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No Fourth Wall

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Some series can go their entire lives without breaking the Fourth Wall once. Some series will occasionally break the Fourth Wall for a few moments of comedy, but outside of that the Fourth Wall is in full effect.
And then there are these.
A series with No Fourth Wall doesn't just break the fourth wall, it vaporizes it. There might as well not be one. Characters will make references to "the last episode" or "next issue". They'll criticize the production, writing, management or even the audience. In extreme cases, they'll refuse to go on acting. Expect there to be large amounts of Medium Awareness, such as characters in a comic pointing out the use of panels. No Fourth Wall often leads to characters being extremely Genre Savvy, or frequent lampshading of Genre Blindness.
A good way to test for whether it's merely Breaking the Fourth Wall or if there is No Fourth Wall at all is to check how important the breaking of the fourth wall is to the premise: If the moments of Breaking the Fourth Wall could be removed without readily changing the premise of the series, it's likely Breaking the Fourth Wall; if breaking it is such an important part of the series that removing it would noticeably change the series, it's No Fourth Wall.
See also:
Animated Actors: An animation-specific subtrope, where animated characters are treated like they're actors in a production.
Aside Glance: A milder form of this, when someone might glance at the fourth wall but otherwise keep it intact.
Assuming the Audience's Age: When a Fourth-Wall Observer or characters in a work with no fourth wall assume the audience's age.
Born in the Theatre: These Fourth Wall breaking jokes only work in the cinema and often lead to confusion if the film is watched on TV.
Fourth-Wall Observer: When only one character can see through the fourth wall.
The Fourth Wall Will Not Protect You: Something (often a rampaging monster) comes out of the screen at the audience, usually for a comedic scare.
From Beyond the Fourth Wall: The creator of a work, the audience, or you, personally, interact with characters (in a way that isn't Audience Participation). Such as by lending the characters a boat, or money. Can happen in reverse too.
He Knows About Timed Hits: This trope applied to video game tutorials, where characters in the work explain game mechanics or which buttons to press.
Meta Fic: A Fan Fic-specific variation that examines the concept of fanfiction or its own premise.
Mockumentary: An in-universe Framing Device that simulates this trope by having the characters react to the cameramen like they might to the audience.
Narrator: This trope is their job.
Postmodernism: As a genre that frequently plays with audience expectation, it loves this trope.
Rage Against the Author: A subtrope with added conflict against the work's creator.
Real-World Episode: Characters entering the world in which their own universe is a work of fiction.
Who Writes This Crap?!: The sillier version of the above.
Who Would Want to Watch Us?: Characters lampooning the premise of the work. May or may not break the fourth wall, but frequently does.
Still requires a Willing Suspension of Disbelief (unless you ACTUALLY believe the characters can see and hear you). See also Sliding Scale of Fourth Wall Hardness. Lampshade Hanging is a less extreme form of this trope.
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DBTropes
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No Fourth Wall
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In Disgaea 4, it's like the wall never existed! There's one of the main characters, Desco, who wants to become the "Final Boss", so she decides to attack the main characters to become one.
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Fight Club has its protagonist ("The Narrator") turning to the camera to tell us about Tyler Durden, complete with Tyler himself pointing out "cigarette burns" in the physical film the movie was supposedly recorded on. Tyler also points out one of the flashback gags, vandalizes the FBI warning at the beginning of the DVD, and splices subliminal images of himself and frames of porn into the movie itself.
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This shows up in Batman: Arkham Asylum. As you solve the Riddler's puzzles, he occasionally throws out different comments. When you've got most of them he demands to know if you're cheating by looking up their locations on the internet.
There is a bizarre encounter midway through the game with the Scarecrow. While the first two encounters were in-universe hallucinations, the third one begins by making the console appear to lock up and restart the game, this time with Joker taking Batman into Arkham as an inmate. The Joker pulls out a gun and shoots Batman in the face, triggering a fake "Game Over" screen with a "Try This Next Time" tip that's impossible (the console versions say to use the middle joystick to dodge the bullet (lucky there's no N64 version); the PC version says to tilt the mouse). Choosing continue or quit will both bring you to the actual fight stage.
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Tales from the Crypt has the Crypt Keeper, who casually talks to the audience in each episode. Some of the few (live) characters he has during his intro and outro segments are also shown to be aware of the fourth wall.
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Women Is Losers: Celina regularly speaks to the audience about things going on, as does a bit character once.
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The main draw of Communication is that YOU, the players of the Quest themselves, are talking and guiding your chosen Host directly, with no filter to limit you on what your saying to them.
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In Distorted Travesty, there is a fourth wall... but Jeremy is sitting on top of it, so it might as well not exist. The characters are fully aware they are in a video game and are constantly discussing game tropes as the story progresses. Later it turns out that This Is Reality... sort of. The real world and the fictional world of games have been joined together in a big Reality Warping mess.
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APT Comic has some character who can't see through the Fourth Wall, and some who actively destroy it due to their Medium Awareness and snark.
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Funny Games is a horror movie with No Fourth Wall. One of the villains is well aware that he's a slasher movie villain, and frequently talks to the audience. Why is he torturing this innocent family? Because his only motivation to kill is to please the audience, and breaking the wall takes the audience away from an observer's point of view and makes them part of the movie itself. This is the director's way of guilting the horror movie watcher; by making them the sole reason for the protagonists' demise. Isn't that why people watch these movies?
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Nature Cat: All of the main characters are fully aware of their existence as cartoon characters, constantly Breaking the Fourth Wall by referencing past episodes and seasons, or sometimes even showing flashbacks to older episodes. This seems to have been ramped up from Season 4 onward, where the fourth wall seems to have vanished completely; there seems to be a fourth wall joke in nearly every episode, and the characters sometimes even pull out the scripts for some episodes.
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In X-Men Legends II, Deadpool is a mid-level boss whom you have to fight in order to proceed with the game. Upon game completion, Deadpool is unlocked as a playable character and can be used in replays at any time. Having him in the party at the Deadpool boss fight unlocks an Easter Egg dialog where both Deadpools discuss which cheap comic book plot they can use to explain the situation and then conclude that game programmers are stupid for not realizing the paradox they created.
Like wise in both Marvel Ultimate Alliance and its sequel. Nick Fury hates when he does that.
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Real Life Comics does this constantly, since the premise is the author Mae Dean doing a comic about her own life and many of the characters being her friends and family. Ocasionally "The Cartoonist" is talking to the character Mae inside the strip. This interaction works both ways, with the strip's characters sometimes talking to the author, the characters or the author talking to the readers, and even, at one point, an instance where the comic's main character vandalised the comic's website. In the days before the birth of her daughter, the character Mae accused the cartoonist of the child already being born in the real world, but not yet inside the comic because she couldn't figure out how to draw a baby.
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Rabbit Rampage was created as a sequel to the aforementioned short, in which Bugs Bunny is tormented by Elmer Fudd. Chuck Jones believed this short was effective only in highlighting the character-driven brilliance of the original in contrast, as he felt Bugs had far too much grace under pressure to freak out as beautifully as Daffy.
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Mister Rogers' Neighborhood spends each episode with Fred Rogers talking directly to you, his "television neighbor," in the kindliest tone you can imagine. He occasionally mixed in some Medium Awareness as well, showing us how his house was actually a set on a TV sound stage and taking us behind the scenes to meet the crew.
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Gerbert has the protagonist address the audience when talking about the Bible or asking questions to them.
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The Our Town by Thornton Wilder has No Fourth Wall — and depending on your definitions also lacks the other three as well. It has a character named "The Stage Manager" who directly addresses the audience, narrates the action, plays the role of the minister in one of the scenes involving the other main characters, comments on the lack of scenery, and interacts with actors planted in the audience.
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Following its parent game, Hades' Misguidance destroys its fourth wall from the very start. Apparently by the time of the Meta Knight episode they're running out of replacements.
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Sonic the Hedgehog (Archie Comics) was like this pre-Cerebus Syndrome. Now it's limited to Off Panel, a strip in the back pages about the characters reacting to the story.
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Rab C. Nesbitt: Espousing theories at the audience. These may have been deep and important, but were almost incomprehensible.
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The Fresh Prince of Bel-Air broke the fourth wall quite often, but the moment that evaporated it came during the premier of the fifth season. The previous season had ended with Will deciding to remain with his mother in Philadelphia, leaving viewers expecting some sort of emotional catharsis. Instead, the next episode opened with an NBC executive approaching and informing him in no uncertain terms that the show was called "The Fresh Prince of Bel-Air," and that was where he was going to be. Then shoving him into an open van(marked "Star Retrieval Unit").
And then there's the episode that has Carlton running screaming through several sets for the episode and then into the audience.
Will asking "If we're so rich, why we can't afford no ceiling?" ... as the camera pans up to show the studio lights.
Jazz asking Will "Who's playing the Mom this year?"
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PJ Katie often spoke right to the viewer on PJ Katie's Farm.
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Much of the humour in The 39 Steps is based on this premise. For example, after a particularly extravagant and long-winded series of costume changes, "Hannay the actor can't take any more" and exclaims "Oh just get on with it!!"
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In Avatar Adventures, there is literally none at all. Characters frequently address the posters, to the extent that "Out Of Character" tags may as well not exist. One character in particular, Sam G, is said to exist on a plane between the two worlds; he is, unsurprisingly, an Author Avatar.
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The Disgaea series.
The first game cracks it here and there with Laharl's complaints about The Rival's tragic past and Vyers' nickname "Mid-Boss". Then after Etna's previews just makes the wall disintegrate from here.
The second game decides to nuke the remains from orbit. How do you know the Big Bad isn't dead yet? Because nobody's title changed to "God of All Overlords". Taro theorizes that Adell wasn't affected by Zenon's curse like everyone else for one simple reason: he's the Main Character.
Don't forget the Senate hearings over who gets to be the main character.
Hell, the reason why Etna joined the party late in the game is because they summoned her and as a result (To her exclusively), dropped her level down to 1 and is 'stalking' them until she gets them back (But not really for gameplay sake.).
In the third game they've just thrown up their hands and run with it. Characters note that expository dialogue explaining a past relationship is very helpful for the player who is on his first time through the game. There's also Mao who's trying to become a "hero" because heroes never lose.
Another comments on how cheat-codes would help.
In Disgaea 4, it's like the wall never existed! There's one of the main characters, Desco, who wants to become the "Final Boss", so she decides to attack the main characters to become one.
This game also comes with a next episode preview like the first Disgaea
When the main cast meets Des X, she looks just like Desco, just recolored. One of the main cast makes a comment: "Was this a cost-cutting tactic by the creator!?"
There's also the post-game, when they meet Asagi it is revealed that she is still using an older-style Disgaea sprite unlike the others who are in HD.
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In Cats, at the end of the opening number "Jellicle Songs for Jellicle Cats" the cats become aware of the audience, and de-facto narrator Munkustrap acknowledges the confusion of certain audience members as to what exactly a "Jellicle" cat is. Later, the cats take refuge among the audience when hiding from Macavity.
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In Hair, one of the characters complains to his parents that they're embarrassing him in front of the audience. In some productions, police officers arrest audience members for watching an "obscene" play at intermission.
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Sheep in the Big City, in a similar manner to Rocky and Bullwinkle, frequently switches to the narrator inside the recording studio for commentary. The Season 1 finale tops it all off where it turns out that the sheep is the real Big Bad, and that he has a narrator-powered ray gun. Don't worry, it's All Just a Dream.
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Checkerboard Nightmare — the story of Checkerboard Nightmare's attempt to create a wildly popular webcomic, starring himself — smashed the fourth wall to bits and danced across the rubble from day one.
In the particularly insane "Repairing the Fourth Wall" arc, Vaporware decides webcomics have become too dependent on No Fourth Wall gags, so he decides to rebuild the Fourth Wall. He succeeds in spite of much opposition from the rest of the cast, who come to grudgingly accept that removing the crutch of self-aware humor is probably for the best. Then Chex smiles at the audience and says, "That's it for this storyline, folks! Be back here next strip for more Checkerboard Nightmare! And please click on a few ads."
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The characters of Sluggy Freelance frequently complain when they are forced to participate in lame filler strips, especially when illness, laziness or holidays mean they're drawn as stick figures. The cartoonist, Pete, occasionally speaks to the cast (appearing as a godlike figure whose features are not visible due to golden light), and Shirt Guy Tom (represented by a stick figure) frequently tries to take the comic over, which everybody hates because he is a terrible artist. There's an entire mini-arc drawn by a guest author, featuring the guest author coming up with a guest comic and then being chased by angry fans because she messed with canon.
However, the plot proper firmly requires a fourth wall. Even when it's broken within the normal comics (as opposed to filler), it's always in throwaway lines, and the characters go back to being unaware of being in a comic for most of the time and at all important points.
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Gaia Online:
The characters periodically comment on news from "the real world", interact with users in the forums, and the like. Chance Items have gone to even stranger places; one of the Lex-Box scenarios was Lex using a tablet to illustrate himself on that stage using the tablet to illustrate (recursion), while the Gee Boi Turbo was all about Don Kuro, his sister, and his pet owl going to a Gaia Online fan convention. And the Don finding yaoi about himself.
Gaia Online events usually involve user participation. Reached an extreme during the Alien Invasion event, where several members of a fan-thread for the aliens became characters in the comics dealing with the event; however, this caused other users to feel alienated and subsequently hasn't been repeated.
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The angle where Kevin Steen was kicked out of ROH by El Generico not only involved Kevin Steen hacking the ROH website to show his videos, but him going so far as to criticise ROH on the Pro Wrestling Guerilla message boards. This in turn lead to an angle where Bryan Danielson tried to kick Steen out of PWG too, tough he relented after winning a match but finding Steen grovelling to keep his job. Former booker Gabe Sapolsky actually complained when Steen did make it back to ROH and used his name when talking about people unjustly fired from the company.
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All of the characters on Channel Awesome. Most of them are reviewers, and talking directly to the audience by their premise, but it goes beyond that. Characters from the shows/movies/comics/games that they review come out, they can invoke tropes to control the narrative, use a Big-Lipped Alligator Moment or whimsical montage as a weapon, and they can read the subtitles.
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The Talos Principle's Serious DLC replaces the voice of the omniscient Elohim with Serious Sam, who immediately dispels any formalities and spends the entire game talking directly to the player. While the main game is about philosophical quandries relating to the in-game characters, Sam instead discusses games as a medium.
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In The Early Bird Dood It, the worm and the bird find a billboard for the movie Mrs. Minimum (a parody of MGM's Mrs. Miniver) featuring the very cartoon they're in as a side attraction.
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The Bonzo Dog Band song, "Canyons of Your Mind" starts off by addressing the listener with spoken word:
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Ted, of Better Off Ted, talks to the camera a lot.
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Donkey Kong Country's Cranky Kong breaks the fourth wall near-constantly in the older games, but the entire (All There in the Manual) storyline of Donkey Kong Land depends on the lack of a wall: Cranky has K. Rool steal DK's bananas again as part of a bet that DK and Diddy can't have a successful adventure on the 4-color Game Boy.
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One of the major themes in Rosencrantz and Guildenstern Are Dead is that Rosencrantz and Guildenstern are minor characters in Hamlet, and that they die because the playwright had written that they were dead. At one point Rosencrantz even shouts "Fire!" in order to demonstrate the abuse of free speech. This is a play off of the "Shouting 'Fire!' in a crowded theatre" exception to the First Amendment of the United States Constitution (since they are characters in a play, it is obvious that they are in a crowded theatre).
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Titus (a sitcom starring comedian Christopher Titus):
The main character addresses the audience from a small room with one light bulb, viewed through a black-and white filter. On one occasion, when he is drunk, there are three light bulbs.
His father Ken and girlfriend Erin both addressed the audience from that same small room on occasions where Chris was unable to make it or when their narration was thematically important.
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In Episode 10 of Hikonin Sentai Akibaranger, Akibared, Nobuo, becomes aware of the fourth wall. He convinces the rest of the characters of this and this trope is in full effect for the rest of season 1 as the final episodes revolve around the Akibarangers trying to thwart attempts from the producers to end the show. Season 1 ends with The heroes fighting the end credits
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Murfy spends much of his time in the game bickering with his copy of the game's instruction manual (which replies via on-screen captions.) To heighten the effect, the real instruction manual is very uncomplimentary of Murfy in the character profiles section. Additionally, Murfy farewells the player with the words "See you in Rayman 4!" and Globox can be bullied into saying, "You were nicer in Rayman 2: The Great Escape!"
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Part of the premise of lonelygirl15 and LG15: the resistance, as stated by Word of God, is that there is no fourth wall. The characters are always aware that there is an audience, and often address them directly. However, the characters do not know that they are fictional, so perhaps it would be more accurate to say that the fourth wall exists — it's just transparent.
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The The Simpsons episode "The Cartidge Family" has an In-Universe example: when Homer shoots the TV to turn it on, the bullet hits a character inside the TV, killing him.
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Unwanted Houseguest the Houseguest speaks to the viewers regularly, and none of the other characters see it as strange.
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Clarissa Explains It All was pretty much the queen of this trope. The title character would open every episode with a monologue directly to the camera, and she would also address the audience after a major plot point in the episode, which usually happens around 5 times an episode. She also makes the occasional facial reaction directly to the camera during a scene.
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Rosario + Vampire. In a second-season episode, the narrator-bat is shown to be able to transform into anything, including a gigantic spiked warhammer for Kokoa. When she goes on a rampage against the main cast, they lament how the writers were probably drunk when they wrote the episode, as well as kept the bat's secret hidden throughout the first season.
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In Rock of Ages, Lonny acts as the narrator of the story and at one point, actually informs the main character, Drew, that he is in a Broadway Play and shows him the playbill to prove it.
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1/0 takes the concept fairly seriously; the cartoonist is a disembodied voice who talks with the characters often. Incidents such as the characters going on strike (refusing to talk, move or think, to drive down readership and force the cartoonist to give in) or developing "personal fourth walls" were common, and the end of the series was largely concerned with the question of how to let the characters survive past the strip's end.
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Quest Fantasy gets more and more like this as the story progresses. Although one character acknowledges and threatens the player in the original, the end of the final game escalates this so much that stopping an antagonist from triggering the credits sequence, characters having only one portrait, and places being unvisitable because they were never programmed into the game are legitimate plot points. All taken completely seriously.
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Urinetown is based off this premise. The characters of Officer Lockstock and Little Sally frequently break away from their in-show groups (Lockstock from police officers and Sally from the urchins) to discuss with the audience the musical they're in, with Lockstock giving Sally advice on how not to put too much exposition into their conversations with the audience, or at the end when Sally complains that the show should have a happy ending because the music is so happy.
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In Just More Doors, the writing on the walls mentions from the very start that we're in a video game.
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WandaVision: Episode 6, which primarily takes influence from Malcolm in the Middle, has Tommy and Billy frequently make aside comments to the audience.
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The iCarly online content (as opposed to the in-universe webshow) often breaks the fourth wall, by way of a 40 year old man filling in for Sam, and a clip of Freddie informing the 'Baby Spencer' character (who is played by Jerry Trainor), that Jerry Trainor was nominated for an award.
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A 1940 Looney Tunes short titled "You Ought to Be in Pictures" involves Porky Pig and Daffy Duck literally jumping out of their animation cels and interacting with the real (live-action) world.
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The musical Into the Woods features a Narrator who addresses the audience and, at one point, is pulled into the story proper by other characters who don't like the way he's been telling the story.
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Dave the Barbarian often uses this, to the point where the final episode revolves around the narrator being brainwashed by the Big Bad to narrate a story where he is victorious. Sometimes the low budget of the show is referenced too ("And so, our heroes defeated the muffin monster in an epic battle which is too expensive to be animated in such a cheap show like this").
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The BBC series Hustle includes at least one fourth wall-breaking moment in every episode, in which one or more of the main characters will address the audience about the con currently underway, sometimes as time freezes around them. Some episodes are more subtle, having a character perhaps wink at the camera.
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Teenage Mutant Ninja Turtles (first cartoon) frequently used this trope.
In one episode an ancient Japanese sorcerer gets summoned and starts threatening the Turtles in English. One turtle says, "If he's from ancient Japan, why is he speaking English?" Another replies, "Because we can't afford subtitles."
In another episode one turtle constantly suggests that the strange things happening are a work of Krang and Shredder (the usual villains). The other disagrees each time until saying "In fact they don't appear in this episode at all."
Even better, one episode has Shredder in As You Know Mode explaining the effects of Krang's mind control device, to which Krang responds "Why are you explaining this to me? I invented it!" Shredder's reply: "I wasn't explaining it to you." (points to camera) "I was explaining it to them!"
"Will you leave off it already? He's not even in this episode!"
Donatello trying to bring April up to speed on the episode so far:
A recurring moment whenever a dangerous stunt is or being performed, mostly Raphael will tell kids not to try this at home.
The turtles sometimes mention episode numbers as references. Takes a turn for the funny when a wrong episode number is mentioned.
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In Rayman 3: Hoodlum Havoc:
Murfy spends much of his time in the game bickering with his copy of the game's instruction manual (which replies via on-screen captions.) To heighten the effect, the real instruction manual is very uncomplimentary of Murfy in the character profiles section. Additionally, Murfy farewells the player with the words "See you in Rayman 4!" and Globox can be bullied into saying, "You were nicer in Rayman 2: The Great Escape!"
Far after Murfy's farewell, there is an incident which tricks Globox into some overthinking. In effect, our friend starts claiming he's a masterpiece of 3d animation, commenting on other games as well as his very own polygon count.
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The Drowsy Chaperone Lights dim. Theater goes dark. Waiting. Disembodied voice "I hate the theater" 2mins Soliloquy later... lights come up and the narrator directly addresses the audience for the remainder of the show.
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A weird variation of this occurs in Teen Titans Go!, where the fourth wall is typically stable unless episodes revolve around discussing criticism or the process behind making the show, in which case the fourth wall ceases to exist.
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Ellery Queen (NBC, 1975) always had one No Fourth Wall moment every episode. Immediately following Ellery's mandatory "Eureka!" Moment, he would turn to the audience, briefly review the key evidence for the viewers, and ask them if they'd figured out who the culprit was — right before going to a commercial. (See The Summation.) This was a trademark of the radio show as well.
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During the course of Grand Theft Auto V Michael helps make a movie called Meltdown, which you can actually watch in the game. It's about ten minutes long and spends most of those ten minutes savagely attacking the fourth wall and lampshading various tropes.
While driving, if you run your vehicle into something or have a near-miss, the player character will sometimes yell at someone else in the game. Sometimes, however, they yell at you for either your poor driving skills or luck.
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In the 1997 informative video The Kids Guide to the Internet, despite explaining things to their friends, Peter and Dasha face the camera to speak. The viewer is directly addressed by the Jameson family at the beginning and end, but visitors Lisa and Andrew never address or acknowledge the camera.
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In Avenue Q, the characters frequently address the audience in a manner similar to Sesame Street, which the show is parodying. At one point, when the characters are trying to collect money, they literally run into the audience with hats and collect money from audience members (the money is donated to Broadway Cares).
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Violinist of Hameln (manga version) never built a fourth wall in the first place:
The characters say things like "this is a really stupid manga".
When the heroes first meet Ocarina, Hamel is happy to "finally have a girl in sexy clothes in this manga".
When Hamel's violin is broken his friends plan to take over the manga and steal the main character status.
At one point, Hamel tells Olin that he's not important because he wasn't in the Anime adaptation.
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In The Basic Eight, you are reading the protagonist's diary that she has edited and sold now that she's been arrested and imprisoned for a now world-famous murder.
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Some productions of Hamlet have the soliloquy performed by the title character presented as talking to the audience instead of simply to himself.
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In Spamalot, the Holy Grail is found under an audience member's seat. Then there is the scene of the Lady of the Lake's actor coming on in the middle of the show and having a great musical number asking what happened to her part! Just to be clear, it's not the Lady of the Lake doing an aside, it's the actress playing her, in her bathrobe, singing about how the producers deceived her about the size of her part and she's sick of her career, and how she's going to call her agent.
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Shakespeare loved this trope — it's a rare protagonist who doesn't freeze everyone else in place so they can talk to the audience. The talks range from quick asides to full on soliloquies. Special mention should be given to the prologue to Henry V. Not only does it provide the normal amount of Exposition that you'd expect from a normal soliloquy, but it also lampshades the fact that the theatre can't possibly represent a real battlefield or army, and attempts to inspire the audience to make up for these deficiencies with their imagination.
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Characters in YuruYuri, especially in the manga, constantly break the fourth wall, referring to readership, publication history and things like colour pages and Fanservice content. Memorably, a bonus Yonkoma strip was almost entirely filled with characters talking about the format change.
