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The Not-Remix
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The Not-Remix is different from what people think of when they hear the term "remix". This type of remix doesn't set out to add a new backing track to pre-existing vocals, but is extremely similar to the original song. In fact, some people may not even realize that it is a remix. And that's the point. These remixes aren't made to be different; they're made to be "better" than the originals. You may ask, "Why? What's the point?" Basically, to take advantage of modern technology, as well as fix or change around Gratuitous Panning and engineering errors that you couldn't at the time through modern technology. A song only available in mono could now be remixed into stereo, for example (if the original multi-track tapes are available). Or the original master tapes might be lost or damaged, so remixing might be the only way to get the song in optimal sound quality. When done right, these new mixes can give new life to old recording, as well as bring them up to more modern quality and mixing standards. On the other hand... Of course, this is controversial if the new mixes are to replace the original ones, and can lead to a Keep Circulating the Tapes scenario for fans of the original mixes. Another point of contention with music fans is when these types of remixes are not advertised as such; do they really think we are going to look at the copyright information on the back to make sure it's the original mixes? For remixes that are intended to substantially change the content of the music, see Rearrange the Song and Remix Album. See also Remaster, for when the original is not altered but the presentation quality is improved. Compare with Shot-for-Shot Remake in film. Examples |
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| The Not-Remix / int_11c85b97 | type |
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| The Not-Remix / int_11c85b97 | comment |
Information Society's original independent label release of "Running" had rather poorly-performed chorus vocals, so they pulled it shortly afterwards and hired freestyle DJ-producer Joey Gardner from Tommy Boy Records to remix it, completely reworking the chorus. The only other differences in this version are the slightly tweaked intro and ending. Their 1988 Self-Titled Album and all subsequent issues use the remix. | |
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| The Not-Remix / int_16db25b9 | type |
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Tracy Lawrence's Then & Now: The Hits Collection features re-recordings of his greatest hits done to match the originals as closely as possible (despite his Vocal Evolution). This was done because said hits were when he was on Atlantic Records, while the album itself was on Mercury Records. | |
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On John Denver's first 2 Greatest Hits album, he re-recorded any song that was not a major hit for him although other artists often covered the songs and made them hits, and in the case of the first volume of Greatest Hits from 1973, the re-recordings are often much preferred by many fans over the originals. Only the 3rd volume of Greatest Hits consisted of 100% original recordings among the original 3 Greatest Hits collections. The original recordings that appear on the first 2 volumes of Greatest Hits were the major hits. More comprehensive compilations spanning his career on RCA such as single CD compilations (e.g. Definitive All Time Greatest Hits, Greatest Country Hits), 2 CD compilations (e.g. Rocky Mountain Collection, The Very Best of John Denver comp on Heartland Music, the Sony/Legacy Essential John Denver, etc.), boxed sets (e.g. The Country Roads Collection, All of My Memories) revert to 100% originals. The Song's Best Friend compilation issued in the United Kingdom consists of all remixes of many of his biggest hits. | |
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Many compilations of Neil Diamond's hits do contain re-recordings or live recordings in some manner. On comprehensive compilations that were issued by Columbia that claimed to span his career, often times, only the 1960s hits on Bang Records and the 1970s-1980s hits on Columbia are originals while those on Uni/MCA were live recordings, and on MCA issued comps such as Glory Road, the songs from the Bang era are live versions. On original vinyl issues and 1996 CD issues of his best selling "His 12 Greatest Hits," Sweet Caroline and Holly Holy are represented by live versions while on the Half Speed Mastered LP and the 1985 CD issue of it, Sweet Caroline and Holly Holy are the originals with some remixing done. There have been multiple mono and stereo mixes of the Bang recordings that were done in the 1960s that each compilation of this era of his work on LP either has mono mixes, stereo LP versions, first time stereo mixes for songs never released in stereo, etc. The only comprehensive compilations that uses all of the originals of everything are the "In My Lifetime" boxed set issued by Columbia and the 50th Anniversary Collection issued by Capitol. | |
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Trisha Yearwood's Greatest Hits album PrizeFighter had all of the songs re-recorded, not only because she was on another label (RCA Records) than the one on which she had her big hits (MCA), but also because she wanted to remove some "dated" production styles, such as the reverb on "Walkaway Joe", but otherwise keep the recording close to the original. | |
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Three of Ozzy Osbourne's albums have been remixed: The '02 reissues of Blizzard of Ozz and Diary of a Madman had the original drums and bass parts replaced. This was so Ozzy could avoid paying royalties to Lee Kerslake (Drums) and Bob Daisley (Bass), who sued him for unpaid royalties back in '86. Many fans were ... 'displeased'. The 2011 reissues restored the original drum and bass parts "Bark at the Moon" was also remixed in 2002. Some guitar parts are missing. What? |
