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Standardized Space Views
- 79 statements
- 14 feature instances
- 12 referencing feature instances
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There exist some camera shots that quickly tell the audience that the current setting is the space and that they should be properly awed by it: A shot of a satellite orbiting the earth, with varying degrees of realism, often with a blinking light accompanied by a synchronized beep. A shot of a shuttle or other spacegoing vessel (starship, shuttlecraft, shuttlepod, space station) with audible engine sounds, which are almost always a low, almost subliminal rumble. A shot of the planet spinning. Shots of approaching spaceships will almost always be from slightly below, as this makes for better composition. By the same token, departing spaceships will be shot from slightly above. There is almost never a shot of just the stars, unless it stems from—or goes to—a shot of somebody looking up at said stars from the ground or a spaceship window. Expect to see these shots frequently by virtue of being Stock Footage. Often the effects crew would make a variety of standardized shots at the beginning of production and composite in the planet-of-the-week to save costs. Bonus points if they reference "The Blue Marble", the first-ever space view of our planet. Sub-Trope of Establishing Shot. Compare Distant Reaction Shot, when an event is so massive that it can be seen from far away and the characters respond by doing a Take. If the rotating planet is our Earth, then a Hemisphere Bias is quite likely. Sister Trope of Standard Establishing Spaceship Shot —when this is done to show off cool spacecraft. |
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Dropped link to Parodied: Not an Item - FEATURE | |
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Standardized Space Views / int_144b860d | type |
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Super Adventure Rockman begins with a satellite in space getting directed towards the island where the ruins emerge. | |
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Super Adventure Rockman (Video Game) | hasFeature |
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Standardized Space Views / int_1c029994 | type |
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Gravity: The film makes liberal use of breathtaking shots of Earth's satellite-filled orbit. Both as a way of showing the expanse of outer space—which serves to instill feelings of dread and awe—and of making pauses from the action. | |
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Gravity | hasFeature |
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Standardized Space Views / int_20bdbdf1 | type |
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Ginga Teikoku Kouboushi: The first pages are comprised of various Establishing Shots of spaceships approaching Trantor. | |
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The Expanse: Locations beyond Earth tend to get this kind of scenery as their Establishing Shots. For example, when Ceres Station is introduced, the camera shows several ships in orbit. | |
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The Expanse | hasFeature |
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Winx Club: "Mission to Domino" shows a shot of the frozen, devastated planet of Domino before the girls land on its surface. "Battle on Planet Eraklyon": Bloom, Flora, and Brandon go to Sky's planet to help rescue Princess Diaspro. They travel in one of Red Fountain's Owls and the camera peeks through the ship's windows or pans to the space. When they are about to land, there's a shot of Eraklyon from afar. In the third season, the other girls' home planets are introduced this way whenever they travel there by spaceship. Typically, an Owl will be approaching the planet's surface —the golden Solaria in "The Princess Ball", the aquatic Andros in "Sea of Fear" and "One Last Fluttering of Wings", and the nature-bound Lynphea in "The Black Willow's Tears". The inhospitable Omega Dimension is also presented this way in "The Princess Ball" and "In the Snake's Lair". The fourth season's Title Sequence opens with a shot of a slowly rotating Earth (the American continent, to be specific). Then, the Winx fly right to where Gardenia is roughly located (the U.S.) while in their fairy forms. This is partially reclycled in "The Last Fairy of Earth", the episode where they move to that planet. |
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ANNO: Mutationem: The opening starts with a satellite's orbital view of Earth while having several missiles guided towards it target. | |
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ANNO: Mutationem (Video Game) | hasFeature |
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Standardized Space Views / int_48ca3611 | type |
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SDI: Strategic Defense Initiative: Each stage has a background oriented in a way that you always see the Earth, the Moon, and/or asteroids at different angles that scroll past the screen. There is no shot of just the stars. | |
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SDI: Strategic Defense Initiative (Video Game) | hasFeature |
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Standardized Space Views / int_8502c954 | type |
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Red vs. Blue: The Blood Gulch Chronicles: The episode "Loading..." ends with Tucker breaking the news his troop is gonna go to Earth, humanity's home. This raises morale and the screen cuts to a space view of the planet as he's saying it. | |
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Red vs. Blue: The Blood Gulch Chronicles (Web Animation) | hasFeature |
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Standardized Space Views / int_976efc02 | type |
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Mystery Science Theater 3000: Parodied whenever the host wants to show the audience what's happening outside the ship. It doesn't matter what is it, the host will always request a shot of the same gray Standard Human Spaceship. In "Space Mutiny", every single "space" shot in the film is simply a clip from Battlestar Galactica (1978). |
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Mystery Science Theater 3000 | hasFeature |
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Standardized Space Views / int_9ec61fa1 | type |
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NewsRadio: One Formula-Breaking Episode is set in space, so its Special Edition Title predictably features replaces the panoramic shots of New York City with shots of the cosmos acquired from NASA. | |
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NewsRadio | hasFeature |
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Standardized Space Views / int_b61c4182 | type |
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La oreja de Van Gogh: "Europa VII" has a doomed astronaut as a protagonist. As she ponders over religion, politics, and philosophy, there are times when she peeks at the slowly moving spacescape. The camera also pans to show a rocket-like spacecraft launching from a rocky planet and then flying through the stars. | |
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La oreja de Van Gogh (Music) | hasFeature |
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Standardized Space Views / int_c43df4d8 | type |
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Doctor Who: The rocky, barren planet Skaro seen from outer space is the final shot of the episode "The Space Museum". | |
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Doctor Who | hasFeature |
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Standardized Space Views / int_e2b3cc8a | type |
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To Boldly Flee: The shaky-cam zoom on Terl and Zod's ship in the middle of the fleet is exactly like a standard space shot from a run-of-the-mill Sci-Fi series. | |
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To Boldly Flee (Web Video) | hasFeature |
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Standardized Space Views / int_f3ef0f86 | type |
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Artemis Fowl: The graphic novel first begins with an orbital shot of the planet alongside an introduction from Artemis. | |
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Artemis Fowl | hasFeature |
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