...it's like TV Tropes, but LINKED DATA!
Post-Rock
- 289 statements
- 49 feature instances
- 20 referencing feature instances
Post-Rock | type |
FeatureClass | |
Post-Rock | label |
Post-Rock | |
Post-Rock | page |
PostRock | |
Post-Rock | comment |
Post-Rock is a very hard-to-define genre. Generally, it's a style that needs to be heard to understand. While the genre might be associated with long compositions with crescendos, many post-rock bands, especially from the "first wave" write relatively short songs. Most commonly defined as a band that uses traditional rock instruments to play non-traditional rock music, whether it be modern classical, ambient, noise, or so on, though there are occasional exceptions. Post-Rock has a very confusing history. Some people credit the Velvet Underground for starting it with songs like "Heroin" which started off extremely quiet and ended in droney, massive climax. Other sources give credit to the "Krautrock" movement of The '60s and The '70s. Another possible Ur-Example is King Crimson's slowly unfolding song "Starless", which contains a lengthy, Boléro Effect-laden instrumental passage typical of the genre, while others point to the works of Public Image Ltd. (particularly their 1981 album The Flowers of Romance), the short-lived experimental group This Heat, and David Bowie's 1977 album Low. Chamber rock bands such as Univers Zero and Present are further candidates, given their lengthy compositions, usage of the Boléro Effect, and incorporation of instrumentation from classical and chamber music as core elements of their sound (see "La Faulx" from Univers Zero's 1979 album Heresie for a particularly good demonstration of all of these characteristics). However, all sources seem to agree that the movement "officially" started either in 1991, when Slint released their album Spiderland and Talk Talk released Laughing Stock, or in 1988, when Talk Talk released Spirit of Eden. All three albums are considered classics and are extremely influential, and are generally agreed to have been the first albums that coalesced the traits that are now hallmarks of post-rock into a single cohesive unit. The term "post-rock" itself is generally considered to have been introduced as a descriptor for music of this genre in a review of Bark Psychosis' 1994 album Hex by music journalist Simon Reynolds which appeared in Mojo in March of that year, although Reynolds claims to have used the term before that reviewnote he also did not invent it, although he thought he did at the time, but his use of the term does appear to have been the first time it was used to describe this particular genre of music; Reynolds specifically invoked the term when comparing the album to Spirit of Eden. Reynolds clarified the term in an article for The Wire published later that year, describing it as music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbre and textures, rather than riffs and power chords." For the first few years many music enthusiasts had trouble differentiating this and the genre of Slowcore. This is because Slint were heavily influenced by Codeine, often considered the first Slowcore band. For a while the droney sounds from the two got many Slowcore bands mislabeled as Post-Rock and vice versa. Another genre which Post-Rock is often confused with (and, indeed, does overlap with in some cases) is Space Rock, which was an influence on it, but which has a somewhat different (read: