| | I Lombardi Alla Prima Crociata (Theatre) |
type |
TVTItem |
| | I Lombardi Alla Prima Crociata (Theatre) |
label |
I Lombardi Alla Prima Crociata (Theatre) |
| | I Lombardi Alla Prima Crociata (Theatre) |
page |
ILombardiAllaPrimaCrociata |
| | I Lombardi Alla Prima Crociata (Theatre) |
comment |
I Lombardi alla prima crociata (The Lombards at the First Crusade, premiered at Milan’s Teatro alla Scala on February 11, 1843) is an opera in four acts with music by Giuseppe Verdi and libretto by Temistocle Solera, based on an epic poem of the same name by Tommaso Grossi.The opera by and large follows the Folco family, a very messed-up Milanese Christian family including the patriarch Lord Folco, his sons Arvino and Pagano, Arvino’s wife Viclinda (with whom Pagano is desperately and unrequitedly in love), and Arvino and Viclinda’s daughter Giselda. They end up dealing with everything from internal conflicts to murder, kidnapping, true love, supernatural occurences, and of course, going on the First Crusade—which broadens the scope to include a Seljuk Muslim family whose path crosses with the Folco family’s in an unexpected way. By the end, pretty much no one comes out of this opera doing well, except maybe the larger Crusading force. But hey, at least we have some fantastic music and one of Verdi’s most moving tenor-soprano couples here. |
| | I Lombardi Alla Prima Crociata (Theatre) |
fetched |
2023-03-28T05:57:51Z |
| | I Lombardi Alla Prima Crociata (Theatre) |
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2023-03-28T05:57:51Z |
| | I Lombardi Alla Prima Crociata (Theatre) |
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Dropped link to HistoricalDomainCharacter: Not a Feature - IGNORE |
| | I Lombardi Alla Prima Crociata (Theatre) |
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Dropped link to PayingEvilUntoEvil: Not a Feature - UNKNOWN |
| | I Lombardi Alla Prima Crociata (Theatre) |
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PayingEvilUntoEvil |
| | I Lombardi Alla Prima Crociata (Theatre) |
isPartOf |
DBTropes |
| | I Lombardi Alla Prima Crociata (Theatre) / int_11efa116 |
type |
Prayer of Malice |
| | I Lombardi Alla Prima Crociata (Theatre) / int_11efa116 |
comment |
Prayer of Malice: these happen on both sides of the conflict against the other. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_11efa116 |
featureApplicability |
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| | I Lombardi Alla Prima Crociata (Theatre) / int_11efa116 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_11efa116 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_14108379 |
type |
Heal It with Water |
| | I Lombardi Alla Prima Crociata (Theatre) / int_14108379 |
comment |
Heal It with Water: the Crusaders are revived from near death by dehydration thanks to the revelation of a miraculous fountain of water (thank you, Giselda). |
| | I Lombardi Alla Prima Crociata (Theatre) / int_14108379 |
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| | I Lombardi Alla Prima Crociata (Theatre) / int_14108379 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
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I Lombardi Alla Prima Crociata (Theatre) / int_14108379 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_154aa477 |
type |
Big, Screwed-Up Family |
| | I Lombardi Alla Prima Crociata (Theatre) / int_154aa477 |
comment |
Big, Screwed-Up Family: and how! |
| | I Lombardi Alla Prima Crociata (Theatre) / int_154aa477 |
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| | I Lombardi Alla Prima Crociata (Theatre) / int_154aa477 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_154aa477 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_16364a29 |
type |
Evil Sounds Deep |
| | I Lombardi Alla Prima Crociata (Theatre) / int_16364a29 |
comment |
Evil Sounds Deep: played straight at first but later arguably subverted with Pagano, played straight with Pirro, arguably subverted with Arvino (a tenor) as the opera goes on. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_16364a29 |
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| | I Lombardi Alla Prima Crociata (Theatre) / int_16364a29 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
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I Lombardi Alla Prima Crociata (Theatre) / int_16364a29 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_17f88647 |
type |
Egocentrically Religious |
| | I Lombardi Alla Prima Crociata (Theatre) / int_17f88647 |
comment |
Egocentrically Religious: arguably Pagano. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_17f88647 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_17f88647 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
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I Lombardi Alla Prima Crociata (Theatre) / int_17f88647 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_19209d54 |
type |
Sibling Rivalry |
| | I Lombardi Alla Prima Crociata (Theatre) / int_19209d54 |
comment |
Sibling Rivalry: and how! Thank you, Sibling Triangle. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_19209d54 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_19209d54 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
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I Lombardi Alla Prima Crociata (Theatre) / int_19209d54 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1b8c7503 |
type |
The Exile |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1b8c7503 |
comment |
The Exile: Pagano, twice (before the opera starts and after Act I). |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1b8c7503 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1b8c7503 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_1b8c7503 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1ba17583 |
type |
The Ghost |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1ba17583 |
comment |
The Ghost: Lord Folco never sings or even really appears onstage. Well, except sometimes his dead body ends up onstage at the end of Act I. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1ba17583 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1ba17583 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
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I Lombardi Alla Prima Crociata (Theatre) / int_1ba17583 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1bc2eeb7 |
type |
Rivers of Blood |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1bc2eeb7 |
comment |
Rivers of Blood: No literal flood of blood ever appears in the opera, but Giselda accuses the Crusaders of shedding “rivers of blood” in the Act II finale. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1bc2eeb7 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1bc2eeb7 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_1bc2eeb7 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1d6befa7 |
type |
Revenge Ballad |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1d6befa7 |
comment |
Revenge Ballad: Pagano’s “O speranza di vendetta” in Act I and Arvino’s “Sì!... del ciel che non punisce” in Act III. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1d6befa7 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_1d6befa7 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
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I Lombardi Alla Prima Crociata (Theatre) / int_1d6befa7 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2139c878 |
type |
Church Militant |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2139c878 |
comment |
Church Militant: the Crusaders. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2139c878 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2139c878 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
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I Lombardi Alla Prima Crociata (Theatre) / int_2139c878 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_21d70919 |
type |
Crapsack World |
| | I Lombardi Alla Prima Crociata (Theatre) / int_21d70919 |
comment |
Crapsack World: pretty much the entire opera operates on Murphy’s Law. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_21d70919 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_21d70919 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
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I Lombardi Alla Prima Crociata (Theatre) / int_21d70919 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_224f98fa |
type |
It Sucks to Be the Chosen One |
| | I Lombardi Alla Prima Crociata (Theatre) / int_224f98fa |
comment |
It Sucks to Be the Chosen One: Giselda may have divine prophecies and visions revealed to her (in Acts II and IV respectively), but boy oh boy she suffers a lot for it. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_224f98fa |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_224f98fa |
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| | I Lombardi Alla Prima Crociata (Theatre) |
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I Lombardi Alla Prima Crociata (Theatre) / int_224f98fa |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2439b588 |
type |
As the Good Book Says... |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2439b588 |
comment |
