| Post-Hardcore |
type |
FeatureClass |
| Post-Hardcore |
label |
Post-Hardcore |
| Post-Hardcore |
page |
PostHardcore |
| Post-Hardcore |
comment |
Primary Stylistic Influences: Hardcore Punk, Post-Punk, Alternative Rock
Secondary Stylistic Influences: Noise Rock, Experimental Music, sometimes New Wave Music, Alternative Metal, Pop Punk, and even Progressive Rock and Electronic Music on some bands
What Post-Punk was to the original punk movement, this was to Hardcore Punk. Obviously Darker and Edgier version of Post-Punk (itself a Darker and Edgier version of New Wave Music). It evolved basically the same way; by the 1980s hardcore bands started experimenting with the basic template by taking influences from other genres and playing around with song structures (among other things), with the Genre-Busting Minutemen, hardcore forefathers Black Flag and the fast-paced yet often introspective punk of Hüsker Dü being among the earliest bands to come out of this first wave. Many notable bands from this time also took influence from and overlaped with Noise Rock, such as Big Black and early Naked Raygun. One important scene was concentrated around Washington D.C. and, in particular, Dischord Records, with bands such as Fugazi, Jawbox, Embrace, and in particular Rites of Spring. Rites of Spring began using more melodic riffs, shifting song structures, and deeply personal lyrics. And in this, a new post-hardcore subgenre was born — Emo. "The Wave" of post-hardcore is a scene gradually building in popularity with bands like Defeater, La Dispute, and Touché Amoré. The style harks back to classic post-hardcore as well as elements of math rock and emo. |
| Post-Hardcore |
fetched |
2024-04-18T13:31:37Z |
| Post-Hardcore |
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2024-04-18T13:31:38Z |
| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
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| Post-Hardcore |
isPartOf |
DBTropes |
| Post-Hardcore / int_146b4c11 |
type |
Post-Hardcore |
| Post-Hardcore / int_146b4c11 |
comment |
Conquer Divide |
| Post-Hardcore / int_146b4c11 |
featureApplicability |
1.0 |
| Post-Hardcore / int_146b4c11 |
featureConfidence |
1.0 |
| Conquer Divide (Music) |
hasFeature |
Post-Hardcore / int_146b4c11 |
| Post-Hardcore / int_17df9c83 |
type |
Post-Hardcore |
| Post-Hardcore / int_17df9c83 |
comment |
Underoath (from They're Only Chasing Safety onward, mixed with Metalcore, Sludge Metal, and Post-Rock) |
| Post-Hardcore / int_17df9c83 |
featureApplicability |
1.0 |
| Post-Hardcore / int_17df9c83 |
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1.0 |
| Underoath (Music) |
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Post-Hardcore / int_17df9c83 |
| Post-Hardcore / int_1f51bb59 |
type |
Post-Hardcore |
| Post-Hardcore / int_1f51bb59 |
comment |
The Mae Shi |
| Post-Hardcore / int_1f51bb59 |
featureApplicability |
1.0 |
| Post-Hardcore / int_1f51bb59 |
featureConfidence |
1.0 |
| The Mae Shi (Music) |
hasFeature |
Post-Hardcore / int_1f51bb59 |
| Post-Hardcore / int_20b7f8fc |
type |
Post-Hardcore |
| Post-Hardcore / int_20b7f8fc |
comment |
Dead Sara |
| Post-Hardcore / int_20b7f8fc |
featureApplicability |
1.0 |
| Post-Hardcore / int_20b7f8fc |
featureConfidence |
1.0 |
| Dead Sara (Music) |
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Post-Hardcore / int_20b7f8fc |
| Post-Hardcore / int_2165a84f |
type |
Post-Hardcore |
| Post-Hardcore / int_2165a84f |
comment |
Marmozets (Also Genre-Busting and are often categorized as Alternative Rock) |
| Post-Hardcore / int_2165a84f |
featureApplicability |
1.0 |
| Post-Hardcore / int_2165a84f |
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1.0 |
| Marmozets (Music) |
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Post-Hardcore / int_2165a84f |
| Post-Hardcore / int_2555cbcd |
type |
Post-Hardcore |
| Post-Hardcore / int_2555cbcd |
comment |
The Red Jumpsuit Apparatus |
| Post-Hardcore / int_2555cbcd |
featureApplicability |
1.0 |
| Post-Hardcore / int_2555cbcd |
featureConfidence |
1.0 |
| The Red Jumpsuit Apparatus (Music) |
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Post-Hardcore / int_2555cbcd |
| Post-Hardcore / int_2a9250da |
type |
Post-Hardcore |
| Post-Hardcore / int_2a9250da |
comment |
2004 - Three Cheers for Sweet Revenge |
| Post-Hardcore / int_2a9250da |
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1.0 |
| Post-Hardcore / int_2a9250da |
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1.0 |
| Three Cheers for Sweet Revenge (Music) |