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24-Hour Party People is an interesting one considering that it's a biopic. Aside from the main character narrating on screen (including one time where he remarks that one scene will be "cut and appear on the DVD extras"), there is also a scene in which a (fictional) incident is recounted in which Tony Wilson's wife cheated on him with Howard Devoto of the Buzzcocks and Magazine. The real Devoto, playing a janitor in the scene, turns to the camera and remarks "I definitely don't remember this happening!". And there's also one point in middle of the film where every cameo by an actual musician is pointed out, which happens right after Steve Coogan — playing Tony Wilson — points out that the guy in the last scene was the actual Tony Wilson.
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Doonesbury has always broken the fourth wall for things like answering reader mail, but the latest strips have (the fictional) Mike Doonesbury handing over the strip to his daughter Alex to run. She announces to us that she plans to change the name of the strip to "What Up, Alex?" and will remove older characters. She is also shown on her computer "designing" the very strip we are seeing.
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In the 2017 Clue comic book by IDW, the butler Upton regularly and frequently addresses the editor and the readers about the events in the comic. In the final issue, he steps out of the comic to go after the editor, letterer, artist, writer, and the reader...
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The 100 Girlfriends Who Really, Really, Really, Really, Really Love You: This manga is quite parodic in tone and nature; for starters, the characters are quite aware that they are in a manga:
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The way House of Leaves is written plays up everything in it to have actually happened, with Johnny Truant directly addressing the reader several times. The problem comes up when other, supposedly fictional agents begin to address the reader directly as well. There is a scene where Navy reads and burns a copy of House of Leaves.
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Mister B. Gone by Clive Barker is about a demon trapped inside a book, the book he is trapped in is in fact the one you are reading. The plot of the novel is: the demon attempting to convince you, the reader, to burn the book, this book. Over the course of the book he asks politely, begs, bargains, and out-right threatens you in his quest to get you to stop reading the book and burn it right now.
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KateModern follows the same premise, but additionally, characters sometimes play with the Fourth Wall in a more traditional sense.
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Several characters in Medaka Box are aware of their status in a manga. In particular, the Big Bad is in the midst of forcibly shifting the manga from action to love comedy to give the main character a better chance at success. And in chapter 127, she claimed she intended to speed the manga up, and make it end before the anime comes out. One can only wonder how she's going to take that in the anime.
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No Fourth Wall
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Excel♡Saga and its Spiritual Successor Puni Puni☆Poemi don't so much demolish the fourth wall as they never bother to build one in the first place.
In particular, Poemi in Puni Puni☆Poemi hasn't even gotten as far as the first wall yet — she's convinced that she's actually her voice actress and refers to herself by that name, and also believes her father Nabeshin is actually the director. Which he is, but she shouldn't know that.
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No Fourth Wall
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On Andy Richter Controls the Universe, Andy's voice-over narration would frequently address the audience directly.
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The Truman Show features this about the show-within-a-movie for everyone but the titular character. In fact, because the show doesn't have commercials, the people interacting with Truman will often mug at the camera while holding some random item placed there by sponsors. Eventually, this tips Truman off about the nature of his world — when his "wife" launches into a poorly-timed pitch out of nervousness, Truman exasperatedly asks who she's talking to.
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Pessimistic Sense Of Inadequacy:
In the early comics, interactions between the comic characters and the "web comic" nature of the comic so much that for comic #100, the author is in the strip, the characters are talking to the audience, and then ... http://psiwebcomic.com/00100a.htm (animated gif). "If you break the 4th wall so much, you are bound to break something else...."
Not to be outdone, during the Crossover Wars, the author is forced into an interaction with one of the evil army's main bad guys. No 4th wall? The author is talking about the comic to another character from another comic, and Fesworks has said that this was never his plan for his comic.
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The fifth game in the series, Leisure Suit Larry 5: Passionate Patti Does a Little Undercover Work, begins with Larry and Patty separated and with no recollection of what happened in the last game, because Big Bad Julius Bigg stole the master floppies and the game was never released.
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No Fourth Wall
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Rocko's Modern Life would do this from time to time, the most notable case happening in "I Have No Son!". When Rocko, Filburt and the Bighead Studio tour guide stumble upon a "story conference", we see a storyboard depicting Rocko, Filburt and the tour guide stepping in that very room. The guide soon realizes they're in the wrong room.
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No Fourth Wall
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Carried on in Deadpool 2. At one point, Deadpool calls Cable "Thanos", referring to how Josh Brolin starred as both Cable in this film and Thanos in the Marvel Cinematic Universe, since this film opened against Avengers: Infinity War.
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The SCP Foundation, having no official canon, varies in how much of a fourth wall any given entry includes, but one particular item posits that the entire universe of the Foundation lacks one.
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Italo Calvino's If on a winter’s night a traveler is written in the second person, with the Reader as the protagonist, and begins: "You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler."
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Drood plays with this, written as actors putting on the show in a London music hall, and narrated by the Chairman of the company, who at one point has to step in to fill in for another actor and is frequently confused about which role he is currently playing. The audience and actors vote on the ending, the actors at one point making a decision because they dislike the music hall actress playing one character.
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In The Bernie Mac Show, Bernie frequently goes to his garage to sit facing the camera and address "America."
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Pippin. When the title character's very first words are a request to have some more lighting, it's clear that the Fourth Wall is going to be transparent at best. Throughout the show, characters talk to the audience and the conductor and get into conversations with the Lemony Narrator. And this is without going into what happens in the final scene, where the show suffers such a catastrophic breakdown that by the final curtain there might not even be a third wall.
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In KOOZA, the 'King' character sets off the stages security system every time he moves onto it. The alarm blares out "Please move away from the stage" until the king pulls out //something//, and turns off the alarm with the accompanying car alarm beep. Note that this only happens to the king. Later in the show, an audience seat is revealed to be on a hydraulic lift, raising the audience member five to six feet above the nearby seats.
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Erin from Dragon City has obliterated the fourth wall of Dragon City. Her family members try to remain blissfully unaware that they're in a comic, but Erin keeps bringing it up and often gets in trouble for it. It's gotten so bad for Erin, in fact, that at one point she has a hard time remembering one of her cousins because they've had very few onscreen interactions.
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Garfield has had gags that directly addressed the audience literally since day one. The first panel of the first comic, tells the very first thing that the strip did was break the Fourth Wall.
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Super Paper Mario is another one with no fourth wall, at least as far as NPCs are concerned. The dialogue suggests that Mario himself is unaware of the player's existence, though it's hard to tell, but if he is, he's the only one.
Paper Mario: The Thousand-Year Door has this too, with an odd meta gimmick that there are TWO non-existent fourth walls. One between the player and the game (which the characters address or in one case, steal keyboard letters from), and one between the characters and the in game audience watching their battles. Because in-game, there's Audience Participation going on, in ways ranging from Mario doing stylish moves to gain power from their cheering to audience members going on stage or throwing rocks at the combatants to certain bosses using the audience as ammunition, food, or stealing their souls to restore health.
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Children's cartoon WordGirl regularly has the narrator talking to the heroine (and sometimes the villains). At least once, he outright tells Word Girl where the villain is.
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Jerkcity contains what is probably the first, and perhaps the only, occurrence of a fictional character reporting a real bug in OpenBSD, in the process pointing out that he can't do anything because he is fictional.
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General example: chldren's theatre, particularly live shows based on popular franchises like Sesame Street, Blue's Clues, My Little Pony, or Disney Junior properties, etc. Participation from the kids in the audience is expected as a given and if the show previously utilized Fake Interactivity, this will be used as a chance for some real interactivity. And even if no such element was present within the original show, it will be in the stage show.
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The later episodes of Wacky Races (2017), in the vein of the aforementioned 90s WB Animation cartoons, contain frequent fourth wall breaks and meta jokes, including entire episodes built around them - ranging from the racers having to put up with format changes against their will to meeting the creators of the old show in a courtroom session.
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Sam & Max: Freelance Police never had a 4th wall, pointing out jokes that were used in the comics, referencing the constraints a kids' show puts on them, and even going so far to point out the show's lack of viewers.
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No Fourth Wall
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In particular, Poemi in Puni Puni☆Poemi hasn't even gotten as far as the first wall yet — she's convinced that she's actually her voice actress and refers to herself by that name, and also believes her father Nabeshin is actually the director. Which he is, but she shouldn't know that.
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Nerima Daikon Brothers: Fourth wall? What's that? Everyone mentions the audience and animators, and often comment on the "Stupid dub writer!"
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Kid Icarus: Uprising takes the fourth wall and shatters it with a light arrow:
Much of the banter in the stages and boss battles talk about things that let the player know they're well aware they're in a video game. Strategy guides are mentioned, bosses recognize themselves as such, and Palutena even remarks how the Three Sacred Treasures are no longer pixellated like they once were.
On top of that, the characters frequently make references to other Nintendo games, including Super Smash Bros. So they're not only aware of their own game, but pretty much the entire Nintendo universe.
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In the Mouth of Madness married this trope and had little half-movie, half-trope babies. Trent is looking for a very popular author who has vanished while writing a novel. He finds out that the town featured in the previous book is a real place, and goes there to find every minute detail exactly as it was in the book. He also finds the author, only to slowly discover that he himself is the protagonist of the author's current novel, "In the Mouth Of Madness". The author has written himself into the book, which is about how that same book ended the world, and how Trent has to try and stop it from going to publication. Otherwise it will drive people nuts, turn them into monsters, and allow the really bad monsters back into the world. Trent fails of course, but sees a movie theatre playing the movie adaption. On the screen is the beginning of the film the audience has just been watching. Epic Mind Screw.
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Six Characters in Search of an Author is about the titular six characters approaching a theater group and trying to get their story told, which leads to several different levels of "reality" throughout the show. By the same author is Absolutely! (Perhaps), in which the main character looks at the audience as he's meant to be looking in a mirror. At the end, after the central mystery of the plot is very pointedly not resolved, he turns to the audience and says "Are you satisfied?", then laughs wildly.
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Hayate the Combat Butler invokes this trope pretty much every single episode, with the characters constantly aware that they are in an anime and that there is a narrator and audience. The manga re-erects the fourth wall eventually, then it stays mostly intact.
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Readalong: There are plenty of segments in the show wherein characters would talk directly to the audience.
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Present in Ever17 and Remember11 of the Infinity series, but not in the usual way. In both games, the player is an entity within the game universe, acknowledged by certain characters, and holds a major plot importance: is essentially the "Deus" in Deus ex Machina ending of Ever 17, and virtually the antagonist - or at least the one responsible for some bad things (albeit unknowingly) - in Remember 11.
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The Muppet Show could be a tad surreal when it came to the fourth wall. While talking to the audience is expected in a variety show, the characters would sometimes address the audience while they were backstage, or otherwise acknowledge that they were just actors portraying a variety show.
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Monty Python and the Holy Grail. Examples include a random knight killing the "famous historian" relating the knights' strategies to the viewers. The narrator is attacked (off-screen) and replaced by a hairy creature (that continues to leaf through the Book of the Film). The "aptly named Sir Not-Appearing-In-This-Film", the characters talking about "scene 24", a castle guard calling Arthur on using coconuts to make riding sounds, a monster dying because "the animator suffered a fatal heart attack" and, of course, the ending where the police arrives to arrest the protagonists for the murder of the famous historian and one of the policemen turns off the camera, remarking "All right, sonny, that's enough, just take off." — and that's not nearly all of them, mind you.
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Calendula's entire gimmick is that the main menu itself is the primary game, as you must navigate it to fix glitches and find passwords so that you can play the actual, In-Universe game.
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In the same vein, Freakazoid!. In addition to complaining about the writing, the characters will actually call production assistants into the episode to help them resolve the plot, or be interrupted by executives who urge them to show off more merchandise.
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The fourth wall for Soul Nomad & the World Eaters was very solid despite the tutorials on the first playthrough. The instant Asagi's name is mentioned in-game, the fourth wall just crumbles — and her first move when Revya and Gig don't comprehend, much less comply to, her demands is to obliterate Feinne with one shot!
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Eroica will occasionally complain about how he's supposed to be the main character when he hasn't been getting much screentime.
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Batman: The Brave and the Bold has Bat Mite, who actually goes so far as to discuss the legitimacy of that show's interpretation of Batman relative to the darker incarnations in the show itself (his exact position changes over time). In the Grand Finale he intentionally tries to make the show jump the shark to get it canceled so a Darker and Edgier cartoon can take its place, complete with replacing one character's voice actor.
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The Garfield Show does this too, though only Garfield seems to have full awareness of the world beyond the screen.
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Irregular Webcomic! is also a frequent offender, especially in the "Me" theme—as the name implies, it features the author of the comic, often with a Crossover into one of the other themes. The very first comic was him staring at a computer and dissing the concept of webcomics, and the next few framed the "Fantasy" theme as a tabletop RPG he started playing. An example possibly topping all of those in this page is the current storyline in that theme where after saying a regular cast member would die permanently before the end of 2007, the author himself is killed by what is later revealed to be his future self who has since become Death Of Going Back In Time And Killing Yourself.
And when he is sent back to kill himself, he refuses and are now on the run from death it(?)self.
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Scootertrix the Abridged has a strange relationship with the Fourth Wall. Awareness of it is treated as something akin to a special power, (At a few points, even referring to it as The Fourth) and different characters have different levels of success in wielding that power.
Pinkie Pie has access to the script, notices text captions, and occasionally argues with the show's editor, at one point even assaulting him (offscreen, during the closing credits). In fact, the fourth wall is so transparent to her that she sometimes breaks it by accident, which causes Twilight no end of confusion. But what is especially unusual about her case, is her knowledge is sometimes Played for Drama, as she sees holding such knowledge as a burden, due to knowing that her entire existence can be erased with a Cease and Desist order, and knowing overusing her Fourth Wall Powers can potentially cause a Plot Hole, which has serious consequences in their world. As seen when her using her abilities is slowly weakening Discord's seal.
Nightmare Moon is completely aware that she's the main villain of the story; she's just appalled at how shoddily her appearance was foreshadowed.
Trixie treats her knowledge of the Fourth Wall like dark magic, using it to supplement her magical abilities. She doesn't seem to have quite the same level of access as Pinkie, however.
At one point, Celestia, Luna, and a royal guard casually discuss other MLP Abridged Series.
The dragon from "Dragonshy" decides to depart his scene early, knowing that he tends to meet grisly fates in other Abridged Series.
Prior to episode 15, Twilight Sparkle appeared to be most in the dark about the Fourth Wall, probably because it's funnier that way. The rest of the Mane Six don't appear to care one way or the other.
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Madam & Eve does this fairly often — the characters will address the audience, criticize punchlines, experience technical difficulties, and file for unemployment.
This series of strips has the comic downsized from four panels to three due to an ink shortage.
Done in this July 25, 2019 farewell comic,◊ marking the series' departure from the Mail & Guardian newspaper.
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Westeros: An American Musical keeps several Breaking the Fourth Wall moments from the Hamilton songs. On top of this, it has such things as characters casually pointing out differences between A Song of Ice and Fire and Game of Thrones or acting out romantic scenes between specific pairs to please the audience. The Interactive Narrator also tries to kick the Sand Snakes out for showing up too early and gets killed over it.
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Jerry Dumas and Mort Walker's Sam's Strip of the early '60s was more or less built around this. The title character would address the readers directly, frequently complained to the cartoonist, kept spare idea bulbs and swear symbols in a closet, and would occasionally rent out the strip's panels. Characters from other strips, many of them old and obscure, would frequently pop up.
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The Order of the Stick:
The webcomic has the distinction of having two fourth walls to break: the fourth wall of being a comic (which in one instance is hilariously broken by Haley Starshine climbing onto the character introduction page to steal a diamond to be used for a Resurrection spell), and the fourth wall of being in a game (characters often directly reference feats, having skill points, and gaining levels, which technically aren't supposed to be in-character knowledge).
This strip shows a third fourth-wall to (literally) break through: The comic panels themselves!
One scene from the prequel "On the Origin of PCs" lampshades it brilliantly:
In fact, it breaks the fourth wall for comedic purposes or even to advance the story, with characters regularly lampshading what should happen for dramatic purposes, which then usually happens; there should be a subtrope only for this. Belkar for example uses it to pretend to have character development instead of actually doing it.
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Sketch Comedy: to the point where not only the cartoonist, but even the readers become characters in the comic.
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Flower, Sun and Rain has numerous characters refer to events going on in video game terms, such as blatant lampshading of the game's event flag-based ultralinearity. Pretty much every criticism the player might have of the game is mentioned at some point or another, especially with the character Shoutaro Kai, a young child who ruthlessly tears into the game, offending the protagonist who is too polite to break the fourth wall so blatantly.
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What can be said about Space☆Dandy? Hmm... Maybe that the very first minute of the very first episode has Dandy and QT arguing over letting the narrator give the Exposition Dump? Or maybe in "There's Always Tomorrow, Baby" when the narrator has to personally tell the characters that they're in a time-loop because they're too stupid to figure it out themselves? Or when the narrator, as well as everyone else in the universe, became a zombie? Or when...
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Metal Gear:
Some sample quotes from the series:
And how about Otacon in ''MGS4'', after the Crying Wolf boss fight? It goes like so:
In The Twin Snakes, when Psycho Mantis tells you to put the controller on the floor, the camera cuts to Snake who, while keeping his pistol pointed at Mantis, will shift his eyes towards the camera and nod at you, telling you it's ok.
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From the UK, The Young Ones regularly made reference to their being characters on a sitcom. In one episode, Neil's mother visits to complain about his working on a program with such shoddy production values, smashing a chair as an example; Mike points out that the chair is a breakaway prop Rik was going to be struck on the head with. Sure enough, Rik gets clobbered with a chair a few minutes later ... and is knocked unconscious, because his attacker unwittingly uses a normal chair instead of the ruined prop!
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Not to be outdone, during the Crossover Wars, the author is forced into an interaction with one of the evil army's main bad guys. No 4th wall? The author is talking about the comic to another character from another comic, and Fesworks has said that this was never his plan for his comic.
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On the last WSU of 2018 Maria Manic issued an open singles challenge only to be informed by The Shook Crew that as one half of the Tag Team champions she had to defend the belts on the last show before the coming Retool and would forfeit without a partner. So she pulled a fan out of the audience to act as a substitute for Penelope Ford.
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Undertale completely throws the fourth wall away. While sometimes played for humor, it is mostly used for story elements, primarily the SAVE feature. Some examples include killing Toriel, restarting your game, and sparing her will result in Flowey lampshading this, after the True Ending where Flowey asks you not to reset the file so Frisk and the others can be happy, and when you fight Flowey, he deletes your save file and saves over your own death.
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In the third game they've just thrown up their hands and run with it. Characters note that expository dialogue explaining a past relationship is very helpful for the player who is on his first time through the game. There's also Mao who's trying to become a "hero" because heroes never lose.
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In Kodocha, both Babbitt and Sana make frequent references to the fact that they are in an anime; Babbitt in particular scolds Sana on several occasions for doing things that she shouldn't in a kids' program.
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The Deadpool game developed by Highmoon studios certainly invokes this trope. Between other things, you can use your yellow dialogue boxes as platforms at one point.
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Peter Greenaway's The Baby of Macon heavily blurs the line between what is fictional and what is "real" within the film. The plot of the film is sometimes a morality play performed before an audience, but sometimes it seems real. Sometimes members of the audience are just spectators, and sometimes they walk onstage and influence the plot. We're frequently shown the actors backstage, and sometimes the actors conspire to make what happens on stage real. When the performers all make a curtain call, the lead actors, whose characters have died, remain dead. The living actors bow to the theatrical audience, and then the audience stands up and they all bow to the camera.
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The Language of Literature (Grade 6): As a reading textbook, the audience is often addressed and given questions to create a deeper understanding of the text.
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In the first episode of Strawberry Marshmallow, Nobue describes the other characters directly to the audience; while describing herself, she turns to look directly at the camera (incidentally, doing a Shout-Out as well).
She does the same thing in the Cold Turkeys Are Everywhere chapter of the manga, acknowledging the reader while saying: "A 16-year-old girl shouldn't be smoking!"
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The second game decides to nuke the remains from orbit. How do you know the Big Bad isn't dead yet? Because nobody's title changed to "God of All Overlords". Taro theorizes that Adell wasn't affected by Zenon's curse like everyone else for one simple reason: he's the Main Character.
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Rhapsody: A Musical Adventure:
Missing the timing while fighting the Puzzle Boss leads to Etoile blaming Cornet for the mistake. Cornet immediately shifts the blame to the person holding the controller (or stylus in the DS remake).
After the first Boss Battle, Myao orders another boss to attack. Cornet immediately accepts and says she will fight with all she got, to which Kururu asks something similar to:
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In Stickman and Cube, the two titular characters are fully aware of their status as comic characters and are constantly making meta-jokes and talking to the readers.
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Croatian series Nemoj Nikome Reći (translated, Don't Tell Anyone) had the honor of being Croatia's most fourth-wall-breaking Teen Drama. Helena, the main character, constantly spoke to the audience, even going so far as saying "This is my show and I can do whatever I want!".
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Grojband is extremely self-aware, and the characters often lampshade plot points or express awareness at the fact they are in a cartoon. In fact, every episode ends with Corey saying to the audience, "Thanks for coming out, everyone!", before pulling down the garage door that signifies the end of the episode. The show's wiki even has an article on it.
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Conker's Bad Fur Day includes buying and reading the in-game manual, subtly pleading with the game designers not to change the game significantly in the remake, and Conker winning the game only because the game locks up near the end.
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The Skin of Our Teeth is about human life from the invention of the wheel, to the great flood, to the end of great war. It also is constantly connecting the "historical" events to real life, because there is no fourth wall at all in the play. The actors are constantly "forgetting lines" and at one scene where Sabina tries seducing George, Sabina says she can't go on with the scene explaining a friend of hers recently broke up with her boyfriend for the same reason. A member of the audience leaves the auditorium in tears.
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Dragon Ball Z Abridged started off like this, but by the time they landed on Namek, the fourth-wall breaking mostly disappeared, and was completely gone by the time Season 3 rolled around. That said, the movie adaptations still occasionally break the fourth wall for the sake of a quick gag, such as the "minor character" discussion in Plan to Eradicate Christmas or this exchange in Broly Abridged:
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One could venture that the entirety of Slayers novel-verse has no fourth wall, as they are told in first person from Lina's point of view. She frequently pauses to address the audience, often reacting as if she's been called on her sometimes (often) less-than-ethical actions where assaulting local banditry is concerned. This usually results in her denial before readers are given the details of what actually happened to cause ten armed men to chase her.
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This is half the humor in Ultra Fast Pony. In the very first episode, Twilight comes up with a plan to solve everything, only to be interrupted by the "To be Continued" ending (which becomes a Running Gag in two-part episodes). She opens the next episode by explaining parts of the plot that were left out of the previous episode specifically so there won't be any plot holes. Scootaloo speaks in scat, and other characters can understand her by reading her subtitles (except Rainbow Dash, who can't read). Everyone frequently makes jabs about sloppy editing or stupid plot devices. In one episode, Twilight forgets all about the theme song until the halfway point.
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Woody Woodpecker frequently does this, taking it to the point of Roger Rabbit Effect in the live action segments of his old 60's TV series.
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The classic childrens book The Monster at the End of This Book features the Sesame Street muppet Grover — having read the title on the frontispiece — taking increasingly (and comically) desperate measures to prevent the reader turning any more pages, as he's terrified of meeting the Monster at the end. Fortunately, it turns out the titular monster is Grover himself.
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Mr. Robot makes the audience one of the characters of the show: specifically, the protagonist's imaginary friend. Not only does this provide a way for him to offer narrative exposition but it also means that what we are shown has been filtered through his psychosis and paranoia. He'll accuse the/his audience of holding out on him if he remembers something he should have known all along, for example.
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Anything involving Artix Entertainment invokes this heavily. Games like AdventureQuest, DragonFable, and MechQuest constantly feature characters acknowledging they're in a video game, frequent deconstructions of in-game plot points and tropes, and even characters having conversations with the game's programmers.
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She-Hulk had no fourth wall when being written by John Byrne. She-Hulk knew that she was in a comic book and took advantage of the fact. In one issue, she escapes from a trap by ripping a hole in the page, walking across two pages of ads, and ripping her way back into the story at a later point.
She-Hulk's ability to know she's a fictional character (which in some Marvel reference works is actually listed as one of her powers) still resurfaces from time to time.
