...it's like TV Tropes, but LINKED DATA!
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- 246 statements
- 47 feature instances
- 7 referencing feature instances
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Usually we're meant to take character designs at face value but this is not the case. In-series characters see each other in a different way from how we see them, even ignoring art styles. | |
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Dropped link to InUniverse: Not an Item - FEATURE | |
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Dropped link to RightThroughTheWall: Not an Item - FEATURE | |
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DBTropes | |
| Stylized for the Viewer / int_22211d68 | type |
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| Stylized for the Viewer / int_22211d68 | comment |
In an episode of Bones the Victim of the Week, when we finally see her headshot objectively, is superficially similar looking to Brennan. However, Brennan sees her as her exact double and therefore so do we, until the end of the episode. When other characters look at the headshot they don't see any similarity, which confounds Brennan and confuses the viewer — since we see the headshot the way Brennan does. | |
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| Bones | hasFeature |
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The Simpsons characters have simplistic white eyeballs with a black dot pupil. However, their eye colours have been mentioned occasionally (for example, Lisa's are apparently blue). | |
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Reborn as a Vending Machine, I Now Wander the Dungeon: Despite being a vending machine, Boxxo is depicted in illustrations as having large human-like eyes — but only when seen from his perspective.His face just looks like the transparent glass you'd see on any real-life vending machine to everyone else In-Universe. | |
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Heroes: Whenever a character has the power of invisibility, the show goes back and forth between showing them as if they were visible, and showing what everyone In-Universe sees. In season 3, when Peter is trapped inside the body of a Primatech prisoner, the audience sees Peter, while everyone In-Universe sees Jesse. In the DVD audio commentary, the creators said it was an intentional Shout-Out to Quantum Leap. | |
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Genocide Man: The titular Super Soldiers are drawn with all-white eyes. In-universe, their eyes are normal, just so unfathomably cold and dead from witnessing decades of atrocities that at least one character thought they were cyber-augments because they didn't think human eyes could look like that. | |
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| Genocide Man (Webcomic) | hasFeature |
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Calvin and Hobbes: Hobbes looks like a Funny Animal tiger to Calvin, but a plush toy to everyone else. Whether Hobbes only comes to life when he's alone with Calvin or is Invisible to Normals is left for the reader to decide, and is one of the reasons given by Bill Watterson for not allowing merchandising or adaptations. | |
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| Calvin and Hobbes (Comic Strip) | hasFeature |
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SCP Foundation: It is supposed to be impossible to photograph Dr. Alto Clef's face. His official profile photo shows him with a spider's head, but he apparently appears human in-universe. | |
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Skull-face Bookseller Honda-san is a semi-autobiographical manga about employees at a bookstore. To protect their anonymity, the author not only changes all names, but draws herself as a living skeleton and the others as always wearing bizarre masks. No one ever reacts to any of this, and the series is otherwise entirely mundane. | |
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Subverted with The Powerpuff Girls. Multiple jokes and references make it clear they really don't have digits or noses, and have freakishly large, bug-like eyes. In fact, they're ostracized by their classmates for this very reason. | |
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In the Splinter Cell series, Sam Fisher is usually depicted with his signature glowing green Night-Vision Goggles, sometime combined with other green lights. Clearly this is purely for the player's benefit, as constantly emitting bright lights would be counterproductive to Sam's line of work. | |
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Chibi-Neko from The Star of Cottonland is a regular kitten, and the human characters treat her as one, but she's only ever depicted to the audience as a Cat Girl due to her strong desire to become human. | |