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Post-Hardcore / int_2a9250da |
| Post-Hardcore / int_2dc2a93e |
type |
Post-Hardcore |
| Post-Hardcore / int_2dc2a93e |
comment |
Hüsker Dü (also Hardcore Punk and Pop Punk; their work from Metal Circus on can be considered an early example of this) |
| Post-Hardcore / int_2dc2a93e |
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1.0 |
| Post-Hardcore / int_2dc2a93e |
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1.0 |
| Hüsker Dü (Music) |
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Post-Hardcore / int_2dc2a93e |
| Post-Hardcore / int_32561adf |
type |
Post-Hardcore |
| Post-Hardcore / int_32561adf |
comment |
Foxy Shazam (in their early years) |
| Post-Hardcore / int_32561adf |
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1.0 |
| Post-Hardcore / int_32561adf |
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1.0 |
| Foxy Shazam (Music) |
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Post-Hardcore / int_32561adf |
| Post-Hardcore / int_3412122c |
type |
Post-Hardcore |
| Post-Hardcore / int_3412122c |
comment |
Girls Against Boys |
| Post-Hardcore / int_3412122c |
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1.0 |
| Post-Hardcore / int_3412122c |
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1.0 |
| Girls Against Boys (Music) |
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Post-Hardcore / int_3412122c |
| Post-Hardcore / int_3a8e72c4 |
type |
Post-Hardcore |
| Post-Hardcore / int_3a8e72c4 |
comment |
Enter Shikari (started out as this before taking a hard left into Alternative Rock with The Spark, but still maintain some elements; also electronicore and Progressive Rock) |
| Post-Hardcore / int_3a8e72c4 |
featureApplicability |
1.0 |
| Post-Hardcore / int_3a8e72c4 |
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1.0 |
| Enter Shikari (Music) |
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Post-Hardcore / int_3a8e72c4 |
| Post-Hardcore / int_3d175442 |
type |
Post-Hardcore |
| Post-Hardcore / int_3d175442 |
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Chiodos |
| Post-Hardcore / int_3d175442 |
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1.0 |
| Post-Hardcore / int_3d175442 |
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1.0 |
| Chiodos (Music) |
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Post-Hardcore / int_3d175442 |
| Post-Hardcore / int_40178881 |
type |
Post-Hardcore |
| Post-Hardcore / int_40178881 |
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Relationship of Command |
| Post-Hardcore / int_40178881 |
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1.0 |
| Post-Hardcore / int_40178881 |
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1.0 |
| Relationship of Command (Music) |
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Post-Hardcore / int_40178881 |
| Post-Hardcore / int_416f7ab6 |
type |
Post-Hardcore |
| Post-Hardcore / int_416f7ab6 |
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Taking Back Sunday |
| Post-Hardcore / int_416f7ab6 |
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1.0 |
| Post-Hardcore / int_416f7ab6 |
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1.0 |
| Taking Back Sunday (Music) |
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Post-Hardcore / int_416f7ab6 |
| Post-Hardcore / int_466bc47 |
type |
Post-Hardcore |
| Post-Hardcore / int_466bc47 |
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Fightstar |
| Post-Hardcore / int_466bc47 |
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1.0 |
| Post-Hardcore / int_466bc47 |
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1.0 |
| Fightstar (Music) |
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Post-Hardcore / int_466bc47 |
| Post-Hardcore / int_4a1b3f |
type |
Post-Hardcore |
| Post-Hardcore / int_4a1b3f |
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Unwound 2001 - Leaves Turn Inside You |
| Post-Hardcore / int_4a1b3f |
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1.0 |
| Post-Hardcore / int_4a1b3f |
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1.0 |
| Unwound (Music) |
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Post-Hardcore / int_4a1b3f |
| Post-Hardcore / int_4d09e3b6 |
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Post-Hardcore |
| Post-Hardcore / int_4d09e3b6 |
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The Men That Will Not Be Blamed for Nothing |
| Post-Hardcore / int_4d09e3b6 |
