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Social Media Is Bad
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Most people with Internet access are on at least one social network, and people who spend an inordinate amount of time scrolling through sites like Facebook or Twitter are not uncommon. Because of its ubiquity, social media is an easy and frequent target of New Media Are Evil. Works employing this trope will portray the use of such websites as overall bad for its individual users or society as a whole, often by portraying its users as obsessed by how they are seen online and by other people taking advantage of this. This can be played in a few ways: The network itself is evil — it brainwashes its users, is a malevolent entity force-feeding off their energy, is a part of a crapshoot artificial intelligence, or similar. Villainous characters exploit social media to target people or make them unhappy via cyberbullying or catfishing. The ease of anonymity online makes this easy. The social network is otherwise fine, but induces apathy, aloofness, disconnectedness, and loneliness in its users, especially those who spend a lot of time on it. Alternatively, the network is fine, but it brings out the worst in its users, even driving them to acts of villainy. A Socially Scored Society variant extends obsession with social media to an entire government or society, often using a Fictional Social Network. Popularity on this network results in a caste system or similar development among the population. This particular variation can overlap with Techno Dystopia. There is some Truth in Television to this notion: excessive social media use has been correlated with mental illnesses such as depression and anxiety. This trope goes hand-in-hand with An Aesop about how one needs to disconnect every once in a while and not let social media rule their lives. It can also suggest that social media can never be a true substitute for genuine human relationships or communication and that people should be careful about who they interact with on the internet. Some works will go with a more balanced view; while too much of it is detrimental, social media can also be an avenue for good deeds and heartwarming moments. Subtrope of New Media Are Evil and New Technology Is Evil, and supertrope to Social Media Before Reason. Compare Instant Humiliation: Just Add YouTube!, if viral videos are portrayed in a negative light, and Dating Service Disaster if the focus is on dating sites such as Tinder. Can overlap with tropes like Acquired Situational Narcissism and Social Climber if the story focuses on an individual, and such apps may be run by less-than-moral Tech Bros. Shallow News Site Satire and Bad Influencer are related tropes. Internet Safety Aesop is associated with this since it teaches users how to be safe online and how to maintain your privacy. |
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The Social Dilemma: This is the central theme of the documentary. The film explores first how tech companies are mainly concerned with profit, and how this profit-driven business model can be weaponized by bad actors. Not only does it lead to spreading conspiracy theories, it also plays a role in destabilizing many democracies. It also touches on how social media negatively affects mental health, and how it can be linked to rising teen suicide rates. The acting performance features a teen named Ben who struggles to disconnect and slowly becomes drawn into an online bubble of conspiracy theories. His younger sister Isla is also shown struggling with her self-image due to social media. |
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CSI: NY, which tended to be more tech- and culture-savvy than its predecessors, took a more neutral stance in an episode revolving around a social media app that let people watch other randomly selected people through webcams, and then "next" them to go to another random person. The plot is touched off when one of the CSIs witnesses a young woman being murdered on the platform, but it was a fluke—the killer broke in and didn't realize until afterward that somebody on the Internet was watching the whole time. The other characters experiment with the app throughout the episode with mixed results: Mac criticizes a preteen boy for wasting time on the Internet instead of doing his homework, while Jo shows the New York City skyline to a soldier stationed in Afghanistan who had always wanted to visit. | |
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Dating apps get this treatment in the It's Always Sunny in Philadelphia episode "The Gang Group Dates", where the usage of dating app Bunchers causes Frank, Mac, and Charlie to only care about making good impressions, Dee to date several men low as a means of empowerment, and Dennis becoming singularly obsessed with high ratings. | |
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The Beta Test: PJ explains to Jordan that everything you do on social media can be scraped by strangers and sold or used against you. The purple envelope scheme is revealed to be driven by social media data used to identify people who will be vulnerable to it. Jordan was targeted because he listed his relationship status as engaged while liking photos of attractive women. | |
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The Orville: The episode "Majority Rule" centers around a planet where the entire society is rooted in social media, to the point where they vote on what is considered facts (such as which medicines work, what products are healthy, etc.) with what is most popular being considered the truth, and that people can be turned down from services if they receive too many downvotes (for which the count is never reset, so people who acquire a lot in their youth have to carry them for the rest of their life). This extends to the justice system, with guilty/innocent verdicts being rendered by "likes" and "dislikes". Get a few million dislikes, and you get a lobotomy. Lt. John Lamarr runs afoul of this when someone videotapes him dancing on a statue of one of the planet's beloved public figures. "Future Unknown" returns to the planet and reveals that things have gotten even worse, with people now completely paranoid of doing or saying the wrong thing. A local they met in the previous episode tells the crew that she has already lost two friends to the system and asks them for political asylum. All this is clearly a jab at cancel culture. | |
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In Miraculous Ladybug, "Reunion", the Villain of the Week spends a lot of time reading negative comments on social media, putting him in the right frame of mind to get akumatized by Hawk Moth. | |
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Played for laughs on the Community episode "App Development and Condiments", where the development of new online social rating system MeowMeowBeenz first causes people to scramble to get the highest ratings before the community college devolves into a Logan's Run-style dystopia with social classes tiered by the rankings. | |