As the Good Book Says...: sort of. The papal justification of ‘Deus vult!’ {"God wills it!") is used by the Crusaders constantly to justify their actions. Subverted by Giselda, who emphatically declares at the end of Act II that God does not will it. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2439b588 |
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| | I Lombardi Alla Prima Crociata (Theatre) / int_2439b588 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_2439b588 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_27ab0123 |
type |
Offing the Offspring |
| | I Lombardi Alla Prima Crociata (Theatre) / int_27ab0123 |
comment |
Offing the Offspring: Arvino attempts this at the end of Act II, but Pagano (as the Hermit) intervenes to save Giselda’s life. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_27ab0123 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_27ab0123 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_27ab0123 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2b9e3fb0 |
type |
Give Me a Sign |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2b9e3fb0 |
comment |
Give Me a Sign: Giselda asks the Celestial Paragons and Archangels to do this at the beginning of Act IV. It works. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2b9e3fb0 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2b9e3fb0 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
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I Lombardi Alla Prima Crociata (Theatre) / int_2b9e3fb0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2f94135c |
type |
Thou Shalt Not Kill |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2f94135c |
comment |
Thou Shalt Not Kill: Giselda is a massive proponent of this, which does not exactly make her popular with the people from home. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2f94135c |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_2f94135c |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_2f94135c |
| | I Lombardi Alla Prima Crociata (Theatre) / int_322426f8 |
type |
Not Good with Rejection |
| | I Lombardi Alla Prima Crociata (Theatre) / int_322426f8 |
comment |
Not Good with Rejection: Pagano, and how. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_322426f8 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_322426f8 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_322426f8 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_328445e |
type |
Holy Water |
| | I Lombardi Alla Prima Crociata (Theatre) / int_328445e |
comment |
Holy Water: this from the River Jordan comes in handy when Oronte asks to be baptized into Christianity before his imminent death in Act III. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_328445e |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_328445e |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_328445e |
| | I Lombardi Alla Prima Crociata (Theatre) / int_33d5b7f2 |
type |
Adapted Out |
| | I Lombardi Alla Prima Crociata (Theatre) / int_33d5b7f2 |
comment |
Adapted Out: In the original poem, Giselda has a brother named Gulfiero, who eventually discovers his sister’s dead body in the desert (although she is Spared by the Adaptation). However, Gulfiero is cut from the opera, and it is implied that Giselda is an only child. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_33d5b7f2 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_33d5b7f2 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_33d5b7f2 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3498cb66 |
type |
Love-Obstructing Parents |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3498cb66 |
comment |
Love-Obstructing Parents: Arvino, and how! |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3498cb66 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3498cb66 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_3498cb66 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3577923b |
type |
Murder by Mistake |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3577923b |
comment |
Murder by Mistake: Pagano accidentally commits Patricide by killing his own father at the end of Act I while trying to kill his brother. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3577923b |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3577923b |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_3577923b |
| | I Lombardi Alla Prima Crociata (Theatre) / int_373e2b9f |
type |
Murder the Hypotenuse |
| | I Lombardi Alla Prima Crociata (Theatre) / int_373e2b9f |
comment |
Murder the Hypotenuse: Pagano tried to kill Arvino before the opera began in order to get Viclinda. He tries again in the last scene of Act I. It does not go well. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_373e2b9f |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_373e2b9f |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_373e2b9f |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3866ab91 |
type |
Deceased Parents Are the Best |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3866ab91 |
comment |
Deceased Parents Are the Best: Viclinda, after Act I. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3866ab91 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3866ab91 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_3866ab91 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3947a03f |
type |
Celestial Paragons and Archangels |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3947a03f |
comment |
Celestial Paragons and Archangels: Giselda is granted a vision of them at the beginning of Act IV. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3947a03f |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3947a03f |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_3947a03f |
| | I Lombardi Alla Prima Crociata (Theatre) / int_39f43252 |
type |
Villainous Lament |
| | I Lombardi Alla Prima Crociata (Theatre) / int_39f43252 |
comment |
Villainous Lament: ”Ma quando un suon” (Pagano’s Act II aria). |
| | I Lombardi Alla Prima Crociata (Theatre) / int_39f43252 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_39f43252 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_39f43252 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3b0bd0ab |
type |
Thirsty Desert |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3b0bd0ab |
comment |
Thirsty Desert: the desert outside of Jerusalem in Acts III and IV. This presents a bit of a problem for the Crusaders until Giselda saves the day. See Heal It with Water on this page. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3b0bd0ab |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3b0bd0ab |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_3b0bd0ab |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3c502b7c |
type |
Desert Warfare |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3c502b7c |
comment |
Desert Warfare: given the setting, there is a lot of this. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3c502b7c |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3c502b7c |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_3c502b7c |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3f11ef74 |
type |
Parental Substitute |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3f11ef74 |
comment |
Parental Substitute: Sofia does her darndest to be this for Giselda, but it never really works. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3f11ef74 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3f11ef74 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_3f11ef74 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3ff34221 |
type |
To Hell and Back |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3ff34221 |
comment |
To Hell and Back: In Act III, Arvino says that he would even go into hell itself in order to find and kill Pagano. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3ff34221 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_3ff34221 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_3ff34221 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_40cc0c7e |
type |
Bittersweet Ending |
| | I Lombardi Alla Prima Crociata (Theatre) / int_40cc0c7e |
comment |
Bittersweet Ending: if you’re viewing this from the POV of the Crusaders, who took Jerusalem like they wanted to the entire opera, the ending is this. If you’re viewing this from the POV of Giselda or anyone on the other side of the conflict…this is more of a Downer Ending. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_40cc0c7e |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_40cc0c7e |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_40cc0c7e |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4170e68d |
type |
Massive Multiplayer Ensemble Number |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4170e68d |
comment |
Massive Multiplayer Ensemble Number: there are several of these, most notably two in Act I. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4170e68d |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4170e68d |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_4170e68d |
| | I Lombardi Alla Prima Crociata (Theatre) / int_423f5a19 |
type |
Killed Offscreen |
| | I Lombardi Alla Prima Crociata (Theatre) / int_423f5a19 |
comment |