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Homestuck: Andrew Hussie has stated that the comic's artwork is merely stylistic representations of the characters that don't accurately portray their actual size, shape, or race. This makes sense regarding the sprites, which are obviously stylised Graphics-Induced Super-Deformed-style depictions, but this trope apparently holds true even for the 'hero mode' images where the characters are drawn with still cartoony but more realistic proportions. As a result, it's very easy to find wildly differing character designs for the characters in fan works that share only the most basic identifying details. | |
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So I'm a Spider, So What?: The protagonist is reborn in the body of a Giant Spider, but she is presented in illustrations and in the manga and anime adaptations with big, cute eyes, a humanoid mouth, and anthropomorphized movement using her frontal legs as arms. The viewers are led to believe this is her true appearance, or at least never encouraged to think about it. However, whenever the story is shown from someone else's perspective, it's revealed that she is actually as monstrous as the other spiders, and her cute traits are just there to make her more endearing to the viewer. | |
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Subverted in Higurashi: When They Cry when it comes to Rika's voice. Despite being under thirteen, she can sound like an adult when she becomes serious or solemn. It turns out the voice changes happen in-series, but her friends ignore them. | |
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Quantum Leap: Possibly the Trope Codifier. In both the original and the revival whenever the protagonist inhabits a new body, the audience sees the protagonist, while everyone else sees the body they are inhabiting. The audience only gets to see the host body in reflections. | |
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Kaguya-sama: Love Is War: One of Kaguya's "personalities" is Kaguya-chan, a version of her that acts very cutely and childishly thanks to feeling a strong sense of happiness and escapism (plus sleep deprivation). She's drawn in a Super-Deformed art style, making her look much smaller and child-like; the narrator however lampshades that this trope is in effect and to everyone else she just looks like an absent-minded Kaguya. Taken to a hilarious degree when Shirogane copies her in an attempt to communicate with her — at first the audience sees two adorable Super-Deformed characters repeating each other's names, but then Cutting Back to Reality shows Iino bewildered by two young adults waving their arms around like goons. | |
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In Wonder Woman 1984, Diana wishes for her lost love, Steve Trevor, to come back to life, and he does so by possessing another man's (played by Kristoffer Polaha) body. While Diana and the audience see him as, well, Steve, everyone else in-universe see the man in his original appearance. | |
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Star Trek: Deep Space Nine: Discussed when an anomaly traps Sisko, Dax, Garak, and Odo in a Shared Dream in which they are playing the role of people Odo wrongfully arrested. Garak shoots down one of Dax's theories by pointing out that this trope can't work In-Universe. | |
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Gems in Steven Universe cannot shapeshift their gemstones like the rest of the bodies. However, when they fuse together to make much larger individuals, the gemstones appear to grow along with them (for instance, Jasper's gem seems to grow from a few inches to bigger than a watermelon when she forms Malachite). The show's staff have specified they're not literally changing size, it's purely so they stay visible when they size-shift. | |
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Chainsaw Man: The ringed eyes that mark the Horsemen of the Apocalypse are not visible or noteworthy to other characters—not even to each other, since Yoru (the War Devil) does not recognize Fami (the Famine Devil) despite seeing her face drawn with the same eyes. | |
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Gokicha: The eponymous protagonist is depicted as a cute human(oid) girl with only the antennae and outer wings of a cockroach. The in-story human characters, however, see her as a a regular Creepy Cockroach and react accordingly. | |
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Spoofed on 30 Rock when new high-definition cameras are put in that show the characters in greater detail. Liz and Lutz look old and wrinkly, Kenneth is a Muppet, and Jack looks like a younger Alec Baldwin. | |
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| 30 Rock | hasFeature |
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All blood in Danganronpa is colored hot pink, but it's still described as red in dialogue (This was explicitly done to avoid a restricted CERO Z rating when the game released in Japan, considering just how gore-splattered the games can get.) It's also fair to assume that the adult citizens of Towa City in Danganronpa Another Episode: Ultra Despair Girls aren't actually blue and pink silhouettes, and that minor characters in Danganronpa 3: Despair Arc don't have translucent blue heads. | |
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Master Detective Archives: Rain Code uses this trope as an important plot point. The pink blood is not just an artistic choice like in Danganonpa — it's just as weird in universe as in real life. | |