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The Annventure series, a part of the Yoobiiverse, initially has an intact fourth wall in the first game, but then Tyrannia begins Addressing the Player and demanding your soul. Annventure of a Lifetime has it intact until about halfway through, then shatters it with the appearance of characters from The Brains And The Brawn and Annabelle (RPG Maker), who openly discuss how The Multiverse is a game and is falling apart because of Tyrannia's glitches. From then on, Ominous Visual Glitches and Glitch Entity enemies appear a lot, the game worlds break apart, and Tyrannia accomplishes this by hacking the game's code, and is ultimately defeated by destroying her code and resetting the game. Annventure To Remember then ups that with text boxes serving as bridges and even more glitches. Finally, An Annventure To End Them All has Glitch Glacier as The Very Definitely Final Dungeon, and the Big Bad is none other than an Author Avatar of the series creator.
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Bride of Portable Hole Full of Beer, a farcical Dungeons & Dragons supplement, includes a prestige class that slowly figures out that it is a RPG character as it progresses. At the final level, the character enters the real world and moves in with the player.
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Bob and George uses this for nearly the entire running time, with the author ultimately becoming a main character.
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Fallout 2 has fun with the Fourth Wall, too. The Player Character thinking about to save his game in another slot is just the tip of the iceberg. There's also John Cassidy being frustrated about not having enough Action Points or wishing he had a Limit Break, you get mistaken for an NPC in one conversation (either as someone for the main character to fight if you're male or have sex with if you're female) and end up telling them that no, you're the main character, and after finishing the main quest the Fourth Wall gets basically annihilated. You can even find the "Fallout 2 Hintbook" in-game.
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The Lands of Dream series, which includes The Strange and Somewhat Sinister Tale of the House at Desert Bridge and The Sea Will Claim Everything look like video games, but they're actually magical windows that let you interact with a different world.
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As you'd imagine from her code-name, Gwenpool is keenly aware of the fourth wall and regularly addresses the reader through it. Not only does she narrate her own book, but she makes usually-but-not-always accurate assumptions about how her story will play out based on her own comic book knowledge. She has limitations, though, as she's a comic book fan from our world transplanted into the Marvel Universe. She's been regularly blindsided by twists in her own story, and her knowledge is limited by which comics she has and hasn't read. When she faced off against Deadpool she was at a serious disadvantage because she always found his comics a little too "LOL memes" for her taste.
The "Beyond the Fourth Wall" arc. At this point not only does she begin to see all the comicbook conventions around her but they become Metafictional Devices that she can interact with like real world objects..
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One of CM Punk's signature spots is to steal an article of clothing and hide from his opponent in the audience. How well it works depends on if Punk is a heel or face at the time, or if the audience is generally more interested in seeing what his opponent will do than what Punk is attempting, such as when he tried it in a match against Delirious in IWA Mid-South.
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She's Gotta Have It: Nola speaks directly to the audience quite often, as do minor characters at times, like in the original film.
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Bounty Hamster: The characters will regularly comment on the jokes or directly address the audience, and the first episode ends with Marion being spotted in front of the Iris Out by the angry mob he was just saying he'd escaped.
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Played straaight in Algicosathlon Camp, where most contestants will openly talk about how they're in a camp, or about their actors.
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The Sims has this come up, when a sim will look directly at the camera and speak as if to the player. Sometimes it's to point out an unmet need, other times it's to seemingly object to an instruction the player has given them to follow. In one example from The Sims 4, a sim with the "No Touching" celebrity quirk will even do it to object to the player instructing them to woohoo with someone with whom they are not in a committed relationship.
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The Jim Henson Company's Word Party also uses this trope, the characters and narrator addresses the audience directly.
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Fillbert comics include investigating whether the webcomic is a furry comic, looking at the comic's schedule, and asking readers to donate.
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The characters on The Basil Brush Show probably never went an episode with the fourth wall intact. They would frequently pick up a copy of the script and read ahead, get to places quickly by cutting across the set, and on one memorable occasion total disaster was averted by the appearance of a director rushing in to explain to the marauding pirates that they'd wandered onto the wrong set. Another incident involved the camera man quitting after the cast gets cream on the lens, only for the guest star of the week to offer to operate the equipment.
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Subversion: Stargate SG-1 ended up plotwise, with Wormhole X-Treme, a show made by an alien character suffering from multiple amnesia layers. In a bonus clip for the 200th episode, one of the real-life actors playing an actor in the show becomes confused and disoriented at where exactly the fourth wall is. Doubly subverted in that the actor was just, well, acting and knew what was reality all along.
Towards the end of the episode "Wormhole X-Treme, one character manages to utterly annihilate the fourth wall. It's set up as one of the actors from Wormhole X-Treme being interviewed, only for the man to give his real life name. It actually breaks the wall more from there.
Hilariously, in the same episode, the Wormhole X-Treme creator says that they need something unexpected to reel in audiences, prompting Jack O'Neill (who hadn't been seen for a couple of seasons) to wander into the room and say, "Something like this?" Which then caused Sam Carter to remark "Are you kidding? They'll show that in the commercials." In fact, the commercials for the episode did showcase the "return" of Jack O'Neill to the show.
In the same episode, during the third act, the alien film producer (Martin ) starts complaining about how he was just notified that there's going to be a huge budget cut to the movie:
Combined with Bilingual Bonus: Russian dialog frequently comments on the show itself (provided you can work through the generally horrible pronunciation). One exchange between two ill-fated Russian sailors in "Small Victories" goes something like this:
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Done often enough to qualify for this in Dan and Mab's Furry Adventures especially in the early comics. Including but not limited to Dan addresses the narrator, Mab decides to be plot convenient for the day. The characters are shocked and appalled by amber's poorly drawn scenery, dark pegasus having to explain his evil plot to the cursed readers. wildy comments on a convenient plot twist. I should probably stop now. Here’s one of the worst ones
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Chowder is fond of destroying the fourth wall whenever possible. Characters constantly acknowledge that they're within an 11-minute episode (or, alternatively, a double-length special) or a season, and refer to the viewers regularly. One time, Chowder even pointed to the Cartoon Network logo bug at the bottom of the screen.
One memorable instance of this was in "Shopping Spree", when Mung Daal, Schnitzel and Chowder spend all the money in Truffle's petty-cash box, meaning there isn't even enough for the show's animation. Cut to the voice actors wondering what to do to get the money back and subsequently organizing a car-wash fundraiser.
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The story of One Shot is about how you, the player, are a god to the inhabitants of the game world. (And on a deeper level, how you have received a world-simulating software—the game itself—which you run on your computer.) You're tasked with helping the protagonist, Niko, escape from the game world to return home. Both the game and Niko address you directly, and Niko even provides narration for your benefit once they learn of your existence.
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In the Doraemon episode Transformed when Nobi turns into a frog off-screen, Sue looked directly at the camera as if the viewer interested her. Also, there are quite a few times when Doraemon directly addressed the viewers.
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You are pretty much considered a character in Tomodachi Life, the Miis even going as far as to refer to you as "[first islander]'s lookalike" (the first islander supposedly being a Mii of yourself). A live-action hand is also superimposed into the game whenever you, for example, remove a flower petal off a Mii's head.
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Almost every Episode of That Mitchell and Webb Look features a sketch where members of the cast sit around on set between takes, usually wearing costumes from other sketches, having humourous conversations. In one such sketch, Robert Webb was astonished to find that these sketches were scripted as well, being shown a script describing the conversation he thought he was having spontaneously. Other sketches have involved debating guest stars, (they hired The Queen, but actually wanted Helen Mirren) and lampshading the conventions of sketch comedy, such as the inconvenience of having to write and film 50% deliberately unfunny material, in order to qualify as 'hit and miss'. They also produced this gem.
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The Banjo-Kazooie series has remarkably little fourth wall, especially in the second game—Kazooie observes when the music changes, signifying new events, Banjo continuously asks if the quests are over so they can get jiggies, and Jamjars works the names of the controller buttons into his Sound Offnote Remember that Rare is a British company, so Z is pronounced "zed", not "zee". It helps that both protagonists have become alarmingly Genre Savvy since the last game.
Of course, Jamjar's songs are butchered in the XBLA version.
"...Press LT or RT..."
Any fourth wall that may have remained is completely obliterated in Nuts & Bolts, which opens with the Lord of Games (L.O.G.), the apparent god and creator of all video games, showing up, addressing Banjo, Kazooie, and Grunty as "second-rate game characters", and giving them goals. L.O.G. continues to make references to and crack jokes about games, genres, and the state of the game industry throughout the rest of the game whenever he shows up, and all the challenge worlds are artificial places explicitly crafted by L.O.G. himself.
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Australian mockumentary The Games played with the trope on several levels. The characters break the fourth wall, but it's the fourth wall of the In-Universe documentary that is the Framing Device for the show, not the real television show in our reality. However, one of the characters, Tim, does seem to be aware and remarks about how they are in a scripted tv show.
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The Jack Benny Program started out as a standard comedy-variety show but as time went on, it became a sitcom about a variety show.
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The first season of Roger Moore's TV series The Saint began each episode with Simon Templar addressing the audience and setting the scene for each week's adventure. After the show moved to color production, this was replaced by narration.
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The Disastrous Life of Saiki K. originally had Saiki being the only one being capable of breaking the fourth wall due to his psychic powers, until later on in the series where everybody was aware of being fictional, even background characters lamenting their irrelevant status. Of course, this goes hand in hand with the fact that everybody is Wrong Genre Savvy with Saiki's friends thinking they're the protagonists of anything but a gag anime with Saiki as the real main character.
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Destroy All Humans! (and Destroy All Humans! 2) does this a lot.
After talking to The Freak in disguise and trying to recap his mission goals, The Freak had already forgotten what he said 30 seconds ago. Crypto turns to the camera and says "This is why you shouldn't do drugs."
While constructing an interstellar communicator from parts found around the city, Crypto starts singing a rendition of Dry Bones:
Reading the mind of a Majestic agent will sometimes reveal ahead of time that Silhouette is a woman, this is quickly followed by the agent thinking "Crap, the player's not supposed to know that yet!"
Also, when being told that he has to blow up some blimps spreading strange gas across the city (Quote is not 100% accurate).
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George of the Jungle is a serious contender for king of this trope. For one, the beginning of the second movie, where George explained, at the behest of the narrator, "Me new George. Studio too cheap to hire Brendan Fraser."
George in the first film makes constant asides to the audience and often chats with the narrator. The villains outright berate the narrator for giving them such a hard time.
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Duh, Phineas and Ferb. At first they seemed to have it, but Rule of Funny seems to have eroded it. At this point they've had a musical episode where everyone just agreed to sing and dance to the music without a source, parodied several times the fact that Status Quo Is God and used it as a power, had clip-shows, and character commentaries of episodes. ("You live in a cartoon and have never seen a thought bubble before?")
Monogram seems to dislike breaking the fourth wall according to "Make Play":
The entire episode of "What'd I Miss?" featured this, with characters discussing the narration and noting that they can't see the flashbacks.
Also in the Grand Finale with the song "Thank You For Comin' Along" that has the characters singing to the audience and thanking them for watching. At the end of the song, Phineas waves goodbye to the audience before closing the door.
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In the territorial era, where kayfabe was sacroscant, the issue "backstage", in the "lockeroom" or otherwise outside of the arena was usually solved by an excited reporter supposedly "finding" some happening and yelling to the camera man to hurry up, usually resulting in the heel getting caught doing something he didn't want the baby faces catching, such as Crippler Rip Oliver breaking Mike Von Erich's hand in Texas or Eddie Gilbert trying to kill Jerry Lawler in Memphis. In the post territorial era, BJ Whitmer became "the smartest man in wrestling" by actually watching the show and acknowledging locker room happenings recorded on shows he wasn't even on. Following his lead, Ring of Honor, SHIMMER, and the entire WWN "Family" such as FIP, EVOLVE, SHINE, even Dragon Gate USA and American Combat Wrestling tend to treat anything caught on camera as visible to anyone. However, ROH offshoot All Elite Wrestling tends to waver between this and WWE style fourthwall.
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Secret Diary of a Call Girl. Belle talks to the audience at least as much as she talks to anyone on-screen.
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The Red Green Show: The majority of the Lodge's escapades are exposed almost exclusively through the characters directly talking to the audience. One recurring skit, "North of 40", has Red talking right to the audience about problems that middle-aged men face.
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Berkeley Breathed's various strips had not only jokes but entire story arcs built around the fact that the characters knew they were in a comic strip — although the characters treated it more like a TV series. Opus, after delivering a particularly stupid line, occasionally pulls out his script to make sure he didn't botch it; characters argue frequently with the narrator, demand that boring scenes be re-written, and complain to the show's "producer" (who essentially personified comics-page Executive Meddling).
In one case, several weeks of strips forewent business as usual to have the characters go on strike for a larger panel size.
As the original strip wound down the characters were looking for new jobs.
It certainly didn't stop after the original Bloom County: strips for both Outland and Opus both carried on the fine tradition. In particular, both the former and the latter had a series of strips in which a stupid pun or social blunder caused Opus to be put on trial and thrown in jail, only to blunder again and have a worse punishment; they also both noted the lack of female characters in cartoons and the complications of trying to create one that can still be funny and engage in slapstick without being misogynistic.
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In Omikron: The Nomad Soul the first thing you see upon starting a new game is the protagonist addressing you, the player directly, telling he has bridged the gap between his reality and ours through your computer and asks you to transfer your soul into his body so you can control it. The only way the fourth wall was more nonexistent would be if he openly admitted this was just a game, rather than state that you are entering another world that is just as real as ours.
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The Mighty Boosh spits on your fourth wall! They not only look at the camera and talk to the audience, they make in-episode references to the show's premise, the actors playing multiple characters, that episode's costumes and special effects, even the show's channel and time slot.
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The characters of Gintama are perfectly aware that they're in a manga/anime and have no qualms about discussing its ratings, writing, and author, along with various real world topics. They also devote entire chapters or even story arcs to subjects that break the fourth wall.
The Popularity Poll arc uses this in full force, with the characters getting into a war over their popularity rankings in the latest Shounen Jump character poll and their current ranking inexplicably being displayed as a tangible number next to them at all times. Otae even jumps out of the panel/screen and goes after the author for scoring higher than her, which messes up the art style until he's revived as a cyborg.
The Kintoki arc revolves around a robot lookalike of Gintoki trying replace him as the main character and when that fails, he aims to become the villain whose defeat will end the manga for good.
In one chapter, Gintoki's lack of confidence in the new Gintama Sugoroku game for the PSP leads to him breaking into the Bandai Namco Entertainment studio and editing said game into a RPG called Tales of Gintama Sugoroku, thinking it'll sell better that way. He later edits it into Tales of Madaohazard, then Tales of Super Madao Brothers for completely random reasons.
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In The Revenger's Tragedy, one character takes an aside to the audience, only for one of the other characters to ask who he's talking to. The whole play is a Refuge in Audacity.
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Garfield and Friends did this from the beginning, there are several shorts entirely based around the cartoon status of the show. Characters acknowledge the audience on a regular basis, and remark that they want bigger parts in the show. In one short, Garfield sits down and watches his own show on TV to find out what he should do next; in another, opening in medias res, has him pull out a script to find out what has happened up to that point.
The Garfield Show does this too, though only Garfield seems to have full awareness of the world beyond the screen.
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Ned's Declassified School Survival Guide was famous for this. In the "Guide to Girls", Ned had nothing to offer and asked Moze to give some tips. After a false start, he stops her and produces a CD player from under the table to play the "tips" BGM.
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One memorable crossover between Batman and Sgt. Rock also crossed into the real world, with the villains holding the writer at gunpoint and trying to make him write the deaths of the heroes. Batman and Rock couldn't hear the narration he wrote, but he could indirectly help them if the villains were distracted.
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The Pathetic Fallacy of Jack of Fables knows that he is part of a comic book, to the point where he chastises Jack and Wicked John for interrupting his story "that shouldn't have taken more than two pages is now going to have to be continued into the next issue" and worries about losing readers because of their bickering.
In the crossover event "The Great Fables Crossover", many of the characters from the main Fables book guest star in Jack of Fables. Jack, frustrated that his book isn't focusing on him, storms out of the restaurant they're in on the last page, exclaiming, "I'm going back to the main book, and I'm taking my favorite artist with me!" You can probably guess what happened in the next issue of Fables.
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The characters on Kaeloo are fully aware of the fact that they are in a cartoon. In fact, at the end of Episode 105, Stumpy takes over the animation studio, and the characters have frequently referred to being in a cartoon.
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And then there's Neptunia. It will smash the fourth wall to pieces that by the time you think they rebuilt it, they'll just smash it again. Best exemplified by Neptune who in just about every scene, she will make a lot of references to players, the game developers and translators, and know how events play out but will withhold information to other characters (but not to the players).
The sequel continues the merry tradition. The third game has the alternate dimension Gamindustri and for a while hangs a lampshade on the lack of a fourth wall; while there still isn't one, the local CPUs take their roles a little more seriously than Neptune, getting fed up with Nep and telling her to stop being so blatant about it already.
The anime adaptation doesn't stray too far from the beaten path. While it doesn't go out of its way to break the fourth wall like the games do, it still has no qualms with doing it whenever it helps push along the plot. For example, they needed a computer security expert to be able to solve a problem in one episode, so they just made a character up specifically for that scene that fit the bill. They even have Neptune lampshade it by explaining that she was made for the anime and complaining that her obnoxiously prevalent Verbal Tic doesn't make a character popular with the fanboys.
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Breakfast of Champions involves Kurt Vonnegut treating the reader as someone who does not understand earth customs and regularly pauses to explain concepts and includes cute doodles of things like motor cars (used for transport) and anuses (used for bowel evacuation and injecting drugs). In addition, he as the author writes himself into the book to speak with the main character, explains that it is a novel, that he is the author and that the character is fictional and then grants the main character freewill.
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Animal Man of The DCU became aware of the true nature of reality during Grant Morrison's revival of the character. This even extended to a peyote trip where Buddy looked out of the page and declared "OH MY GOD! I CAN SEE YOU!" to the reader. Unlike most who share this knowledge, Buddy has a hard time dealing with it and is prone to mental breakdowns as a result.It got worse: the Psycho-Pirate, the character who became aware of the fourth wall first, at one point goes "We are the creations of sick minds. Yes. I've seen... and there's something worse... the creators... they're not real either..."
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Bugs Bunny in general.
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The anime adaptation doesn't stray too far from the beaten path. While it doesn't go out of its way to break the fourth wall like the games do, it still has no qualms with doing it whenever it helps push along the plot. For example, they needed a computer security expert to be able to solve a problem in one episode, so they just made a character up specifically for that scene that fit the bill. They even have Neptune lampshade it by explaining that she was made for the anime and complaining that her obnoxiously prevalent Verbal Tic doesn't make a character popular with the fanboys.
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YouTube: Art or Reality? from Philosophy Tube features Abigail being arrested by two cops (both played by Abigail) who know they are in a video made by Abigail. They frequently make references to techniques like the annotations and the dialogue sensor. The video ends with Abigail talking to an assistant off screen and then going to bed.
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Saved by the Bell: Zack Morris is notorious for saying, "Time out," then stepping aside to speak to the audience. This may be an homage to Ferris Bueller's Day Off or the musical Stop the World, I Want to Get Off, both used a similar gimmick.
Taken to the extreme in one episode, where he uses it to dodge an incoming punch and escapes. Nobody seemed too bothered that he just vanished into thin air...
In an episode of Jimmy Fallon, Mark-Paul Gosselaar showed up as a guest, as Zack Morris, in character and all, and used the "time out" trick at one point to explain something without Fallon interrupting him. When he timed back in, Fallon stopped for a second, then asked, "Did you just time me out?"
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SpaceQuest plays with this trope left and right.
In Space Quest 6, Roger Wilco will occasionally argue with the narrator, Gary Owens. The director and Scott Murphy even give him less funny lines after a scuffle.
And let's not forget some of the messages using the "Taste" and "Smell" icons!
Played straight in Space Quest 4, when Roger goes to a future Space Quest game and has to buy a hint book for Space Quest 4 to solve a particular puzzle.
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In Hsu and Chan, the titular brothers have spent whole issues addressing the reader and at one point prepared for a possible disaster because "that text box guy is being smug again."
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Pocoyo: The Narrator asks the viewer to do various things from pepping up Pocoyo when he's feeling sad to waking up Sleepy Bird.
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The Popeye short The Hungry Goat was pretty much a WB cartoon featuring the sailor. At the end of the cartoon, the ship's admiral goes to the movies to see... how his ship is being eaten by the goat.
A few cartoons also had the characters step out of the movie screen or use the Iris Out to escape something like "Too Weak to Work" and "Me Musical Nephews". There were also a few that utilized the Paramount Pictures logo as an ending gag, which were edited out of Associated Arts Productions prints.
In the Climax of "Goonland" the fighting gets so intense that the actual film strip rips in half, causing the goons to fall off the cartoon. A live action hand then mends the strip.
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A Pup Named Scooby-Doo had a gimmick similar to Ellery Queen, just before they revealed who the monster was.
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Bobobo-bo Bo-bobo broke the fourth wall all the time in the manga, but the anime did it even more.
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Filthy Frank similar to the lonelygirl15 example, is presented in a way as if Frank and co are actual members of the human race. This trope is taken further in the videos where Pink Guy roams around in Real life locations, such as Times Square.
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The Colgate Comedy Hour. Though sometimes the performers would build one and then knock it down again, just for fun.
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In Farce of the Three Kingdoms, all characters know that they are in a book, and frequently refer to past events by chapter, and lampshade the various tropes and cliches. The narrator also steps in as a character on several occasions.
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The Discworld games do stuff like this a lot, particularly the second game. Constant references to "obvious plot devices" and "the game's budget can't afford a better action sequence". The games protagonist, Rincewind, also identifies many typical fantasy clichés and character stereotypes and meets the man who built all the crazed-logic problems of the game. He has a cathartic time shouting at him.
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Roommates is the most meta part of a whole Meta Fic 'verse. Characters knowing the page numbers, giving advice about gaining audience sympathy, invoking/exploiting/discussing/conversing/lampshading/etc. tropes or fixing their own speechbubble is normal. At least one even steals the author's beer. Also Theory of Narrative Causality and Fanservice are pretty much Sentient Cosmic Forces.
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Kamen Rider Zi-O normally has its fourth wall firmly in place, but the series also has web-exclusive Supplementary Plan half-episodes where the charactersnote And it's very explicitly supposed to be the characters — in one episode Geiz refers to Sougo by his actor's name, which is treated as a mistake on par with flubbing a line are fully aware that they're fictional characters in Kamen Rider Zi-O and discuss certain aspects of production, such as openly admitting that the Kamen Rider Fourze arc had to be rewritten because the actors were tied up filming Bleach and couldn't Cameo. In one memorable episode, protagonist Sougo is warned about a world-devastating war and decides that the best way to prevent it is to blow up Toei Company, the people who make Kamen Rider.
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A Very Potter Musical does this trope quite well. At one point, Ron complains that he hasn't a snack, and the piano player gets up and hands him a pack of Twizzlers.
Also, after a song that Harry, Ron, Hermione, and Ginny sing, Draco enters and says that he was backstage listening to their four-part harmony. Later in that scene, Hermione mentions that they haven't seen anyone from the Order of the Phoenix the whole play. Ron then proceeds to call her toward him, saying, "Hey, Hermione, come here. Come downstage."
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Professional Wrestling, in its various forms, has no fourth wall (or first through third, for that matter) by design; the wrestlers, announcers and such frequently directly address the audience (either the audience in attendance at the arena, the viewers at home, or both), and the production crew often find themselves employed as part of various angles. As well, those speaking often directly address the camera in order to talk to others not appearing in the on the show, saying, "I know you're somewhere watching this right now..."
D-Generation X would often use this to comedic effect by lampshading it into oblivion, including a time Triple H covered up a flub with "Gimme a break, it's live TV.", and once acknowledging he hadn't anything funny to add to the DX mantra that week because coming up with new ones every week was hard.
WWF/E has an usually strong fourth wall by professional wrestling standards, and even then it only tends to conceptually materialize whenever the action leaves the arena proper, with the backstage area and all other parts of the world beyond the ring supposedly being "behind the scenes" where the audience can't see what's happening. This is because Vincent K McMahon thinks "characters" acknowledging the existence of cameras the fans cannot see is "unrealistic" because he sees WWE as an "action adventure" series or macho soap opera rather than a live sports show or magician's act, more Magnum, P.I. than Harlem Globe Trotters. A common way to exploit this is to have a heel wrestler "secretly" insult someone or admit to an ally to having committed a heinous deed, completely disregarding the TV camera being held right next to them. Sometimes the commentators will reveal that the whole world heard everything, but more often everyone will "remain ignorant" of the incident until the face confronts the heel in the ring and reveal they obtained a videotape, which will then be shown on the Titantron. You can tell when an organization's booker is taking cues from WWE from this particular use of the fourth wall trope alone. However, Vince Junior was not the first promoter to treat wrestling this way, as Jack Pferer invented "theater wrestling" in an attempt to destroy kayfabe out of spite.