drug-oriented) focus. Throughout the The '90s bands such as Cul de Sac, Tortoise, Labradford, Bowery Electric, and Stars of the Lid helped mold the genre into what it resembles now. The movement sparked mainly from three different cities with their own separate scenes: Chicago, Glasgow, and Montreal. Then, in the late 1990's and 2000's, the critical and commercial success of bands such as Mogwai, Godspeed You! Black Emperor, Sigur Rós, and Explosions in the Sky - each considered to be the "big 4" of post-rock - helped elevate the genre even more. Additionally, Radiohead brought post-rock to the mainstream consciousness with their heavily experimental and electronic-driven New Sound Album, Kid A, and its jazz-influenced sequel Amnesiac. Around the same time, a number of Sludge Metal bands started picking up on the genre, resulting in "post-metal" or "atmospheric sludge". (Post-metal has actually been around since at least 1992, with Neurosis's trope-making effort Souls at Zero, but experienced an explosion in popularity during the 2000s with releases like Isis' Oceanic and Panopticon and Cult of Luna's Salvation and Somewhere Along the Highway). The genre has even been combined with Black Metal, resulting in fusions like the works of Alcest and Deafheaven (whose 2013 effort Sunbather became the most favourably reviewed album of any genre that year). Needless to say, the underground is now littered with Post-Rock bands. |
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Post-Rock | fetched |
2024-02-17T07:14:21Z | |
Post-Rock | parsed |
2024-02-17T07:14:21Z | |
Post-Rock | processingComment |
Dropped link to BoleroEffect: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to BrokenSocialScene: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to DarkerAndEdgier: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to DavidBowie: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to Deathconsciousness: Not an Item - UNKNOWN | |
Post-Rock | processingComment |
Dropped link to DroneOfDread: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to Efterklang: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to EpicRocking: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to ExplosionsInTheSky: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to GenreBusting: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to Godflesh: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to GodspeedYouBlackEmperor: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to Instrumentals: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to Isis: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to LimitedLyricsSong: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to M83: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to MainstreamObscurity: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to MetalScream: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to Mew: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to MonoBand: Not an Item - UNKNOWN | |
Post-Rock | processingComment |
