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Hannah Diamond (Music)
- 104 statements
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Hannah Amond, known as her Stage Name Hannah Diamond, is an English singer, songwriter, photographer, and visual artist. She is a starting member of producer A.G. Cook's label PC Music, releasing several singles produced by Cook such as "Pink and Blue," "Every Night," "Hi," and "Attachment," which helped the label gain attention in the early 2010s. She released her debut album, Reflections in 2019, and her sophomore album Perfect Picture was released in 2023. Her music is Synth-Pop, Hyper Pop, and a little bit of Glitch.Her Signature Style, both in her music and her photography, is her focus on hyperreality, cuteness, and sleek, heavily-produced, synthetic qualities that just toe the line on becoming Uncanny Valley, combined with very sincere (almost primitive) lyricism. In addition to releasing music, she is also a photographer and visual designer, designing her own cover and promotional art, and occasionally provides artwork for other acts within the label. She considers both her musical and visual work to be interrelated, and treats the entirety of her persona as an "audiovisual experience." Imagine an A.I.-generated popstar—but with no A.I. involved, and you have Hannah Diamond.Discography Soon I won't see you at all (EP, 2017) Reflections (2019) Reflections Instrumentals (2019) Reflections Remixes (EP, 2020) Perfect Picture (2023) | |
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Dropped link to Trance: Not a Feature - ITEM | |
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Pink Is for Sissies | |
Hannah Diamond (Music) / int_10a1641d | comment |
Pink Is for Sissies: Subverted; Part of her ethos is taking often disrespected and dismissed aspects of pop culture (most things associated with girls), like girliness, kitschiness, plasticity, and saccharinity, and embraces them whole-heartedly. | |
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Poe's Law | |
Hannah Diamond (Music) / int_3950c1f0 | comment |
Poe's Law: She has such a hyper-polished and synthetic feel to her, with occasionally borderline-saccharine lyrics to boot. Off the mic, however, she's repeatedly shown to be rather candid about both the synthetic and sincere elements to her persona, lending a ton of credence that it's all pretty much to be taken at face value. | |
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Song Style Shift | |
Hannah Diamond (Music) / int_43d39d6b | comment |
Song Style Shift: A big one on "Concrete Angel." | |
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Uncanny Valley | |
Hannah Diamond (Music) / int_6b5a92dc | comment |
Uncanny Valley: Not nearly as much as, say, SOPHIE, but she certainly dances close to it, especially in her lyrics and vocal delivery. | |
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Remix Album | |
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Remix Album: One for Reflections, featuring remixes by Dylan Brady, Bladee, and umru. | |
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Hannah Diamond (Music) / int_74b7629c | type |
Instrumentals | |
Hannah Diamond (Music) / int_74b7629c | comment |
Instrumentals: Instrumental versions of her debut album are available on her Bandcamp. | |
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Second Love | |
Hannah Diamond (Music) / int_85ca9dab | comment |
Tracks like "Fade Away" and "Invisible." All of them are more bittersweet than outright sad as usually they find some kind of closure, such as in "Love Goes On" where — as the title implies — she finds solace in moving onto newer pastures. | |
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Spoken Word in Music | |
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Spoken Word in Music: A brief vocal snippet separates the two halves of "Concrete Angel." | |
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Silly Love Songs | |
Hannah Diamond (Music) / int_a040ed2e | comment |
Silly Love Songs: Taken to a degree that is so sincere you might mistake it for satire. Funnily enough, despite the hyper-real and post-ironic approach the rest of the label is soaked in, Hannah admits that they actually come from a place of genuine sincerity and heart. | |
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Plagiarism in Fiction | |
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Plagiarism in Fiction: Accused of this by fans of Zara Larsson, as the single art for "Poster Girl" bore resemblance to the cover of Larsson's debut album Picture Perfect. (Both feature Diamond/Larsson sitting in pink bedrooms with posters of themselves on the wall). Diamond acknowledged the overlap of their work, but said that the similarities were a mere coincidence. | |
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Break-Up Song | |
Hannah Diamond (Music) / int_b28a8d0a | comment |
Break-Up Song: Tracks like "Fade Away" and "Invisible." All of them are more bittersweet than outright sad as usually they find some kind of closure, such as in "Love Goes On" where — as the title implies — she finds solace in moving onto newer pastures. | |
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High-Powered Career Woman | |
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High-Powered Career Woman: One of the things written on her wall on "Affirmations." | |
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Color Motif | |
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Color Motif: Purple and pink, the latter especially, which fits with her hyper-feminine image. | |
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Last Note Nightmare | |
Hannah Diamond (Music) / int_bda474d2 | comment |
Last Note Nightmare: The last thirty seconds of "Concrete Angel." | |
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Perfection Is Impossible | |
Hannah Diamond (Music) / int_c232dbff | comment |
Perfection Is Impossible: The theme of Perfect Picture. Also a bit of a meta-ironic commentary on her own career as a photographer, which has a lot of emphasis on sleek, "perfect"-looking visuals. | |
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Helium Speech | |
Hannah Diamond (Music) / int_c52ac939 | comment |
Helium Speech: Several of her songs have her voice pitched up just enough to sound a little bit unnatural, such as on "Every Night." | |
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Spiritual Antithesis | |
Hannah Diamond (Music) / int_ce2969d8 | comment |
Spiritual Antithesis: To another PC Music affiliate, GFOTY. While Hannah Diamond warmly embraces kitschiness, girliness, and plasticity with full earnesty, GFOTY is an abrasive Satire of pop music and American culture, poking at the hollowness of it through an ironic Hard-Drinking Party Girl character. Hannah Diamond's beats are sugary sweet, while GFOTY's are bizarre and occasionally abrasive, which is also ironic since a good portion of both of their music was produced by the same person: A.G. Cook. | |
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Cover Version | |
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Cover Version: Of "Concrete Angel" by Gareth Emery and Christina Novelli, a Trance song from 2012. Also of A.G. Cook's "Superstar." | |
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