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Rock Me, Amadeus!
- 427 statements
- 70 feature instances
- 52 referencing feature instances
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Where an artist takes a Standard Snippet or other piece of classical music and incorporates it into their song. Could be small snippet of the piece or much longer. Might result in Crowning Music of Awesome when done properly. Speculatively, the motivations for classical sampling are: Importing a sense of gravitas and substance. A way of highlighting the qualities of classical and pop music by contrasting them. Simply as a useful gimmick to make a song stand out. A Sub-Trope of Sampling that normally gets around pesky legal issues by virtue of most classical music falling into the public domain. Named after the song by Falco, which, contrary to the title, does not use this trope. Not to be confused with Rock Me, Asmodeus!. Nor with Wolfgang Amadeus Mozart, although his music is likely to show up. Genre Mashup occurs when multiple genres, not just melodies, are combined. See also Public Domain Soundtrack. Compare Classical Music Is Cool, and contrast Classical Music Is Boring. |
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Rock Me, Amadeus! | fetched |
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Rock Me, Amadeus! / int_1253f289 | type |
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Rock Me, Amadeus! / int_1253f289 | comment |
The intro to Dream Theater's song "Illumination Theory" closely resembles the theme from the first movement of Pyotr Ilyich Tchaikovsky's Piano Concerto No. 1, albeit somewhat simplified. | |
Rock Me, Amadeus! / int_1253f289 | featureApplicability |
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Forms the basis of Blind Guardian's "By the Gates of Moria". | |
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Rock Me, Amadeus! / int_1afaadc2 | type |
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Rock Me, Amadeus! / int_1afaadc2 | comment |
The song that Roger composes in RENT is a rock version of "Musetta's Waltz" from La Bohème, the opera that the musical is based on. | |
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Chumbawamba's "Tubthumping" includes the "Prince of Denmark's March" at the end. | |
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German punk band Die Toten Hosen has an album called Ein Kleines Bisschen Horrorshow — "A Little bit of Horrorshow" — which has quite a few bits and pieces of Beethoven's Ninth in it. The songs reference A Clockwork Orange a lot, so this makes sense when you think about it. The first song is even called "Here Comes Alex". | |
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Die Toten Hosen (Music) | hasFeature |
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It also forms the basis of Olivia Rodrigo's "Vampire". | |
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Rock Me, Amadeus! / int_23624aeb | type |
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Rudebrat's "Amadeus (Mozart Dubstep Remix)" is Exactly What It Says on the Tin. | |
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Amadeus (Theatre) | hasFeature |
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Deborah Sasson's "Carmen (Danger in Her Eyes)" uses a snippet of "Habanera" from George Bizet's Carmen. | |
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"Kakumei" from beatmania IIDX 7th Style and DDRMAX2 is a dance remix of Chopin's Etude #12, also known as the Revolutionary Etude. (Hence the name, which is Japanese for "revolution".) | |
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Rock Me, Amadeus! / int_30a1b7de | comment |
Rhapsody of Fire's 10-minute epic "The Wizard's Last Rhymes" borrows heavily from the 4th movement of Dvorak's New World Symphony. On their album From Chaos To Eternity, the songs "Tempesta di Fuoco" and "Heroes of the Waterfalls' Kingdom" both borrow from Beethoven's Piano Sonata #1 in F Minor. | |
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Rock Me, Amadeus! | |
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Modest Mussorgsky: The chorus of ABBA's "Lay All Your Love On Me" is based on Night on Bald Mountain. Animusic: "Cathedral Pictures" contains excerpts from Mussorgsky's "Pictures at an Exhibition", specifically "Promenade", "The Hut on Fowls Legs", and "The Great Gate of Kiev", all arranged for an organ, an electric bass, and drums. |
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It's sampled throughout "Twenty First Century Boy" by Sigue Sigue Sputnik. | |
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Eric Carmen's self-pitying hit "All By Myself" is based on the main theme from the slow movement of Sergei Rachmaninoff's Second Piano Concerto. Another one of his hits, "Never Gonna Fall in Love Again", is based on the main melody of the third movement of Rachmaninoff's Second Symphony. | |