Dropped link to NoHitWonder: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to ProgressiveInstrumentation: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to PublicImageLtd: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to Radiohead: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to Sampling: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to SigurRos: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to Slint: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to Stereolab: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to Swans: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to TalkTalk: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to TheseNewPuritans: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to Tool: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to Ulver: Not an Item - IGNORE | |
Post-Rock | processingComment |
Dropped link to UncommonTime: Not an Item - FEATURE | |
Post-Rock | processingComment |
Dropped link to spiritualsuccessor: Not an Item - FEATURE | |
Post-Rock | processingUnknown |
Deathconsciousness (Music) | |
Post-Rock | processingUnknown |
Mono (Band) (Music) | |
Post-Rock | isPartOf |
DBTropes | |
Post-Rock / int_11a6dd3a | type |
Post-Rock | |
Post-Rock / int_11a6dd3a | comment |
1991 - Laughing Stock | |
Post-Rock / int_11a6dd3a | featureApplicability |
1.0 | |
Post-Rock / int_11a6dd3a | featureConfidence |
1.0 | |
Laughing Stock (Music) | hasFeature |
Post-Rock / int_11a6dd3a | |
Post-Rock / int_32e8628a | type |
Post-Rock | |
Post-Rock / int_32e8628a | comment |
Moonshake | |
Post-Rock / int_32e8628a | featureApplicability |
1.0 | |
Post-Rock / int_32e8628a | featureConfidence |
1.0 | |
Moonshake (Music) | hasFeature |
Post-Rock / int_32e8628a | |
Post-Rock / int_34662dc1 | type |
Post-Rock | |
Post-Rock / int_34662dc1 | comment |
1999 - �gætis byrjun | |
Post-Rock / int_34662dc1 | featureApplicability |
1.0 | |
Post-Rock / int_34662dc1 | featureConfidence |
1.0 | |
Ágætis byrjun (Music) | hasFeature |
Post-Rock / int_34662dc1 | |
Post-Rock / int_35dccf71 | type |
Post-Rock | |
Post-Rock / int_35dccf71 | comment |
Sea Power | |
Post-Rock / int_35dccf71 | featureApplicability |
1.0 | |
Post-Rock / int_35dccf71 | featureConfidence |
1.0 | |
Sea Power (Music) | hasFeature |
Post-Rock / int_35dccf71 | |
Post-Rock / int_4a1b3f | type |
Post-Rock | |
Post-Rock / int_4a1b3f | comment |
Unwound (dipped into it on Leaves Turn Inside You; before that they played Post-Hardcore and Noise Rock) | |
Post-Rock / int_4a1b3f | featureApplicability |
1.0 | |
Post-Rock / int_4a1b3f | featureConfidence |
1.0 | |
Unwound (Music) | hasFeature |
Post-Rock / int_4a1b3f | |
Post-Rock / int_4a5a5ee | type |
Post-Rock | |
Post-Rock / int_4a5a5ee | comment |
Black Country, New Road (A rather unclassifiable group, but their clearest musical forebear is Slint) | |
Post-Rock / int_4a5a5ee | featureApplicability |
1.0 | |
Post-Rock / int_4a5a5ee | featureConfidence |
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Black Country, New Road (Music) | hasFeature |
Post-Rock / int_4a5a5ee | |
Post-Rock / int_4bf2ab29 | type |
Post-Rock | |
Post-Rock / int_4bf2ab29 | comment |
This Heat (considered alongside Public Image Ltd to be an Ur-Example) 1979 - This Heat 1981 - Deceit |
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Post-Rock / int_4bf2ab29 | featureApplicability |
1.0 | |
Post-Rock / int_4bf2ab29 | featureConfidence |
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This Heat (Music) | hasFeature |
Post-Rock / int_4bf2ab29 | |
Post-Rock / int_50613c2 | type |
Post-Rock | |
Post-Rock / int_50613c2 | comment |
Cormorant (combines post-rock into their Progressive Metal sound, and goes full post-rock on their Assorted Jams series) | |
Post-Rock / int_50613c2 | featureApplicability |
1.0 | |
Post-Rock / int_50613c2 | featureConfidence |