In the territorial era, where kayfabe was sacroscant, the issue "backstage", in the "lockeroom" or otherwise outside of the arena was usually solved by an excited reporter supposedly "finding" some happening and yelling to the camera man to hurry up, usually resulting in the heel getting caught doing something he didn't want the baby faces catching, such as Crippler Rip Oliver breaking Mike Von Erich's hand in Texas or Eddie Gilbert trying to kill Jerry Lawler in Memphis. In the post territorial era, BJ Whitmer became "the smartest man in wrestling" by actually watching the show and acknowledging locker room happenings recorded on shows he wasn't even on. Following his lead, Ring of Honor, SHIMMER, and the entire WWN "Family" such as FIP, EVOLVE, SHINE, even Dragon Gate USA and American Combat Wrestling tend to treat anything caught on camera as visible to anyone. However, ROH offshoot All Elite Wrestling tends to waver between this and WWE style fourthwall.
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Doctor Slump does this all the time too, with jokes often hinging on the fact that the characters are aware that they are in a manga. Sometimes the creator, Akira Toriyama, even enters the strip himself and meets the characters!
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Ouran High School Host Club deserves a special mention for the constant references to it being a romance anime — at one point this leads to Tamaki declaring himself and Haruhi the romantic leads and relegating the rest of the club to the homosexual supporting cast.
The cast tends to more often lean on the fourth wall than break it, but the bananas might be said to be a consistent Fourth Wall breach that would even change the plot outcomes.
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Creative Release makes the readers part of the story (they're collectively called Player 1 and they can alter the flow of the story to an extent through their comments). Also, sometimes the author will just throw information to the readers without any regard for the other characters.
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In Mystery Science Theater 3000, the crew of the Satellite of Love were apparently broadcasting their skits to the Mads and us. In every skit, Joel, Mike, or one of the 'bots would talk to the camera, addressing either the Mads or the audience. (The Mads also talked to the camera, but almost always to address the SOL crew.) The camera itself was a character (a robot named Cambot), albeit one who never spoke, rarely interacted with the others (beyond filming them), and was only seen during the opening theme. And the Magic Voice's main job on the Satellite of Love was to announce the start of the first commercial break.
This is explained very early on as that Dr. Forrester is selling the tapes of Joel and the bots to Comedy Central. Several of Forrester's bits revolve around trying to increase their ratings. (Introducing Timmy Bobby Rusty, giving them a drug to turn them into the cast of Renegade, etc.)
The Movie reversed this, with Dr. Forrester addressing the audience while Mike and the 'bots ignore the fourth wall.
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The Road to ... series fully embraced this trope by Road to Morocco.
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Whatever Works, the Woody Allen comedy starring Larry David, opens and closes with the main character Boris openly and deliberately speaking to the audience, fully aware they are in a movie theater. This is toyed with for laughs, as it seems only he is capable of seeing and speaking to the audience. In the opening scene, it even shows that from the point of view of everyone else, he's speaking to no one. A black woman shuffles her child away, fearing he is insane. He explains this in the end by pointing out that he's the only person who can see "the whole picture".
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Next, Trinity Universe. Unlike the previous game, this one doesn't wait until the end of the game to use this trope. It'll attack the fourth wall every so often throughout the whole game. Of course, that should be expected since Etna, Prinny, and Flonne are in this game.
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The sitcom The War at Home has its characters speaking directly to the audience by providing cut scenes with commentary throughout the show. Usually, Michael Rapaport's character is the primary one to do this, but all the other characters get their chance occasionally.
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Deadpool's white and yellow inner voice boxes from the comics join him as backup singers during a Moana song parody.
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The ensemble for the Mulan parody "Be a Team" holds up one of the dead Hand ninjas and requests that the audience "please turn this dead guy into a meme."
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Tomorrow's Nobodies:
Used extensively in the old series. The characters regularly mention that they are the ones animating the show and several gags, such as the Baja Fresh gaining a drive through so they don’t have to be animated getting out of the car, or the Soda-Popper creating hotdogs because all Chris can draw are hotdogs and fire, reference this fact.
While largely averted by the new series the end of episode 5 has the creators arguing over the inclusion of a Jew joke followed by most of the cast quitting and David taking over animating the ending.
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In Ultra Comics #1 the memesmiths, the Gentry and the title character all directly address the reader. Theoretically, at least, the last of these is the reader.
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The first game cracks it here and there with Laharl's complaints about The Rival's tragic past and Vyers' nickname "Mid-Boss". Then after Etna's previews just makes the wall disintegrate from here.
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Malcolm in the Middle: Would regularly make snide comments to the audience.
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The Elder Scrolls:
The series incorporates this trope in subtle but relatively major in-game ways. In fact, the games' developers are known for incorporating programming errors and other game quirks into canon by explaining them in later games. (Such as mentioning Redguard's "jagged water" graphical glitch in a Morrowind book.)
The series has the in-universe concept of "CHIM", essentially an ascended state of existence where one becomes aware of the true nature of the ES universe, but exists as one with it and maintains a sense of individuality. Essentially, achieving CHIM means realizing that you are in a video game and using that knowledge to edit the situation around you. The Dunmeri Tribunal deity Vivec (cryptically and metaphorically) states in his dialogue and his 36 Lessons what this means. He makes vague references to things like the Player Character ("The ruling king who only he can address as an equal"), pausing the game, console commands, and the Construction Set Level Editor. His explanation on what happens if he should "die" also sounds a lot like reloading a saved game:
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DeviantArt based comic The Grind takes place in the game RuneScape, and the characters are players in the game. As such, all of the characters know they are in a game...except for the main character, who is the only one who doesn't know what he is actually doing, sort of an anti-Fourth-Wall Observer.
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The unaired pilot Tales of the Tinkerdee was about the same way: Taminella and Kermit both explicitly address the audience directly, and even the king and prime minister seem to get in on that act when they crowd the camera and say the phrase that Princess Gwendolinda catches all the time. Heck, in-universe, it's kind of implied that the king knows he's being watched by Taminella when she uses a clairvoyant spell: he says "over and out" just as the spell is ending!
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Regular Show would drop the fourth wall in its final season; Pops' training to fight Anti-Pops is done via montage (which everyone is 100% aware of), the Park employees preserve their lives with a Blu-Ray box set, characters turn into storyboards and sketches when Anti-Pops erases them, and Pops later ends up in the student film that he originated from.
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Examples abound in the parody novel Bored of the Rings, mostly involving characters looking to see how much of the book remains to be read before they can get out of the mess they're in.
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The whole Pokémon franchise frequently breaks the fourth wall, but the games take it a step further by having the developers exist as characters in-game. They even personally congratulate any player who catches every Pokémon.
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Sayonara, Zetsubou-Sensei - In Meru's introduction episode she criticizes her classmates' character types (i.e. "Your bandaged character is worn out"), and at that point the series breaks the fourth wall practically every second episode (Kafuka stating it's time for a commercial break, and later that it's the end of the episode, Chiri saying profound things should not be said in a cheap anime, and so on.)
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Tales From Dev Null puts jokes in GDPR cookie notifications and share buttons.
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'Allo 'Allo!: Rene would regularly explain his ongoing predicament at the start, and make asides at the Audience regarding other people's leading statements.
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Monster Prom: The game is a Dating Sim filled with fourth wall breaking jokes and scenarios to the point that even the creator describes the game as "Obnoxiously Meta". Among the things that can happen in the game: You can date The Narrator, who turns out to be another student that was talking what he was watching, characters have a breakdown when they realize they're in a game and characters from other mediums are aware that they're in a TV show inside a video game and use episodes and seasons as a measure of time.
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Sunset Overdrive has lots of this. EVERYONE is perfectly aware that they're in a video game, and will act as such. Some examples:
Your character doesn't know their own name. The reason? It floats above their head in multiplayer, making it impossible to see.
You're being held up by a guy with a gun. You get him to lay off by pulling up the weapon wheel.

Hell, the TRAILER has this. When a guy is pinned down behind a crate, your character says "Cover mechanic, right?" And then there's the rest. The PC is aware of where the camera is, and speaks to the PLAYER themselves during the entire thing. The last words of the trailer? "Of course you can. It's a F**king video game.
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Hotel Mario: "We gotta find The Princess! And YOU gotta help us! If you need instructions on how to get through the hotels, check out the Enclosed Instruction Book!"
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OFF demolishes the fourth wall with a vengeance. The characters will often address the player personally by the name you give yourself at the start, and it's acknowledged in-universe that The Batter is being controlled by the player. At the end, the Judge calls you out for helping The Batter "purify" the world. He urges you to side with him and defeat The Batter, to which The Batter tells you that he needs you to help him finish purifying the world, and you're given a choice as to which ending you want through siding with one or the other.
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Also the fourth episode of Friendship is Witchcraft, where Pinkie Pie bends space-time by baking the fourth wall.
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In The Story to End All Stories, the characters are fully aware that they're fictional and frequently comment on how absurd and illogical the events unfolding before them are.
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Wayne's World has Wayne and Garth frequently addressing the camera and viewers.
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Annie Hall: Mixed in with Medium Blending and Imagine Spots.
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Scooby-Doo:
A Pup Named Scooby-Doo had a gimmick similar to Ellery Queen, just before they revealed who the monster was.
Then there was the late '70s prime-time special Scooby-Doo Goes Hollywood, which had Scooby and Shaggy getting tired of being stuck in a formula-driven Saturday morning show, and attempting to sell a network executive on giving them a prime time show of their own.
Scooby-Doo in Arabian Nights featured this in one part, when Magilla Gorilla commented on it was amazing how things would happen right on cue in a cartoon.
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Tweety often breaks the fourth wall, as well. It's usually when he tawt he taw a putty tat and when he makes comments about Sylvester's antics.
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Monsters Crash the Pajama Party. As this was part of a Spook Show, a theatrical presentation that combined films with Audience Participation, specifically the actors from the film running into the theaters and "attacking" people in the audience, this is inevitable. However, this happens before the audience participation begins.
Big G the Gorilla sometimes holds signs reading "FANTASTIC" "INCREDIBLE" and "SPECTACULAR" right up to the camera.
Miss Petrie calls up Professor Williams to tell him that she's sure that something is wrong, adding, "I read ahead in the script!"
Mad Doctor tells Big G and his other unnamed Mooks to aim the laser at the theater.
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Triangle and Robert takes the no-fourth-wall concept way past its logical conclusion. Not only does the Cartoonist interact with the characters, his presence has altered their universe — everything has been badly drawn and monochrome since he showed up. Unsurprisingly, there are anti-Cartoonist protests in the characters' world.
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NXT, by reason of it being a try out show, needs a lot of this. Bryan Danielson calls David Otunga a worse wrestler even though Bryan always lost to him, because everybody knows Bryan is better, which is basically breaking the fourth wall and basically saying Otunga only won because it was already agreed he would when rhetorically asked if Otunga really deserved his ranking. It's topped itself in season three, where Josh Matthews literally tells Michael Cole that a wedding they're watching is fake.
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The feud between Lei'D Tapa and Epiphany in Ohio Valley Wrestling was kicked off during a match between Tapa and a Blossom Twin that focussed inappropriately on Tapa's body to the detriment of the action. Turns out Epiphany's boyfriend Eddie Diamond had stolen a camera in order to get a better view.
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Rocky and Bullwinkle is also noted for its missing fourth wall; the characters know that they are on a TV show, know that there are censors watching, realize that it's a children's show, and recognize that the writing/plot/script/concept is "bad writing" at times.
They also talk to the narrator from time to time. At one point, Boris fails to discover a piece of paper, and has to answer to the narrator who insist it is "right under his nose". He was sitting on it.
And, moments later, he rewinds the tape to miss a plot-critical statement made by the narrator.
One episode has Boris and Natasha attempt to purchase a fruit cart as part of their evil scheme. The vendor demands an exorbitant amount of money and says they have no choice but to pay - he watches The Rocky and Bullwinkle Show and so knows Boris's scheme and that his fruit cart is part of it. Boris begrudgingly agrees and then just knocks the vendor out as soon as he isn't looking.
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The Calvinverse has a whole page of Medium Awareness moments. Calvin & Hobbes: The Series has another one.
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The heroine of Hatoful Boyfriend clearly does not have a fourth wall. She introduces herself and all the love interests to the audience, needs a reminder to check the date in the upper-left corner of the screen, and interrupts the fake credits roll after Azami and Blaster hook up to point out that her story isn't over yet, so the game can't be either. In the manga, she points out that she never appears directly because the story is told from her point of view, "like an FPS!" In the sequel Holiday Star, she and Ryouta discuss visual novel mechanics when Sakuya unwittingly triggers an event, and at the beginning of the fourth episode she recaps the previous events to the audience, despite Nageki's insistence that the players aren't that stupid. She even comments that she's been friends with the Grim Reaper since the demo version of the original game, apparently from all the possible bad ends she's had.
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The Amazing World of Gumball is a strange example, as it falls under this trope even though the characters, by and large, don't know that they're in a TV show. Just a few examples:
"The Countdown" has a countdown clock show up on the screen. Gumball and Darwin can visibly see it, notice that it runs off the show's time instead of how long it logically could, and eventually they accidentally cause it stop, making time freeze. Then, they interact with it, causing them to Time Travel.
"The Money", where the Wattersons being broke causes the show's animation to downgrade, including the show turning into bad CG, them running through the episode's storyboard, and eventually become sticky notes. The characters are fully aware that this happening.
"The Signal", where satellite interruptions start affecting Elmore, because it's inside a TV show. Just as Gumball and Darwin are about to figure this out, it abruptly cuts to them at the dinner table to take them off the subject. Both of them are visibly scared about this.
"The Disaster / The Rerun", where Rob gets the TV remote that controls the show itself, rewinds through the episode, including actual ads for the show, uses it to control the volume, aspect ratio, and other aspects of the show. Eventually, they start ranting to Gumball about how the world they're in isn't real.
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In Eerie, Indiana, there was a entire episode about Marshall's life suddenly becoming a television show, and finding out that he isn't even Marshall Teller at all, but somebody they keep calling 'Omri Katz' (which is, of course, the real name of the actor playing Marshall). Dash X is still a villain in the tv-show world rather than his actor, but acknowledges that the only reason he is one is because he's a fictional character.
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Instead of a fourth wall, Voices has a window, through which the forumgoers can see, hear and speak to the main protagonists.
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HEYBOT!: Some of the cast show awareness that they are in a children series, with them poking at Merchandise-Driven and To Be a Master tropes, and Moekath Trio trying to hijack the plot to be more of a classical battle shonen. The final episode is treated like The End of the World as We Know It because nobody knows what's going to happen to them.
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In Robin Hood: Men in Tights, the introductory scene for Maid Marian begins with a camera zooming in on the door to her chambers as she sings to herself. The scene cuts to the inside of the room where Marian continues to sing until the zooming camera from the first shot suddenly breaks through the window above the door. Later on, when the Sheriff splits Robin's perfect bull's-eye arrow in twain, they have to resort to the script to find out that Robin gets another shot. In the opening scene, a credit run with flaming arrows that ends with a peasant village burning to the ground, is followed by the entire population of that village shouting as one, "Leave us alone, Mel Brooks!" Also, when Robin is training his merry men and they're proving an incredible incapability to fire arrows, he simply turns, looks intently straight at the camera, and then goes back to watching the men without ever saying a word. Nicely played.
And then, of course, while walking down the aisle during the wedding scene, the Abbott's staff bumps into the camera, in a possible case of Throw It In!.
During the climactic swordfight, one of Robin's lunges through a window spears a bagel out of a crew member's hand.
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No More Heroes III: There's a boss (the Rank 3 assassin) who gracefully tells Travis that he'll replace the rules of the game with those of a turn-based Role-Playing Game, so their boss fight proceeds in that style. Travis isn't amused, and during the battle he can attack the RPG menu and interface instead of the boss himself until depleting their HP, allowing him to disable those rules and switch back to the Hack and Slash genre he's familiar with.
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Occurs frequently on The Red Skelton Show.
Red often makes jokes about flubbed lines and similar mistakes, and informs the audience about things that have gone wrong.
Very common in a literal form during episodes focused on Freddie the Freeloader: Freddie would be unable to open his front door for one reason or another, and would simply walk around the front wall into his house.
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Occurs frequently in Danger Mouse, both the original and the reboot.
In one episode, the narrator is tired of his voiceovers and just says, "London, city of millions...blah blah blah blah." Colonel K pauses in mid briefing to say, "Did you hear someone going 'blah, blah, blah' just then?"
Another episode had the narrator just not bothering to start the regular spiel and he walks off without a by-your-leave. DM and Penfold wind up doing the opening.
In "Very Important Penfold" from the reboot, the main duo turn the lights out in order to take a shortcut through the narrator's recording booth, where they eat his biscuits, play sound effects from his board and comment on how he's much hairier than they imagined. This reemerges at the end of the episode, where the narrator tries to turn on the closing music for the credits... only for nothing to happen. He scrolls through several random sound effects before declaring that someone else can find the correct music, and leaves angrily.
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In Dog City, animated detective Ace Hart would frequently engage in conversation with his creator Eliot Shag, even stopping the show while it was being animated to do so.
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No Fourth Wall
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We Bombed in New Haven is a two-act play that not only has no fourth wall, but its entire plot and theme is absolutely dependent on zig-zagging across that barrier so fast and so many times that eventually no one — characters, actors, or audience — is quite sure what sort of play this is. Which should not be unexpected, as it was written by Joseph Heller and has more catches in it than his novel. It too revolves around World War II bombing missions — We are bombing Constantinople (not Istanbul) — and takes a sudden turn into the dark when one of the Characters is killed on a mission ... and afterwards ... no one can find his Actor!
At the close of the first Act, the airmen/actors are playing the old game "Time Bomb", which was a windup toy bomb that set off an alarm when it was supposed to "explode". The first round one of the airmen/actors panics, tossed it to the wings resulting in a HUGE explosion. Then the officer/actor brings out another one ... winds it up ... and tosses it into the Audience!
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No Fourth Wall
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Fortuna has the readers directly interacting with the 1st generation A.I.s, holding conversations with them and giving the characters information learned from reading other parts of the comic.
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The principal clown of Mystère, Brian Le Petit, is The Prankster who somehow got into the theater and first masquerades as an usher. By the time the show is over, the animal characters of the Red Bird and Green Lizards have almost thoroughly explored the first few rows of the theater, an audience member has been adopted by a giant baby as its parent, and Brian has locked a man in the audience in a crate so he can woo his date.
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In DC's Infinite Crisis, Alexander Luthor — the superintelligent son of a Lex Luthor from another universe where evil was good and vice versa who helped defeat the Anti-Monitor in the original Crisis on Infinite Earths (pant pant) — was trying to create the "perfect world" by artificially creating thousands of universes and physically mixing them into new versions. It doesn't work very well — but at one point, he looks up and out at the reader, says "You" and starts to reach out of the page (not really, thankfully, but the art suggested it). Significantly, the universe where his ally Superboy came from — namely Earth-Prime — at one point supposedly was the "real world". The one outside your window.
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Armada - The REAL Story: The narrative appears to lack a fourth wall, as Optimus Prime opens the comic by telling Hot Shot to "do stuff for eight pages" and Jolt says he hopes to at least save the plot and gives Hot Shot a "handy plot device".
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TV Tropes itself. See for example, its Real Life sections and articles.
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1939's "Thugs With Dirty Mugs" has an audience member trying to leave the theater ("Well, Mr. Killer, this is where I came in!") and being forced back into his seat at gunpoint. In the next scene the patron alerts police officer Flatfoot Flookie of the Killer's planned break-in of the Lotta Jewels mansion.
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The brilliant Over the Edge includes a metaplot in which the PCs encounter odd things, and start to notice clues, and finally discover that they are actually characters in a role-playing game! The adventure in question eventually has the characters meet the players playing them. (The rule book specifically advises that the players not play that adventure under the influence of psychedelic drugs.)
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In The Book Thief Death often addresses the reader directly.
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A Knight's Quest for Milk : The fourth wall doesn't seem to exist and many characters are aware that they are in a flash game.
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In The Bard's Tale the player character and the narrator interact regularly. This usually involves them insulting one another, with the narrator taking almost sadistic glee in the acerbic protagonist's misfortunes.
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In Monkey Island 2: LeChuck's Revenge the correct response to one question is "I'm Guybrush. You tried to sell me the minutes of a PTA meeting in the last game, claiming that it was a map"
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No Fourth Wall
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Magic and Physics plays with this trope, as the creators desperately want to maintain the fourth wall, while the characters make sure it doesn't exist.
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No Fourth Wall
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The Samurai Cat series is this trope. It folds, spindles, mutilates, and slices sashimi out of the Fourth Wall, so much so that the feline characters constantly deride the author for being such a spineless, unimaginative hack. Occasionally, this incurs direct in-story retaliation in the form of bad luck and/or nasty enemies' sudden and inexplicable appearance.
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No Fourth Wall
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The Emperor's New School uses this, to the point where it was used as a plotline.
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Fate/stay night Tiger Dojo, the hint section between deaths and routes, Taiga, Illya and sometimes Rin address the player.
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 Fate/stay night (Visual Novel)
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My World… and Welcome to It: John serves as in-universe narrator in all episodes, frequently looking at the camera and addressing the viewer to explain what’s going on, usually in Deadpan Snarker mode.
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The Monkees is a primary example for this trope, as the group's television personas somehow "knew" and expressed the fact that they were on a TV show, while they remained within their wacky sitcom universe. Whereas, gags of this type are aplenty in nearly every episode: making direct remarks and asides to the audience, funny (often times, ad-libbed) comments about scripts, acting, production, censorship, even adding outtakes into actual scenes.
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Duckman engages in this regularly.
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Pretty much the entire point of Ambush Bug, whose works usually serve as a satire of the comic book industry, and who can even see speech bubbles, and interact with his own writer and editor.
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We Are All Pokémon Trainers has so many examples of humans and Pokémon breaking the fourth wall that it's considered a distinct power, and the authors have joked that the RP's fourth wall is more akin to a fourth wall curtain.
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Atmosfear practically relies on this with each game's host directly interacting with the players.
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Steven Spielberg's WB Animation shows of the 1990s, Tiny Toon Adventures and Animaniacs in particular, are essentially built on this trope, using it for most of their jokes.
In the same vein, Freakazoid!. In addition to complaining about the writing, the characters will actually call production assistants into the episode to help them resolve the plot, or be interrupted by executives who urge them to show off more merchandise.
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In Robert Anton Wilson's and Bob Shea's Illuminatus! trilogy, the main characters eventually learn that they are characters in the book itself, being narrated by an all-powerful, overseeing AI. Of course, the book is so perspective-jumping and Mind Screw-filled that what the "truth" is intentionally left up to the reader.
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In The Neverending Story, this becomes the entire basis for the first arc. It turns out that the whole purpose of Atreyu's adventure inside the book is to draw the main character (who is outside the book, reading the book... inside the book we're reading... you know what I mean) into the story and give him important information. To further complicate matters, there is another "neverending story", or possibly the same one, being written inside the story by a god, which is the story of the world. The main character also rewrites the reality he inhabits by coming up with new stories.
The movie version went a step farther, in that the Childlike Empress makes direct reference to how the audience has been observing Bastian all morning.
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In El Goonish Shive, the Q&A storylines are non-canon Fourth-Wall Mail Slot strips and have never had a fourth wall.
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Blazing Saddles repeatedly breaks the fourth wall throughout the film by making anachronistic jokes, having characters address the audience, and generally acknowledging the medium of filmmaking throughout. This culminates in the climax, when the film literally breaks out of its own set and into other sets throughout a Hollywood backlot, ultimately culminating in a confrontation outside a theater screening the film. This is all part of the theme of deconstructing the Western film genre.
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Pony Island:
If you decide to mess around with the game's save data, Lucifer will bluntly tell you to knock it off the next time you load up a game. He also remembers the player if they start a New Game Plus and changes his opening speech accordingly.