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Zig-zagged in The Muppets Mayhem: In "Virtual Insanity", the members of The Electric Mayhem are given cellphones, which Moog thinks is a mistake since the band has always stuck to analog methods, and they immediately start an accidental feud with the whole of music thanks to a case of Auto-Incorrect. Even once this is resolved, the episode ends with them all obsessing over their phones to the exclusion of everything else. In the following episode, their individual social media successes result in the band breaking up, while Hannah, Nora's influencer sister, is shocked to realize her followers are shallow and deletes her accounts. On the other hand, when they get back together in the finale, they're able to rally their followers to make the hastily re-booked Hollywood Bowl gig a success. | |
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3615 code Père Noël features a very early example of this from The '80s based on the Minitel, a French videotex system that entered widespread use there before the rise of the modern internet. The protagonist, an adolescent boy named Thomas, dials a Christmas chat room advertising the ability to speak to Santa, and it turns out that a local drifter and criminal is on the other end. Thomas tells "Santa" that his mother is the manager of a department store, which turns out to be enough information for the drifter to find out where he lives. | |
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The "Duck Lips" episode of Uncle Grandpa deals with a girl who's obsessed with making friends and followers on social media. She tries to follow all the current trends and conform to social standards of female beauty. When she takes a selfie of her "duck lips", it permanently freezes her face like that until she learns to accept herself and stop trying to be popular through trends. | |
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Innocent: Marie Antoinette prefers to have fun with her circle of friends than facing her responsibilities as a queen, and the series uses a lot of literal comparisons to modern internet users, with showing smartphones in 18th-century France for Rule of Symbolism. | |
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Octet: The core of the show is the psychological impact that the age of social media has had on the members of the "Friends of Saul," and most of them have been traumatized by it in one way or another. But this is played with on the whole with Velma, the youngest member of the group. She's the only person in the cast who has a positive story about her experiences with the internet, and her number is placed right at the end for maximum impact. | |
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The moral of Ingrid Goes West: Depressed and unhappy, Ingrid tries to befriend a superficial social media influencer because of her "perfect" life and goes to insane lengths to do so. This predictably implodes horrifically. | |
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Ready Player Two includes an Author Tract rant about how social media drives people "insane" and causes everyone to hate each other. | |
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The Mysterious Mr. Enter delves into the many injustices present in various social media platforms with his "Technocracy" documentary series. | |
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We Become What We Behold is a First-Person Snapshooter where the players apparently work with a faceless social news media. #EngineeredHashtag and Clickbait Gag are common for the headlines produced by taking pictures of unusual events. It later devolves into prejudice, murder, and chaos. | |
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Disturbed gives us In Another Time from their Evolution album. | |
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Goodbye Volcano High: After news of the asteroid breaks, Fang's social media quickly becomes littered with dinosaurs posting doom and gloom about the end of the world, which only get worse as the game progresses. One scene in Episode 2 features Fang doom-scrolling through posts, looking unnerved. One post lampshades this, suggesting that nonstop unfiltered access to strangers' opinions might be harmful. | |
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In When Evil Calls, the evil wishes are propagated through a string of chain texts. | |
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American Born Chinese (2023): An old 90's sitcom becomes a racist meme on social media. Ji is later the target of one of those memes. | |
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The Ghostface killers in Scream 4 are Attention Whores who want social media stardom, with one of them telling Sidney "I don't need friends, I need fans" during the Motive Rant. They filmed the rampage and planned on uploading it to the internet, all while pinning everything on a Fall Guy so that they could enjoy "fame like you never even dreamed of" as the heroic sole survivors who defeated the killer. | |
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Delain's song "Generation Me" takes Twitter and Instagram to task as vehicles for empty self-aggrandizement. | |
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Aggretsuko: During the Christmas Special, keeping up with the "perfect" expectations of social media (not helped by peer pressure from a colleague popular on Instagram) clearly makes Retsuko unhappy. | |
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Black Mirror: "Hated in the Nation" deconstructs online mob mentality, as the episode's villain orchestrates murders based on trending calls for death on Twitter. And in the end, the villain uses the bee drones to kill everybody who ever used the "#deathto" hashtag. "Be Right Back" explores the hollowness of how we portray ourselves on social media — when Martha commissions a robotic recreation of her dead boyfriend whose personality is based entirely on his social media presence, she finds him lacking. "Nosedive" exaggerates this trope — Lacey's entire society lives and dies on people "rating" their physical and virtual interactions with each other, Uber-style, on a fictional social network. Those with higher ratings get more perks. Unsurprisingly, this creates a society comprised entirely of plastic Stepford Smilers. In "Smithereens", the main character is revealed to have lost his fiancee in a car wreck that was caused in part by him being distracted and looking at a notification from the titular social network on his phone instead of the road while he was driving. The company's reclusive CEO, for his own part, is generally well-meaning and a Benevolent Boss who regrets what he's set out on the world, but it's all out of his control and he doesn't really hold any real power. |