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Rock Me, Amadeus! | |
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Rick Wakeman uses the melody near the end of "Journey to the Centre of the Earth". | |
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Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_5215d98c | comment |
The first few bars of "Bear" by The Antlers are taken almost exactly from "Twelve Variation on 'Ah vous dirai-je, Maman'" by Mozart (aka, "Twinkle Twinkle Little Star"). | |
Rock Me, Amadeus! / int_5215d98c | featureApplicability |
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"God Diva" from the Japanese Duo Ali Project samples the "Queen of the Night" aria from The Magic Flute by Wolfgang Amadeus Mozart. | |
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The guitar solo in Spinal Tap's Heavy Duty is the Boccherini minuet. According to the DVD commentary, that was actually the finale to a very intricate and inventive ten-minute solo, but Marty cut it down for a time, and made Nigel look like a hack. To make matters worse, the short version made it onto the soundtrack and is the only one most people have ever heard. | |
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The Eerie Piper's theme in Captain Silver, whose Stage 1 BGM also interpolates "Anitra's Dance" from the same play. | |
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From My Singing Monsters, we have Gold Island which has this as it's first chord progression. | |
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Italian death metal band Fleshgod Apocalypse uses part of Mozart's Symphony No. 40 as the main theme to their track "The Violation". | |
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The 2112 Overture by Rush includes a snippet of the 1812 Overture by Pyotr Ilyich Tchaikovsky. Get it? | |
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"Save You" ends with a few bars of Pachelbel's Canon. | |
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Sound Horizon's "Yoiyami no Uta" includes snippets of classical pieces in rapid succession: Beethoven's "Ode to Joy", Chopin's "Fantaisie-Impromptu", and Mussorgsky's Pictures at an Exhibition. | |
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Sabaton's "The Red Baron" uses Johann Sebastian Bach's "Fugue in G Minor, BWV 578" as its intro. | |
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Hollenthon does this all the time. "Lords of Bedlam" samples Prokofiev's Romeo and Juliet tune to great effect. | |
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The music for the Earthworm Jim level "What The Heck" interpolates Mussorgsky's Night on Bald Mountain before switching styles to cheesy elevator muzak. | |
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Earthworm Jim (Video Game) | hasFeature |
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The intro of "Bad Apple!!" from Touhou Gensokyo ~ Lotus Land Story is based on the Fugue part. | |
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The Enigma album The Screen Behind The Mirror samples "O Fortuna" to such an extent that you could say it's "O Fortuna" with samples of ambient 1990's electronica. | |
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Enigma (Music) | hasFeature |
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AntonÃn Dvořák's Symphony No. 9: Forms the basis of Blind Guardian's "By the Gates of Moria". Also the Rhapsody of Fire song "The Wizard's Last Rhymes". And quoted in the bridge of the cover of "America" by The Nice. Used at the start of Pinkfong's rendition of "Baby Shark". Was loosely adapted by Ferdinand J. Smith into the "Feature Presentation" theme for HBO. The third movement was adapted for Geoff Gill and Cliff Wade into "Heartbreaker", first recorded by Jenny Darren, but better known as being Covered Up by Pat Benatar. It also forms the basis of Olivia Rodrigo's "Vampire". |
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Rock Me, Amadeus! / int_833dc9cf | |
Rock Me, Amadeus! / int_85dfff38 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_85dfff38 | comment |
"Speed Over Beethoven" from DDR Extreme samples Ludwig van Beethoven's Für Elise. "Can't You Feel My Love" by the same artist (although not featured in DDR) samples the third movement of the Moonlight Sonata. | |
Rock Me, Amadeus! / int_85dfff38 | featureApplicability |
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Rock Me, Amadeus! / int_85dfff38 | |
Rock Me, Amadeus! / int_870b2a7f | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_870b2a7f | comment |
Also in Savatage's "Prelude to Madness" and the track that immediately follows, "In The Hall of the Mountain King". | |