Killed Offscreen: Viclinda, Acciano, and Sofia all befall this fate. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_423f5a19 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_423f5a19 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_423f5a19 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_424feb18 |
type |
That Was Not a Dream |
| | I Lombardi Alla Prima Crociata (Theatre) / int_424feb18 |
comment |
That Was Not a Dream: Giselda after her vision in Act IV, Scene 1. Hell, the cabaletta she sings about it is literally called “Non fu sogno!” (“It was not a dream!”). |
| | I Lombardi Alla Prima Crociata (Theatre) / int_424feb18 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_424feb18 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_424feb18 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_430e801c |
type |
Instant Oracle: Just Add Water! |
| | I Lombardi Alla Prima Crociata (Theatre) / int_430e801c |
comment |
Instant Oracle: Just Add Water!: inverted. Giselda is given a vision in which she is told where to get water to save the Lombards from death by dehydration. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_430e801c |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_430e801c |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_430e801c |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4364fe24 |
type |
Ethereal Choir |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4364fe24 |
comment |
Ethereal Choir: the Nuns’ Chorus in Act I and the Angels’ Chorus in Act IV. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4364fe24 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4364fe24 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_4364fe24 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_437820dc |
type |
Villainous Crush |
| | I Lombardi Alla Prima Crociata (Theatre) / int_437820dc |
comment |
Villainous Crush: Pagano for Viclinda. This will cause a lot of problems and at least one death. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_437820dc |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_437820dc |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_437820dc |
| | I Lombardi Alla Prima Crociata (Theatre) / int_437cbac5 |
type |
Sound Off |
| | I Lombardi Alla Prima Crociata (Theatre) / int_437cbac5 |
comment |
Sound Off: The Crusaders apparently use a lot of military music and songs, as written by Verdi to be played by an offstage band. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_437cbac5 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_437cbac5 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_437cbac5 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_44cdd259 |
type |
War Is Glorious |
| | I Lombardi Alla Prima Crociata (Theatre) / int_44cdd259 |
comment |
War Is Glorious: the Lombards for basically the entire opera. They sing a couple of Crowd Songs about it. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_44cdd259 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_44cdd259 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_44cdd259 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_477bc5c4 |
type |
Go and Sin No More |
| | I Lombardi Alla Prima Crociata (Theatre) / int_477bc5c4 |
comment |
Go and Sin No More: the people of Milan to Pagano at the end of Act I. However, it should be noted that there is a heavy element of Cruel Mercy injected into this. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_477bc5c4 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_477bc5c4 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_477bc5c4 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48b9731f |
type |
Paper-Thin Disguise |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48b9731f |
comment |
Paper-Thin Disguise: inexplicably, absolutely no one recognizes Pagano as the Hermit for well over a year, even after several of the Crusaders report that Pagano is in the area. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48b9731f |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48b9731f |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_48b9731f |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48c99e19 |
type |
Death by Adaptation |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48c99e19 |
comment |
Death by Adaptation: In the opera, Viclinda is dispatched offstage between Acts I and II; however, she survives to the end of Grossi’s poem…although unlike in the opera, her daughter Giselda does not. See Spared by the Adaptation on this page. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48c99e19 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48c99e19 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_48c99e19 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48cffdb7 |
type |
I Want My Mommy! |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48cffdb7 |
comment |
I Want My Mommy!: played seriously with Giselda from Act II onwards. Since her mother cannot come back from the dead, Giselda wants to die and rejoin her mother in heaven. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48cffdb7 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_48cffdb7 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_48cffdb7 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4b316d47 |
type |
Break the Cutie |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4b316d47 |
comment |
Break the Cutie: poor, poor Giselda. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4b316d47 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4b316d47 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_4b316d47 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4c8e8078 |
type |
All of the Other Reindeer |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4c8e8078 |
comment |
All of the Other Reindeer: Giselda being mocked by the other women of the harem in Act II. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4c8e8078 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4c8e8078 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_4c8e8078 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4cccd2a9 |
type |
Mad Oracle |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4cccd2a9 |
comment |
Mad Oracle: While probably not insane, Giselda a) definitely can see the future and supernatural beings and b) partly as a result of this is not exactly doing well mentally. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4cccd2a9 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4cccd2a9 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_4cccd2a9 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4d9d056f |
type |
Soul-Saving Crusader |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4d9d056f |
comment |
Soul-Saving Crusader: the entire Lombard Crusading force, particularly Arvino. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4d9d056f |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4d9d056f |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_4d9d056f |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4e6c80ca |
type |
Holy Pipe Organ |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4e6c80ca |
comment |
Holy Pipe Organ: the Nuns’ Chorus in Act I is backed up by this. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4e6c80ca |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4e6c80ca |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_4e6c80ca |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4e70e128 |
type |
Evil Stole My Faith |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4e70e128 |
comment |
Evil Stole My Faith: Giselda briefly undergoes this in the final scene of Act III. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4e70e128 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4e70e128 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_4e70e128 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4ef92d0b |
type |
The Atoner |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4ef92d0b |
comment |
The Atoner: Pagano. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4ef92d0b |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_4ef92d0b |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_4ef92d0b |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5501256b |
type |
Reports of My Death Were Greatly Exaggerated |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5501256b |
comment |
Reports of My Death Were Greatly Exaggerated: Oronte is presumed killed at the end of Act II, but suddenly reappears towards the beginning of Act III, leading to his Big Damn Reunion with Giselda. Unfortunately, soon after this he is mortally wounded and dies for real. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5501256b |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5501256b |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_5501256b |
| | I Lombardi Alla Prima Crociata (Theatre) / int_557a31ce |
type |
Actual Pacifist |
| | I Lombardi Alla Prima Crociata (Theatre) / int_557a31ce |
comment |
Actual Pacifist: Giselda. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_557a31ce |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_557a31ce |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_557a31ce |