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1.0 |
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Post-Hardcore / int_4d09e3b6 |
| Post-Hardcore / int_500c9a0f |
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Post-Hardcore |
| Post-Hardcore / int_500c9a0f |
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Mineral |
| Post-Hardcore / int_500c9a0f |
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1.0 |
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1.0 |
| Mineral (Music) |
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Post-Hardcore / int_500c9a0f |
| Post-Hardcore / int_5100ab15 |
type |
Post-Hardcore |
| Post-Hardcore / int_5100ab15 |
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Tequilajazzz |
| Post-Hardcore / int_5100ab15 |
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1.0 |
| Post-Hardcore / int_5100ab15 |
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1.0 |
| Tequilajazzz (Music) |
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Post-Hardcore / int_5100ab15 |
| Post-Hardcore / int_511e3c79 |
type |
Post-Hardcore |
| Post-Hardcore / int_511e3c79 |
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RedHook |
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1.0 |
| Post-Hardcore / int_511e3c79 |
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1.0 |
| RedHook (Music) |
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Post-Hardcore / int_511e3c79 |
| Post-Hardcore / int_514eedf5 |
type |
Post-Hardcore |
| Post-Hardcore / int_514eedf5 |
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Refused (the Trope Codifiers alongside Fugazi) |
| Post-Hardcore / int_514eedf5 |
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1.0 |
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1.0 |
| Refused (Music) |
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Post-Hardcore / int_514eedf5 |
| Post-Hardcore / int_5233f74 |
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Post-Hardcore |
| Post-Hardcore / int_5233f74 |
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La Dispute |
| Post-Hardcore / int_5233f74 |
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1.0 |
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1.0 |
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Post-Hardcore / int_5233f74 |
| Post-Hardcore / int_5884a720 |
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Post-Hardcore |
| Post-Hardcore / int_5884a720 |
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Pierce the Veil |
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1.0 |
| Post-Hardcore / int_5884a720 |
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1.0 |
| Pierce the Veil (Music) |
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Post-Hardcore / int_5884a720 |
| Post-Hardcore / int_59ef564f |
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Post-Hardcore |
| Post-Hardcore / int_59ef564f |
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Of Mice and Men (first album only, mixed with Metalcore) |
| Post-Hardcore / int_59ef564f |
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1.0 |
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1.0 |
| Of Mice and Men (Music) |
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Post-Hardcore / int_59ef564f |
| Post-Hardcore / int_60724355 |
type |
Post-Hardcore |
| Post-Hardcore / int_60724355 |
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Thursday |
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1.0 |
| Post-Hardcore / int_60724355 |
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1.0 |
| Thursday (Music) |
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Post-Hardcore / int_60724355 |
| Post-Hardcore / int_62e9db9e |
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Post-Hardcore |
| Post-Hardcore / int_62e9db9e |
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2010 - The Emptiness |
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1.0 |
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1.0 |
| The Emptiness (Music) |
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Post-Hardcore / int_62e9db9e |
| Post-Hardcore / int_6579d13e |
type |
Post-Hardcore |
| Post-Hardcore / int_6579d13e |
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Lostprophets (also Alternative Metal and Nu Metal on their first album) |
| Post-Hardcore / int_6579d13e |
featureApplicability |
1.0 |
| Post-Hardcore / int_6579d13e |
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1.0 |
| Lostprophets (Music) |