Rock Me, Amadeus! / int_870b2a7f | featureApplicability |
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Savatage (Music) | hasFeature |
Rock Me, Amadeus! / int_870b2a7f | |
Rock Me, Amadeus! / int_8828fa33 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_8828fa33 | comment |
"Tell" from In the Groove 2 is a techno remix of Rossini's William Tell Overture. "Vorsprung Durch Techno" and "Summer in Belize" are based on the Spring and Summer movements, respectively, of Vivaldi's Four Seasons. | |
Rock Me, Amadeus! / int_8828fa33 | featureApplicability |
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In the Groove (Video Game) | hasFeature |
Rock Me, Amadeus! / int_8828fa33 | |
Rock Me, Amadeus! / int_8e6a5adf | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_8e6a5adf | comment |
Walter Murphy and the Big Apple Band's "A Fifth of Beethoven" quotes Beethoven's Symphony No. 5 in C minor. It was most famously used in the film Saturday Night Fever. Also in the film was David Shire's funky reworking of Mussorgsky's Night on Bald Mountain, which was called Night on Disco Mountain. Following Murphy's hit a group called The Philarmonics gave similar treatment to Für Elise. "For Elise" peaked at #100 on Billboard's Hot 100. |
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Rock Me, Amadeus! / int_8e6a5adf | featureApplicability |
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Saturday Night Fever | hasFeature |
Rock Me, Amadeus! / int_8e6a5adf | |
Rock Me, Amadeus! / int_974397ab | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_974397ab | comment |
Rednex's "Wild and Free" is built on the melody of Offenbach's "Infernal Galop" from Orpheus in the Underworld. Most people know it best as "The Cancan Song." | |
Rock Me, Amadeus! / int_974397ab | featureApplicability |
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Rock Me, Amadeus! / int_9ad7adc8 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_9ad7adc8 | comment |
And "Hall of the Mountain King" by The Who. | |
Rock Me, Amadeus! / int_9ad7adc8 | featureApplicability |
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Rock Me, Amadeus! / int_9ae62fd9 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_9ae62fd9 | comment |
(DJ) Tiësto's "Elements of Life" and Laserdance's "Point of No Return" are based on George Frederic Handel's "Sarabande". | |
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Rock Me, Amadeus! / int_9ae62fd9 | |
Rock Me, Amadeus! / int_9b3518ef | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_9b3518ef | comment |
Sweetbox's "Everything's Gonna Be Alright" is based around the Air from Johann Sebastian Bach's Orchestral Suite No.3. | |
Rock Me, Amadeus! / int_9b3518ef | featureApplicability |
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Johann Sebastian Bach (Music) | hasFeature |
Rock Me, Amadeus! / int_9b3518ef | |
Rock Me, Amadeus! / int_9ec154c1 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_9ec154c1 | comment |
"Beethoven Virus" from Pump It Up samples Beethoven's Sonata Pathétique (Piano Sonata No. 8 in C minor, Op. 13). "Canon D", is of course, Pachelbel's Canon. In fact, at least 70% of BanYa's catalog for the series is this. To name a few: "Sorceress Elise" to Beethoven's Für Elise, "Turkey March" to Mozart's Rondo Alla Turca, and "Winter" to Vivaldi's L'inverno. | |
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Rock Me, Amadeus! / int_9ec154c1 | |
Rock Me, Amadeus! / int_9fff8c17 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_9fff8c17 | comment |
"Island" by Renaissance incorporates a section. | |
Rock Me, Amadeus! / int_9fff8c17 | featureApplicability |
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Rock Me, Amadeus! / int_9fff8c17 | |
Rock Me, Amadeus! / int_a5fec434 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_a5fec434 | comment |
In Twisted Metal 2, the music for Paris is a heavy metal medley of "Frère Jacques" and The Can Can Song. | |
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Rock Me, Amadeus! / int_a6543322 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_a6543322 | comment |
A Touhou Project music arrange for Kanako Yasaka's theme, "Suwa Foughten Field", begins with the opening. | |
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Rock Me, Amadeus! / int_a6543322 | |
Rock Me, Amadeus! / int_a66b3bbc | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_a66b3bbc | comment |
"End of the Century" from DanceDanceRevolution 3rd Mix samples Beethoven's Ninth Symphony. | |
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Rock Me, Amadeus! / int_a90d239a | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_a90d239a | comment |
The intro for Eine Kleine Nachtmusik is also used in the Psychonauts soundtrack, from the level where Raz helps Sasha Nein defeat the censors. | |