| | I Lombardi Alla Prima Crociata (Theatre) / int_55edb17e |
type |
Irrelevant Act Opener |
| | I Lombardi Alla Prima Crociata (Theatre) / int_55edb17e |
comment |
Irrelevant Act Opener: the opening of Act III is a Crowd Song/Setting Introduction Song about the history of Jerusalem and its Holy Ground with no relation to the actual plot whatsoever. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_55edb17e |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_55edb17e |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_55edb17e |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5941d75 |
type |
Beta Couple |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5941d75 |
comment |
Beta Couple: Arvino and Viclinda, and Acciano and Sofia. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5941d75 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5941d75 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_5941d75 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5e65514f |
type |
Afterlife Welcome |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5e65514f |
comment |
Afterlife Welcome: Giselda tells Pagano in the final scene that Oronte and Viclinda will be waiting to give him this. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5e65514f |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5e65514f |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_5e65514f |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5fcb9ad1 |
type |
Time Skip |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5fcb9ad1 |
comment |
Time Skip: there’s a big one between Act I and Act II (3 years), with a lot of exposition that needs filled in. there’s a shorter one between Acts II and III (1 year). |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5fcb9ad1 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_5fcb9ad1 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_5fcb9ad1 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_600571df |
type |
Royal Harem |
| | I Lombardi Alla Prima Crociata (Theatre) / int_600571df |
comment |
Royal Harem: where Giselda ends up in Act II after being kidnapped. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_600571df |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_600571df |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_600571df |
| | I Lombardi Alla Prima Crociata (Theatre) / int_60b03a94 |
type |
Parental Issues |
| | I Lombardi Alla Prima Crociata (Theatre) / int_60b03a94 |
comment |
Parental Issues: Giselda, and how! |
| | I Lombardi Alla Prima Crociata (Theatre) / int_60b03a94 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_60b03a94 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_60b03a94 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_658a406d |
type |
Not Too Dead to Save the Day |
| | I Lombardi Alla Prima Crociata (Theatre) / int_658a406d |
comment |
Not Too Dead to Save the Day: Oronte appearing to Giselda in Act IV, Scene 1 from the afterlife, having died at the end of the previous act. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_658a406d |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_658a406d |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_658a406d |
| | I Lombardi Alla Prima Crociata (Theatre) / int_65dfbf11 |
type |
Innocent Soprano |
| | I Lombardi Alla Prima Crociata (Theatre) / int_65dfbf11 |
comment |
Innocent Soprano: Giselda starts off as a classic example of this, but as the opera goes on and she suffers more and more trauma, her music accordingly becomes more and more wild and fiery. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_65dfbf11 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_65dfbf11 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_65dfbf11 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_661d7909 |
type |
Maligned Mixed Marriage |
| | I Lombardi Alla Prima Crociata (Theatre) / int_661d7909 |
comment |
Maligned Mixed Marriage: while technically they don’t get married until the latter is on his deathbed (on account of being stabbed by the former’s father’s soldiers), Giselda and Oronte are a classic case of this being unaccepted by the people around them. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_661d7909 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_661d7909 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_661d7909 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_66dfe36a |
type |
Missing Mom |
| | I Lombardi Alla Prima Crociata (Theatre) / int_66dfe36a |
comment |
Missing Mom: subverted, sort of. Both Viclinda (Giselda’s mother) and Sofia (Oronte’s mother) are present in the opera. However, both of them are later killed off between acts (Viclinda after Act I and Sofia after Act II) with no explanation given as to how either of them died. However, we can assume that Sofia was likely murdered as the Crusaders took Antioch. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_66dfe36a |
featureApplicability |
-0.3 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_66dfe36a |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_66dfe36a |
| | I Lombardi Alla Prima Crociata (Theatre) / int_6a6760fa |
type |
The Power of Hate |
| | I Lombardi Alla Prima Crociata (Theatre) / int_6a6760fa |
comment |
The Power of Hate: I mean… |
| | I Lombardi Alla Prima Crociata (Theatre) / int_6a6760fa |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_6a6760fa |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_6a6760fa |
| | I Lombardi Alla Prima Crociata (Theatre) / int_6edc54d5 |
type |
Here We Go Again! |
| | I Lombardi Alla Prima Crociata (Theatre) / int_6edc54d5 |
comment |
Here We Go Again!: the Milanese public is suspicious that Pagano will once again attempt to kill Arvino following his return from exile. They are soon proven correct. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_6edc54d5 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_6edc54d5 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_6edc54d5 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_70ade2c4 |
type |
Culture Clash |
| | I Lombardi Alla Prima Crociata (Theatre) / int_70ade2c4 |
comment |
Culture Clash: and how! |
| | I Lombardi Alla Prima Crociata (Theatre) / int_70ade2c4 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_70ade2c4 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_70ade2c4 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_72217e12 |
type |
Murder, Inc. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_72217e12 |
comment |
Murder, Inc.: more or less the group Pagano gets to help carry out his revenge plot in Act I. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_72217e12 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_72217e12 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_72217e12 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7335ffa9 |
type |
Grey-and-Gray Morality |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7335ffa9 |
comment |
Grey-and-Gray Morality: the opera is debatably an example of this in its mixed portrayals of both sides of the First Crusade. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7335ffa9 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7335ffa9 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_7335ffa9 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_743d2893 |
type |
The Woobie |
| | I Lombardi Alla Prima Crociata (Theatre) / int_743d2893 |
comment |
The Woobie: Giselda and Oronte are both classic woobies. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_743d2893 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_743d2893 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_743d2893 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7453bc5b |
type |
Spared by the Adaptation |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7453bc5b |
comment |
Spared by the Adaptation: In Tommaso Grossi’s poem, Giselda dies brutally of thirst before the capture of Jerusalem—she does find the fountain of Siloam but is so wasted away that she is physically unable to swallow the water. In the opera, she survives. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7453bc5b |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7453bc5b |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_7453bc5b |
| | I Lombardi Alla Prima Crociata (Theatre) / int_77414bc2 |
type |
Action Prologue |
| | I Lombardi Alla Prima Crociata (Theatre) / int_77414bc2 |
comment |
Action Prologue: Right off the bat, the opera begins with the ceremony marking Pagano’s return from exile and his “reconciliation” with his family, while the chorus discusses it and provides Musical Exposition about what caused Pagano to go into exile. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_77414bc2 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_77414bc2 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_77414bc2 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_79a80b74 |
type |
Fair for Its Day |
| | I Lombardi Alla Prima Crociata (Theatre) / int_79a80b74 |
comment |
Fair for Its Day: Despite some iffy aspects to the story, the work does condemn Islamophobia and genocide on the basis of religious bigotry and gives a more complicated portrayal of the Crusades than even a lot of more recent media. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_79a80b74 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_79a80b74 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_79a80b74 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7b4cb802 |