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Alien Weaponry: "Nobody Here" is bookended with audio clips from a news interview with ex-Facebook president Sean Parker discussing how the site was designed to be addictive. The actual lyrics talk about "Everyone watching but there's nobody here / Welcome to the abyss that is the Internet" and wondering if the real world even is real. | |
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CSI: Cyber: One of the criminals of the week was a Mad Bomber who wanted to make a statement about this by placing bombs in locations with high social activity and set a set a social media web page programmed to detonate the bomb if it got a million likes (which went up like wildfire). | |
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Ratter: A young girl is harassed by a stalker/hacker who has hacked into her devices and can track her because she's always online. | |
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A Pyramid article updating GURPS Technomancer to reflect Technology Marching On included magical social media. The most popular of these is Soulspace, which literally feeds on the users' life force. But, hey, you clicked "agree". | |
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The Futurama episode "Attack of the Killer App" is both the "evil social network" and "social media turns people into jerks" variation. After getting EyePhones, everyone tries to get the most followers on "Twitcher", and are eventually all infected by a "Twit-worm" which turns them into zombies who only want to upgrade to the next model. | |
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One of the major problems the scientists face in Don't Look Up is that social media has siphoned away people's ability to have a useful response to real crises. Kate ends up the subject of cruel memetic humor for yelling at a pair of airheaded hosts on live TV, while her professor, Dr. Mindy, is noted only for being an "AILF". The news of the planet-killing comet becomes subject to a disinformation campaign, which helps President Orleans and Peter Isherwell steamroll ahead with their incredibly plan to deliberately wait until the comet has almost reached Earth and mine it to pieces (as opposed to an earlier and much more reliable plan to divert it when it's still far away). It fails, and the comet strikes, wiping out the vast majority of all living things. | |
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MGMT's "She Works Out Too Much" characterizes an ailing relationship in part through the exhausting use of social media. The narrator finds himself tired of constantly keeping up with his lover's workout selfies, realizing the process has jaded himself to their relationship as being superficial and/or tainted by his own neurotic pickiness. | |
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Spree: Kurt's desire for internet fame eventually drives him to commit multiple murders. In addition, internet culture, vlogging, and "cancel culture" are all lampooned by the movie. | |
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Trust's villain is a serial rapist who catfishes young girls on an online chatroom, and the film explores how easy it is to manipulate someone online. | |
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American Gods (2017) introduces New Media, the New God of digital entertainment and social media. She's well aware of its dangers and proudly draws her strength from the masses of people addicted to it. | |
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The Mitchells vs. the Machines presents a mixed view. Nature-loving Mitchell patriarch Rick is disappointed in how attached his family is to their phones, matriarch Linda is insecure about their neighbors' photogenic Instagram-worthy life, and the data the omnipresent tech company Pal Labs collects on its users helps its AI start a robot uprising. However, social media also allows Katie to express herself and connect with people who share her interests—it also helps Katie keep in touch with her family after she leaves for college (especially since her school is rather far away from where her family lives). | |
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In The Columnist, Femke hits her Rage Breaking Point and becomes a Serial Killer because of all the harassment and bullying she receives on social media. She can't disengage with it, either; her job as a newspaper columnist requires her to have an online presence. Later, she turns it around on her victims by using their social media profiles to figure out where they live, with enough of them leaving unwitting clues as to their real identities and home addresses that she can find them. | |
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A few episodes of Criminal Minds have dealt with unsubs using social media pages to get information about their victims. While the show doesn't outright condemn social media, the team does caution against posting too much personal information and Rossi, for one, doesn't understand the appeal. | |
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In Amazing Fantasy, the Prowler tracks Peter down when people snapped photos of him eating with Izuku and posted them online, allowing her to ambush and nearly kill him. Izuku is wary of doing anything traceable online from then on, choosing to buy things with cash in-person than risk creating any other trails to his mentor. | |
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In The Batman (2022), the Riddler has a whole cult of followers on an encrypted social media on the dark web, filming himself and using this to plan the terrorist attack (with said followers as copycats) on Gotham in the climax. | |
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In "Episode 2: Memory" of Code 7, you find out that social media was banned years ago, because it became a platform for organized hate, violence and even terrorist groups. All of the other mass communication and sharing services suffered the same fate; only one-on-one communication is possible over the internet now. | |
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South Park: "You Have 0 Friends" is about the entire town becoming obsessed with Facebook, to the detriment of the main characters. | |
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In The Babysitter: Killer Queen, Melanie's Sudden Sequel Heel Syndrome is motivated by a desire to make a Deal with the Devil to become a successful influencer. | |
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Disconnect tells three interconnected social media stories, all about how it's difficult to incorporate your social media presence with your "disconnected" offline life. The stories tackle themes like cyberbullying, identity fraud, screen addiction, and cam strippers. | |
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Besties: A gang of late teens films another girl (the protagonist's later lover) in an embarrassing position (mimicking a blowjob) and uploads it on social media for everyone to see. | |
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