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Psychonauts (Video Game) | hasFeature |
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Rock Me, Amadeus! / int_aa9366f9 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_aa9366f9 | comment |
The subject of the fugue appears briefly in "The Greatest Show On Earth" by Nightwish. | |
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Rock Me, Amadeus! / int_aa9366f9 | |
Rock Me, Amadeus! / int_acc09715 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_acc09715 | comment |
Space Quest VI: Roger Wilco in the Spinal Frontier, as a Shout-Out to 2001: A Space Odyssey, interpolates J. Strauss's "On The Beautiful Blue Danube" in "Hero's Waltz". | |
Rock Me, Amadeus! / int_acc09715 | featureApplicability |
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Space Quest VI: Roger Wilco in the Spinal Frontier (Video Game) | hasFeature |
Rock Me, Amadeus! / int_acc09715 | |
Rock Me, Amadeus! / int_b16dbdb | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_b16dbdb | comment |
Zappa also inverted it by working in "Louie Louie" in orchestral piece "Welcome To The United States" from The Yellow Shark, a collaboration with a huge classical orchestra. | |
Rock Me, Amadeus! / int_b16dbdb | featureApplicability |
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The Yellow Shark (Music) | hasFeature |
Rock Me, Amadeus! / int_b16dbdb | |
Rock Me, Amadeus! / int_b615f493 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_b615f493 | comment |
The chorus of "Up" by Inna and Sean Paul interpolates a melodic line from the aforementioned Symphony no. 40. | |
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Rock Me, Amadeus! / int_b615f493 | featureConfidence |
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INNA (Music) | hasFeature |
Rock Me, Amadeus! / int_b615f493 | |
Rock Me, Amadeus! / int_b618276f | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_b618276f | comment |
Nile's "Ramses, Bringer of War" is based on "Mars, Bringer of War" from Gustav Holst's The Planets. | |
Rock Me, Amadeus! / int_b618276f | featureApplicability |
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Nile (Music) | hasFeature |
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Rock Me, Amadeus! / int_b61a6cb2 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_b61a6cb2 | comment |
Sigh's "Requiem - Nostalgia" ends with a Standard Snippet of Fryderyk Chopin's Minute Waltz (overlaid with hundreds of samples of giggling babies). Similarly, "Hangman's Hymn" quotes liberally from Wolfgang Amadeus Mozart's Requiem in D Minor. | |
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Rock Me, Amadeus! / int_b61a6cb2 | |
Rock Me, Amadeus! / int_b61d8be6 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_b61d8be6 | comment |
Zedd's Dovregubben is an electronic mix. | |
Rock Me, Amadeus! / int_b61d8be6 | featureApplicability |
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Rock Me, Amadeus! / int_b61d8be6 | featureConfidence |
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Zedd (Music) | hasFeature |
Rock Me, Amadeus! / int_b61d8be6 | |
Rock Me, Amadeus! / int_b7698696 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_b7698696 | comment |
Lionel Richie adapted the fourth movement of Beethoven's Symphony no. 9 into "Endless Love" for the 1981 feature film of the same name based on the bestselling novel. | |
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Rock Me, Amadeus! / int_b7698696 | |
Rock Me, Amadeus! / int_b80e5912 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_b80e5912 | comment |
"There Isn't Just One Route for the Maiden!", the opening theme for the first season of My Next Life as a Villainess: All Routes Lead to Doom!' Animated Adaptation uses Beethoven's Symphony no. 5. | |
Rock Me, Amadeus! / int_b80e5912 | featureApplicability |
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My Next Life as a Villainess: All Routes Lead to Doom! | hasFeature |
Rock Me, Amadeus! / int_b80e5912 | |
Rock Me, Amadeus! / int_bb9fb3f6 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_bb9fb3f6 | comment |
Wendy Carlos' album Switched-On Bach is a Cover Album with compositions by Johann Sebastian Bach played on a Moog synthesizer. Her follow-up album "The Well-Tempered Synthesizer" adds Montiverdi, Scarlatti, and Handel to more Bach. Her soundtrack of A Clockwork Orange does the same with music by Ludwig van Beethoven and Henry Purcell and her one contribution to the soundtrack of The Shining is "Dies Irae" from Hector Berlioz' "Symphonie Fantastique" in a similar eerie electronical arrangement. | |
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Rock Me, Amadeus! / int_bb9fb3f6 | |
Rock Me, Amadeus! / int_bf71f0c3 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_bf71f0c3 | comment |