type |
Bodyguard Betrayal |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7b4cb802 |
comment |
Bodyguard Betrayal: Pirro is the gatekeeper of Antioch but ultimately decides to let the Crusaders into the city in order to obtain his own forgiveness. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7b4cb802 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_7b4cb802 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_7b4cb802 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_805deb6e |
type |
Small Role, Big Impact |
| | I Lombardi Alla Prima Crociata (Theatre) / int_805deb6e |
comment |
Small Role, Big Impact: there are a lot of these, most notably Viclinda. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_805deb6e |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_805deb6e |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_805deb6e |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8355aa1b |
type |
Revenge Is Not Justice |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8355aa1b |
comment |
Revenge Is Not Justice: Giselda invokes this at the end of Act I in order to stop Arvino from killing Pagano. Arvino and the Milanese people are sufficiently convinced. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8355aa1b |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8355aa1b |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_8355aa1b |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8390eb68 |
type |
With Catlike Tread |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8390eb68 |
comment |
With Catlike Tread: Pagano and his conspirators singing loudly about their murder plans in Act I. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8390eb68 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8390eb68 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_8390eb68 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_83b51185 |
type |
Heaven Seeker |
| | I Lombardi Alla Prima Crociata (Theatre) / int_83b51185 |
comment |
Heaven Seeker: Giselda, who is almost constantly expressing a wish to die from Act II on, is a classic example, thankfully without any of the potentially damaging-for-others effects. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_83b51185 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_83b51185 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_83b51185 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_863fa679 |
type |
What Happened to the Mouse? |
| | I Lombardi Alla Prima Crociata (Theatre) / int_863fa679 |
comment |
What Happened to the Mouse?: Pirro is never mentioned again following his vow to open the gates of Antioch to the Crusaders, on which he obviously followed through. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_863fa679 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_863fa679 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_863fa679 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_86860fc9 |
type |
Defends Against Their Own Kind |
| | I Lombardi Alla Prima Crociata (Theatre) / int_86860fc9 |
comment |
Defends Against Their Own Kind: Giselda standing up for the human rights of the Muslims of Antioch against the Crusaders at the end of Act II, thus becoming a Defector from Decadence. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_86860fc9 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_86860fc9 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_86860fc9 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_874201dc |
type |
Inside Job |
| | I Lombardi Alla Prima Crociata (Theatre) / int_874201dc |
comment |
Inside Job: how the Crusaders get into Antioch. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_874201dc |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_874201dc |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_874201dc |
| | I Lombardi Alla Prima Crociata (Theatre) / int_87c614c0 |
type |
BSoD Song |
| | I Lombardi Alla Prima Crociata (Theatre) / int_87c614c0 |
comment |
BSoD Song: “Se vano è il pregare” (Giselda’s Act II aria). |
| | I Lombardi Alla Prima Crociata (Theatre) / int_87c614c0 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_87c614c0 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_87c614c0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_887da4ea |
type |
Died Happily Ever After |
| | I Lombardi Alla Prima Crociata (Theatre) / int_887da4ea |
comment |
Died Happily Ever After: Oronte, more or less. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_887da4ea |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_887da4ea |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_887da4ea |
| | I Lombardi Alla Prima Crociata (Theatre) / int_88fd6847 |
type |
Converting for Love |
| | I Lombardi Alla Prima Crociata (Theatre) / int_88fd6847 |
comment |
Converting for Love: Oronte. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_88fd6847 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_88fd6847 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_88fd6847 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_89b8822f |
type |
Go Mad from the Revelation |
| | I Lombardi Alla Prima Crociata (Theatre) / int_89b8822f |
comment |
Go Mad from the Revelation: Giselda’s condemnation of the Crusaders at the end of Act II debatably has an element of this, strengthened by her subsequent prophecies about future retribution. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_89b8822f |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_89b8822f |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_89b8822f |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8e81efd1 |
type |
Tenor Boy |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8e81efd1 |
comment |
Tenor Boy: played straight with Oronte, subverted with Arvino, who was once likely a Tenor Boy but while still a tenor is now a middle-aged dad who does…many morally questionable things. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8e81efd1 |
featureApplicability |
-0.3 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8e81efd1 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_8e81efd1 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8f7059b |
type |
A Match Made in Stockholm |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8f7059b |
comment |
A Match Made in Stockholm: While it’s Oronte’s father Acciano who is responsible for Giselda’s kidnapping, not Oronte, Oronte and Giselda still fall madly in love while the latter is in captivity. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8f7059b |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_8f7059b |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_8f7059b |
| | I Lombardi Alla Prima Crociata (Theatre) / int_916c9d1b |
type |
Mark of Shame |
| | I Lombardi Alla Prima Crociata (Theatre) / int_916c9d1b |
comment |
Mark of Shame: At the end of Act I, the whole company declares that Pagano has been branded with the mark of Cain. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_916c9d1b |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_916c9d1b |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_916c9d1b |
| | I Lombardi Alla Prima Crociata (Theatre) / int_95df2bc3 |
type |
Big Damn Reunion |
| | I Lombardi Alla Prima Crociata (Theatre) / int_95df2bc3 |
comment |
Big Damn Reunion: Giselda and Oronte in Act III. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_95df2bc3 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_95df2bc3 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_95df2bc3 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_97d97c28 |
type |
Revenge Before Reason |
| | I Lombardi Alla Prima Crociata (Theatre) / int_97d97c28 |
comment |
Revenge Before Reason: both Pagano and Arvino are guilty of this. However, while Pagano tries to carry it through (with disastrous results) in Act I, Arvino never quite fulfills his revenge plans against either Pagano, or later, his daughter Giselda. Thank goodness. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_97d97c28 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_97d97c28 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_97d97c28 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_99e14f05 |
type |
All-Loving Hero |
| | I Lombardi Alla Prima Crociata (Theatre) / int_99e14f05 |
comment |
All-Loving Hero: Giselda tries to be this. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_99e14f05 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_99e14f05 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_99e14f05 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9aca7084 |
type |
Playing the Heart Strings |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9aca7084 |
comment |
Playing the Heart Strings: The violin solo before and during the final scene of Act III is a perfect example of this. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9aca7084 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9aca7084 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_9aca7084 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9bcd82c0 |