1.0 | |
Cormorant (Music) | hasFeature |
Post-Rock / int_50613c2 | |
Post-Rock / int_5276ec1d | type |
Post-Rock | |
Post-Rock / int_5276ec1d | comment |
Neurosis (Trope Maker for post-metal) | |
Post-Rock / int_5276ec1d | featureApplicability |
1.0 | |
Post-Rock / int_5276ec1d | featureConfidence |
1.0 | |
Neurosis (Music) | hasFeature |
Post-Rock / int_5276ec1d | |
Post-Rock / int_535d34f4 | type |
Post-Rock | |
Post-Rock / int_535d34f4 | comment |
Agalloch (Mixed with Folk, Black Metal, Ambient, and Doom Metal) | |
Post-Rock / int_535d34f4 | featureApplicability |
1.0 | |
Post-Rock / int_535d34f4 | featureConfidence |
1.0 | |
Agalloch (Music) | hasFeature |
Post-Rock / int_535d34f4 | |
Post-Rock / int_5bc03e41 | type |
Post-Rock | |
Post-Rock / int_5bc03e41 | comment |
Anathema | |
Post-Rock / int_5bc03e41 | featureApplicability |
1.0 | |
Post-Rock / int_5bc03e41 | featureConfidence |
1.0 | |
Anathema (Band) (Music) | hasFeature |
Post-Rock / int_5bc03e41 | |
Post-Rock / int_6070e4bc | type |
Post-Rock | |
Post-Rock / int_6070e4bc | comment |
Deafheaven (also Black Metal and Shoegaze; arguable Genre Popularizer for this mixture) 2013 - Sunbather |
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Post-Rock / int_6070e4bc | featureApplicability |
1.0 | |
Post-Rock / int_6070e4bc | featureConfidence |
1.0 | |
Deafheaven (Music) | hasFeature |
Post-Rock / int_6070e4bc | |
Post-Rock / int_6a58c657 | type |
Post-Rock | |
Post-Rock / int_6a58c657 | comment |
Have a Nice Life (A Genre-Busting example, as they also mix in elements of Post-Punk, Dark Wave, folk, and ambient music) 2008 - Deathconsciousness |
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Post-Rock / int_6a58c657 | featureApplicability |
1.0 | |
Post-Rock / int_6a58c657 | featureConfidence |
1.0 | |
Have a Nice Life (Music) | hasFeature |
Post-Rock / int_6a58c657 | |
Post-Rock / int_6a8f36ad | type |
Post-Rock | |
Post-Rock / int_6a8f36ad | comment |
Big Big Train | |
Post-Rock / int_6a8f36ad | featureApplicability |
1.0 | |
Post-Rock / int_6a8f36ad | featureConfidence |
1.0 | |
Big Big Train (Music) | hasFeature |
Post-Rock / int_6a8f36ad | |
Post-Rock / int_71bd74c6 | type |
Post-Rock | |
Post-Rock / int_71bd74c6 | comment |
1979 - This Heat | |
Post-Rock / int_71bd74c6 | featureApplicability |
1.0 | |
Post-Rock / int_71bd74c6 | featureConfidence |
1.0 | |
This Heat Album (Music) | hasFeature |
Post-Rock / int_71bd74c6 | |
Post-Rock / int_740cbdd6 | type |
Post-Rock | |
Post-Rock / int_740cbdd6 | comment |
1998 - Mark Hollis | |
Post-Rock / int_740cbdd6 | featureApplicability |
1.0 | |
Post-Rock / int_740cbdd6 | featureConfidence |
1.0 | |
Mark Hollis (Album) (Music) | hasFeature |
Post-Rock / int_740cbdd6 | |
Post-Rock / int_7aa34529 | type |
Post-Rock | |
Post-Rock / int_7aa34529 | comment |
Alcest (on some releases; also Black Metal, Shoegaze, and Genre-Busting, and the Trope Codifier for black metal/post-rock/shoegaze fusions) | |
Post-Rock / int_7aa34529 | featureApplicability |
1.0 | |
Post-Rock / int_7aa34529 | featureConfidence |
1.0 | |
Alcest (Music) | hasFeature |
Post-Rock / int_7aa34529 | |
Post-Rock / int_7aed6e4d | type |
Post-Rock | |
Post-Rock / int_7aed6e4d | comment |
2014 - To Be Kind | |
Post-Rock / int_7aed6e4d | featureApplicability |
1.0 | |
Post-Rock / int_7aed6e4d | featureConfidence |
1.0 | |
To Be Kind (Music) | hasFeature |
Post-Rock / int_7aed6e4d | |
Post-Rock / int_7f58a8fd | type |