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In Nebula, the characters (who are the Anthropomorphic Personifications of various planets) are all depicted to the viewer as having Non Human Heads of what they personify, though they apparently all have regular faces and can read each other's expressions just fine. | |
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Pyramids: The embalmers explain to the apprentice that their clients' representations are always touched up to remove imperfections. | |
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Jujutsu Kaisen: It's a very good thing that Sukuna has no interest in subtlety, because while his Facial Markings and extra eyes are an obvious sign to the audience that he's taken over Yuji, the other characters can't see them or hear the change in his voice. As far as they're concerned, he still looks and sounds just like Yuji. | |
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Thigh High: Reiwa Hanamaru Academy: The manga is a typical moe Gag Series, but all the cute girls the show would focus on are now boys ranging from Hunks to Bishōnen, though they still wear things like bras, panties, and skirts. It's unclear whether the characters are actually women being drawn as men for the benefit of the audience, or if the story is set in a world with very different gender roles (despite the characters' feminine clothing and mannerisms, they still have traditionally masculine given names). | |
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Angus Og: Played with in the "Flatter-matic" camera plotline, where the camera prints out pictures that look more realistic than the usual caricature art-style. The characters get confused, and the reader is supposed to think it is because of the style switch — but then, it turns out that these pictures are just incredibly flattering. | |
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God of War: The comic book-inspired Greek Saga has its protagonist Kratos as a 7'6" behemoth with a cinderblock jawline, chalk-white skin, and blades as long and thick as his arms. The Norse Saga, however, shifts to a much more realistic art style. Kratos now stands at 6'4" (taller than average, but not an outright giant like before), his features are less exaggerated, his skin is a little pinker, and his blades are now smaller with a more grounded design. | |
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Oshi no Ko uses pupils drawn like six-pointed stars to represent a form of eerie beauty and charisma that borders on the supernatural. Ai always had both eyes drawn that way, while her two children Aqua and Ruby start out have one eye each the same, but it's shown to vary depending on how someone present themselves. Akane gains the same eyes by imitating Ai for her public persona, Aqua loses his when he believes his revenge quest has been completed, and Ruby gains a second when she becomes far more manipulative after seeking revenge herself. In-series, such eyes are mentioned as having a distinct look, but nothing that obviously links people together, nor are they limited to one family. | |
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JoJo's Bizarre Adventure: Although Koichi Hirose is canonically 157cm (roughly 5'2"), he is always presented to the audience as being comically short, sometimes barely taller than the protagonist's knees. This same effect also happens to villains who have been beaten and are no longer a threat; they start out as normal-sized, but after their defeat, they shrink to be even slightly shorter than Koichi. | |
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In Ava's Demon, the Hosts don't have strangely-shaped irises in-universe; they're just drawn like that to indicate to the viewer of their true nature. | |
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SpongeBob SquarePants: Squidward is typically a Half-Dressed Cartoon Animal (except on occasion where he may have a different clothing). His genitals are never seen. A few episodes play with this, such as in "Bossy Boots", where Squidward is so outraged by Pearl's drastic changes to the Krusty Krab that he tears off his uniform, only for a police officer to immediately walk over, write him up for public indecency, and stick the ticket on his crotch. | |
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Some dialogue in Animal Crossing implies that female villagers wear skirts, despite the fact they are all bottomless and only have long shirts on. On the other hand, dialogue also has villagers acknowledging that they are Half Dressed Cartoon Animals. | |
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It's implied in Drowtales that the glow of tainted eyes, and the white spirals seen in the eyes of certain characters who are tainted in a specific way, aren't visible to the other characters are and purely for the reader's benefit. This is most obvious when shapeshifter Ariel pretends to be her crazy half-sister Kalki and changes her eye color to red, but lacks the glow and spirals; no one except Kiel (who not only has them but has fourth-wall knowledge) seems to notice this. For comparison, the red glow seen in the pupils of all drow was originally thought to be this until another character specifically pointed it out in the eyes of Liriel, who looks like a dark elf but has a drow's glowing eyes, meaning it's likely eyeshine. | |