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Harry Nilsson's Aerial Pandemonium Ballet consists of not-remixes of songs from his first two proper albums, Pandemonium Shadow Show and Aerial Ballet: Said albums had fallen out of print, but Nilsson opted to tweak songs from both albums and combine the results rather than do a straight reissue, feeling the production had already become dated in the few years since the original releases. Some vocals were re-recorded, but otherwise nothing new was added to the songs, which were instead remixed, slowed down, edited or some combination thereof. | |
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Rush's 2002 album Vapor Trails was highly criticized as being a casualty of the Loudness War, which is why it was remixed from the original masters to give it better dynamic range and re-released in 2013, including a vinyl pressing. | |
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Die Krupps' Greatest Hits album Too Much History consists primarily of this. Jürgen Engler said this was because he felt unsatisfied with the older versions, and that it would be more fair to the fans to give them some new material. | |
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The Replacements included a new mix of the album Don't Tell A Soul on the box set Dead Man's Pop — the original version of the album was criticized by many (including the band themselves) for being too polished, so the remix removes some of the studio effects and even uses earlier, rougher takes of the songs. | |
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The version of Frankie Goes to Hollywood's "Relax" that reached #5 in 1993 (widely nicknamed the "Classic 1993 Version", to promote a Greatest Hits Album) has a similar-but-not-identical backing track when compared to the 7" version. | |
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"Meant To Be" by Bebe Rexha featuring Florida Georgia Line was given a slightly different mix for top 40 radio: Most notably, the regular version has Florida Georgia Line singing the whole first verse together and Bebe Rexha taking lead starting with the second verse, but for the "pop" version, Rexha sings both verses, with Florida Georgia Line's part being effectively reduced to backing vocals. | |
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"The Good Life" and "Pink Triangle" were given a slight remix for the singles — the latter included newly recorded bass guitar part, played by someone from outside the band: It was decided the bassline needed some revising, but usual bassist Matt Sharp wasn't available due to work with his other group The Rentals, so Scott Riebling of Letters to Cleo filled in. | |
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Ed Sheeran's hit single "Shape of You" has two versions with the exact same instrumental: one with just Ed, and another with a rapped second verse by the British rapper Stormzy, which also includes a shared bridge between the duo. | |
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The Rise and Fall of Ziggy Stardust and the Spiders from Mars got one in 2003 by producer Ken Scott; it was first included on an audio DVD as part of the 40th anniversary re-release of the album, before later being included on CD with the Five Years [1969-1973] Boxed Set. | |
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Sgt. Pepper's Lonely Hearts Club Band had a notoriously bad stereo mix, so it was given a brand new stereo mix in 2017 by George Martin's son Giles (George had already been dead for a year), using newly digitized first-generation tapes. This resulted in a modern-sounding stereo composition. The result was very-well received, so much so that similar 50th anniversary remixes were given to The White Album, Abbey Road and Let It Be (which did have more well-planned-out stereo mixes on their original releases, making the decision to remix them a bit odd beyond being standard Milestone Celebration fare). Revolver also received a remix in 2022 not tied to any anniversary celebration, this time using AI separation technology developed for The Beatles: Get Back. | |
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Donovan's best-selling Greatest Hits from 1969 included updated for the time re-recordings of his Pye/Hickory hits "Catch The Wind" and "Colours," until the 1999 remastered and expanded reissue which reverts to the original Pye/Hickory recordings of those 2 tracks being licensed from Sanctuary and adds 4 more songs that charted after the compilation originally came out. This compilation is also notable for including the full length "Sunshine Superman" in stereo at 4:32 while the original mono single, which appears on the Sunshine Superman album, is 3:15. | |
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The US version of the band's self-titled debut album, remixed by acclaimed audio engineer Al Schmitt for A&M Records, features a punchier equalization and added reverb. "Tong Poo" has Minako Yoshida's vocals from the "Special DJ Copy" restored, the synth organ in "Bridge over Troubled Music" takes up the whole song instead of just the latter half, extra percussion and piano parts are added to it and "Mad Pierrot" (respectively), and the inter-track transitions on side two are altered. Notably, the band seems to have accepted this version of the album as the canonical one, prioritizing it over the Japanese one in most reissue campaigns. | |
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Michael Sembello's "Maniac", originally released on his album The Bossa Nova Hotel, was retooled slightly for the Flashdance soundtrack. | |
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Lodger got a not-remix in 2017 from producer Tony Visconti exclusively for the A New Career in a New Town [1977-1982] Boxed Set. Unlike previous examples, this particular not-remix had some heavier and more noticeable alterations from the original release. Visconti attests that the 2017 remix was meant to better realize his original vision for the album's production. | |
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Station to Station received a not-remix in 2010 from producer Harry Maslin, included on an audio DVD as part of the album's Deluxe Edition release that year. It was later released on CD as part of the Who Can I Be Now? [1974-1976] Boxed Set. | |
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A stereo and 5.1 remix of Pink Floyd's Animals was also done in 2018, but its release was delayed until 2022 due to disputes between Roger Waters and David Gilmour. | |