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Post-Hardcore / int_6579d13e |
| Post-Hardcore / int_6d6a79ea |
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Post-Hardcore |
| Post-Hardcore / int_6d6a79ea |
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Finch |
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1.0 |
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1.0 |
| Finch (Band) (Music) |
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Post-Hardcore / int_6d6a79ea |
| Post-Hardcore / int_7325b5d4 |
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Post-Hardcore |
| Post-Hardcore / int_7325b5d4 |
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Rites of Spring |
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1.0 |
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1.0 |
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Post-Hardcore / int_7325b5d4 |
| Post-Hardcore / int_7debf72c |
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Post-Hardcore |
| Post-Hardcore / int_7debf72c |
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At the Drive-In Relationship of Command |
| Post-Hardcore / int_7debf72c |
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1.0 |
| Post-Hardcore / int_7debf72c |
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1.0 |
| At the Drive-In (Music) |
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Post-Hardcore / int_7debf72c |
| Post-Hardcore / int_7e155b68 |
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Post-Hardcore |
| Post-Hardcore / int_7e155b68 |
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Clutch (Their first two EP's and Transnational Speedway League. Basically Alternative Metal). |
| Post-Hardcore / int_7e155b68 |
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1.0 |
| Post-Hardcore / int_7e155b68 |
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1.0 |
| Clutch (Music) |
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Post-Hardcore / int_7e155b68 |
| Post-Hardcore / int_7f0e0050 |
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Post-Hardcore |
| Post-Hardcore / int_7f0e0050 |
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Daughters (Primarily on their first two albums; mixed with noise rock and mathcore) |
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1.0 |
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1.0 |
| Daughters (Music) |
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Post-Hardcore / int_7f0e0050 |
| Post-Hardcore / int_7f88ab6d |
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Post-Hardcore |
| Post-Hardcore / int_7f88ab6d |
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Circle Takes the Square (vaguely; they also qualify as screamo, Progressive Rock, probably Progressive Metal, and in all likelihood several other genres as well) |
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1.0 |
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1.0 |
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Post-Hardcore / int_7f88ab6d |
| Post-Hardcore / int_83ac1713 |
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Post-Hardcore |
| Post-Hardcore / int_83ac1713 |
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Fugazi (Trope Codifier alongside Refused) 1990 - Repeater |
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1.0 |
| Post-Hardcore / int_83ac1713 |
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1.0 |
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Post-Hardcore / int_83ac1713 |
| Post-Hardcore / int_8b416977 |
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Post-Hardcore |
| Post-Hardcore / int_8b416977 |
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Shellac |
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1.0 |
| Post-Hardcore / int_8b416977 |
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1.0 |
| Shellac (Music) |
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Post-Hardcore / int_8b416977 |
| Post-Hardcore / int_8db49001 |
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Post-Hardcore |
| Post-Hardcore / int_8db49001 |
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Silverstein |
| Post-Hardcore / int_8db49001 |
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1.0 |
| Post-Hardcore / int_8db49001 |
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1.0 |
| Silverstein (Music) |
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Post-Hardcore / int_8db49001 |
| Post-Hardcore / int_911156ef |
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Post-Hardcore |