type |
Took a Level in Badass |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9bcd82c0 |
comment |
Took a Level in Badass: Giselda at the end of Act II, when she calls out not only her murderous father but the whole concept of the Crusade itself, a move which nearly costs her her life. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9bcd82c0 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9bcd82c0 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_9bcd82c0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9c1f758a |
type |
Kill It with Fire |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9c1f758a |
comment |
Kill It with Fire: as part of his Act I revenge plan, Pagano orders his men to set Arvino’s palace on fire. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9c1f758a |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9c1f758a |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_9c1f758a |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9d65daeb |
type |
Homesickness Hymn |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9d65daeb |
comment |
Homesickness Hymn: “O Signore, dal tetto natio”. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9d65daeb |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9d65daeb |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_9d65daeb |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9e776765 |
type |
Churchgoing Villain |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9e776765 |
comment |
Churchgoing Villain: some productions portray Pagano as this early on by setting his first aria inside a church. Arvino is arguably a Churchgoing Villain. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9e776765 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9e776765 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_9e776765 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9ed90b36 |
type |
Elopement |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9ed90b36 |
comment |
Elopement: what Giselda and Oronte decide to do after the Big Damn Reunion. Unfortunately, it does not go particularly well. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9ed90b36 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_9ed90b36 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_9ed90b36 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a1b141f4 |
type |
My God, What Have I Done? |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a1b141f4 |
comment |
My God, What Have I Done?: Pagano after discovering he has accidentally killed his own father (“Mostro d’averno orribile”). |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a1b141f4 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a1b141f4 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_a1b141f4 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a2bc0f45 |
type |
Give My Regards in the Next World |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a2bc0f45 |
comment |
Give My Regards in the Next World: Arvino and Giselda to Pagano at the end of the opera. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a2bc0f45 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a2bc0f45 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_a2bc0f45 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a659f3a4 |
type |
Sibling Murder |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a659f3a4 |
comment |
Sibling Murder: attempted but unsuccessful. It turns out much worse. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a659f3a4 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a659f3a4 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_a659f3a4 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a6bd0685 |
type |
Died in Your Arms Tonight |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a6bd0685 |
comment |
Died in Your Arms Tonight: Oronte usually dies in Giselda’s arms; Pagano usually dies in Arvino and/or Giselda’s arms. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a6bd0685 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a6bd0685 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_a6bd0685 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a70223 |
type |
Karma Houdini |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a70223 |
comment |
Karma Houdini: despite everything, Arvino gets through this story by and large unscathed. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a70223 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a70223 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_a70223 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a8a5e4ed |
type |
Christianity Is Catholic |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a8a5e4ed |
comment |
Christianity is Catholic: see the entire opera. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a8a5e4ed |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a8a5e4ed |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_a8a5e4ed |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a9ea3c3c |
type |
Warrior Monk |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a9ea3c3c |
comment |
Warrior Monk: Pagano as the Hermit. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a9ea3c3c |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_a9ea3c3c |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_a9ea3c3c |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b1e8a3b3 |
type |
Coming of Age Story |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b1e8a3b3 |
comment |
Coming of Age Story: Giselda does a lot of growing up throughout the opera, transforming from a sheltered, naive, optimistic girl in Act I to a broken woman who has undergone trauma, true love, loss, and the horrors of war by the end of the opera. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b1e8a3b3 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b1e8a3b3 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_b1e8a3b3 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b2c15631 |
type |
"No More Holding Back" Speech |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b2c15631 |
comment |
"No More Holding Back" Speech: “No!... giusta causa - non è d'Iddio!” (Giselda’s condemnation of the Crusades at the end of Act II.) Also more or less a "The Reason You Suck" Speech. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b2c15631 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b2c15631 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_b2c15631 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b4b2a42a |
type |
Widowed at the Wedding |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b4b2a42a |
comment |
Widowed at the Wedding: depending on interpretation, it can be argued that the Hermit blesses the marriage of Oronte and Giselda at the end of Act III, only for Oronte to summarily die of his wounds. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b4b2a42a |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b4b2a42a |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_b4b2a42a |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b51128fa |
type |
Gilded Cage |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b51128fa |
comment |
Gilded Cage: Giselda is in more or less one of these in Act II. see Royal Harem on this page. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b51128fa |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b51128fa |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_b51128fa |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b7042372 |
type |
Cycle of Revenge |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b7042372 |
comment |
Cycle of Revenge: and how. Thankfully it is eventually broken. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b7042372 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b7042372 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_b7042372 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b7a18b59 |
type |
Opening Chorus |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b7a18b59 |
comment |
Opening Chorus: you got it! |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b7a18b59 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_b7a18b59 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_b7a18b59 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ba6cf869 |
type |
Rape, Pillage, and Burn |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ba6cf869 |
comment |
Rape, Pillage, and Burn: the Crusaders engage in quite a bit of this, as Acciano points out in the opening of Act II. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ba6cf869 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ba6cf869 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_ba6cf869 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bb6c96a7 |
type |
Culture Police |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bb6c96a7 |
comment |
Culture Police: the Catholic Church in Milan raised objections to the Milanese police about certain aspects of the work, most notably the setting of the Ave Maria and the onstage depiction of baptism. However, for the most part the Catholic Church didn’t get its way and the piece was presented virtually exactly how Verdi and Solera wrote it. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bb6c96a7 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bb6c96a7 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_bb6c96a7 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bbfaa837 |
