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Narrow Parody

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Good parodies have different levels of accessibility, stretching from popular, new stuff to older classics. With a smaller pool of things being parodied, writers will feed on more generalized tropes.
The Narrow Parody occurs when the writers are afraid the target audience might be too young (or just too stupid) to catch the expected references, and have no concept of Parental Bonus (though there would still be demographic parental bonuses such as references to recent adult media in children's media or even crossovers between them), so they just narrow the field down to things made in the last few years. This can work against the writers, as works hailed as "classics" make for good parody, while fluff often doesn't. In many cases, the parody itself is also painfully obvious and laboured, going for the cheap laugh rather than trying to make any kind of point about what is being parodied.
If done poorly, the parody aspect seems more like a cover for ripping off the most recent movies, as sometimes there's nothing particularly iconic about the things being parodied. Much of this depends on your definition of "narrow".
These works are almost always doomed to become Unintentional Period Pieces. See also Small Reference Pools. Sometimes overlaps with Shallow Parody, which is so badly researched that it gets vital details wrong and/or substitutes generic jokes in place of actual parody.
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Loaded Weapon 1 (released 1993) is a parody of the then-quite-current Lethal Weapon movies - this includes spoofing specific scenes from Lethal Weapon 3, which came out only one year prior. It also takes time to parody The Silence of the Lambs (released 1991) and Basic Instinct (released 1992).
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While older episodes of Treehouse of Horror averted this, being parodies of older horror films and stories (particularly The Twilight Zone (1959)), later installments tended to play it straight, often to the point of breaking the intended "horror" theme. XXVII, for instance, featured parodies of Mad Max: Fury Road, Kingsman: The Secret Service, and The Hunger Games: about the only thing those three have in common is that they all had an installment the year before the episode released.
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On that note, many Looney Tunes cartoons of the '30s and '40s are essentially this. Take, for example, "The Woods Are Full of Cuckoos", where most of the jokes are based upon the fact that a celebrity of the 1930s has been parodied as an animal.
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Epic Movie (2007), including parodies of such "epics" as Charlie and the Chocolate Factory and Nacho Libre.
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This can happen even in shows as acclaimed as Arrested Development. Some of the Iraq War references in particular more or less require one to be intimately familiar with 2002-2003's news about it.
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The Animaniacs song "Video Revue", set in a video store (which in itself makes this sequence dated) is basically a Long List of characters and plot points from random movies from the 1980s and early '90s, some of which are barely remembered today (if that). To be honest, however, a lot of referential jokes and songs in Animaniacs went this way, especially if you did not live in the USA in the 1980s-early 1990s. "Video Revue," however, can be excused as an homage to the "things come to life in a bookstore" genre of cartoons, most of which were similarly products of their time.
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Sesame Street often falls into this as part of its attempt to add Parental Bonuses. It's often borderline impossible to do a true parody of the subject matter while also staying kid-friendly, so they simply copy the title, the appearance of the characters, and the general setting. True Mud, for example, was about a man's attempt to get a waitress to serve him Mud (as opposed to spud, cud, and a dud).
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Student Council's Discretion is very guilty of this, with nearly all of their parodies being of shows from the last 2-3 years (the closer the better), including series from the same season. The times they reference something older are few and mostly refer to super-popular series like Dragon Ball and one Appeal to Obscurity to make a "nobody will get this" joke.
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MAD tended to rely on this trope, especially in the 1990s. (They've since gotten better.) One 1995 issue, for example, has multiple references to Newt Gingrich's "Contract With America." (A Cracked issue from the very same month did likewise.) Good luck explaining to the average teenager in the 2010s exactly what this was.
Parodied in 1954, before Mad even was a magazine, in a Faux-To Guide parodying their imitators by introducing into a lampoon of Julius Caesar such unexplained elements as the Dragnet theme ("Routine #8...the Domm-Da Dom-Domm routine! No explanation necessary!") and:
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Much like the magazine it's based on, MAD primarily parodies movies and programs from the early 2010s, often ones that are less than a year old.