If all the tickets are collected during a New Game Plus, the Lost Soul determines that you must be looking for the Golden Ending and challenges you to a "cathartic" final battle. Once the fight is done, he tells you to close the game because there's nothing else to see.
The Lost Soul outright encourages the player to delete the core files as it's "the only way to advance the plot".
The fight with the third demon, Asomodeus.EXE, is NOTHING but this as he tries to trick you into looking away from the game window. This includes faking a Steam friend message, playing social media notification sounds at random, and intentionally causing a program stall that you have to "wait for the program to respond" on.
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This is explained very early on as that Dr. Forrester is selling the tapes of Joel and the bots to Comedy Central. Several of Forrester's bits revolve around trying to increase their ratings. (Introducing Timmy Bobby Rusty, giving them a drug to turn them into the cast of Renegade, etc.)
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Boston Legal: If there were a Fourth Wall for this show, Denny Crane couldn't exist. During the Alan/Denny Balcony Scene:
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Drowtales in the fact the audience exists in-universe. The readers and fans of Drowtales are in fact small demons that fill the world and can only be seen by Kiel'ndia. Theynote You take the form of swarms of black blobs covered in tiny white glowing faces, that typically swarm and cover Kiel'ndia, who is able to hear bits and pieces of what they say, which is in fact the things being said in the site's forum.
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Beetle Bailey has been known to comment on Sarge's Symbol Swearing, saying things along the lines of "Hang on, that's not how you use *storm cloud* in a sentence." He's also pointed at things in the previous panel.
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In most Jump Start games, the characters talk directly to the user quite frequently, and they never shy away from telling you to use the arrow keys to do such-and-such.
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The Simpsons Game:
After the first level (which is a direct reference to the "Land of Chocolate" daydream from the German episode) Bart finds a videogame user's manual for the very game we're playing right now, and through that manual, discovers that each member of his immediate family has some kind of videogame superpower.
In the final cut scene Ralph Wiggum walks up to the TV screen, knocks on it, and says, "Daddy, people are looking at me!", just before the TV (not the real one) turns off.
Also, at certain points as you play, the game is interrupted by the Comic book Guy pointing out the fact that you just came across some typical videogame cliche, such as invisible walls or an enemy that is physically identical to another one but they changed the colours.
Plus, there are entire levels that scream nothing but "You're in a videogame, this is a videogame, and we're going to remind you that you are playing a videogame. Also, here's some references to some other videogames."
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The Way of the Metagamer. Extremely so. The author appears as a major character, the other characters repeatedly talk about the audience and possess Medium Awareness, and literal plot holes allow the characters to travel to other works.
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Almost every video by Matt Santoro involves him talking to the viewer.
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In My Little Pony: Friendship Is Magic, the character Pinkie Pie is an embodiment of fourth wall breaker.
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In Marvel vs. Capcom 3, Deadpool goes the whole hog and beats the opponent with his healthbar and power meter in his level 3 hyper combo. Deadpool's taunt acknowledges the player pressed the taunt button. His victory cinematic has him approach the camera going so far as insulting the player for various reasons such as not recording the gameplay footage or sitting around while he does all the work. Finally, the ending has him throwing a huge party and jokes about inviting the player to join...only for the party to be destroyed, with him and the player wanted by the police.
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Doctor Who: Destiny of the Doctors's intro makes you think there's a fourth wall, shatters that perception 30 seconds in and never rebuilds it. The entire game has The Master and the first seven Doctors (as well as Brigadier Lethbridge-Stewart) talking to you.
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The fourth wall was actually shattered during the second season finale of Yu-Gi-Oh! The Abridged Series. This allowed the next season's villains, representatives of 4Kids Entertainment to sweep in and cancel the series In-Universe. That said, the fourth wall was so paper-thin anyway that Melvin could just as well have not done anything and 4Kids STILL would have intervened.
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Promotional material for ROH Golden Dream largely consisted of Jay Briscoe's image(often him pile driving Kevin Steen) tapped over Adam Cole's with the words "Real World Champ" crudely written in marker or crayon.
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Dance Central VR drops the paper-thin fourth wall that the series previously used. The interface is on an in-game phone and the dancers address the player directly either through face-to-face conversation or text messages through the player's phone, which the player can respond to.
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No More Heroes: Right off the bat in the intro. "Just push the 'A' Button!" Then slowly chipped them away one by one until the last mission and then completely destroyed at the end ("I would expect you and your players would expect a twist or some kind!").
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In The Pale King, David Foster Wallace addresses the reader directly whenever he narrates.
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Monty Python's Flying Circus was famous for breaking the fourth wall; but one unfortunate example was actually forced on them by Executive Meddling . A sketch that the team wanted to do, about undertakers asking a man if he wanted to eat his mother's corpse instead of burying it or burning it, was only allowed by the BBC if they showed the studio audience reacting with distaste and invading the set during the sketch.
And of course, everyone's favorite Running Gag character, Colonel Mustache. "Quite right, quite right, stop this sketch, it's getting entirely too silly."
And here's the clincher: offenses against the "Getting out of sketches without using a proper punchline" Act, four, namely, simply ending every bleedin' sketch by just having a policeman come in and... wait a minute...
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The CSI fic What If Our CSIs Were On Facebook? by Simply Laura is pretty much made of this. The characters are constantly breaking the wall and referencing being characters on the show in their FB posts.
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Season 2 of the musical comedy Galavant in general.
The opening number of the first episode of Season 2 is the single most self-referential moment of the entire show. It includes them saying that since it's a new season they need to retire the old theme song and come up with a new one, (in part because the old one failed to win an Emmy Award) the passage of time in the real world, imploring viewers to watch episodes live and ignore other events that would drive their ratings down, how unlikely it was that they got a second season after mediocre ratings and ending the first season on an unsatisfying cliffhanger, etc. And that is still only part of the fourth wall breaking they do in the course of a single song.
The finale makes multiple references to the fact that it will be highly unlikely that the show gets to be renewed for a third season, as well as The Jester referencing the first season's cliffhanger ending and wondering if they will do the same for season 2. (They don't.)
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She's Gotta Have It: Nola and other characters to a lesser degree address the audience directly multiple times.
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The main character in Chris Wooding's Poison learns that she is a character in a story being written by the heirophant of the Fairy world. When she goes into a suicidal malaise after hearing this, she is snapped out of it when bluntly reminded that she isn't just a character in a story — she is the main character in her story. She ends the book, beginning to write the Story which we have just been reading.
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WWF/E has an usually strong fourth wall by professional wrestling standards, and even then it only tends to conceptually materialize whenever the action leaves the arena proper, with the backstage area and all other parts of the world beyond the ring supposedly being "behind the scenes" where the audience can't see what's happening. This is because Vincent K McMahon thinks "characters" acknowledging the existence of cameras the fans cannot see is "unrealistic" because he sees WWE as an "action adventure" series or macho soap opera rather than a live sports show or magician's act, more Magnum, P.I. than Harlem Globe Trotters. A common way to exploit this is to have a heel wrestler "secretly" insult someone or admit to an ally to having committed a heinous deed, completely disregarding the TV camera being held right next to them. Sometimes the commentators will reveal that the whole world heard everything, but more often everyone will "remain ignorant" of the incident until the face confronts the heel in the ring and reveal they obtained a videotape, which will then be shown on the Titantron. You can tell when an organization's booker is taking cues from WWE from this particular use of the fourth wall trope alone. However, Vince Junior was not the first promoter to treat wrestling this way, as Jack Pferer invented "theater wrestling" in an attempt to destroy kayfabe out of spite.
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Also in the Grand Finale with the song "Thank You For Comin' Along" that has the characters singing to the audience and thanking them for watching. At the end of the song, Phineas waves goodbye to the audience before closing the door.
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Dragon Ball was like this early on in its Gag Series phase, if to a lesser degree than Akira Toriyama's previous work, Dr. Slump. Characters would frequently mention that they were in a shonen manga and show a good deal of Medium Awareness, including one instance where Goku bounced Yamcha off the comic panel. This was gradually phased out once Cerebus Syndrome kicked in, though the Buu saga brought some of it back, including one instance where Krillin called out Toriyama by name for re-using panels.
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Dragon Half. At one point in the second episode, a new character appears to proclaim the main heroine his implacable rival. He gives an impressive rant about what she's supposedly done to him... and she has no idea what he's talking about. He pulls out a TV set and a tape of the first episode to show her, only to find that all his scenes were cut by the editor. This prompts another rant.
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Pearls Before Swine milks this for all its worth. Sometimes there are storylines about production mistakes (like when they ran out of A's for text balloons), sometimes the cast interacts with fellow comic characters, and sometimes the characters gripe about and/or reprimand the author for lame puns.
Or in one case, brain him with a baseball bat before he started one.
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Sophie's World by Jostein Gaarder evolves over the course of the plot into a multi-layered version of this that doubles as a textbook on the history of philosophy as revealed by a Genre Savvy, quasi-Author Avatar philosophy teacher, much to the shock of the title character. By the end of the book, the dominant POV has switched to Hilde, the daughter of the "author" of a book called "Sophie's World," who has received the book as a birthday present from her father, who is not Jostein Gaarder. Confusing, but brilliant.
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Perhaps the most brilliant example ever was the classic Chuck Jones short Duck Amuck, which entirely consists of Daffy Duck and an unseen (until the final shot) animator arguing with each other across the Fourth Wall.
The animator turns out to be nobody else but Bugs Bunny (but then, who didn't see that coming?).
"Ain't I a stinker?"
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Like wise in both Marvel Ultimate Alliance and its sequel. Nick Fury hates when he does that.
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Ninja Nonsense is full of characters who constantly address the camera. The last episode is dedicated to the characters trying to figure out a satisfactory way to end the show.
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Scooby-Doo in Arabian Nights featured this in one part, when Magilla Gorilla commented on it was amazing how things would happen right on cue in a cartoon.
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The hidden ending for The Nameless Mod has Trestkon wandering around the boundries of the final level, watching all the mooks respawn and go about their business. He talks to the player, and decides he enjoys having God-like powers over the world. He accepts his position of existing solely to entertain, and bids the player good-bye, inviting him or her to come back if "you ever want to play again sometime."
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Ed, Edd n Eddy dabbles in this occasionally, invoking scene transitions ("an Iris-In would be appropriate, don't you think?"), talking about previous episodes (one episode actually has them traveling between episodes to get back to the present), etc. The Grand Finale Made-for-TV Movie even has Edd noting that it took "130 episodes, 4 specials, and a movie" for them to finally be respected by the other kids. The best example is probably the episode "One + One = Ed" where the Eds play around with cartoon physics and the nature of their universe (including having Jimmy turn into a puddle of talking color when they remove his outline).
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In one of her M.U.G.E.N winquotes, RicePigeon's Yukari Yakumo recognizes M.U.G.E.N as a computer program, and how amazing it is to merge diverse worlds together, then concludes that humans must really have been inspired by her.
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No More Heroes 2: Desperate Struggle doesn't even bother repairing the damage. "Players don't want to know about your fall from grace, it's BORING!"
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Happens in-universe in the final scene of Assassin's Creed II, where Minerva turns and looks directly at Desmond and speaks to him, ignoring Ezio, who is understandably confused by the whole thing.
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Deadpool, naturally.
In the start of test footage, Deadpool greets the audience while sitting on an overpass and listening to Gwen Stefani's "Hollaback Girl".
At the end of the test footage, Deadpool says hi to Tom Rothman, a Fox CEO at the time the test footage was made (who was rumored to have hated Deadpool).
After teaming up with X-Men Colossus and Negasonic Teenage Warhead, Deadpool turns to the camera and says "cue the music." "X Gon' Give It to Ya" by DMX kicks in.
In the Christmas Red Band trailer, Deadpool starts the trailer by pausing it and giving a short explanation on how this isn't your typical superhero movie.
In the Australia Day promo, Deadpool has a personal grudge against the country of Australia for producing Hugh Jackman/Wolverine, whose film Deadpool considers a "career low".
In the movie itself, the fourth wall (or at least the camera lens) is splattered with a piece of gum (that Deadpool found on the ceiling of a taxi) less than five minutes after the opening credits.
One of the best examples in the movie proper is a fourth wall break inside a fourth wall break. Which is lampshaded:
When Deadpool arrives at Xavier's mansion and sees Colossus and Negasonic Teenage Warhead, he says: "With such a big mansion it's funny how I only ever see two of you. It's almost like the studio couldn't afford another X-Man!"
When Deadpool catches the Recruiter, he turns the camera away himself so that we don't have to see what he does.
Carried on in Deadpool 2. At one point, Deadpool calls Cable "Thanos", referring to how Josh Brolin starred as both Cable in this film and Thanos in the Marvel Cinematic Universe, since this film opened against Avengers: Infinity War.
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being Hands: Lilith, in and out of character, frequently addresses the camera directly and conversationally. Despite in-universe events, this continues through the film.
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Paper Mario: The Thousand-Year Door has this too, with an odd meta gimmick that there are TWO non-existent fourth walls. One between the player and the game (which the characters address or in one case, steal keyboard letters from), and one between the characters and the in game audience watching their battles. Because in-game, there's Audience Participation going on, in ways ranging from Mario doing stylish moves to gain power from their cheering to audience members going on stage or throwing rocks at the combatants to certain bosses using the audience as ammunition, food, or stealing their souls to restore health.
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The Insecticons are the most frequent offenders in the Insecticomics, but to some degree or another the characters are aware of their status. Some of the hand-drawn comics feature the author herself talking to the characters — and one rather odd one in the usual Photo Comic format with the Insecticons (who are only about two inches high, as toys) talking to the author's giant head.
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Barney Miller: Averted, literally, when the show actually built a fourth wall. Several episodes in the final season featured reversed shots from the usual setup, with the camera staged somewhere around the holding cell, usually the rear of the set, pointed back out across the squad room, with an actual fourth wall placed where the cameras would usually be placed.
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Tex Avery MGM Cartoons:
In The Early Bird Dood It, the worm and the bird find a billboard for the movie Mrs. Minimum (a parody of MGM's Mrs. Miniver) featuring the very cartoon they're in as a side attraction.
In Northwest Hounded Police, Wolfie hides from Droopy in a movie theater, only to find him on the screen.
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Issue #46 of The Powerpuff Girls was titled "See You Later, Narrator," and dealt with Mojo Jojo kidnapping the narrator and making him read a prepared script showing Mojo as ruler and the girls as unavailable. Season 5 episode "Simian Says" was its animated Expy.
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Eat Lead: The Return of Matt Hazard eats, drinks and breathes this trope. The developers even went as far as adding fake fansites detailing the non-existent Matt Hazard games.
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Astro City has the Broken Man, a (possibly) insane being who directly addresses readers to enlist them in his quest against the Oubor.
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Ollo in The Sunny Valley Fair: Downplayed. Ollo sees the player as a friend, but he's the only character who acknowledges the player's existence.
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Dad: The characters all know they're on YouTube despite the otherwise Dom Com-esque format; Dad openly announces his intention to be the best YouTuber, Mom takes away his rights to "the sever" as a punishment, and he even interacts with the audience through live-streaming and comment-responses.
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In Nowhere Man, in episode The Spider Webb, a writer/producer makes "The Lenny Little Show", a program basically Nowhere Man with really bad reenactments of scenes from the show, and gets really trippy when they are filming scenes he is doing at the same time, until he becomes really genre savvy and reverses what is written/filmed to outsmart the writer/producer.
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A very early example of fourth-wall elimination is the late-1970s Apple II game, The Prisoner, which was based upon the TV show of the same title. As the game begins the player is assigned a three-digit number and told never to reveal it to anyone in the game. The game then proceeds to trick the player. Notoriously, a simulated game crash would randomly occur, generating the error message "Syntax Error in XXX", with the 3 digit code being the XXX. Users familiar with the BASIC source code would usually type "List XXX" to see what the error was, not knowing the game was still running. This was actually a clue, as one way to win the game was in fact to go into the source code to look for information on beating the game. Any wonder that the CIA reportedly used the game as a training tool?
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Buffy the Vampire Slayer: Invoked by Anya in "Once More, With Feeling" to describe how exposed she felt when she and Xander burst into song: "It's like we were being watched, like there was a wall missing from our apartment. Like there were only three walls, and not a fourth wall."
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DSBT InsaniT ADORES this! There are even jokes about how much the characters break it.
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Also most characters in Least I Could Do use No Fourth Wall on occasion, especially during the comic's annual Valentine's Day contest, wherein the characters themselves often read through fan-mail and pick a winner to go out on a date with a chosen character in the strip.
Another instance of LICD No Fourth Wall is when the author and artist send a letter to the characters stating that they will no longer be "forever 24", and that they will begin to age like normal people do. See also Webcomic Time.
In a perfect example, the main character Rayne threatened both the writer and artist should they censor a reconcilliation between a lesbian couple. (Or Rayne's attempt to seduce them both). Linky
Don't forget when John mentioned the title of the strip, quickly followed by a smack from "God's Hand", and a firm verbal downtalking. Leave the question: who did the slapping? Ryan or Lar?
It's Lar. Watch the artist Ustream.
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The characters in Adiboo: Magical Playland always talk to the player.
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Virtual-ON. This arcade game's story involves a government agency using the arcade video game to recruit and train pilots for Operation Moon Gate where a lunar base must be destroyed before the world is destroyed by the Solar Gun. Supposedly the first five stages are the training stages- the final four levels have you piloting an actual mech on the moon, having completed the training program.
The game has a penalty stage where you can fight a phantom enemy called Jaguarandi if you cleared the first five stages without dying. The game explains this as a bug in the training program.
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Hello Cheeky was some sort of strange play on this, depending on how you choose to interpret it... the characters (also actors) share the actors' names but have distinct personalities, and a lot of the jokes come from casual conversation between the characters while not playing characters, or moments that weren't scripted in-canon. Apart from this, No Fourth Wall also applied in a more traditional sense — the characters were fully aware they were in a show called Hello Cheeky, and would occasionally read letters from fans, explain jokes or technical hitches, or otherwise address their listener ("hello, Eric").
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The STAR Comics title Madballs based on the semi-popular toy line, and well known for its Care Bears cross-over, was thick with it. The series characters had no qualms about being comic characters. Everything from interacting with the readers, pointing out things about the comics themselves, direct references to previous issues, etc., was present. Many characters actually used the comics elements as a power, be it fighting with their own word balloons and puns (and acknowledging that they were doing so), or setting the Madballs to actually compete with the book's puzzle pages and ask the reader to help them directly in continuity.
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In Mega Man Battle Network installing the Humor program into the Navi Cust lets Megaman tell (bad) jokes, one of which Lan responds to with "We'd better stop this or our players will get crabby!"
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Spaceballs does this many a time (with Dark Helmet responsible for the vast majority of these, especially when he flips up his helmet in annoyance):
The camera zooms in on Dark Helmet in the middle of a dramatic speech and conks him on the head.
Helmet accidentally kills one of the cameramen during the climactic final duel.
And how does he find out where the heroes escaped to? By watching Spaceballs, of course! This includes fast-forwarding past the embarrassing scenes that happened to the bad guys, and accidentally finding the scene where they are watching Spaceballs, causing a very confusing conversation about defining the concept of "now".
Early in the movie when Col. Sandurs finishes explaining the Spaceballs' evil plot, Helmet pointedly turns to the camera and asks, "Everybody got that?"
President Skroob must run throughout the ship because its ridiculous length warrants it. If he walked it would take too long and "the movie would be over."
Also, when Helmet captures the heroes, he actually captures their stunt doubles.
Yogurt, the movie's most prominent Jewish stereotype and played by Brooks himself, not only recognizes he's in a movie but admits the real money is made by merchandising and proceeds to market Spaceballs merchandise within the movie itself. Apparently the kids just love the flamethrower.
Dark Helmet is aware of the Spaceballs action figures and in fact owns the whole set, which he likes to role-play with in private. The scene was entirely improvised by Moranis.
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The British sketch show, The Fast Show, has three recurring characters that directly address the viewer: The Fourth Duke of Wimbledon (who remarks to the viewer on his compromising situation) an unnamed character played by Mark Williams (who is shown engaging in suspicious activity before noticing the camera and saying, "You ain't seen me, right?") and Unlucky Alf (who sadly reflects to camera about his bad luck, before falling victim to it).
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Fourth wall breaks have been a staple for humor in the Monica's Gang franchise ever since its beginnings on newspaper comics (with Jimmy Five's debut even having the punchline "somebody should've told me that this stwip was going to be in color"), and has carried over all other media it has expanded upon ever since to this very day.
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The characters of Family Guy criticize "the network" (Fox) on a regular basis.
Characters also frequently address the audience directly, most frequently Peter, who even tells off the audience for being offended at his antics on account of it being a cartoon.
In an episode when Meg became a born-again Christian, Peter turned to the camera and said dryly: "That's right folks. It's gonna be a Meg episode. Stick around for the fun. Here's the clicker. No one'd blame ya."
Another episode explained that the reason Peter can afford to do all the expensive stunts he pulls off in the show is because Fox pays for it ahead of time.
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First, Cross Edge. It spends most of the game with a solid Fourth Wall for the main scenario, however, after you beat the last boss and hit the post game, they waste no time in tearing the fourth wall into bite sized chunks and dancing merrily on its remains. They act very Out of Character, quote completely insane lines, refer to in game events as such, count the number of lines they have in a scene, blatantly lampshade numerous RPG and Character Tropes, and basically throw away all pretentions they are anything but a game. (Of course, considering Etna of Disgaea (mentioned above) is in this game, the player is lucky there's a fourth wall at all. Needless to say, her hidden episode previews waste no time shattering it when found.)
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In Diaries of a Madman, both Navarone and Discord occasionally address the reader directly. The former since his stories are being told through his eponymous diaries, and he's usually telling the reader to stop reading his private records. The latter since Discord is the God of Chaos and can literally break the fourth wall if he feels like it.
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Noises Off is a play within a play that shows three performances of the same first act. It demolishes the fourth wall, with actors popping up from seats in the audience and throwing props off the front of the stage. At one point, when everyone is screwing up magnificently, Gary Lejeune gives up and addresses the audience directly, trying to explain what just happened, "In case any of you are out there thinking, 'My God!'"
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Fleabag frequently speaks directly to the audience via Aside Glance, creating a relationship between herself and the viewers and giving them a deeper insight to her dysfunction. Significantly, her love interest the priest is the only one to notice this.
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In Baldur's Gate II: Throne of Bhaal which is based on the 2nd edition AD&D ruleset, Mazzy the Halfling Fighter has a discussion with another NPC who suggests she should become a Paladin. Mazzy responds by saying Halflings can't become Paladins (as is the case in 2nd edition). Paraphrasing: "It's not as though there's a third edition out is there?"
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One of the ways the original Lupin III manga differed from any subsequent adaptations was its shameless lack of a fourth wall. From Lupin's quip in chapter 6 that "This manga is very thrilling!" to some stories involving the author as a character (one was just a chapter of Lupin criticizing and abusing the author, the other has Lupin giving the manga-ka a tour of his hideout), to a chapter starring the reader himself.
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While there are many parts of Saints Row IV that break the Fourth Wall, the Enter the Dominatrix DLC bludgeons the Fourth Wall into submission with a giant floppy purple dildo bat. It's presented as the Saints (and Zinyak) reminiscing about a failed project called Enter the Dominatrix that was later rolled into what became Saints Row IV proper, seemingly mirroring the game's own development process. Along the way, references to characters Put on a Bus, blending of canonical and non-canonical endings (don't ask Shaundi about it), escort missions, gameplay filler, budgetary restrictions, and many other tropes of the Saints Row series and video games in general abound. At one point, Pierce fast-forwards through Kinzie's overly-long Techno Babble, and near the end, Zimos explicitly states that the Dominatrix has "rebooted the DLC" to evade death.
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Ants in Your Pants: Lickety Split would always ramble to the audience about whatever topic the episode he was in was about.
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Martian Successor Nadesico had entire episodes explaining various aspects of the show.
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The Fantastic Four once met The One-Above-All ("God" in the Marvel Universe) and it's... Jack Kirby.
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The Metroid Sprite Comic Planet Zebeth is an interesting case. Although nobody (except Author Avatar Kabutroid) knows that they exist in a comic strip, the characters are aware that they are fictional, and that the entirety of the planet actually exists on Kabutroid's server (which still uploads with a 33.6k modem and has a lot of glitches). This even drives the plot at some points, like when they were stuck mid-transfer in an FTP client when Kabutroid had computer problems, and directly afterward when he had to install Linux, leaving Samus and Kraid stuck wondering what was going on.