Post-Rock | |
Post-Rock / int_7f58a8fd | comment |
The World Is a Beautiful Place & I Am No Longer Afraid to Die mixes this with Emo and Math Rock. | |
Post-Rock / int_7f58a8fd | featureApplicability |
1.0 | |
Post-Rock / int_7f58a8fd | featureConfidence |
1.0 | |
The World Is A Beautiful Place And I Am No Longer Afraid To Die (Music) | hasFeature |
Post-Rock / int_7f58a8fd | |
Post-Rock / int_7f5f2949 | type |
Post-Rock | |
Post-Rock / int_7f5f2949 | comment |
1981 - Deceit | |
Post-Rock / int_7f5f2949 | featureApplicability |
1.0 | |
Post-Rock / int_7f5f2949 | featureConfidence |
1.0 | |
Deceit (Music) | hasFeature |
Post-Rock / int_7f5f2949 | |
Post-Rock / int_7f88ab6d | type |
Post-Rock | |
Post-Rock / int_7f88ab6d | comment |
Circle Takes the Square (mixed with Post-Hardcore, Screamo, Progressive Metal, and several other genres) | |
Post-Rock / int_7f88ab6d | featureApplicability |
1.0 | |
Post-Rock / int_7f88ab6d | featureConfidence |
1.0 | |
Circle Takes the Square (Music) | hasFeature |
Post-Rock / int_7f88ab6d | |
Post-Rock / int_8298ce4e | type |
Post-Rock | |
Post-Rock / int_8298ce4e | comment |
Faunts (also Dream Pop and Shoegazing) | |
Post-Rock / int_8298ce4e | featureApplicability |
1.0 | |
Post-Rock / int_8298ce4e | featureConfidence |
1.0 | |
Faunts (Music) | hasFeature |
Post-Rock / int_8298ce4e | |
Post-Rock / int_8f49c5f5 | type |
Post-Rock | |
Post-Rock / int_8f49c5f5 | comment |
Mogwai | |
Post-Rock / int_8f49c5f5 | featureApplicability |
1.0 | |
Post-Rock / int_8f49c5f5 | featureConfidence |
1.0 | |
Mogwai (Music) | hasFeature |
Post-Rock / int_8f49c5f5 | |
Post-Rock / int_9121575a | type |
Post-Rock | |
Post-Rock / int_9121575a | comment |
65daysofstatic | |
Post-Rock / int_9121575a | featureApplicability |
1.0 | |
Post-Rock / int_9121575a | featureConfidence |
1.0 | |
65daysofstatic (Music) | hasFeature |
Post-Rock / int_9121575a | |
Post-Rock / int_93aab187 | type |
Post-Rock | |
Post-Rock / int_93aab187 | comment |
Jaga Jazzist (started off as NuJazz, but shifted to a post-rock sound with their 2005 album What We Must) | |
Post-Rock / int_93aab187 | featureApplicability |
1.0 | |
Post-Rock / int_93aab187 | featureConfidence |
1.0 | |
Jaga Jazzist (Music) | hasFeature |
Post-Rock / int_93aab187 | |
Post-Rock / int_9ba31098 | type |
Post-Rock | |
Post-Rock / int_9ba31098 | comment |
Fall of Efrafa (also Doom Metal and crust punk) | |
Post-Rock / int_9ba31098 | featureApplicability |
1.0 | |
Post-Rock / int_9ba31098 | featureConfidence |
1.0 | |
Fall of Efrafa (Music) | hasFeature |
Post-Rock / int_9ba31098 | |
Post-Rock / int_a47aa5a5 | type |
Post-Rock | |
Post-Rock / int_a47aa5a5 | comment |
black midi (blends it with Math Rock, Noise Rock, Post-Hardcore, Progressive Rock, and god only knows what else) | |
Post-Rock / int_a47aa5a5 | featureApplicability |
1.0 | |
Post-Rock / int_a47aa5a5 | featureConfidence |
1.0 | |
black midi (Music) | hasFeature |
Post-Rock / int_a47aa5a5 | |
Post-Rock / int_a6920bd6 | type |
Post-Rock | |
Post-Rock / int_a6920bd6 | comment |
2001 - Amnesiac | |
Post-Rock / int_a6920bd6 | featureApplicability |
1.0 | |
Post-Rock / int_a6920bd6 | featureConfidence |
1.0 | |
Amnesiac (Music) | hasFeature |
Post-Rock / int_a6920bd6 | |
Post-Rock / int_b3d5552a | type |
Post-Rock | |
Post-Rock / int_b3d5552a | comment |
Panopticon (mixed with Black Metal, Folk Metal, Bluegrass, and a large variety of other genres) | |
Post-Rock / int_b3d5552a | featureApplicability |
