite a run of these in The '60s, including "Play with Fire," "Under My Thumb," "Stupid Girl," "Out of Time," "Yesterday's Papers," and "Back Street Girl." Mick Jagger's justification is that the songs aren't about women in general, they're about specific relationships that annoyed him. So if he were gay, or a straight woman, he'd be writing the same songs about men. | |
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Mark Grondin of Spectrum Pulse has assessed Fall Out Boy's comeback album Save Rock and Roll as a Misogyny Album, largely due to subtext and the music videos. Not only did the album's Take That, Audience! themes exist alongside the fact that the band's '00s fanbase had been comprised mostly of teenage girls, but every woman in the album's Young Blood Chronicles videos/film is presented as a villain, especially with the casting of Courtney Love, a major Yoko Oh No fixation of Nirvana fans, as the Tipper Gore-esque leader of an evil cult of women who hate music. What's more, a strong Rock is Authentic, Pop is Shallow streak runs through the album, from its very title to its aggressive assertion of a more hard-edged rock sound, which Mark saw as a response to both the Indie Pop boom of the early '10s and their own dismissal in the past as a glorified Boy Band rather than "real" musicians. Reading between the lines, it's not difficult to see Save Rock and Roll as the band railing against their female fans as fickle killjoys who wrecked their careers by abandoning them for the new shiny object on pop radio. | |
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"Ladies In Their Sensitivities" from Sweeney Todd: The Demon Barber of Fleet Street, which is the Beadle's advice to Judge Turpin on how to better attract his ward Johanna. Beadle and Turpin are outright sexual predators, making these double as Villain Songs. | |
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"Playing Games" by Loudness. Lyrics here. Old Shame. | |
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Misogyny Song | |
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"Sadistic Desire" and "Vanishing Love" by X Japan. As well as the album covers for Vanishing Vision (which is not safe for sanity, much less work) and for Jade (which is simply NSFW and far less bloodily violent but still a bit objectifying of a woman... and makes even less sense since it has absolutely nothing to do with the song) | |
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Misogyny Song | |
| Misogyny Song / int_a88418fd | comment |
Stephen Sondheim: "In Praise Of Women" sung by Count Carl-Magnus Malcolm in A Little Night Music, which treats women as the possessions of men. The count is an unabashed Straw Misogynist who openly cheats on his wife. "Ladies In Their Sensitivities" from Sweeney Todd: The Demon Barber of Fleet Street, which is the Beadle's advice to Judge Turpin on how to better attract his ward Johanna. Beadle and Turpin are outright sexual predators, making these double as Villain Songs. |
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Similar to the Clawfinger and Stone Temple Pilots examples above, Sonata Arctica's "Don't Say a Word" is a Villain Song that depicts the narrator as a dangerous Yandere whose obsession and simultaneous disdain for the subject of the song is unsettling to say the least. note The story is expanded upon in a later SA song "Caleb," which further establishes the narrator as a profoundly messed up individual. | |
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Misogyny Song | |
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"Menocide" by Otep, a female metalhead, is another example of a misandry song. | |
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The Dutch song "Neem een ander in de maling" (Pull someone else's leg) from Ome Henk (Uncle Henk), a parody on Barbie Girl, is about an attractive Gold Digger trying to seduce the titular Ome Henk, only for Henk to sing how women are meant for housekeeping. Since Henk himself is generally portrayed as a horribly unpleasant person, this song only further emphasizes his horrible character. | |
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Steel Panther has the tongue-in-cheek song "That's What Girls are For" which is about a man whose late father told him women are only good for doing housework and having sex with you. The Deliberate Values Dissonance is lampshaded with the singer saying he's "stuck in 1955." | |
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Misogyny Song | |
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The Lassie Singers have a song called Mein Freund hat mit mir Schluss gemacht (My boyfriend broke up with me) which contains lines about how "dense, cowardly, and complicated" men are. Given the nature of their lyrics that use to spoof gender roles this is likely tongue-in-cheek. | |
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Misogyny Song | |
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Anal Cunt pretty much built their career on taking this trope up to 11, along with anything else they thought would offend people. Arguably a case of parody. | |
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Misogyny Song | |
| Misogyny Song / int_c635e8e | comment |
"She Swallowed It" and "Bitches Ain't Shit" by Dr. Dre are some of the original bitches-and-hoes rap songs. ("Bitches Ain't Shit" now has a ukulele cover by Pink Guy.) | |
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Misogyny Song | |
| Misogyny Song / int_d18fc735 | comment |
The Meatmen have "I'm Glad I'm Not a Girl", a song written in the typical Meatmen style (read: offensive to just about everything and everyone) about the singer being, well, glad that he doesn't face the same issues females do, including "that monthly rot", "not being able to choose [their] fuck, cuz some schmuck might beat [them] up", and "not wanting to sit to take a piss" | |
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Misogyny Song | |
| Misogyny Song / int_d24701dc | comment |
The Mentors have dedicated their entire music career to promoting misogyny, sexism and rape - and no, that's not an exaggeration. Examples include "All Women are Insane", "On The Rag", "Sex Slave", and "My Erection is Over", just for starters. The band calls their genre of music "Rape Rock", and the singer appeared on many television shows (including Jerry Springer) to promote social acceptance of rape. | |
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Misogyny Song / int_d24701dc | |
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Misogyny Song | |
| Misogyny Song / int_e38778a5 | comment |
In Hello, Dolly!, Horace Vandergelder sings about how "It Takes a Woman" to do all the nasty tedious chores that make a man's homelife comfortable. | |
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Misogyny Song / int_e38778a5 | |
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Misogyny Song | |
| Misogyny Song / int_fa24c943 | comment |
Clawfinger's "I Need You" is a subversion: The protagonist has this perspective, but it's quite clear that the singer isn't on his own persona's side. The band uses this kind of "Villain Protagonist" structure in many other songs as well. | |
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Misogyny Song / int_fa24c943 | |
| Misogyny Song / int_fd0b8b37 | type |
Misogyny Song | |
| Misogyny Song / int_fd0b8b37 | comment |
In Eddie and the Cruisers II, Eddie Wilson (in actuality, John Cafferty and The Beaver Brown Band) performs "Garden of Eden", a song about how women have been duping men to get their way since "the beginning of time." It's mainly about how men want something simple, but women always make it complicated by wanting to think it over and holding out for a commitment, apparently out of sheer perversity note instead of, you know, because they might get pregnant and nobody wants to be a single mom or get an abortion. This shows that the narrator either doesn't care at all about women's welfare, or is really just too stupid to realize that she has a good reason for acting the way she does. Women actually do look for commitment in relationships, and it's understandable why that can sometimes be annoying: but there are practical reasons for it. | |
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Misogyny Song / int_fd0b8b37 | |
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Misogyny Song | |
| Misogyny Song / int_fd780dc7 | comment |
"Fuctrack #6" by Zilch may fall under this due to having the female vocal singing the lines she does and being the "submissive." On the other hand, though, it may not because the male lyrics seem almost self-loathing and craving punishment as the song ends. | |
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Misogyny Song | |
| Misogyny Song / int_fe724d7f | comment |
The Rammstein song "Pussy" parodies these songs, and German sex tourists (the last line of the chorus is "I can't get laid in Germany!") Just sexist bros in general, actually. You can tell when they're doing a parody because they sprinkle the song with English lyrics (and you know they're livid if they call their beloved country "Germany" instead of "Deutschland"). It's full of Unusual Euphemisms for the private parts of both sexes, most of which are the names of stereotypically German foods. Also many cross-linguistic jokes making full use of the cognates between German and English. | |
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