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In the video game Mafia II, Vito Scaletta is hiding in an office waiting for the guards to move away so he can steal gas rationing coupons. If you make him wait long enough, the guards engage in a conversation aout a television one of them has purchased (remembering that this is a WW2-era game at this point) and one guard describes how it might be in the future that you could control the characters on the television, using some device to make them drive cars, shoot guns and essentially behave just like the characters in the first-person shooter you are playing and that they are. The other guard is dismissive of the idea. There are occasional NPC comments that indicate an awareness of the game.
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The indie film Killer Flick is built around this trope. The characters are all filmmakers who reside in the film they are creating. They try to make it as violent, sexy, and exploitative as possible so they can sell it and earn lots of cash.
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Captain Underpants is fraught with examples, including green gloop running through the classrooms of their school, through hallways, and even covering up the text on the page.
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The Stinky Cheese Man and Other Fairly Stupid Tales manages to break the fourth wall before the first page, when the Little Red Hen appears on the front endpaper, loudly demanding that Jack the Narrator tell her story (or at least help bake her bread). Things only get worse as the book progresses: Little Red Running Shorts and the Big Bad Wolf refuse to perform their story after Jack the Narrator spoils the ending. The Giant takes issue with the usual plot of "Jack and the Beanstalk", so he tells his own (nonsensical) story, then threatens to eat Jack the Narrator if he can't tell a better one. After Jack bores the giant to sleep with a recursive story, he tries to sneak away by moving the endpaper a few pages before the actual end of the book.
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Duke Nukem 3D has Duke address the player if he leaves him standing still too long ("What are ya waitin' for, Christmas?"), berate the player for making him spend too long searching for hidden doors and switches, and, in the Atomic Edition, ride a theme park ride on which all riders must be at least 48 pixels tall.
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The movie version went a step farther, in that the Childlike Empress makes direct reference to how the audience has been observing Bastian all morning.
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The sequel continues the merry tradition. The third game has the alternate dimension Gamindustri and for a while hangs a lampshade on the lack of a fourth wall; while there still isn't one, the local CPUs take their roles a little more seriously than Neptune, getting fed up with Nep and telling her to stop being so blatant about it already.
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Sgt. Frog: Especially in the English dub, but there's hardly much of one in the original, either.
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The English dub of Ghost Stories is less a translation of the original series, and more of an officially licensed parody. There are numerous instances where the characters reference pop culture, point out overused cliches, talk about how hard it is to sync their lines with the characters' lip movements, and in one instance confuse the fourth wall for the third wall.
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Codified by The Goon Show, written by Spike Milligan, where no rules were safe, and the writer often chided the listener for being smug about wrongly predicting the punchline of a gag.
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The Nintendo DS game Contact does this almost all the time, with the Professor speaking directly to the player asking you to "guide" Terry, the main character. In the ending, following the final boss fight, Terry wakes up back on the first island and start to talk to you. Up until this point he had been a Silent Protagonist, as you (the player) controlled him, and you could not actually speak. He then tells you that he realized that he just was being controlled, and was angry at you. He then attacks you, forcing you to fight him yourself. After that, the rest of the ending rolls, and if you're lucky, you can see the epilogue, in which the professor explains that the entire plot of the game was started when he realized he was a video game character. He learned what he was, and afterward, began to live even when the game was turned off. He then says that he's leaving the game to travel the (real) world, and creates a copy of himself in case you want to play through the game again, leading you to wonder if the one that left that message was even the original to begin with...
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Mr Square The titular Mr. Square wants to commit suicide because his world is drawn so poorly. The artist and his creations are openly mocked, including his poor spelling.
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The Spongebob Squarepants episode 'Krusty Krab Training Video' has the characters hearing the narrator speak; going as far as to even make comments about what they are hearing.
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No Fourth Wall / int_fa00b130
 No Fourth Wall / int_faf84cd
type
No Fourth Wall
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comment
Vampire: The Masquerade - Bloodlines: Some Sabbat vampires have captured and are considering mutilating the player character; the leader turns, gives the player the finger, and comments, "Those of you sitting in the first few rows will get wet." If the player asks Rosa if they will be victorious in the end, she says "Whether you win or lose is irrelevant. What's important is that you bought it."
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hasFeature
No Fourth Wall / int_faf84cd
 No Fourth Wall / int_fb0bef97
type
No Fourth Wall
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comment
Played double straight in Unforgotten Realms. Not only does the game of unforgotten realms exist with no fourth wall to the players, but the animation itself constantly references the fact that it's an animation.
 No Fourth Wall / int_fb0bef97
featureApplicability
1.0
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hasFeature
No Fourth Wall / int_fb0bef97
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type
No Fourth Wall
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comment
The Deadpool character across various canon portrayals usually lacks or often breaks the fourth wall, and that holds true for the "Deadpool: The Musical" fan films. Unlike those canon works, these musicals give other characters medium awareness, too.
"Deadpool: The Musical":
Deadpool hears the soundtrack start, looks around the Bad Guy Bar for where it's coming from, and says, "Ooo, was that a musical cue?"
After the bartender starts insulting him through song, Deadpool addresses the audience and says, "I've always wanted to be in a musical!"
Deadpool's white inner voice box from the Deadpool comics speaks up to compliment him after he admires how Spider-Man's tights fit him, and he thanks it.
"Deadpool: The Musical 2":
Deadpool's white and yellow inner voice boxes from the comics join him as backup singers during a Moana song parody.
After Jubilee tells Deadpool he's not a superhero, he's an actual murderer, Deadpool turns to the camera for a heel realization as music starts to play. Jubilee is annoyed that he took her words as a cue to start singing, but he shoves her aside to begin a The Little Mermaid (1989) song parody.
Speaking of Jubilee, Deadpool initially fails to recognize her because she's played by a different actress in every movie appearance. And just to prove his point, her actress changes between shots.
Exaggerated while parodying The Little Mermaid (1989) Deadpool sings "breaking fourth walls only goes so far" as he walks to his bedroom set's fourth wall, which has a "closed set" warning sign on it that's been scribbled out in favor of "fourth wall" and an arrow pointing to the set door. He opens the door to walk backstage and startles the actual film crew and producers who were watching the live filming feed. They all hastily scatter as fires his gun at the ceiling, except one unflappable camera operator whose eyes stay fixed on the equipment.
After exchanging insults with Puck, Deadpool turns to the audience with a comment on Puck's attitude.
The ensemble for the Mulan parody "Be a Team" holds up one of the dead Hand ninjas and requests that the audience "please turn this dead guy into a meme."
At the time this fan film was made, the mix of Marvel characters seen in "Be a Team" had their official film and television rights scattered across multiple companies note Spider-Man with Sony, Deadpool and X-Men with Fox, Jessica Jones with Netflix, and the Avengers, Dr. Strange, and Guardians of the Galaxy with Disney; Disney had previously acquired Marvel in 2009, but would not acquire Fox until 2019. Partway through the song, the ensemble sings, "What happens now that we're owned by Disney?" There's a musicalis interruptus for a beat and an awkward cough before they resume as if nothing happened.
 No Fourth Wall / int_fb8549c
featureApplicability
1.0
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hasFeature
No Fourth Wall / int_fb8549c
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No Fourth Wall
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High Fidelity: Rob directly addresses the audience often talking about her life. Simon does the same in his Perspective Flip episode.
 No Fourth Wall / int_fc2761af
featureApplicability
1.0
 No Fourth Wall / int_fc2761af
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1.0
 High Fidelity
hasFeature
No Fourth Wall / int_fc2761af
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type
No Fourth Wall
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A major part of the plot of The Church of Blow is Cornelius discovering he is a fictional character. And it is so sad.
 No Fourth Wall / int_fc5e008a
featureApplicability
1.0
 No Fourth Wall / int_fc5e008a
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1.0
 TheChurchOfBlow
hasFeature
No Fourth Wall / int_fc5e008a
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type
No Fourth Wall
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comment
FLCL has the occasional scene in which the characters acknowledge the audience or criticize how a scene was created, but it's taken to an extreme in the final episode in which Kamon goes on a rant about how hard and expensive it is to stay in an Art Shift form.
 No Fourth Wall / int_fcfa999b
featureApplicability
1.0
 No Fourth Wall / int_fcfa999b
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1.0
 FLCL
hasFeature
No Fourth Wall / int_fcfa999b
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type
No Fourth Wall
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comment
In Super Smash Bros., the series has no fourth wall. The opening cinematic (for the original) indicates that the entire game is a child's daydream about the Ultimate Showdown of Ultimate Destiny. And if characters get knocked off the top of the stage, they'll either do the Team Rocket flash-in-the-sky, or bounce off the inside of the TV screen. Brawl takes this one step further, with all characters explicitly recognizing that they are trophies.
Villager's victory animations in Super Smash Brothers 4 has him showing the bug he caught or the fossil he digged for to the camera.
 No Fourth Wall / int_fe85bfc8
featureApplicability
1.0
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1.0
 Super Smash Bros. (Video Game)
hasFeature
No Fourth Wall / int_fe85bfc8
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type
No Fourth Wall
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comment
Some of Kisala's idle chatter in Rogue Galaxy invoke this. If you haven't saved in a while, she'll say stuff like "Shouldn't you save soon?", and the like.
 No Fourth Wall / int_ff0f1797
featureApplicability
1.0
 No Fourth Wall / int_ff0f1797
featureConfidence
1.0
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hasFeature
No Fourth Wall / int_ff0f1797
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type
No Fourth Wall
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The Muppets, largely.
This is somewhat expected in The Muppet Show and Muppet*Vision 3D, which were basically variety shows, but even the actual films like The Muppet Movie and The Great Muppet Caper come up one wall short. Only The Muppets Take Manhattan kept the fourth wall unbroken.
The Muppet Show could be a tad surreal when it came to the fourth wall. While talking to the audience is expected in a variety show, the characters would sometimes address the audience while they were backstage, or otherwise acknowledge that they were just actors portraying a variety show.
The unaired pilot Tales of the Tinkerdee was about the same way: Taminella and Kermit both explicitly address the audience directly, and even the king and prime minister seem to get in on that act when they crowd the camera and say the phrase that Princess Gwendolinda catches all the time. Heck, in-universe, it's kind of implied that the king knows he's being watched by Taminella when she uses a clairvoyant spell: he says "over and out" just as the spell is ending!
 No Fourth Wall / int_ff66c30e
featureApplicability
1.0
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hasFeature
No Fourth Wall / int_ff66c30e

The following is a list of statements referring to the current page from other pages.

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Comedy Tropes
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Metafiction Demanded This Index
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Narrative Devices
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Older Than Steam
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Webcomic Tropes
 Felix the Cat: The Movie (Animation) / int_3b4f620a
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No Fourth Wall
 Angel Beats! / int_3b4f620a
type
No Fourth Wall
 Anime-Gataris / int_3b4f620a
type
No Fourth Wall
 Battle Spirits Heroes / int_3b4f620a
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No Fourth Wall
 Dotto! Koni-chan / int_3b4f620a
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No Fourth Wall
 Excel♡Saga / int_3b4f620a
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No Fourth Wall
 Fullmetal Alchemist (2003) / int_3b4f620a
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No Fourth Wall
 Haré+Guu / int_3b4f620a
type
No Fourth Wall
 Hyperdimension Neptunia the Animation / int_3b4f620a
type
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 Martian Successor Nadesico / int_3b4f620a
type
No Fourth Wall
 Musou Kakyou: A Summer Day's Dream / int_3b4f620a
type
No Fourth Wall
 Nerima Daikon Brothers / int_3b4f620a
type
No Fourth Wall
 Oh! Edo Rocket / int_3b4f620a
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 Osomatsu-san / int_3b4f620a
type
No Fourth Wall
 Pani Poni Dash! / int_3b4f620a
type
No Fourth Wall
 Puni Puni☆Poemi / int_3b4f620a
type
No Fourth Wall
 Samurai Flamenco / int_3b4f620a
type
No Fourth Wall
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No Fourth Wall
 Sonic X / int_3b4f620a
type
No Fourth Wall
 Space☆Dandy / int_3b4f620a
type
No Fourth Wall
 Tesagure! Bukatsu-mono / int_3b4f620a
type
No Fourth Wall
 The Adventures of Mini-Goddess / int_3b4f620a
type
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 Tokyo Pig / int_3b4f620a
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No Fourth Wall
 Training with Hinako / int_3b4f620a
type
No Fourth Wall
 Yatterman / int_3b4f620a
type
No Fourth Wall
 Yu-Gi-Oh! GX
seeAlso
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 Dirty Potter (Audio Play) / int_3b4f620a
type
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 Horrible Histories (Audio Play) / int_3b4f620a
type
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 Le Donjon de Naheulbeuk (Audio Play) / int_3b4f620a
type
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 Can You See The Words (Blog)
seeAlso
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 American Splendor (Comic Book) / int_3b4f620a
type
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 AXIS (Comic Book) / int_3b4f620a
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 Clue (2017) (Comic Book) / int_3b4f620a
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No Fourth Wall
 Fables (Comic Book) / int_3b4f620a
type
No Fourth Wall
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No Fourth Wall
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type
No Fourth Wall
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No Fourth Wall
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type
No Fourth Wall
 Mickey Mouse and the Sword of Ice (Comic Book) / int_3b4f620a
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No Fourth Wall
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 Nathan Hales Hazardous Tales (Comic Book) / int_3b4f620a
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No Fourth Wall
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 Sergio Aragonés Destroys DC (Comic Book) / int_3b4f620a
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 Sonic the Hedgehog (Archie Comics) (Comic Book) / int_3b4f620a
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type
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type
No Fourth Wall
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type
No Fourth Wall
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 Tytus, Romek i A'tomek (Comic Book) / int_3b4f620a
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 Understanding Comics (Comic Book) / int_3b4f620a
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 Doonesbury (Comic Strip) / int_3b4f620a
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 Over the Hedge (Comic Strip) / int_3b4f620a
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 Pearls Before Swine (Comic Strip) / int_3b4f620a
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 TheAdventuresOfJeremiah
seeAlso
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 Akatsuki Kitten: Phoenix Corporation Overhaul / Fan Fic / int_3b4f620a
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seeAlso
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seeAlso
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seeAlso
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 Quotes Bad Hair Day Rated R For Retelling Of Cave Story / Fan Fic
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seeAlso
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type
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type
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seeAlso
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 Calvin & Hobbes: The Series (Fanfic) / int_3b4f620a
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 CRISIS: Equestria (Fanfic) / int_3b4f620a
type
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 Crisis on Two PokéWorlds! (Fanfic) / int_3b4f620a
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type
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type
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type
No Fourth Wall
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type
No Fourth Wall
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type
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type
No Fourth Wall
 Pictopia II (Fanfic) / int_3b4f620a
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 Ponies Reactionverse (Fanfic) / int_3b4f620a
type
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 So, What Colour Is Your Toothbrush? (Fanfic) / int_3b4f620a
type
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 Sora's Misadventures in Equestria (Fanfic) / int_3b4f620a
type
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 Super Robot Wars High (Fanfic) / int_3b4f620a
type
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 With Big Shells and Wings (Fanfic)
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 Annie Hall / int_3b4f620a
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type
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type
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type
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 Beetlejuice / int_3b4f620a
type
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 Being Hands / int_3b4f620a
type
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 Being Human / int_3b4f620a
type
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 Black Mirror: Bandersnatch / int_3b4f620a
type
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 Blazing Saddles / int_3b4f620a
type
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type
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type
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 Don't Be a Menace to South Central While Drinking Your Juice in the Hood / int_3b4f620a
type
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 EDtv / int_3b4f620a
type
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type
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 Fight Club / int_3b4f620a
type
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type
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 George of the Jungle / int_3b4f620a
type
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type
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type
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 Harold & Kumar Go to White Castle / int_3b4f620a
type
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type
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 High Anxiety / int_3b4f620a
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type
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 House on Haunted Hill (1959) / int_3b4f620a
type
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 I'm Gonna Git You Sucka / int_3b4f620a
type
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 In the Mouth of Madness / int_3b4f620a
type
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type
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 Inspector Gadget (1999) / int_3b4f620a
type
No Fourth Wall
 Is It The Design On The Wrapper / int_3b4f620a
type
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 Lady in the Lake / int_3b4f620a
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type
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type
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 Muppet Treasure Island / int_3b4f620a
type
No Fourth Wall
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type
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 Oscar (1991) / int_3b4f620a
type
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type