1.0 | |
Post-Rock / int_b3d5552a | featureConfidence |
1.0 | |
Panopticon (Music) | hasFeature |
Post-Rock / int_b3d5552a | |
Post-Rock / int_b6147582 | type |
Post-Rock | |
Post-Rock / int_b6147582 | comment |
Felt (their first two albums comprised of lengthy guitar passages before becoming a fully-fledged Indie Pop band) | |
Post-Rock / int_b6147582 | featureApplicability |
1.0 | |
Post-Rock / int_b6147582 | featureConfidence |
1.0 | |
Felt (Music) | hasFeature |
Post-Rock / int_b6147582 | |
Post-Rock / int_b61647d8 | type |
Post-Rock | |
Post-Rock / int_b61647d8 | comment |
Jesu (mixed with Doom Metal, shoegaze, ambient, and a wide variety of other genres) | |
Post-Rock / int_b61647d8 | featureApplicability |
1.0 | |
Post-Rock / int_b61647d8 | featureConfidence |
1.0 | |
Jesu (Music) | hasFeature |
Post-Rock / int_b61647d8 | |
Post-Rock / int_b616c936 | type |
Post-Rock | |
Post-Rock / int_b616c936 | comment |
2000 - Kid A | |
Post-Rock / int_b616c936 | featureApplicability |
1.0 | |
Post-Rock / int_b616c936 | featureConfidence |
1.0 | |
Kid A (Music) | hasFeature |
Post-Rock / int_b616c936 | |
Post-Rock / int_c4b8cdea | type |
Post-Rock | |
Post-Rock / int_c4b8cdea | comment |
Negură Bunget (Trope Codifier for Black Metal/Post-Rock fusions, alongside Weakling) | |
Post-Rock / int_c4b8cdea | featureApplicability |
1.0 | |
Post-Rock / int_c4b8cdea | featureConfidence |
1.0 | |
Negura Bunget (Music) | hasFeature |
Post-Rock / int_c4b8cdea | |
Post-Rock / int_c6a68af | type |
Post-Rock | |
Post-Rock / int_c6a68af | comment |
Earth | |
Post-Rock / int_c6a68af | featureApplicability |
1.0 | |
Post-Rock / int_c6a68af | featureConfidence |
1.0 | |
Earth (Music) | hasFeature |
Post-Rock / int_c6a68af | |
Post-Rock / int_cdb4c504 | type |
Post-Rock | |
Post-Rock / int_cdb4c504 | comment |
1977 - Low (David Bowie Album) | |
Post-Rock / int_cdb4c504 | featureApplicability |
1.0 | |
Post-Rock / int_cdb4c504 | featureConfidence |
1.0 | |
Low (David Bowie Album) (Music) | hasFeature |
Post-Rock / int_cdb4c504 | |
Post-Rock / int_d1718e11 | type |
Post-Rock | |
Post-Rock / int_d1718e11 | comment |
2013 - Sunbather | |
Post-Rock / int_d1718e11 | featureApplicability |
1.0 | |
Post-Rock / int_d1718e11 | featureConfidence |
1.0 | |
Sunbather (Music) | hasFeature |
Post-Rock / int_d1718e11 | |
Post-Rock / int_d6dc6ce9 | type |
Post-Rock | |
Post-Rock / int_d6dc6ce9 | comment |
Weakling (mixed with Black Metal; arguable Trope Maker or at least co-Trope Codifier for Black Metal and post-rock fusions, although Fleurety arguably performed them even earlier) | |
Post-Rock / int_d6dc6ce9 | featureApplicability |
1.0 | |
Post-Rock / int_d6dc6ce9 | featureConfidence |
1.0 | |
Weakling (Music) | hasFeature |
Post-Rock / int_d6dc6ce9 | |
Post-Rock / int_d83f0f4b | type |
Post-Rock | |
Post-Rock / int_d83f0f4b | comment |
1988 - Spirit of Eden | |
Post-Rock / int_d83f0f4b | featureApplicability |
1.0 | |
Post-Rock / int_d83f0f4b | featureConfidence |
1.0 | |
Spirit of Eden (Music) | hasFeature |
Post-Rock / int_d83f0f4b | |
Post-Rock / int_d937cb1 | type |
Post-Rock | |
Post-Rock / int_d937cb1 | comment |
1996 - Soundtracks for the Blind | |
Post-Rock / int_d937cb1 | featureApplicability |
1.0 | |
Post-Rock / int_d937cb1 | featureConfidence |
1.0 | |
Soundtracks for the Blind (Music) | hasFeature |
Post-Rock / int_d937cb1 | |
Post-Rock / int_d93841e2 | type |
Post-Rock | |
Post-Rock / int_d93841e2 | comment |