| Post-Hardcore / int_911156ef |
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2001 - Leaves Turn Inside You |
| Post-Hardcore / int_911156ef |
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1.0 |
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1.0 |
| Leaves Turn Inside You (Music) |
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Post-Hardcore / int_911156ef |
| Post-Hardcore / int_91f0bd76 |
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Post-Hardcore |
| Post-Hardcore / int_91f0bd76 |
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The Jesus Lizard (also Noise Rock) |
| Post-Hardcore / int_91f0bd76 |
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1.0 |
| Post-Hardcore / int_91f0bd76 |
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1.0 |
| The Jesus Lizard (Music) |
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Post-Hardcore / int_91f0bd76 |
| Post-Hardcore / int_9a62ba |
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Post-Hardcore |
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Sleeping with Sirens |
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1.0 |
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1.0 |
| Sleeping with Sirens (Music) |
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Post-Hardcore / int_9a62ba |
| Post-Hardcore / int_9ab9ed27 |
type |
Post-Hardcore |
| Post-Hardcore / int_9ab9ed27 |
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Minutemen (The Trope Makers) |
| Post-Hardcore / int_9ab9ed27 |
featureApplicability |
1.0 |
| Post-Hardcore / int_9ab9ed27 |
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1.0 |
| Minutemen (Music) |
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Post-Hardcore / int_9ab9ed27 |
| Post-Hardcore / int_9ba31098 |
type |
Post-Hardcore |
| Post-Hardcore / int_9ba31098 |
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Fall of Efrafa |
| Post-Hardcore / int_9ba31098 |
featureApplicability |
1.0 |
| Post-Hardcore / int_9ba31098 |
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1.0 |
| Fall of Efrafa (Music) |
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Post-Hardcore / int_9ba31098 |
| Post-Hardcore / int_9ec9895a |
type |
Post-Hardcore |
| Post-Hardcore / int_9ec9895a |
comment |
Remo Drive (Their early stuff, at least. They shifted to Pop Punk with their first album, and with their second album and later they abandoned punk altogether in favor of Indie Rock.) |
| Post-Hardcore / int_9ec9895a |
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1.0 |
| Post-Hardcore / int_9ec9895a |
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1.0 |
| Remo Drive (Music) |
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Post-Hardcore / int_9ec9895a |
| Post-Hardcore / int_a278f9fe |
type |
Post-Hardcore |
| Post-Hardcore / int_a278f9fe |
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Senses Fail |
| Post-Hardcore / int_a278f9fe |
featureApplicability |
1.0 |
| Post-Hardcore / int_a278f9fe |
featureConfidence |
1.0 |
| Senses Fail (Music) |
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Post-Hardcore / int_a278f9fe |
| Post-Hardcore / int_a409e210 |
type |
Post-Hardcore |
| Post-Hardcore / int_a409e210 |
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2002 - I Brought You My Bullets, You Brought Me Your Love |
| Post-Hardcore / int_a409e210 |
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1.0 |
| Post-Hardcore / int_a409e210 |
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1.0 |
| I Brought You My Bullets, You Brought Me Your Love (Music) |
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Post-Hardcore / int_a409e210 |
| Post-Hardcore / int_a47aa5a5 |
type |
Post-Hardcore |
| Post-Hardcore / int_a47aa5a5 |
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black midi (Certain songs like "Near DT, MI" are in this genre, but it's not their only style by any means.) |
| Post-Hardcore / int_a47aa5a5 |
featureApplicability |
1.0 |
| Post-Hardcore / int_a47aa5a5 |
featureConfidence |
1.0 |
| black midi (Music) |
hasFeature |
Post-Hardcore / int_a47aa5a5 |
| Post-Hardcore / int_a8f130bd |
type |
Post-Hardcore |
| Post-Hardcore / int_a8f130bd |
comment |
City and Colour |
| Post-Hardcore / int_a8f130bd |
featureApplicability |
1.0 |
| Post-Hardcore / int_a8f130bd |
featureConfidence |
1.0 |
| City And Colour (Music) |
hasFeature |
Post-Hardcore / int_a8f130bd |
| Post-Hardcore / int_a9cec03 |
type |
Post-Hardcore |
| Post-Hardcore / int_a9cec03 |
comment |
36 Crazyfists |