Gerard Joling's "Love is In Your Eyes" begins and ends with a snippet of Edvard Grieg's "Morning Mood" from Peer Gynt. Likewise, "No More Boleros" quotes Maurice Ravel's "Bolero". | |
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Peer Gynt (Theatre) | hasFeature |
Rock Me, Amadeus! / int_bf71f0c3 | |
Rock Me, Amadeus! / int_c0199b07 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_c0199b07 | comment |
Speaking of ELO, Jeff Lynne and Bev Bevan's previous band The Move had their first hit with 1966's "Night of Fear," derived partly from Tchaikovsky's 1812 Overture. The origins of ELO's classical leanings can be found here. | |
Rock Me, Amadeus! / int_c0199b07 | featureApplicability |
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The Move (Music) | hasFeature |
Rock Me, Amadeus! / int_c0199b07 | |
Rock Me, Amadeus! / int_c1120877 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_c1120877 | comment |
The main synthesizer riff of the "Seth" suite from Klaus Schulze's Deus Arrakis echoes Bach's "Prelude in C minor" from the Cello Suites. | |
Rock Me, Amadeus! / int_c1120877 | featureApplicability |
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Klaus Schulze (Music) | hasFeature |
Rock Me, Amadeus! / int_c1120877 | |
Rock Me, Amadeus! / int_c7867a2 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_c7867a2 | comment |
Strangely enough, "Rock Me Amadeus" by Falco contains no music by Mozart, although it has a snippet from Beethoven's 5th at the very end, and one version begins with the intro of Bach's Toccata and Fugue in D minor. Falco's "Vienna Calling" begins with a few bars of The Blue Danube by Strauss. |
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Rock Me, Amadeus! / int_c7867a2 | featureApplicability |
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Falco (Music) | hasFeature |
Rock Me, Amadeus! / int_c7867a2 | |
Rock Me, Amadeus! / int_cd5731a8 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_cd5731a8 | comment |
The basis for the Gyruss theme song. To be exact, it's a direct adaptation of the arrangement performed by Sky, which predates the game by three years (although some parts are left out since it was made for an early-mid 1980s arcade game). | |
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Gyruss (Video Game) | hasFeature |
Rock Me, Amadeus! / int_cd5731a8 | |
Rock Me, Amadeus! / int_d15bc24d | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_d15bc24d | comment |
Japanese alt-rock band BIGMAMA have a trilogy of EP's (appropriately titled Roclassick) specifically devoted to doing this, totaling twenty songs. The pieces sampled include: Vivaldi's "Spring" from The Four Seasons ("Hashire Eros") Beethoven's Symphony no. 5 ("Niji o Tabeta Iris"), Für Elise ("Therese no Tameiki"), and Symphony no. 9 ("No. 9") Bach's Toccata and Fugue in D Minor ("Eiyuu o Daite Maria wa Nemuru") Dvořák's Symphony no. 9 (Symphony from the New World) ("Koukyoukyoku 'Shinsekai'") Pachelbel's "Canon in D" ("Keisandakai Cinderella") Brahms's Hungarian Dances no. 5 ("Animanimus") Tchaikovsky's Swan Lake overture ("Swan Song") and "Waltz of the Flowers" from The Nutcracker ("Takane no Hana no Waltz") Satie's "Gymnopédie no. 1" ("Royalize") Grieg's "In The Hall of the Mountain King" ("Perfect Gray") Elgar's Pomp and Circumstance March no. 1 ("bambino bambina") Debussy's "Clair de Lune" ("Moonlight") Verdi's "Dies Irae" from Messa da Requiem ("Ta ga Tame no Requiem") Mozart's "Eine Kleine Nachmusik" ("Lemonade") and "Turkish March" ("Turkey Outsider") Wagner's "Ride of the Valkyries" from Die Valküre ("Valkyrie no Hikou") Petzold's "Minuet in G Major" ("Anata no Koe de Boku no Na o Yonde") Chopin's Op. 10 No. 3 ("The Last Song"). |
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BIGMAMA (Music) | hasFeature |
Rock Me, Amadeus! / int_d15bc24d | |
Rock Me, Amadeus! / int_d27c007d | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_d27c007d | comment |
Mako from Kill la Kill has the Hallelujah Chorus from Handel's Messiah as part of her Leitmotif, which plays whenever she's going off on one of her bizarre motivational speeches. It was also remixed into her battle themes for KILL la KILL - IF. | |
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Kill la Kill | hasFeature |
Rock Me, Amadeus! / int_d27c007d | |
Rock Me, Amadeus! / int_d2a12142 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_d2a12142 | comment |
MementoMori: AFKRPG has characters designated as "Witches of Qlipha" have their Laments derived from classical music or folk songs. Specific to this trope are Natasha's "X: THE FLOWER" deriving from Bach's "Minuet in G Major", Lunalynn's "â…¨. THE ICE" ending with Tchaikovsky's "Dance of the Swans", Valeriede's "â…§. THE FIRE" starting with a snippet of Bach's "Jesu, Joy of Man's Desiring", Cerberus's "â…£. THE THUNDER" (appropriately) beginning with Gustav Holst's "Jupiter, Bringer of Jollity" and Armstrong's "II. THE SOUL" sharing the same melody as Maurice Ravel's "Bolero". | |