type |
Knight Templar |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bbfaa837 |
comment |
Knight Templar: while not actually being the Knights Templar themselves, let’s just say there’s a reason this trope gets its name from the Crusades. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bbfaa837 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bbfaa837 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_bbfaa837 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_be009544 |
type |
Holy City |
| | I Lombardi Alla Prima Crociata (Theatre) / int_be009544 |
comment |
Holy City: Jerusalem, the end goal for the Crusaders. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_be009544 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_be009544 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_be009544 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bee8baee |
type |
Faint in Shock |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bee8baee |
comment |
Faint in Shock: In the Met 1993 production, both Pagano and Giselda do this, respectively at the ends of Acts I and II. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bee8baee |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_bee8baee |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_bee8baee |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c0961831 |
type |
Interrupted Suicide |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c0961831 |
comment |
Interrupted Suicide: Pagano attempts to kill himself at the end of Act I but depending on the production is stopped either by guards or by Giselda. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c0961831 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c0961831 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_c0961831 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c132c0c5 |
type |
I Have No Son! |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c132c0c5 |
comment |
I Have No Son!: Arvino about Giselda in Act III. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c132c0c5 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c132c0c5 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_c132c0c5 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c2e312d2 |
type |
Hiding in a Hijab |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c2e312d2 |
comment |
Hiding in a Hijab: The stage directions specify that Sofia, Acciano’s wife, is wearing a veil in all her appearances, even though she has actually converted to Christianity, albeit secretly. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c2e312d2 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c2e312d2 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_c2e312d2 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c3f3d57c |
type |
Curiosity Causes Conversion |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c3f3d57c |
comment |
Curiosity Causes Conversion: at some point before the opera started, Sofia underwent this and converted to Christianity. Partly because of her and partly because of Giselda, Oronte later does the same thing. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c3f3d57c |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c3f3d57c |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_c3f3d57c |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c809bb38 |
type |
Song of Prayer |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c809bb38 |
comment |
Song of Prayer: there are many. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c809bb38 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_c809bb38 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_c809bb38 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_cb45940c |
type |
Healthy Country Air |
| | I Lombardi Alla Prima Crociata (Theatre) / int_cb45940c |
comment |
Healthy Country Air: Giselda states that part of her reason for escaping the Lombard tent camp in Act III is because she needs fresh air after being stifled in the camp. This is also quite lille a metaphor for being emotionally, psychologically, and ideologically suffocated around the Crusaders, who are not exactly fans of her. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_cb45940c |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_cb45940c |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_cb45940c |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d1a2a4c7 |
type |
Musical Exposition |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d1a2a4c7 |
comment |
Musical Exposition: occurs several times throughout the opera, most notably in the Opening Chorus, which explains Arvino and Pagano’s entire history in about two minutes. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d1a2a4c7 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d1a2a4c7 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_d1a2a4c7 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d298bc9a |
type |
I Wished You Were Dead |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d298bc9a |
comment |
I Wished You Were Dead: Arvino about Giselda in Act III. He goes on about this for some time in quite horrible fashion, going so far as to state that he wishes she had died in her cradle and then that he wishes she had never been born in a twisted sort of "Better if Not Born" Plot. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d298bc9a |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d298bc9a |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_d298bc9a |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d6b5863 |
type |
Driven to Madness |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d6b5863 |
comment |
Driven to Madness: The Crusaders believe that Giselda has gone mad at the end of Act II. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d6b5863 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d6b5863 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_d6b5863 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d782bd52 |
type |
Equivalent Exchange |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d782bd52 |
comment |
Equivalent Exchange: During her condemnation of the Crusaders at the end of Act II, Giselda predicts that this will happen: according to her, the vanquished Muslim kingdoms of the Middle East will someday rise up, invade Europe, and take horrible revenge in much the same way the Crusaders have done. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d782bd52 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_d782bd52 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_d782bd52 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_de416844 |
type |
Fantastic Catholicism |
| | I Lombardi Alla Prima Crociata (Theatre) / int_de416844 |
comment |
Fantastic Catholicism: the opera contains several examples of this, mostly pertaining to The Church Has a Direct-Line to Jesus! and The Church Is Full of Badasses! |
| | I Lombardi Alla Prima Crociata (Theatre) / int_de416844 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_de416844 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_de416844 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e0e7bb23 |
type |
Lost in Medias Res |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e0e7bb23 |
comment |
Lost in Medias Res: There’s a lot of stuff that happened in between Acts I and II, and the opera does a rather haphazard job of explaining said stuff. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e0e7bb23 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e0e7bb23 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e0e7bb23 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e0fb1d9f |
type |
Bad Habits |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e0fb1d9f |
comment |
Bad Habits: subverted: Pagano not only dresses up like a hermit, but actually becomes The Hermit. His actions re: the Crusade are still morally dubious at best, however. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e0fb1d9f |
featureApplicability |
-0.3 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e0fb1d9f |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e0fb1d9f |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e19e68 |
type |
Cruel Mercy |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e19e68 |
comment |
Cruel Mercy: the people of Milan choose, at Giselda’s behest, to spare Pagano at the end of Act I, but with the explicit purpose of letting his conscience torment him for the rest of his days. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e19e68 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e19e68 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e19e68 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e25ae563 |
type |
Final Love Duet |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e25ae563 |
comment |
Final Love Duet: Giselda and Oronte sing one of these in Act III before the Elopement. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e25ae563 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e25ae563 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e25ae563 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e26f04b4 |