| Post-Hardcore / int_a9cec03 |
featureApplicability |
1.0 |
| Post-Hardcore / int_a9cec03 |
featureConfidence |
1.0 |
| 36 Crazyfists (Music) |
hasFeature |
Post-Hardcore / int_a9cec03 |
| Post-Hardcore / int_ab6e0f2c |
type |
Post-Hardcore |
| Post-Hardcore / int_ab6e0f2c |
comment |
One OK Rock |
| Post-Hardcore / int_ab6e0f2c |
featureApplicability |
1.0 |
| Post-Hardcore / int_ab6e0f2c |
featureConfidence |
1.0 |
| One OK Rock (Music) |
hasFeature |
Post-Hardcore / int_ab6e0f2c |
| Post-Hardcore / int_ada3816a |
type |
Post-Hardcore |
| Post-Hardcore / int_ada3816a |
comment |
Dance Gavin Dance |
| Post-Hardcore / int_ada3816a |
featureApplicability |
1.0 |
| Post-Hardcore / int_ada3816a |
featureConfidence |
1.0 |
| Dance Gavin Dance (Music) |
hasFeature |
Post-Hardcore / int_ada3816a |
| Post-Hardcore / int_af8e6267 |
type |
Post-Hardcore |
| Post-Hardcore / int_af8e6267 |
comment |
Trophy Scars (they've taken on a more blues-oriented sound (retaining post-hardcore influences) since Bad Luck came out) |
| Post-Hardcore / int_af8e6267 |
featureApplicability |
1.0 |
| Post-Hardcore / int_af8e6267 |
featureConfidence |
1.0 |
| Trophy Scars (Music) |
hasFeature |
Post-Hardcore / int_af8e6267 |
| Post-Hardcore / int_afc57b7a |
type |
Post-Hardcore |
| Post-Hardcore / int_afc57b7a |
comment |
1997 - Around the Fur |
| Post-Hardcore / int_afc57b7a |
featureApplicability |
1.0 |
| Post-Hardcore / int_afc57b7a |
featureConfidence |
1.0 |
| Around the Fur (Music) |
hasFeature |
Post-Hardcore / int_afc57b7a |
| Post-Hardcore / int_b3cccfe9 |
type |
Post-Hardcore |
| Post-Hardcore / int_b3cccfe9 |
comment |
Blind Channel |
| Post-Hardcore / int_b3cccfe9 |
featureApplicability |
1.0 |
| Post-Hardcore / int_b3cccfe9 |
featureConfidence |
1.0 |
| Blind Channel (Music) |
hasFeature |
Post-Hardcore / int_b3cccfe9 |
| Post-Hardcore / int_ca40b84 |
type |
Post-Hardcore |
| Post-Hardcore / int_ca40b84 |
comment |
IDLES |
| Post-Hardcore / int_ca40b84 |
featureApplicability |
1.0 |
| Post-Hardcore / int_ca40b84 |
featureConfidence |
1.0 |
| IDLES (Music) |
hasFeature |
Post-Hardcore / int_ca40b84 |
| Post-Hardcore / int_e089950b |
type |
Post-Hardcore |
| Post-Hardcore / int_e089950b |
comment |
1991 - Spiderland |
| Post-Hardcore / int_e089950b |
featureApplicability |
1.0 |
| Post-Hardcore / int_e089950b |
featureConfidence |
1.0 |
| Spiderland (Music) |
hasFeature |
Post-Hardcore / int_e089950b |
| Post-Hardcore / int_e21baa5 |
type |
Post-Hardcore |
| Post-Hardcore / int_e21baa5 |
comment |
Hum (also Space Rock) |
| Post-Hardcore / int_e21baa5 |
featureApplicability |
1.0 |
| Post-Hardcore / int_e21baa5 |
featureConfidence |
1.0 |
| Hum (Music) |
hasFeature |
Post-Hardcore / int_e21baa5 |
| Post-Hardcore / int_e2657353 |
type |
Post-Hardcore |
| Post-Hardcore / int_e2657353 |
comment |
Title Fight |
| Post-Hardcore / int_e2657353 |
featureApplicability |
1.0 |
| Post-Hardcore / int_e2657353 |
featureConfidence |
1.0 |
| Title Fight (Music) |
hasFeature |
Post-Hardcore / int_e2657353 |
| Post-Hardcore / int_e2c38e75 |
type |
Post-Hardcore |
| Post-Hardcore / int_e2c38e75 |
comment |
ToucheAmore |
| Post-Hardcore / int_e2c38e75 |
featureApplicability |
1.0 |
| Post-Hardcore / int_e2c38e75 |
featureConfidence |
1.0 |
| Touche Amore (Music) |
hasFeature |
Post-Hardcore / int_e2c38e75 |
| Post-Hardcore / int_e8b5d903 |
type |
Post-Hardcore |
| Post-Hardcore / int_e8b5d903 |
comment |
1990 - Repeater |
| Post-Hardcore / int_e8b5d903 |
featureApplicability |
1.0 |
| Post-Hardcore / int_e8b5d903 |
featureConfidence |
1.0 |
| Repeater (Music) |
hasFeature |
Post-Hardcore / int_e8b5d903 |
| Post-Hardcore / int_ebc66a6d |
type |
Post-Hardcore |
| Post-Hardcore / int_ebc66a6d |
comment |
The Word Alive |
| Post-Hardcore / int_ebc66a6d |
featureApplicability |
1.0 |
| Post-Hardcore / int_ebc66a6d |
featureConfidence |
1.0 |
| The Word Alive (Music) |
hasFeature |
Post-Hardcore / int_ebc66a6d |
| Post-Hardcore / int_f3e90a87 |
type |
Post-Hardcore |
| Post-Hardcore / int_f3e90a87 |
comment |
Jawbreaker |
| Post-Hardcore / int_f3e90a87 |
featureApplicability |
1.0 |
| Post-Hardcore / int_f3e90a87 |
featureConfidence |
1.0 |
| Jawbreaker (Music) |
hasFeature |
Post-Hardcore / int_f3e90a87 |
| Post-Hardcore / int_fd9c750e |
type |
Post-Hardcore |
| Post-Hardcore / int_fd9c750e |
comment |
Cap N Jazz |
| Post-Hardcore / int_fd9c750e |
featureApplicability |
1.0 |
| Post-Hardcore / int_fd9c750e |
featureConfidence |
1.0 |
| Capn Jazz (Music) |
hasFeature |
Post-Hardcore / int_fd9c750e |