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MementoMori: AFKRPG (Video Game) | hasFeature |
Rock Me, Amadeus! / int_d2a12142 | |
Rock Me, Amadeus! / int_d2fb6f8 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_d2fb6f8 | comment |
Instrumental track "Fuck You" by Satan has a part of Mozart's Eine Kleine Nachtmusik in it. | |
Rock Me, Amadeus! / int_d2fb6f8 | featureApplicability |
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Satan (Music) | hasFeature |
Rock Me, Amadeus! / int_d2fb6f8 | |
Rock Me, Amadeus! / int_d4dafda9 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_d4dafda9 | comment |
Cytus has an entire chapter dedicated to modern arranges of classical songs. | |
Rock Me, Amadeus! / int_d4dafda9 | featureApplicability |
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Rock Me, Amadeus! / int_d4dafda9 | featureConfidence |
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Cytus (Video Game) | hasFeature |
Rock Me, Amadeus! / int_d4dafda9 | |
Rock Me, Amadeus! / int_df0c2524 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_df0c2524 | comment |
Brahms' "Academic Festival Overture" is made up of quotations from traditional collegiate songs such as "Gaudeamus Igitur." | |
Rock Me, Amadeus! / int_df0c2524 | featureApplicability |
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Johannes Brahms (Music) | hasFeature |
Rock Me, Amadeus! / int_df0c2524 | |
Rock Me, Amadeus! / int_e0e9e904 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_e0e9e904 | comment |
Robbie Williams samples Prokofiev's Montagues and Capulets in Party Like a Russian. | |
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Rock Me, Amadeus! / int_e0e9e904 | featureConfidence |
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Robbie Williams (Music) | hasFeature |
Rock Me, Amadeus! / int_e0e9e904 | |
Rock Me, Amadeus! / int_e21a575 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_e21a575 | comment |
It's reused in Can's "Hoolah Hoolah" from "Rite Time". | |
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Rock Me, Amadeus! / int_e21a575 | featureConfidence |
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Can (Music) | hasFeature |
Rock Me, Amadeus! / int_e21a575 | |
Rock Me, Amadeus! / int_e6ef8ea2 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_e6ef8ea2 | comment |
Indeed, pretty much the entirety of the TSO's output that isn't Christmas stuff is this. Beethoven's Last Night contains at least the "Moonlight Sonata", the "Pathetique", "Für Elise" and the 5th (and a lot more Beethoven, of course), Mozart's overture to The Marriage of Figaro, and Rimsky-Korsakov's "Flight of the Bumblebee". Nightcastle contains an actual "Hall of the Mountain King", Verdi's Requiem, Orff's Carmina Burana, and a cover of the "Nutrocker" (which of course is itself B. Bumble and the Stingers' cover of Tchaikovsky's The Nutcracker). | |
Rock Me, Amadeus! / int_e6ef8ea2 | featureApplicability |
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The Nutcracker (Theatre) | hasFeature |
Rock Me, Amadeus! / int_e6ef8ea2 | |
Rock Me, Amadeus! / int_fcd72a48 | type |
Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_fcd72a48 | comment |
Bathory's "Hammerheart" (the song, not the album) is based on a melody from Gustav Holst's The Planets (specifically, "Jupiter, the Bringer of Jollity"). | |
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Bathory (Music) | hasFeature |
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Rock Me, Amadeus! | |
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Candlemass's "Marche Funebre" is an arrangement of Fryderyk Chopin's Funeral March. As well, the solo riff for "Waterwitch" is extremely reminiscent "Dance of the Sugar Plum Fairy". |
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Candlemass (Music) | hasFeature |
Rock Me, Amadeus! / int_fe91123c | |
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Rock Me, Amadeus! | |
Rock Me, Amadeus! / int_fede6ffb | comment |
A trademark of The Piano Guys, who combine classical motifs with the contemporary. Their version of "Mission Impossible" with Lindsey Stirling features a bit of Mozart's Piano Sonata No. 16 (performed in 5/4 time in a minor key), "Beethoven's Five Secrets" mixes elements of Beethoven's Symphony 5 into One Republic's "Secrets", and "Kung Fu Piano: Cello Ascends" combines Chopin's Prelude Opus 28 with "Oogway Ascends" from Kung Fu Panda. | |
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Rock Me, Amadeus! / int_fede6ffb |
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