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type
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type
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 Rocky and Bullwinkle
seeAlso
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 Rubber / int_3b4f620a
type
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 Scary Movie / int_3b4f620a
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 Sesame Street Presents: Follow That Bird / int_3b4f620a
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No Fourth Wall
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No Fourth Wall
 Spaceballs / int_3b4f620a
type
No Fourth Wall
 Special Friends / int_3b4f620a
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No Fourth Wall
 Strange Brew / int_3b4f620a
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 Student Bodies / int_3b4f620a
type
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 The Adventures of Elmo in Grouchland / int_3b4f620a
type
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 The Baby of Macon / int_3b4f620a
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 The Dutch Master / int_3b4f620a
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 The Kentucky Fried Movie / int_3b4f620a
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 The Muppet Christmas Carol / int_3b4f620a
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 The Muppet Movie / int_3b4f620a
type
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 The Muppets (2011) / int_3b4f620a
type
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 The NeverEnding Story (1984) / int_3b4f620a
type
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 The NeverEnding Story / int_3b4f620a
type
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 The Return of the Pink Panther / int_3b4f620a
type
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type
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 The Wizard of Oz / int_3b4f620a
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 Van Wilder / int_3b4f620a
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 Wayne's World / int_3b4f620a
type
No Fourth Wall
 Whatever Works / int_3b4f620a
type
No Fourth Wall
 Baldur's Gate (Franchise) / int_3b4f620a
type
No Fourth Wall
 Devilman (Franchise) / int_3b4f620a
type
No Fourth Wall
 Disgaea (Franchise) / int_3b4f620a
type
No Fourth Wall
 Hugo the TV Troll (Franchise) / int_3b4f620a
type
No Fourth Wall
 Winnie the Pooh (Franchise) / int_3b4f620a
type
No Fourth Wall
 Slayers / int_3b4f620a
type
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 Student Council's Discretion / int_3b4f620a
type
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 A Touch Of Madness
seeAlso
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 An Elegy for the Still-living / int_3b4f620a
type
No Fourth Wall
 Bored of the Rings / int_3b4f620a
type
No Fourth Wall
 Breakfast of Champions / int_3b4f620a
type
No Fourth Wall
 Captain Underpants / int_3b4f620a
type
No Fourth Wall
 Danganronpa Togami / int_3b4f620a
type
No Fourth Wall
 Doc Savage / int_3b4f620a
type
No Fourth Wall
 Don Quixote / int_3b4f620a
type
No Fourth Wall
 Extraterrestrial Civilizations / int_3b4f620a
type
No Fourth Wall
 Gravity's Rainbow / int_3b4f620a
type
No Fourth Wall
 Grunvale / int_3b4f620a
type
No Fourth Wall
 Horrid Henry / int_3b4f620a
type
No Fourth Wall
 House of Leaves / int_3b4f620a
type
No Fourth Wall
 Illuminatus! / int_3b4f620a
type
No Fourth Wall
 Jane Eyre / int_3b4f620a
type
No Fourth Wall
 Kämpfer / int_3b4f620a
type
No Fourth Wall
 Legion of Net.Heroes / int_3b4f620a
type
No Fourth Wall
 Nursery Crime / int_3b4f620a
type
No Fourth Wall
 Ōkami-san / int_3b4f620a
type
No Fourth Wall
 Pigeon Series / int_3b4f620a
type
No Fourth Wall
 Slayers / int_3b4f620a
type
No Fourth Wall
 Student Council's Discretion / int_3b4f620a
type
No Fourth Wall
 The Dark Tower / int_3b4f620a
type
No Fourth Wall
 The Incredible Worlds of Wally McDoogle / int_3b4f620a
type
No Fourth Wall
 The Monster at the End of This Book / int_3b4f620a
type
No Fourth Wall
 The Neverending Story / int_3b4f620a
type
No Fourth Wall
 The Once and Future King / int_3b4f620a
type
No Fourth Wall
 The Pale King / int_3b4f620a
type
No Fourth Wall
 The Stinky Cheese Man / int_3b4f620a
type
No Fourth Wall
 V. / int_3b4f620a
type
No Fourth Wall
 We Are in a Book! / int_3b4f620a
type
No Fourth Wall
 You Bright and Risen Angels / int_3b4f620a
type
No Fourth Wall
 Red vs. Blue: Season 14 (Machinima) / int_3b4f620a
type
No Fourth Wall
 Doctor Who Magazine (Magazine) / int_3b4f620a
type
No Fourth Wall
 MAD (Magazine) / int_3b4f620a
type
No Fourth Wall
 Muse Magazine (Magazine) / int_3b4f620a
type
No Fourth Wall
 MAD (Magazine) / int_3b4f620a
type
No Fourth Wall
 AJtheBlackDragon
seeAlso
No Fourth Wall
 BOTVGH
seeAlso
No Fourth Wall
 BattyAndGay
seeAlso
No Fourth Wall
 Blayde
seeAlso
No Fourth Wall
 CodeGeassTheAbridgedSeries
seeAlso
No Fourth Wall
 CostumeQuest
seeAlso
No Fourth Wall
 Creepypasta / int_3b4f620a
type
No Fourth Wall
 DisneyOnIce
seeAlso
No Fourth Wall
 DontLookItSucks
seeAlso
No Fourth Wall
 FullmetalEds
seeAlso
No Fourth Wall
 Hellzapoppin
seeAlso
No Fourth Wall
 HyperInuyasha
seeAlso
No Fourth Wall
 IfTheFourSeasonsContinueToChange
seeAlso
No Fourth Wall
 JerkAssWoobie
seeAlso
No Fourth Wall
 LuisMcTV
seeAlso
No Fourth Wall
 MadokaAbridged
seeAlso
No Fourth Wall
 MyWorldAndWelcomeToIt
seeAlso
No Fourth Wall
 NielJacoby
seeAlso
No Fourth Wall
 NoLimit
seeAlso
No Fourth Wall
 NotableMetaWebcomics
seeAlso
No Fourth Wall
 Ptitle4vgtaqy8x53v
seeAlso
No Fourth Wall
 Ptitleehxc0bye
seeAlso
No Fourth Wall
 Ptitlegon10y3u
seeAlso
No Fourth Wall
 Ptitleupg47ww5
seeAlso
No Fourth Wall
 Ptitlezrwff4ry
seeAlso
No Fourth Wall
 RedHotRidingHood
seeAlso
No Fourth Wall
 Spex / int_3b4f620a
type
No Fourth Wall
 SterateBaboogeddon
seeAlso
No Fourth Wall
 TVTropesTheTVShow
seeAlso
No Fourth Wall
 TalkingInSpace
seeAlso
No Fourth Wall
 TheChipmunksParodyShow
seeAlso
No Fourth Wall
 TheFlintstoneKids
seeAlso
No Fourth Wall
 TheGreatGoodThing
seeAlso
No Fourth Wall
 TheITVPanto
seeAlso
No Fourth Wall
 TheRenaissanceRaver
seeAlso
No Fourth Wall
 TheSpookyCrew
seeAlso
No Fourth Wall
 TriertsChaoGarden
seeAlso
No Fourth Wall
 TroubleChocolate
seeAlso
No Fourth Wall
 YouTube Poop / int_3b4f620a
type
No Fourth Wall
 ptitlebkssf5b3
seeAlso
No Fourth Wall
 ptitlefyd1e3s2
seeAlso
No Fourth Wall
 ptitleg6dcvql9
seeAlso
No Fourth Wall
 ptitlegm3tnwe7
seeAlso
No Fourth Wall
 Bobobo-bo Bo-bobo (Manga) / int_3b4f620a
type
No Fourth Wall
 Chronicles of the Going Home Club (Manga) / int_3b4f620a
type
No Fourth Wall
 Cromartie High School (Manga) / int_3b4f620a
type
No Fourth Wall
 Deadpool: Samurai (Manga) / int_3b4f620a
type
No Fourth Wall
 Doctor Slump (Manga) / int_3b4f620a
type
No Fourth Wall
 Dragon Half (Manga) / int_3b4f620a
type
No Fourth Wall
 Dropkick on My Devil (Manga) / int_3b4f620a
type
No Fourth Wall
 From Eroica with Love (Manga) / int_3b4f620a
type
No Fourth Wall
 Gintama (Manga) / int_3b4f620a
type
No Fourth Wall
 Golden Boy (Manga) / int_3b4f620a
type
No Fourth Wall
 Goodbye, Eri (Manga) / int_3b4f620a
type
No Fourth Wall
 Hayate × Blade (Manga) / int_3b4f620a
type
No Fourth Wall
 Here is Greenwood (Manga) / int_3b4f620a
type
No Fourth Wall
 Himegoto (Manga) / int_3b4f620a
type
No Fourth Wall
 Hyde and Closer (Manga) / int_3b4f620a
type
No Fourth Wall
 Joshiraku (Manga) / int_3b4f620a
type
No Fourth Wall
 Kinnikuman (Manga) / int_3b4f620a
type
No Fourth Wall
 Kodocha (Manga) / int_3b4f620a
type
No Fourth Wall
 Legendz (Manga) / int_3b4f620a
type
No Fourth Wall
 Love Tyrant (Manga) / int_3b4f620a
type
No Fourth Wall
 Lucky Star (Manga) / int_3b4f620a
type
No Fourth Wall
 Lupin III (Manga) / int_3b4f620a
type
No Fourth Wall
 Nintama Rantarou (Manga) / int_3b4f620a
type
No Fourth Wall
 Pop Team Epic (Manga) / int_3b4f620a
type
No Fourth Wall
 Rock Lee's Springtime of Youth (Manga) / int_3b4f620a
type
No Fourth Wall
 Rosario + Vampire (Manga) / int_3b4f620a
type
No Fourth Wall
 Sabagebu! (Manga) / int_3b4f620a
type
No Fourth Wall
 Sayonara, Zetsubou-Sensei (Manga) / int_3b4f620a
type
No Fourth Wall
 Sgt. Frog (Manga) / int_3b4f620a
type
No Fourth Wall
 Sorcerer Hunters (Manga) / int_3b4f620a
type
No Fourth Wall
 Strawberry Marshmallow (Manga) / int_3b4f620a
type
No Fourth Wall
 The 100 Girlfriends Who Really, Really, Really, Really, Really Love You (Manga) / int_3b4f620a
type
No Fourth Wall
 The Disastrous Life of Saiki K. (Manga) / int_3b4f620a
type
No Fourth Wall
 Urusei Yatsura (Manga) / int_3b4f620a
type
No Fourth Wall
 YuruYuri (Manga) / int_3b4f620a
type
No Fourth Wall
 Witch Hunter (Manhwa) / int_3b4f620a
type
No Fourth Wall
 Blue Man Group (Music) / int_3b4f620a
type
No Fourth Wall
 Momoiro Clover Z (Music) / int_3b4f620a
type
No Fourth Wall
 The 1975 (Music) / int_3b4f620a
type
No Fourth Wall
 The Chestnut Hill Improv Group (Podcast) / int_3b4f620a
type
No Fourth Wall
 The No Sleep Podcast (Podcast) / int_3b4f620a
type
No Fourth Wall
 Fibber McGee and Molly (Radio) / int_3b4f620a
type
No Fourth Wall
 Quiet, Please (1947) (Radio) / int_3b4f620a
type
No Fourth Wall
 The Goon Show (Radio) / int_3b4f620a
type
No Fourth Wall
 The Jack Benny Program (Radio) / int_3b4f620a
type
No Fourth Wall
 The Now Show (Radio) / int_3b4f620a
type
No Fourth Wall
 CumberholmesRolePlayTwitterCommunity
seeAlso
No Fourth Wall
 Alpha Outpost Blues (Roleplay) / int_3b4f620a
type
No Fourth Wall
 Anything Agency Vs Lawbreakers RP (Roleplay) / int_3b4f620a
type
No Fourth Wall
 Avatar Adventures (Roleplay) / int_3b4f620a
type
No Fourth Wall
 BZPB (Roleplay) / int_3b4f620a
type
No Fourth Wall
 Communication (Roleplay) / int_3b4f620a
type
No Fourth Wall
 Crossover Central (Roleplay) / int_3b4f620a
type
No Fourth Wall
 GET THAT PIZZA! (Roleplay) / int_3b4f620a
type
No Fourth Wall
 Go Through The Alphabet Before Somebody Posts A My Little Pony Picture (Roleplay) / int_3b4f620a
type
No Fourth Wall
 Gravestonecemetery (Roleplay) / int_3b4f620a
type
No Fourth Wall
 Ink City (Roleplay) / int_3b4f620a
type
No Fourth Wall
 Jellyneo Altador Cup Vi (Roleplay)
seeAlso
No Fourth Wall
 Lynching ITP (Roleplay) / int_3b4f620a
type
No Fourth Wall
 Midnightstuck
seeAlso
No Fourth Wall
 Suburban Senshi (Roleplay) / int_3b4f620a
type
No Fourth Wall
 The Tandy Arena (Roleplay) / int_3b4f620a
type
No Fourth Wall
 Unepic
seeAlso
No Fourth Wall
 Video Game Edition Series (Roleplay) / int_3b4f620a
type
No Fourth Wall
 We Are Our Avatars Escapist (Roleplay) / int_3b4f620a
type
No Fourth Wall
 A Bit of Fry and Laurie / int_3b4f620a
type
No Fourth Wall
 A Touch of Cloth / int_3b4f620a
type
No Fourth Wall
 Adam Ruins Everything / int_3b4f620a
type
No Fourth Wall
 All That / int_3b4f620a
type
No Fourth Wall
 Allegra's Window / int_3b4f620a
type
No Fourth Wall
 Ants in Your Pants / int_3b4f620a
type
No Fourth Wall
 Battleground (2012) / int_3b4f620a
type
No Fourth Wall
 Beakman's World / int_3b4f620a
type
No Fourth Wall
 Between the Lions / int_3b4f620a
type
No Fourth Wall
 Boston Legal / int_3b4f620a
type
No Fourth Wall
 Bottom / int_3b4f620a
type
No Fourth Wall
 Colgate Comedy Hour / int_3b4f620a
type
No Fourth Wall
 Daybreak (2019) / int_3b4f620a
type
No Fourth Wall
 Deadliest Catch / int_3b4f620a
type
No Fourth Wall
 Dick & Dom in da Bungalow / int_3b4f620a
type
No Fourth Wall
 Double the Fist / int_3b4f620a
type
No Fourth Wall
 Dragons Wagons And Wax
seeAlso
No Fourth Wall
 Drake & Josh / int_3b4f620a
type
No Fourth Wall
 Eerie, Indiana / int_3b4f620a
type
No Fourth Wall
 Fleabag / int_3b4f620a
type
No Fourth Wall
 Galavant / int_3b4f620a
type
No Fourth Wall
 Gekisou Sentai Carranger / int_3b4f620a
type
No Fourth Wall
 Gerbert / int_3b4f620a
type
No Fourth Wall
 Get Set For Life / int_3b4f620a
type
No Fourth Wall
 Henry Danger / int_3b4f620a
type
No Fourth Wall
 Here's Humphrey / int_3b4f620a
type
No Fourth Wall
 Hi-5 / int_3b4f620a
type
No Fourth Wall
 Hikonin Sentai Akibaranger / int_3b4f620a
type
No Fourth Wall
 How to Sell Drugs Online (Fast) / int_3b4f620a
type
No Fourth Wall
 Ice Road Truckers / int_3b4f620a
type
No Fourth Wall
 Incredible Crew / int_3b4f620a
type
No Fourth Wall
 It's Garry Shandling's Show / int_3b4f620a
type
No Fourth Wall
 Jack's Big Music Show / int_3b4f620a
type
No Fourth Wall
 Joe Pera Talks With You / int_3b4f620a
type
No Fourth Wall
 Kamen Rider Geats / int_3b4f620a
type
No Fourth Wall
 Kamen Rider Zi-O / int_3b4f620a
type
No Fourth Wall
 Kenny vs. Spenny / int_3b4f620a
type
No Fourth Wall
 Le cœur a ses raisons / int_3b4f620a
type
No Fourth Wall
 Limitless / int_3b4f620a
type
No Fourth Wall
 Little Howard's Big Question / int_3b4f620a
type
No Fourth Wall
 Mighty Morphin' Power Rangers / int_3b4f620a
type
No Fourth Wall
 Miranda (2009) / int_3b4f620a
type
No Fourth Wall
 Mister K's Clubhouse / int_3b4f620a
type
No Fourth Wall
 Mister Rogers' Neighborhood / int_3b4f620a
type
No Fourth Wall
 Mock the Week / int_3b4f620a
type
No Fourth Wall
 Monty Python's Flying Circus / int_3b4f620a
type
No Fourth Wall
 Moonlighting / int_3b4f620a
type
No Fourth Wall
 Mr. Robot / int_3b4f620a
type
No Fourth Wall
 Mustard Pancakes / int_3b4f620a
type
No Fourth Wall
 My World… and Welcome to It / int_3b4f620a
type
No Fourth Wall
 Mystery Science Theater 3000 / int_3b4f620a
type
No Fourth Wall
 Ninja Sentai Kakuranger / int_3b4f620a
type
No Fourth Wall
 Out of This World (1987) / int_3b4f620a
type
No Fourth Wall
 Passions / int_3b4f620a
type
No Fourth Wall
 Pee-wee's Playhouse / int_3b4f620a
type
No Fourth Wall
 Planet Ajay / int_3b4f620a
type
No Fourth Wall
 Play School / int_3b4f620a
type
No Fourth Wall
 Police Squad! / int_3b4f620a
type
No Fourth Wall
 Readalong / int_3b4f620a
type
No Fourth Wall
 Roundhouse / int_3b4f620a
type
No Fourth Wall
 Rowan and Martin's Laugh-In / int_3b4f620a
type
No Fourth Wall
 Running Man / int_3b4f620a
type
No Fourth Wall
 Rutland Weekend Television / int_3b4f620a
type
No Fourth Wall
 SCTV / int_3b4f620a
type
No Fourth Wall
 Sam & Cat / int_3b4f620a
type
No Fourth Wall
 Saved by the Bell / int_3b4f620a
type
No Fourth Wall
 Saved by the Bell: The New Class / int_3b4f620a
type
No Fourth Wall
 Secret Diary of a Call Girl / int_3b4f620a
type
No Fourth Wall
 Sons of Guns / int_3b4f620a
type
No Fourth Wall
 Square One TV / int_3b4f620a
type
No Fourth Wall
 Super Sentai Hand Off / int_3b4f620a
type
No Fourth Wall
 Super Sentai Versus Series Theater / int_3b4f620a
type
No Fourth Wall
 Survivor / int_3b4f620a
type
No Fourth Wall
 Swashbuckle / int_3b4f620a
type
No Fourth Wall
 TV Funhouse / int_3b4f620a
type
No Fourth Wall
 Tales from the Crypt / int_3b4f620a
type
No Fourth Wall
 Tales of the Tinkerdee / int_3b4f620a
type
No Fourth Wall
 Teen Angel / int_3b4f620a
type
No Fourth Wall
 Teletubbies / int_3b4f620a
type
No Fourth Wall
 The Basil Brush Show / int_3b4f620a
type
No Fourth Wall
 The Book of Pooh / int_3b4f620a
type
No Fourth Wall
 The Fast Show / int_3b4f620a
type
No Fourth Wall
 The Fresh Prince of Bel-Air / int_3b4f620a
type
No Fourth Wall
 The Games / int_3b4f620a
type
No Fourth Wall
 The League of Gentlemen / int_3b4f620a
type
No Fourth Wall
 The Many Loves of Dobie Gillis / int_3b4f620a
type
No Fourth Wall
 The Mighty Boosh / int_3b4f620a
type
No Fourth Wall
 The Monkees / int_3b4f620a
type
No Fourth Wall
 The Muppet Show / int_3b4f620a
type
No Fourth Wall
 The Red Green Show / int_3b4f620a
type
No Fourth Wall
 The Red Skelton Show / int_3b4f620a
type
No Fourth Wall
 The Saint / int_3b4f620a
type
No Fourth Wall
 The Sooty Show / int_3b4f620a
type
No Fourth Wall
 The Sunny Side Up Show / int_3b4f620a
type
No Fourth Wall
 The Weather / int_3b4f620a
type
No Fourth Wall
 The Young Ones / int_3b4f620a
type
No Fourth Wall
 Titus / int_3b4f620a
type
No Fourth Wall
 Veronica Mars / int_3b4f620a
type
No Fourth Wall
 Victorious / int_3b4f620a
type
No Fourth Wall
 Weinerville / int_3b4f620a
type
No Fourth Wall
 What We Do in the Shadows (2019) / int_3b4f620a
type
No Fourth Wall
 Wimzie's House / int_3b4f620a
type
No Fourth Wall
 Wonder Showzen / int_3b4f620a
type
No Fourth Wall
 You Can't Do That on Television / int_3b4f620a
type
No Fourth Wall
 Maid RPG (Tabletop Game) / int_3b4f620a
type
No Fourth Wall
 Sorcerers of the Magic Kingdom (Tabletop Game) / int_3b4f620a
type
No Fourth Wall
 A Funny Thing Happened on the Way to the Forum (Theatre) / int_3b4f620a
type
No Fourth Wall
 A Midsummer Night's Dream (Theatre) / int_3b4f620a
type
No Fourth Wall
 Ani (Theatre) / int_3b4f620a
type
No Fourth Wall
 Disney on Ice (Theatre) / int_3b4f620a
type
No Fourth Wall
 EFX (Theatre) / int_3b4f620a
type
No Fourth Wall
 Hair (Theatre) / int_3b4f620a
type
No Fourth Wall
 Into the Woods (Theatre) / int_3b4f620a
type
No Fourth Wall
 La Ronde (Theatre) / int_3b4f620a
type
No Fourth Wall
 Matilda (Theatre) / int_3b4f620a
type
No Fourth Wall
 Mystère (Theatre) / int_3b4f620a
type
No Fourth Wall
 Nunsense (Theatre) / int_3b4f620a
type
No Fourth Wall
 Our Town (Theatre) / int_3b4f620a
type
No Fourth Wall
 Pagliacci (Theatre) / int_3b4f620a
type
No Fourth Wall
 Passing Strange (Theatre) / int_3b4f620a
type
No Fourth Wall
 Pippin (Theatre) / int_3b4f620a
type
No Fourth Wall
 ShakeSPLOSION!!! (Theatre) / int_3b4f620a
type
No Fourth Wall
 Sinderella (Theatre) / int_3b4f620a
type
No Fourth Wall
 Six: The Musical (Theatre) / int_3b4f620a
type
No Fourth Wall
 Spamalot (Theatre) / int_3b4f620a
type
No Fourth Wall
 The Amazing Tour Is Not On Fire (Theatre) / int_3b4f620a
type
No Fourth Wall
 The Complete Works of William Shakespeare (abridged) (Theatre) / int_3b4f620a
type
No Fourth Wall
 The Fantasticks (Theatre) / int_3b4f620a
type
No Fourth Wall
 The Prince (Theatre) / int_3b4f620a
type
No Fourth Wall
 The 25th Annual Putnam County Spelling Bee (Theatre) / int_3b4f620a
type
No Fourth Wall
 13 (Theatre) / int_3b4f620a
type
No Fourth Wall
 Tribulation Trail (Theatre) / int_3b4f620a
type
No Fourth Wall
 Waterworld: A Live Sea War Spectacular (Theatre) / int_3b4f620a
type
No Fourth Wall
 Westeros: An American Musical (Theatre) / int_3b4f620a
type
No Fourth Wall
 A Dark Place (Video Game) / int_3b4f620a
type
No Fourth Wall
 A Super Mario Thing (Video Game) / int_3b4f620a
type
No Fourth Wall
 Adiboo: Magical Playland (Video Game) / int_3b4f620a
type
No Fourth Wall
 AdventureQuest (Video Game) / int_3b4f620a
type
No Fourth Wall
 AdventureQuest 3D (Video Game) / int_3b4f620a
type
No Fourth Wall
 AdventureQuest Worlds (Video Game) / int_3b4f620a
type
No Fourth Wall
 Agarest Senki Zero (Video Game) / int_3b4f620a
type
No Fourth Wall
 Alex Has A Point (Video Game) / int_3b4f620a
type
No Fourth Wall
 Annventure (Video Game) / int_3b4f620a
type
No Fourth Wall
 Ar nosurge: Ode to an Unborn Star (Video Game) / int_3b4f620a
type
No Fourth Wall
 Ary and the Secret of Seasons (Video Game) / int_3b4f620a
type
No Fourth Wall
 Asteka II: Templo del Sol (Video Game) / int_3b4f620a
type
No Fourth Wall
 Astro's Playroom (Video Game) / int_3b4f620a
type
No Fourth Wall
 Atelier (Video Game) / int_3b4f620a
type
No Fourth Wall
 Atelier Series (Video Game) / int_3b4f620a
type
No Fourth Wall
 BS Super Mario USA (Video Game) / int_3b4f620a
type
No Fourth Wall
 Bargon Attack (Video Game) / int_3b4f620a
type
No Fourth Wall
 Baten Kaitos (Video Game) / int_3b4f620a
type
No Fourth Wall
 Choice of Robots (Video Game) / int_3b4f620a
type
No Fourth Wall
 ClayFighter (Video Game) / int_3b4f620a
type
No Fourth Wall
 Comic Jumper: The Adventures of Captain Smiley (Video Game) / int_3b4f620a
type
No Fourth Wall
 Conker's Bad Fur Day (Video Game) / int_3b4f620a
type
No Fourth Wall
 Contact (Video Game) / int_3b4f620a
type
No Fourth Wall
 Costume Quest (Video Game) / int_3b4f620a
type
No Fourth Wall
 Cröixleur (Video Game) / int_3b4f620a
type
No Fourth Wall
 Crush Crush (Video Game) / int_3b4f620a
type
No Fourth Wall
 Dance Central (Video Game) / int_3b4f620a
type
No Fourth Wall
 Deadpool (2013) (Video Game) / int_3b4f620a
type
No Fourth Wall
 Discworld (Video Game) / int_3b4f620a
type
No Fourth Wall
 Discworld II (Video Game) / int_3b4f620a
type
No Fourth Wall
 Disgaea 2: Cursed Memories (Video Game) / int_3b4f620a
type
No Fourth Wall
 Disgaea 3: Absence of Justice (Video Game) / int_3b4f620a
type
No Fourth Wall
 Disgaea Dimension 2 (Video Game)
seeAlso
No Fourth Wall
 Disney's Activity Center (Video Game) / int_3b4f620a
type
No Fourth Wall
 Dr. Robotnik's Mean Bean Machine (Video Game) / int_3b4f620a
type
No Fourth Wall
 Donkey Kong Country (Video Game) / int_3b4f620a
type
No Fourth Wall
 Donkey Kong Land (Video Game) / int_3b4f620a
type
No Fourth Wall
 Dr. Robotnik's Mean Bean Machine (Video Game) / int_3b4f620a
type
No Fourth Wall
 DragonFable (Video Game) / int_3b4f620a
type
No Fourth Wall
 Dungeon Keeper (Video Game) / int_3b4f620a
type
No Fourth Wall
 Dynamite Headdy (Video Game) / int_3b4f620a
type
No Fourth Wall
 Epic Battle Fantasy (Video Game) / int_3b4f620a
type
No Fourth Wall
 Epic Mickey (Video Game) / int_3b4f620a
type
No Fourth Wall
 Escape From Hell! (Video Game) / int_3b4f620a
type
No Fourth Wall
 Escape from Hell (1990) (Video Game) / int_3b4f620a
type
No Fourth Wall
 Escape from Monkey Island (Video Game) / int_3b4f620a
type
No Fourth Wall
 Final Fantasy Crystal Chronicles: Echoes of Time (Video Game) / int_3b4f620a
type
No Fourth Wall
 Final Fantasy VII (Video Game) / int_3b4f620a
type
No Fourth Wall
 Final Fantasy XIII-2 (Video Game) / int_3b4f620a
type
No Fourth Wall
 Galaxy Fraulein Yuna (Video Game) / int_3b4f620a
type
No Fourth Wall
 Geometry Dash (Video Game) / int_3b4f620a
type
No Fourth Wall
 Golden Axe (Video Game) / int_3b4f620a
type
No Fourth Wall
 Gunparade March (Video Game) / int_3b4f620a
type
No Fourth Wall
 Hatsune Miku: Colorful Stage! (Video Game) / int_3b4f620a
type
No Fourth Wall
 Heroine's Quest (Video Game) / int_3b4f620a
type
No Fourth Wall
 High on Life (Video Game) / int_3b4f620a
type
No Fourth Wall
 Highborn (Video Game) / int_3b4f620a
type
No Fourth Wall
 Hotel Mario (Video Game) / int_3b4f620a
type
No Fourth Wall
 Hyperdevotion Noire: Goddess Black Heart (Video Game) / int_3b4f620a
type
No Fourth Wall
 Imscared (Video Game) / int_3b4f620a
type
No Fourth Wall
 inviZimals (Video Game) / int_3b4f620a
type
No Fourth Wall
 Izuna: Legend of the Unemployed Ninja (Video Game) / int_3b4f620a
type
No Fourth Wall
 Jump Start (Video Game) / int_3b4f620a
type
No Fourth Wall
 JumpStart Series (Video Game) / int_3b4f620a
type
No Fourth Wall
 Kaiserreich: Legacy of the Weltkrieg (Video Game) / int_3b4f620a
type
No Fourth Wall
 Katamari Damacy (Video Game) / int_3b4f620a
type
No Fourth Wall
 Kid Icarus: Uprising (Video Game) / int_3b4f620a
type
No Fourth Wall
 Knights in the Nightmare (Video Game) / int_3b4f620a
type
No Fourth Wall
 LEGO Island (Video Game) / int_3b4f620a
type
No Fourth Wall
 Leisure Suit Larry (Video Game) / int_3b4f620a
type
No Fourth Wall
 Level Up (Video Game) / int_3b4f620a
type
No Fourth Wall
 Limbo of the Lost (Video Game) / int_3b4f620a
type
No Fourth Wall
 Looney Tunes Cartoon Conductor (Video Game) / int_3b4f620a
type
No Fourth Wall
 Luna Game (Video Game) / int_3b4f620a
type
No Fourth Wall
 M.U.G.E.N (Video Game) / int_3b4f620a
type
No Fourth Wall
 Make My Video (Video Game) / int_3b4f620a
type
No Fourth Wall
 Mario & Luigi: Paper Jam (Video Game) / int_3b4f620a
type
No Fourth Wall