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Most of The Who's catalog was remixed in the mid 1990's, either for the 1994 boxset Thirty Years of Maximum R&B, the 1996 compilation My Generation - The Very Best Of The Who, and/or individual album reissues during that period. Most notably, the two F-bombs in the song "Who Are You" are much more audible in the '96 remix; they were obscured by quickly lowering the vocals and raising the drums in the original mix. Compilations starting from the early 2000's and later deluxe editions of the albums reverted to the original mixes, but the standard single CD releases and digital/streaming releases outside the iTunes Store and Apple Music still use the 1996 remixes. | |
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Help! and Rubber Soul were remixed for their original CD releases in 1987 by George Martin, who considered the original stereo mixes of these albums experimental and not very good (a consensus shared by fans as well). He had intended to remix the first four albums as well, but was not given enough time to by EMI, leading those albums to receive mono releases only. When The Beatles' catalog was remastered in 2009, the 1987 George Martin remixes were used for the stereo version of the albums; the original stereo mixes showed up as 'bonuses' on the mono discs. | |
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The Stooges (Album): John Cale originally planned to use a different mix from what ended up on the final release of the album, but it was rejected by the record company. However, it would later appear on reissues of the album alongside the mix from the original 1969 release. | |
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Pet Sounds by The Beach Boys was originally released in Mono. It has been remixed several times: A new stereo mix was made in 1997, originally as a part of 'The Pet Sounds Sessions'. It was later released separately in 1999. The album was re-released in 2001 with a new stereo mix, the original mono mix and a bonus track. This remix is based on the one in 1997, but with a few differences; certain vocal parts that were missing from the original multi-tracks were 'extracted' from the original mono mix and integrated them into the stereo mixes. A new mono mix was made in 2006 for the 40th Anniversary Edition of Pet Sounds (CD + DVD). The DVD also contains stereo and surround sound mixes. |
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Twisted Sister's 2004 album "Still Hungry" is a rerecording of their 1984 Breakthrough Hit "Stay Hungry", featuring some unreleased material and a musical sound that is meant to be truer to their original vision with less Hair Metal glam. | |
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Different versions of Aerosmith's "Don't Wanna Miss A Thing" single had a "rock remix" of either the title song or Nine Lives album track "Taste Of India" as one of its two B Sides. Both eliminate the orchestral elements of the songs and turn the guitar tracks up. It's more noticeable in "I Don't Wanna Miss A Thing", especially because the intro of the Armageddon soundtrack version is entirely played by an orchestra, so the "rock remix" just edits that section out and has a Lyrical Cold Open instead. | |
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The 2008 Genesis remasters. The mixes brought a lot of softer parts out (the counter-melody lyrics at the end of "Lilywhite Lilith", for example. It especially takes "The Battle of Epping Forest" much further away from Ending Fatigue than the original CD release), but the mixes are quite controversial among Genesis fans due to their compressed mastering and liberties with the original mixes (including alternate vocal takes in some places on the Gabriel albums). | |
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Steven Wilson has become known for his modern remixes of many legendary progressive rock albums, notably Jethro Tull’s Aqualung and Yes’ Tales From Topographic Oceans. | |
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In 2023, Max and Igor Cavalera released re-recordings of Sepultura's first EP and studio album respectively, Bestial Devastation and Morbid Visions under the "Cavalera" name, itself an alternate name for their current group Cavalera Conspiracy. | |
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Early CD releases of BGM (including the 1992 Restless CD, which to this day is still the only US CD release of the album) featured a slightly altered mix on the track "Happy End", in which the metallic sound that appears in the second half of the song comes in cold rather than gradually fading in. The original LP mix of the song would not appear on CD until the 1999 remasters of the band's back-catalog, and since then it has been standard across formats. | |
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Space Oddity received a not-remix for its semicentennial in 2019, once again at the hands of original producer Tony Visconti, who brought it more in-line with the Giles Martin remixes of The Beatles' latter-day output. | |
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Gordon Lightfoot's career-spanning compilation Gord's Gold. Released on Reprise in 1975, includes new recordings of songs he'd originally done at United Artists (such as "Canadian Railroad Trilogy", "Early Morning Rain", etc.) as not only does UA/Universal still own the 60s catalog, the sound of the 60s material didn't match the 70s catalog in style, and half original Reprise material including "If You Could Read My Mind," "Sundown," "Rainy Day People," "Carefree Highway" among other tracks. The 1988 compilation Gord's Gold Volume 2 contains the bulk of the material in re-recorded form, including "The Wreck of The Edmund Fitzgerald," with the 4 original recordings of classic recordings being "Make Way (For the Lady)," "Ghosts Of Cape Horn," "Baby Step Back," and "It's Worth Believin'." The Songbook boxed set and the Complete Greatest Hits compilations on Rhino revert to 100% originals, including the UA material being licensed from EMInote UA was bought by EMI, which was in turn bought by Universal., while The Complete Singles 1970-1980 on Real Gone Music features the A and B-Side of every charted single from that time span with all original versions. | |
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