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Disaster Movie (2008) suffered from this as well. It has half-assed parodies of Juno, Hannah Montana, Iron Man, Sex and the City, The Incredible Hulk, Kung Fu Panda, Hellboy, The Dark Knight, Hancock, Alvin and the Chipmunks, Superbad, High School Musical, The Love Guru, Indiana Jones and the Kingdom of the Crystal Skull, Enchanted, Wanted, Beowulf (2007), Night at the Museum, Jumper, and 10,000 BC. All of which are definitely not disaster films. Some even came out after Disaster Movie was in theaters, which takes Shallow Parody to a truly ridiculous extreme: There's skimping on the research, and then there's not even bothering to watch the movie you're supposed to be parodying!
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The sketch-comedy film The Kentucky Fried Movie features a long sequence called "A Fistful of Yen", which is an extremely specific, almost point-for-point spoof of Enter the Dragon. Luckily, Enter the Dragon is a classic of its genre, but if you watch Kentucky Fried Movie first, a lot of the jokes will fly right over your head.
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Spy Hard is primarily a James Bond spoof, but it's pretty much a time capsule of early-to-mid 1990s pop culture, including references to Jurassic Park, True Lies, Speed, Sister Act, Pulp Fiction, In the Line of Fire, and Home Alone, not all of which have stood the test of time.
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Frontline started out parodying the Australian media in general before narrowing its focus to A Current Affair.
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While most of the Chipmunks Go to the Movies episodes spoofed movies that are still frequently recalled today, a few of the movies they parodied were merely popular when they came out in The '80s / the top of The '90s: Big, Dick Tracy and Splash.
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Scary Movie: The later films in the series ended up like this. Originally, they worked, as most Horror Tropes were codified in The '80s or earlier, so anyone with even a passing familiarity with the horror genre will get the jokes. However, later gags became a lot more obvious and telegraphed while the pool of references narrowed from broader subgenres of horror (slashers in the first, Haunted House/ghost movies in the second) to specific, recent movies (some of which weren't even horror). The first big complaint from fans was the inclusion in the third film of an extended parody of 8 Mile, which had nothing to do with horror movies. The fourth film was probably the worst for this, as the primary plot is a spoof of War of the Worlds (2005), which isn't really a horror film so much as an action film, and there's also an extended (and plot-critical) parody of Million Dollar Baby, something else which is in no way a horror filmnote Although the Million Dollar Baby skit was crossed over with horror series Final Destination, when the boxer's infamous predicament was foreseen.
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Enchanted is an inversion: the film is a very close parody of the at-the-time 48-year-old Sleeping Beauty (with some elements of Snow White and the Seven Dwarfs and a touch of Cinderella, which are even older), almost completely ignoring the much more recent Disney Renaissance films—most of the tropes it parodies (the main character is a Princess Classic Friend to All Living Things who falls in Love at First Sight with Prince Charming) were endemic to those early three films but infrequent at best in the Renaissance. This is fitting, since Enchanted is targeted more towards adults who grew up with Sleeping Beauty than with the more nuanced or deconstructive Renaissance films. The script was first written during the Renaissance but didn't get made until 2007.
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In Saturday Night Live, a sketch may be centered around the sketch referencing another piece of then-recent pop culture. An actor may recreate the look and mannerisms of a character from another movie or TV series, as if it were the entirely of the joke.
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Played for laughs with Robot Chicken's parody of Into the Blue. The entire premise of the parody is that since it takes several months to produce a Robot Chicken episode, all they had to work with at the time was the trailer, leading to characters mostly just repeating the title over and over. Seth Green also states that he's sure that by the time the skit comes out, the movie will have become a box office blockbuster and won several Academy Awards, when it was a complete flop and was largely forgotten.
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Due to South Park's rapid turnaround, they're able to parody and satirize aspects of pop culture that are only a few days old. Some of these references rapidly drop out of the public consciousness after the episode has aired.
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Several The Three Stooges gags and titles were based off various films and events of their time. Ironically, the spoofed source material was all but forgotten while the Stooges are remembered today. One notable one was Dunked in the Deep (from 1949) where the antagonist was based off accused Soviet spy Alger Hiss. The short's "watermelon gag" (where microfilm was hidden in watermelons) was based off the 1948 "Pumpkin Papers", where four rolls of microfilm of State Department documents were concealed in pumpkins as evidence against Hiss. Only a few historians know much about this today.
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The following is a list of statements referring to the current page from other pages.

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