Kayo Dot (mixed with Avant-Garde Metal and too many other genres to list, with a sound that notoriously varies widely from release to release) | |
Post-Rock / int_d93841e2 | featureApplicability |
1.0 | |
Post-Rock / int_d93841e2 | featureConfidence |
1.0 | |
Kayo Dot (Music) | hasFeature |
Post-Rock / int_d93841e2 | |
Post-Rock / int_e089950b | type |
Post-Rock | |
Post-Rock / int_e089950b | comment |
1991 - Spiderland | |
Post-Rock / int_e089950b | featureApplicability |
1.0 | |
Post-Rock / int_e089950b | featureConfidence |
1.0 | |
Spiderland (Music) | hasFeature |
Post-Rock / int_e089950b | |
Post-Rock / int_e10df048 | type |
Post-Rock | |
Post-Rock / int_e10df048 | comment |
Cult of Luna | |
Post-Rock / int_e10df048 | featureApplicability |
1.0 | |
Post-Rock / int_e10df048 | featureConfidence |
1.0 | |
Cult of Luna (Music) | hasFeature |
Post-Rock / int_e10df048 | |
Post-Rock / int_e7029c0b | type |
Post-Rock | |
Post-Rock / int_e7029c0b | comment |
2000 - Lift Your Skinny Fists Like Antennas to Heaven | |
Post-Rock / int_e7029c0b | featureApplicability |
1.0 | |
Post-Rock / int_e7029c0b | featureConfidence |
1.0 | |
Lift Your Skinny Fists Like Antennas to Heaven (Music) | hasFeature |
Post-Rock / int_e7029c0b | |
Post-Rock / int_e80048fd | type |
Post-Rock | |
Post-Rock / int_e80048fd | comment |
Silver Mt. Zion (side project sharing several members with GY!BE. Notorious for changing its name from release to release, though it's almost always some variation of "Silver Mt. Zion"; the one exception has been an EP where they were credited as "Thee Silver Mountain Reveries". Currently "Thee Silver Mt. Zion Memorial Orchestra") | |
Post-Rock / int_e80048fd | featureApplicability |
1.0 | |
Post-Rock / int_e80048fd | featureConfidence |
1.0 | |
Silver Mt. Zion (Music) | hasFeature |
Post-Rock / int_e80048fd | |
Post-Rock / int_ebafaa04 | type |
Post-Rock | |
Post-Rock / int_ebafaa04 | comment |
Wolves in the Throne Room (also mixed with Black Metal) | |
Post-Rock / int_ebafaa04 | featureApplicability |
1.0 | |
Post-Rock / int_ebafaa04 | featureConfidence |
1.0 | |
Wolves in the Throne Room (Music) | hasFeature |
Post-Rock / int_ebafaa04 | |
Post-Rock / int_ee54fd40 | type |
Post-Rock | |
Post-Rock / int_ee54fd40 | comment |
Astronoid | |
Post-Rock / int_ee54fd40 | featureApplicability |
1.0 | |
Post-Rock / int_ee54fd40 | featureConfidence |
1.0 | |
Astronoid (Music) | hasFeature |
Post-Rock / int_ee54fd40 | |
Post-Rock / int_ef017bb0 | type |
Post-Rock | |
Post-Rock / int_ef017bb0 | comment |
Disco Inferno took this up a notch by transforming their instruments into samplers that could be triggered live. | |
Post-Rock / int_ef017bb0 | featureApplicability |
1.0 | |
Post-Rock / int_ef017bb0 | featureConfidence |
1.0 | |
Disco Inferno (Music) | hasFeature |
Post-Rock / int_ef017bb0 | |
Post-Rock / int_f41ba9ba | type |
Post-Rock | |
Post-Rock / int_f41ba9ba | comment |
2012 - The Seer | |
Post-Rock / int_f41ba9ba | featureApplicability |
1.0 | |
Post-Rock / int_f41ba9ba | featureConfidence |
1.0 | |
The Seer (Album) (Music) | hasFeature |
Post-Rock / int_f41ba9ba | |
Post-Rock / int_f4967ea6 | type |
Post-Rock | |
Post-Rock / int_f4967ea6 | comment |
Broadcast | |
Post-Rock / int_f4967ea6 | featureApplicability |
1.0 | |
Post-Rock / int_f4967ea6 | featureConfidence |
1.0 | |
Broadcast (Music) | hasFeature |
Post-Rock / int_f4967ea6 |
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