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At points in Blade Runner, the eyes of Replicants (and other artificial life-forms, like the owl) are seen to glow unnaturally. The director has said that this is a stylistic effect and is not visible to the other characters in-universe. | |
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The characters of Free Collars Kingdom are regular stray cats, and they're viewed and treated as such by the humans they interact with, but the cats see each other as catboys/catgirls. | |
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Subverted in Ed, Edd n Eddy, which frequently jokes and implies that the characters aren't stylized and really are supposed to look exactly the way they're drawn. The most obvious example comes in "O-Ed Eleven", when Ed picks up the Smart Ball to figure out that Eddy's head in profile forms the basis for a treasure map, with the three black dots behind Eddy's temple filling in for a neighborhood landmark and the little indented "x" in his ear denoting the spot where the treasure is buried. | |
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In Demon Slayer: Kimetsu no Yaiba, the various Breathing styles of swordfighting used to fight demons are named and themed after various elements, and their techniques are visually depicted as though the characters are manipulating those elements (i.e., Water Breathing techniques are often shown with water swirling around the sword's blade). However, it's been confirmed that none of the demon slayers actually have any Elemental Powers, and the elemental effects are purely for visual flair. | |
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South Park often jokes that the choppy, cutout animation is only perceived by the audience, and the characters see themselves as real people. The ninth season's Free Willzyx features a Fourth-Wall Portrait of the boys◊, and the eighteenth season's Grounded Vindaloop ends in a Medium-Shift Gag where the live-action boys suggest the South Park animation style is just crummy graphics in a virtual reality setting. There are exceptions, like the freshly-shaved boys being unable to distinguish one another in Super Best Friends, which are done for Rule of Funny. | |
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The Nakano sisters of The Quintessential Quintuplets have their whole gimmick based on the fact that no one can tell them apart, even though they have different hair colors, hairstyles and voices. As such, their having different hair colors is only for the reader's convenience; in-universe their hair is meant to all be the same reddish shade. | |
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In the animated adaptation of Grandmaster of Demonic Cultivation: Mo Dao Zu Shi, when the deceased protagonist Wei Wuxian is summoned back to earth, his new body (which belonged to the man who summoned him, Mo Xuanyu) looks nearly identical to his old body in his first life (the only differences being the shorter hair and the smaller, less muscular build). This is solely for the audience's convenience — In-Universe, the two men do not resemble each other and everyone who previously knew Wei Wuxian do not recognise him in his new body. | |
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Panty & Stocking with Garterbelt uses so many different styles that it's an impossibility to decide which one is the "true" one. | |
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Shinigami eyes in Death Note are red eyes characters receive when they take a Deadly Upgrade. Word of God is that it's stylistic, and that their eyes don't change color In-Universe. | |
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Amphibia has a brief gag that implies that the show's various Frog Men bear a far greater resemblance to actual frogs than the show's simplified artstyle suggests. | |
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Often on How I Met Your Mother Older Ted confesses that things look different in his flashbacks because that's how it seemed to him at the time, or to reflect the Blatant Lies Future-Ted is telling his children. When Robin dated an older man, he is first introduced as being in his late forties, but then Older Ted says that to him and his friends he looked much older, and the boyfriend appears as a senior for the rest of the episode. When Robin and Barney were at the end stage of their relationship, Older Ted admits that they only let themselves go a little, but to the gang (and by extension the audience) Robin appears haggard and Barney is morbidly obese. Whenever Ted and his friends are smoking marijuana, he tells his kids they were eating sandwiches. The audience sees them eating sandwiches. When Ted’s neighbors are having loud sex, he tells his kids they were playing the bagpipes. The audience hears bagpipe music. |
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