 Marvel vs. Capcom 3 (Video Game) / int_3b4f620a
type
No Fourth Wall
 Megadimension Neptunia VII (Video Game) / int_3b4f620a
type
No Fourth Wall
 Merry Gear Solid (Video Game) / int_3b4f620a
type
No Fourth Wall
 Metal Gear (Video Game) / int_3b4f620a
type
No Fourth Wall
 Metal Gear Ac!d (Video Game) / int_3b4f620a
type
No Fourth Wall
 Metal Gear Ac!d 2 (Video Game) / int_3b4f620a
type
No Fourth Wall
 Metal Gear Solid (Video Game) / int_3b4f620a
type
No Fourth Wall
 Metal Gear Solid 4: Guns of the Patriots (Video Game) / int_3b4f620a
type
No Fourth Wall
 Metal Gear Solid: Peace Walker (Video Game) / int_3b4f620a
type
No Fourth Wall
 Midnight's Blessing (Video Game) / int_3b4f620a
type
No Fourth Wall
 Milk Crisis (Video Game) / int_3b4f620a
type
No Fourth Wall
 Muppet Monster Adventure (Video Game) / int_3b4f620a
type
No Fourth Wall
 No More Heroes (Video Game) / int_3b4f620a
type
No Fourth Wall
 No More Heroes 2: Desperate Struggle (Video Game) / int_3b4f620a
type
No Fourth Wall
 OneShot (Video Game) / int_3b4f620a
type
No Fourth Wall
 Outcore (Video Game) / int_3b4f620a
type
No Fourth Wall
 Paper Mario (Video Game) / int_3b4f620a
type
No Fourth Wall
 Pause Ahead (Video Game) / int_3b4f620a
type
No Fourth Wall
 Poacher (Video Game) / int_3b4f620a
type
No Fourth Wall
 Pony Island (Video Game) / int_3b4f620a
type
No Fourth Wall
 Professor Layton vs. Phoenix Wright: Ace Attorney (Video Game) / int_3b4f620a
type
No Fourth Wall
 Protect Me Knight (Video Game) / int_3b4f620a
type
No Fourth Wall
 Przygody Reksia (Video Game) / int_3b4f620a
type
No Fourth Wall
 Quest Fantasy (Video Game) / int_3b4f620a
type
No Fourth Wall
 Raving Rabbids (Video Game) / int_3b4f620a
type
No Fourth Wall
 Retro Game Challenge (Video Game) / int_3b4f620a
type
No Fourth Wall
 Rhapsody: A Musical Adventure (Video Game) / int_3b4f620a
type
No Fourth Wall
 River City Girls 2 (Video Game) / int_3b4f620a
type
No Fourth Wall
 Sabrina The Animated Series: Magical Adventure (Video Game) / int_3b4f620a
type
No Fourth Wall
 Saints Row (Video Game) / int_3b4f620a
type
No Fourth Wall
 Saints Row IV (Video Game) / int_3b4f620a
type
No Fourth Wall
 Senran Kagura (Video Game) / int_3b4f620a
type
No Fourth Wall
 Sewer Shark (Video Game) / int_3b4f620a
type
No Fourth Wall
 Simon the Sorcerer (Video Game) / int_3b4f620a
type
No Fourth Wall
 Skate (Video Game) / int_3b4f620a
type
No Fourth Wall
 Space Quest (Video Game) / int_3b4f620a
type
No Fourth Wall
 Spider-Man 2 (Video Game) / int_3b4f620a
type
No Fourth Wall
 Spider-Man: Shattered Dimensions (Video Game) / int_3b4f620a
type
No Fourth Wall
 Spider-Man: The Movie (Video Game) / int_3b4f620a
type
No Fourth Wall
 Spyro: A Hero's Tail (Video Game) / int_3b4f620a
type
No Fourth Wall
 StarTropics (Video Game) / int_3b4f620a
type
No Fourth Wall
 Stay Tooned! (Video Game) / int_3b4f620a
type
No Fourth Wall
 Subverse (Video Game) / int_3b4f620a
type
No Fourth Wall
 Sunset Overdrive (Video Game) / int_3b4f620a
type
No Fourth Wall
 Super Mario 64 (Video Game) / int_3b4f620a
type
No Fourth Wall
 Super Mario RPG (Video Game) / int_3b4f620a
type
No Fourth Wall
 Super Paper Mario (Video Game) / int_3b4f620a
type
No Fourth Wall
 Super Robot Wars (Video Game) / int_3b4f620a
type
No Fourth Wall
 Super Robot Wars: Original Generation (Video Game) / int_3b4f620a
type
No Fourth Wall
 Tales of Maj'Eyal (Video Game) / int_3b4f620a
type
No Fourth Wall
 The BOSS: A Jacksepticeye Fan Game (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Bard's Tale (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Beginner's Guide (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Hex (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Hitchhiker's Guide to the Galaxy (1984) (Video Game) / int_3b4f620a
type
No Fourth Wall
 The King of Fighters All Star (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Last Blade (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Legend of Banjo-Kazooie: The Jiggies of Time (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Nameless Mod (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Neverhood (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Side Project (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Simpsons Game (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Simpsons: Tapped Out (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Stanley Parable (Video Game) / int_3b4f620a
type
No Fourth Wall
 The Strange and Somewhat Sinister Tale of the House at Desert Bridge (Video Game) / int_3b4f620a
type
No Fourth Wall
 There Is No Game: Wrong Dimension (Video Game) / int_3b4f620a
type
No Fourth Wall
 Tombs & Treasure (Video Game) / int_3b4f620a
type
No Fourth Wall
 Tomodachi Life (Video Game) / int_3b4f620a
type
No Fourth Wall
 Touhou Soccer (Video Game) / int_3b4f620a
type
No Fourth Wall
 Travis Strikes Again: No More Heroes (Video Game) / int_3b4f620a
type
No Fourth Wall
 Trover Saves the Universe (Video Game) / int_3b4f620a
type
No Fourth Wall
 Tunic (Video Game) / int_3b4f620a
type
No Fourth Wall
 Vampire Survivors (Video Game) / int_3b4f620a
type
No Fourth Wall
 Vib-Ribbon (Video Game) / int_3b4f620a
type
No Fourth Wall
 Viewtiful Joe (Video Game) / int_3b4f620a
type
No Fourth Wall
 Virtual-ON (Video Game) / int_3b4f620a
type
No Fourth Wall
 Vs. Ace (Video Game) / int_3b4f620a
type
No Fourth Wall
 Which Way Adventure (Video Game) / int_3b4f620a
type
No Fourth Wall
 Wind Child Black (Video Game) / int_3b4f620a
type
No Fourth Wall
 Zettai Hero Project (Video Game) / int_3b4f620a
type
No Fourth Wall
 Dark Parables / Videogame / int_3b4f620a
type
No Fourth Wall
 Dark Tales / Videogame / int_3b4f620a
type
No Fourth Wall
 Metal Gear Solid / Videogame
seeAlso
No Fourth Wall
 Doki Doki Club Meetings (Visual Novel) / int_3b4f620a
type
No Fourth Wall
 Higurashi: When They Cry (Visual Novel) / int_3b4f620a
type
No Fourth Wall
 Plumbers Don't Wear Ties (Visual Novel) / int_3b4f620a
type
No Fourth Wall
 AOK Ruins Your Childhood (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Battle for Dream Island (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Bonus Stage (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Cheat Commandos (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Chikn Nuggit (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Christmas With Sonic (Web Animation) / int_3b4f620a
type
No Fourth Wall
 DevilArtemis (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Dora the Grown Up (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Dove Self-Esteem Project x Steven Universe (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Dr. Crafty (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Ed Edd 'n' Eddy Z (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Elliot Goes To School (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Flash-Gitz Animation (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Gamer Poop (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Greeny Phatom (Web Animation) / int_3b4f620a
type
No Fourth Wall
 It's Me I'm Alex (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Las Estupideces De Mario (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Link And The Hyrule Gang (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Mashed (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Matt 'n' Dusty (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Mi Perro Chocolo (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Overly Sarcastic Productions (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Oxhorn Short Shorts (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Red vs. Blue: Season 14 (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Salad Fingers (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Sonic Zombie (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Strong Bad Email (Web Animation) / int_3b4f620a
type
No Fourth Wall
 The Demented Cartoon Movie (Web Animation) / int_3b4f620a
type
No Fourth Wall
 The Most Popular Girls in School (Web Animation) / int_3b4f620a
type
No Fourth Wall
 TUBEPOOP: Storymode (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Unforgotten Realms (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Walrusguy (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Zsdav Adventures (Web Animation) / int_3b4f620a
type
No Fourth Wall
 Gamecheetz / Web Comic
seeAlso
No Fourth Wall
 Jerkcity (Webcomic) / int_3b4f620a
type
No Fourth Wall
 AI Sponge (Web Video) / int_3b4f620a
type
No Fourth Wall
 Abridgimon Frontier (Web Video) / int_3b4f620a
type
No Fourth Wall
 Alan Long (Web Video) / int_3b4f620a
type
No Fourth Wall
 Assist Me (Web Video) / int_3b4f620a
type
No Fourth Wall
 Barney Bunch (Web Video) / int_3b4f620a
type
No Fourth Wall
 Berserk Abridged (Web Video) / int_3b4f620a
type
No Fourth Wall
 Brent Smalley's Videogame World (Web Video) / int_3b4f620a
type
No Fourth Wall
 Ces Dessins Animés-Là qui méritent qu'on s'en souvienne (Web Video) / int_3b4f620a
type
No Fourth Wall
 Code Geass: The Abridged Series (Web Video) / int_3b4f620a
type
No Fourth Wall
 Dad (Web Video) / int_3b4f620a
type
No Fourth Wall
 Deadpool: The Musical (Web Video) / int_3b4f620a
type
No Fourth Wall
 Death Note Abridged (Dogface701) (Web Video) / int_3b4f620a
type
No Fourth Wall
 DevilArtemis (Web Video) / int_3b4f620a
type
No Fourth Wall
 Diminish (Web Video) / int_3b4f620a
type
No Fourth Wall
 Dr. Crafty (Web Video) / int_3b4f620a
type
No Fourth Wall
 Everyman HYBRID (Web Video) / int_3b4f620a
type
No Fourth Wall
 Filthy Frank (Web Video) / int_3b4f620a
type
No Fourth Wall
 Final Fantasy In A Nutshell (Web Video) / int_3b4f620a
type
No Fourth Wall
 Friendship is Witchcraft (Web Video) / int_3b4f620a
type
No Fourth Wall
 How To Fix Kingdom Hearts (Web Video) / int_3b4f620a
type
No Fourth Wall
 I'm a Marvel... And I'm a DC (Web Video) / int_3b4f620a
type
No Fourth Wall
 Jerma985 Dollhouse (Web Video) / int_3b4f620a
type
No Fourth Wall
 Jreg (Web Video) / int_3b4f620a
type
No Fourth Wall
 Kingdom Hearts in a Nutshell (Web Video) / int_3b4f620a
type
No Fourth Wall
 LG15: the resistance (Web Video) / int_3b4f620a
type
No Fourth Wall
 lonelygirl15 (Web Video) / int_3b4f620a
type
No Fourth Wall
 LuisMcTV
seeAlso
No Fourth Wall
 Matthew Santoro (Web Video) / int_3b4f620a
type
No Fourth Wall
 Metal Gear Solid 2: Sons of Abridgerty (Web Video) / int_3b4f620a
type
No Fourth Wall
 Metal Gear Solid The Abridged Snakes (Web Video) / int_3b4f620a
type
No Fourth Wall
 Mianite (Web Video) / int_3b4f620a
type
No Fourth Wall
 My Little Pony AI Redub (Web Video) / int_3b4f620a
type
No Fourth Wall
 Naruto: The Abridged Series (Web Video) / int_3b4f620a
type
No Fourth Wall
 Nirvana the Band the Show (Web Video) / int_3b4f620a
type
No Fourth Wall
 Paraltos (Web Video) / int_3b4f620a
type
No Fourth Wall
 Philosophy Tube (Web Video) / int_3b4f620a
type
No Fourth Wall
 Ranma ½ Abridged (Web Video) / int_3b4f620a
type
No Fourth Wall
 Scootertrix the Abridged (Web Video) / int_3b4f620a
type
No Fourth Wall
 Shark Jumping (Web Video) / int_3b4f620a
type
No Fourth Wall
 SonicSong182 (Web Video) / int_3b4f620a
type
No Fourth Wall
 Suburban Knights (Web Video) / int_3b4f620a
type
No Fourth Wall
 Sugarzaza (Web Video) / int_3b4f620a
type
No Fourth Wall
 SuperMarioLogan (Web Video) / int_3b4f620a
type
No Fourth Wall
 Televoid! (Web Video) / int_3b4f620a
type
No Fourth Wall
 The Gamers Live (Web Video)
seeAlso
No Fourth Wall
 The Jerry Seinfeld Program (Web Video) / int_3b4f620a
type
No Fourth Wall
 Tomotasauce (Web Video) / int_3b4f620a
type
No Fourth Wall
 Transplanar RPG (Web Video) / int_3b4f620a
type
No Fourth Wall
 Uncharted 3 - Drake's Misfortune (Web Video)
seeAlso
No Fourth Wall
 Unwanted Houseguest (Web Video) / int_3b4f620a
type
No Fourth Wall
 VHSrip Steven Universe Screencaps (Web Video) / int_3b4f620a
type
No Fourth Wall
 Video Games Awesome! (Web Video) / int_3b4f620a
type
No Fourth Wall
 Vision of Escaflowne Abridged (Web Video) / int_3b4f620a
type
No Fourth Wall
 Warning! Readers Advisory! (Web Video) / int_3b4f620a
type
No Fourth Wall
 A Kirby Komic (Webcomic)
seeAlso
No Fourth Wall
 Addictive Science (Webcomic) / int_3b4f620a
type
No Fourth Wall
 An Epic Comic (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Ansem Retort (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Armada The Real Story (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Aware (Webcomic) / int_3b4f620a
type
No Fourth Wall
 BallerinaMafia
seeAlso
No Fourth Wall
 Bob and George (Webcomic)
seeAlso
No Fourth Wall
 Bob and George (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Boy Meets Boy (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Cameo Comic (Webcomic) / int_3b4f620a
type
No Fourth Wall
 CassToons (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Checkerboard Nightmare (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Com Media (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Creative Release (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Dan and Mab's Furry Adventures (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Darkmoon's Silly Web Comic (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Desu Nyan Fucking Shit (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Dummy Duck (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Educomix (Webcomic) / int_3b4f620a
type
No Fourth Wall
 8-Bit Theater (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Exploitation Now (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Fortuna (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Girls with Slingshots (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Grand Theft Auto City 17 (Webcomic) / int_3b4f620a
type
No Fourth Wall
 HelloEarthling
seeAlso
No Fourth Wall
 Insecticomics (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Joe Loves Crappy Movies (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Keychain of Creation (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Kid Radd (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Learning with Manga! FGO (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Magic And Physics (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Mr Square (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Nuzlocke Comics Fan Works (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Old School Melonpool (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Pessimistic Sense Of Inadequacy (Webcomic)
seeAlso
No Fourth Wall
 Prequel (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Problem Sleuth (Webcomic) / int_3b4f620a
type
No Fourth Wall
 qxlkbh (Webcomic) / int_3b4f620a
type
No Fourth Wall
 RWBY Doodleverse (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Real Life Comics (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Roomies!, It's Walky!, Joyce and Walky! (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Roommates (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Sequential Art (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Sketch Comedy (Webcomic) / int_3b4f620a
type
No Fourth Wall
 TheAdventurersOfBoringPeople
seeAlso
No Fourth Wall
 The Ambassador (Webcomic)
seeAlso
No Fourth Wall
 TheAuragonBase
seeAlso
No Fourth Wall
 The Law of Purple (Webcomic) / int_3b4f620a
type
No Fourth Wall
 The Overcoming (Webcomic) / int_3b4f620a
type
No Fourth Wall
 TheTruthAboutBleach
seeAlso
No Fourth Wall
 Totally Flaked (Webcomic) / int_3b4f620a
type
No Fourth Wall
 TragicDeaths
seeAlso
No Fourth Wall
 Vegan Artbook (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Wyliman
seeAlso
No Fourth Wall
 Awful Hospital Roleplay Forum (Website) / int_3b4f620a
type
No Fourth Wall
 Club Penguin Fanon (Website) / int_3b4f620a
type
No Fourth Wall
 Neo-Duelist League (Website) / int_3b4f620a
type
No Fourth Wall
 Pretty Cure Fan Fic Features (Website) / int_3b4f620a
type
No Fourth Wall
 TV Tropes (Website) / int_3b4f620a
type
No Fourth Wall
 The Editing Room (Website) / int_3b4f620a
type
No Fourth Wall
 A Pup Named Scooby-Doo / int_3b4f620a
type
No Fourth Wall
 A Symposium on Popular Songs / int_3b4f620a
type
No Fourth Wall
 A Wild Hare / int_3b4f620a
type
No Fourth Wall
 Adventures of Sonic the Hedgehog / int_3b4f620a
type
No Fourth Wall
 Batman: The Brave and the Bold / int_3b4f620a
type
No Fourth Wall
 Beany and Cecil / int_3b4f620a
type
No Fourth Wall
 Beetlejuice / int_3b4f620a
type
No Fourth Wall
 Big Mouth / int_3b4f620a
type
No Fourth Wall
 Blaze and the Monster Machines / int_3b4f620a
type
No Fourth Wall
 Blue's Clues / int_3b4f620a
type
No Fourth Wall
 Boo to You Too! Winnie the Pooh / int_3b4f620a
type
No Fourth Wall
 Bosko the Talk-Ink Kid (1929) / int_3b4f620a
type
No Fourth Wall
 Brandy & Mr. Whiskers / int_3b4f620a
type
No Fourth Wall
 Bugs Bunny / int_3b4f620a
type
No Fourth Wall
 Bump in the Night / int_3b4f620a
type
No Fourth Wall
 Captain Planet and the Planeteers / int_3b4f620a
type
No Fourth Wall
 Cartoon Planet / int_3b4f620a
type
No Fourth Wall
 Central Park / int_3b4f620a
type
No Fourth Wall
 Chowder / int_3b4f620a
type
No Fourth Wall
 Classic Disney Shorts / int_3b4f620a
type
No Fourth Wall
 Cro / int_3b4f620a
type
No Fourth Wall
 Cyberchase / int_3b4f620a
type
No Fourth Wall
 Danger Mouse / int_3b4f620a
type
No Fourth Wall
 Dastardly & Muttley in Their Flying Machines / int_3b4f620a
type
No Fourth Wall
 Dave the Barbarian / int_3b4f620a
type
No Fourth Wall
 Dora the Explorer / int_3b4f620a
type
No Fourth Wall
 Duck Amuck / int_3b4f620a
type
No Fourth Wall
 Duckman / int_3b4f620a
type
No Fourth Wall
 Earthworm Jim / int_3b4f620a
type
No Fourth Wall
 Felix the Cat: The Movie / int_3b4f620a
type
No Fourth Wall
 Fifi and the Flowertots / int_3b4f620a
type
No Fourth Wall
 Flavio the Goat / int_3b4f620a
type
No Fourth Wall
 Freakazoid! / int_3b4f620a
type
No Fourth Wall
 Fun and Fancy Free / int_3b4f620a
type
No Fourth Wall
 Garfield and Friends / int_3b4f620a
type
No Fourth Wall
 Gemusetto / int_3b4f620a
type
No Fourth Wall
 Goofy / int_3b4f620a
type
No Fourth Wall
 Grojband / int_3b4f620a
type
No Fourth Wall
 Heckle and Jeckle / int_3b4f620a
type
No Fourth Wall
 Histeria! / int_3b4f620a
type
No Fourth Wall
 It's Tough to Be a Bird / int_3b4f620a
type
No Fourth Wall
 Jorel's Brother / int_3b4f620a
type
No Fourth Wall
 Kim Possible Movie: So the Drama / int_3b4f620a
type
No Fourth Wall
 Martha Speaks / int_3b4f620a
type
No Fourth Wall
 Mickey Mouse Works / int_3b4f620a
type
No Fourth Wall
 Mighty Ducks: The Animated Series / int_3b4f620a
type
No Fourth Wall
 Muppet Babies (1984) / int_3b4f620a
type
No Fourth Wall
 Nature Cat / int_3b4f620a
type
No Fourth Wall
 Ni Hao, Kai-Lan / int_3b4f620a
type
No Fourth Wall
 Oh Yeah! Cartoons / int_3b4f620a
type
No Fourth Wall
 One Ham's Family / int_3b4f620a
type
No Fourth Wall
 Oscar's Oasis / int_3b4f620a
type
No Fourth Wall
 Paradise PD / int_3b4f620a
type
No Fourth Wall
 Pasila / int_3b4f620a
type
No Fourth Wall
 Pig City / int_3b4f620a
type
No Fourth Wall
 Pinky and the Brain / int_3b4f620a
type
No Fourth Wall
 Pocoyo / int_3b4f620a
type
No Fourth Wall
 Puss in Book: Trapped in an Epic Tale / int_3b4f620a
type
No Fourth Wall
 Rabbit Rampage / int_3b4f620a
type
No Fourth Wall
 ReBoot / int_3b4f620a
type
No Fourth Wall
 Road Rovers / int_3b4f620a
type
No Fourth Wall
 Rocky and Bullwinkle / int_3b4f620a
type
No Fourth Wall
 Sagwa, the Chinese Siamese Cat / int_3b4f620a
type
No Fourth Wall
 Saludos Amigos / int_3b4f620a
type
No Fourth Wall
 Scooby-Doo and the Cyber Chase / int_3b4f620a
type
No Fourth Wall
 Screwball Squirrel (1944) / int_3b4f620a
type
No Fourth Wall
 Sheep in the Big City / int_3b4f620a
type
No Fourth Wall
 Sherlock Yack / int_3b4f620a
type
No Fourth Wall
 Sonic Boom / int_3b4f620a
type
No Fourth Wall
 Stoppit and Tidyup / int_3b4f620a
type
No Fourth Wall
 Taz-Mania / int_3b4f620a
type
No Fourth Wall
 Teen Titans Go! / int_3b4f620a
type
No Fourth Wall
 Teenage Mutant Ninja Turtles (1987) / int_3b4f620a
type
No Fourth Wall
 Tex Avery MGM Cartoons / int_3b4f620a
type
No Fourth Wall
 The Angry Beavers / int_3b4f620a
type
No Fourth Wall
 The Animals of Farthing Wood / int_3b4f620a
type
No Fourth Wall
 The Aristocats / int_3b4f620a
type
No Fourth Wall
 The Bugs Bunny/Road Runner Show / int_3b4f620a
type
No Fourth Wall
 The Cracked Nut / int_3b4f620a
type
No Fourth Wall
 The Ducktators / int_3b4f620a
type
No Fourth Wall
 The Emperor's New Groove / int_3b4f620a
type
No Fourth Wall
 The Emperor's New School / int_3b4f620a
type
No Fourth Wall
 The Epic Tales of Captain Underpants / int_3b4f620a
type
No Fourth Wall
 The Flintstone Kids / int_3b4f620a
type
No Fourth Wall
 The Garfield Show / int_3b4f620a
type
No Fourth Wall
 The Huckleberry Hound Show / int_3b4f620a
type
No Fourth Wall
 The LEGO Movie 2: The Second Part / int_3b4f620a
type
No Fourth Wall
 The LEGO Ninjago Movie / int_3b4f620a
type
No Fourth Wall
 The Lion King (2019) / int_3b4f620a
type
No Fourth Wall
 The Many Adventures of Winnie the Pooh / int_3b4f620a
type
No Fourth Wall
 The Mighty Ducks / int_3b4f620a
type
No Fourth Wall
 The Old Mill / int_3b4f620a
type
No Fourth Wall
 The Patrick Star Show / int_3b4f620a
type
No Fourth Wall
 The Perils of Penelope Pitstop / int_3b4f620a
type
No Fourth Wall
 The Ripping Friends / int_3b4f620a
type
No Fourth Wall
 The Spooktacular New Adventures of Casper / int_3b4f620a
type
No Fourth Wall
 The Trap Door / int_3b4f620a
type
No Fourth Wall
 The Twisted Tales of Felix the Cat / int_3b4f620a
type
No Fourth Wall
 The Weekenders / int_3b4f620a
type
No Fourth Wall
 The World of David the Gnome / int_3b4f620a
type
No Fourth Wall
 The Wuzzles / int_3b4f620a
type
No Fourth Wall
 Tiny Toon Adventures / int_3b4f620a
type
No Fourth Wall
 Titanic: The Legend Goes On / int_3b4f620a
type
No Fourth Wall
 Tokio Jokio / int_3b4f620a
type
No Fourth Wall
 VeggieTales / int_3b4f620a
type
No Fourth Wall
 Wacky Races / int_3b4f620a
type
No Fourth Wall
 Wacky Races (2017) / int_3b4f620a
type
No Fourth Wall
 Where on Earth Is Carmen Sandiego? / int_3b4f620a
type
No Fourth Wall
 Winnie the Pooh (2011) / int_3b4f620a
type
No Fourth Wall
 Woody Woodpecker / int_3b4f620a
type
No Fourth Wall
 Word Party / int_3b4f620a
type
No Fourth Wall
 Wreck-It Ralph / int_3b4f620a
type
No Fourth Wall
 Yogi's Treasure Hunt / int_3b4f620a
type
No Fourth Wall
 YooHoo & Friends / int_3b4f620a
type
No Fourth Wall
 Triple H (Wrestling) / int_3b4f620a
type
No Fourth Wall
 Vince Russo (Wrestling) / int_3b4f620a
type
No Fourth Wall
 Ambush Bug (Comic Book) / int_3b4f620a
type
No Fourth Wall
 Both Syllables / Fan Fic / int_3b4f620a
type
No Fourth Wall
 Housestuck Hurrcain Crconikals / Fan Fic / int_3b4f620a
type
No Fourth Wall
 Starshine Pretty Cure (Fanfic) / int_3b4f620a
type
No Fourth Wall
 The Godson / int_3b4f620a
type
No Fourth Wall
 The Adventures of Samurai Cat / int_3b4f620a
type
No Fourth Wall
 The Red Tape War / int_3b4f620a
type
No Fourth Wall
 Better Off Ted / int_3b4f620a
type
No Fourth Wall
 Bill Nye the Science Guy / int_3b4f620a
type
No Fourth Wall
 Captain Power and the Soldiers of the Future / int_3b4f620a
type
No Fourth Wall
 BlazBlue: Continuum Shift (Video Game) / int_3b4f620a
type
No Fourth Wall
 Lusternia (Video Game) / int_3b4f620a
type
No Fourth Wall
 1/0 (Webcomic) / int_3b4f620a
type
No Fourth Wall
 Gaia Online (Website) / int_3b4f620a
type
No Fourth Wall