type |
Last of His Kind |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e26f04b4 |
comment |
Last of His Kind: the last Seljuk ruling family of Antioch dies with Oronte. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e26f04b4 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e26f04b4 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e26f04b4 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3373f2d |
type |
The Chosen People |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3373f2d |
comment |
The Chosen People: the Lombard Crusaders fancy themselves to be this. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3373f2d |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3373f2d |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e3373f2d |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3a4c481 |
type |
Turncoat |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3a4c481 |
comment |
Turncoat: Pirro switches sides several times, both in terms of Arvino vs. Pagano and in terms of Christians vs. Muslims. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3a4c481 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3a4c481 |
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| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e3a4c481 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3da6e6c |
type |
Deus Angst Machina |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3da6e6c |
comment |
Deus Angst Machina: I mean…yeah. Just yeah. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3da6e6c |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e3da6e6c |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e3da6e6c |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e42c07e6 |
type |
Holy Hand Grenade |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e42c07e6 |
comment |
Holy Hand Grenade: and how! There’s even a major plot point around Antioch and everything. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e42c07e6 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e42c07e6 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e42c07e6 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e53426b9 |
type |
Desert Bandits |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e53426b9 |
comment |
Desert Bandits: a group of these kidnap Giselda in between Acts I and II. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e53426b9 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e53426b9 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e53426b9 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e596f27b |
type |
Star-Crossed Lovers |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e596f27b |
comment |
Star-Crossed Lovers: Giselda and Oronte. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e596f27b |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e596f27b |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e596f27b |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e5fbedc6 |
type |
Rivals Team Up |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e5fbedc6 |
comment |
Rivals Team Up: Acciano teams up with several rivals and has them all combine their forces against the Crusaders. It still does not work. Also, Arvino and Pagano unknowingly team up in Acts II-IV. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e5fbedc6 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_e5fbedc6 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_e5fbedc6 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_eba6a077 |
type |
Cain and Abel |
| | I Lombardi Alla Prima Crociata (Theatre) / int_eba6a077 |
comment |
Cain and Abel: Arvino and Pagano, although their actions later on in the opera (y’know, the Crusading and such) make Arvino in particular much more morally iffy, particularly to modern-day audiences. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_eba6a077 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_eba6a077 |
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1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_eba6a077 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ed68bcc9 |
type |
Dwindling Party |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ed68bcc9 |
comment |
Dwindling Party: the characters gradually either disappear or are killed off, so that by the end of the opera, out of nine individual characters, only two (Arvino and Giselda) aren’t dead or disappeared from the story several acts earlier. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ed68bcc9 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ed68bcc9 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_ed68bcc9 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ee9877ea |
type |
Too Good for This Sinful Earth |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ee9877ea |
comment |
Too Good for This Sinful Earth: both Oronte and Giselda fit this trope, although Giselda survives the opera while Oronte does not. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ee9877ea |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ee9877ea |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_ee9877ea |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f1492605 |
type |
Redemption Equals Death |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f1492605 |
comment |
Redemption Equals Death: Pagano. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f1492605 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f1492605 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_f1492605 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f16f631d |
type |
Crowd Song |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f16f631d |
comment |
Crowd Song: this opera is HEAVY on the Crowd Songs. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f16f631d |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f16f631d |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_f16f631d |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f2c895f |
type |
Your Terrorists Are Our Freedom Fighters |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f2c895f |
comment |
Your Terrorists Are Our Freedom Fighters: a lot of this gets thrown around by various characters in the opera. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f2c895f |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f2c895f |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_f2c895f |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f36c4f98 |
type |
Easily Forgiven |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f36c4f98 |
comment |
Easily Forgiven: Giselda is extremely good at doing this for others, although she doesn’t get the same treatment back. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f36c4f98 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f36c4f98 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_f36c4f98 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f6624c30 |
type |
Together in Death |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f6624c30 |
comment |
Together in Death: subverted. Despite Giselda’s fervent wishes that either he be able to live or she be able to die with him, Oronte dies and leaves her alive, but Pagano tells her that someday the two of them will be this and they will be happy again. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f6624c30 |
featureApplicability |
-0.3 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_f6624c30 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_f6624c30 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_fd4f8299 |
type |
Well-Intentioned Extremist |
| | I Lombardi Alla Prima Crociata (Theatre) / int_fd4f8299 |
comment |
Well-Intentioned Extremist: Arguably, the opera is an example of this because Verdi and Solera were trying to write an opera about people coming together in spite of all obstacles and past feuding to gain freedom as a metaphor for the burgeoning Risorgimento Italian liberation movement…but there’s still some Values Dissonance as a result. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_fd4f8299 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_fd4f8299 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_fd4f8299 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ff251a68 |
type |
Doting Parent |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ff251a68 |
comment |
Doting Parent: Sofia. |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ff251a68 |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_ff251a68 |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_ff251a68 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_name |
type |
ItemName |
| | I Lombardi Alla Prima Crociata (Theatre) / int_name |
comment |
|
| | I Lombardi Alla Prima Crociata (Theatre) / int_name |
featureApplicability |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) / int_name |
featureConfidence |
1.0 |
| | I Lombardi Alla Prima Crociata (Theatre) |
hasFeature |
I Lombardi Alla Prima Crociata (Theatre) / int_name |
| | I Lombardi Alla Prima Crociata (Theatre) / int_name |
itemName |
I Lombardi Alla Prima Crociata (Theatre) |
