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The Lightning Thief (Theatre)

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The Lightning Thief (Theatre)
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TheLightningThief
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The Lightning Thief is a rock musical adaptation of the first book in the Percy Jackson and the Olympians series. It follows the basic plot of the original book: a somewhat unfortunate young man by the name of Percy Jackson discovers that he's the son of the Greek god Poseidon and becomes mired in a growing conflict between his godly relatives.The musical was originally pitched by Theatreworks USA. A cast album featuring the off-Broadway cast was released in 2017, then re-released with several cut songs performed by the Broadway cast. It began touring nationally in 2019 and was granted a limited Broadway run later that year. A second national tour was planned for 2020, but was canceled due to concerns about the COVID-19 pandemic. A UK production premiered in 2022.
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2023-12-01T20:35:00Z
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2023-12-01T20:35:00Z
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Dropped link to TheOdyssey: Not a Feature - ITEM
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Reprise Medley
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Reprise Medley: "Bring on the Monsters" contains reprises of "Drive", "Strong", "My Grand Plan", and "Prologue / The Day I Got Expelled".
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Evil Sounds Deep
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Evil Sounds Deep: True to the literary depiction, Kronos' voice is rendered as a theater-shaking basso rumble.
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Descent into Darkness Song
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Descent into Darkness Song: "The Last Day of Summer" as Luke reveals his plan to bring back Kronos and overthrow their godly parents.
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Villain Song
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Villain Song: "D.O.A" may not be sung by the main antagonist, but considering it's about Charon gloating that the trio aren't ever going to leave the underworld... A more straightforward example would be Luke's reprise of "Good Kid" during "The Last Day Of Summer".
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Stealth Pun
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Stealth Pun: "Prologue" has Luke, Annabeth, Clarisse, and Grover, three of whom are half-blooded children of the Olympians, commentating to the audience about events that are about to happen on-stage. They're a Greek Chorus.
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Source Music
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After almost half the show, Percy initially refuses to sing in "The Campfire Song" because....
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Adaptational Villainy
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Adaptational Villainy: A downplayed example in Hades. In the book, he says that he doesn't want a war between the gods because he has enough souls to take care of and it's more trouble than it's worth. In the musical, he still didn't steal the bolt, but he wants Percy to give it to him anyway, so he can start a war between his brothers. His reason? A war will make a bunch of new souls go down to the Underworld, and he gets lonely.
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Famous for Being First
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Famous for Being First: In "Killer Quest", Percy becomes determined to become the first to successfully go to the Underworld and come back in order to save his mom (with a side benefit of proving to everyone that Hades was the one who stole Zeus's lightning bolt, not Percy). True Companion Grover agrees to become the "second first" since he refuses to let Percy go on such a dangerous quest alone.
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Mythology Gag
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Mythology Gag: Several. The argument about getting "dam snacks" from the Hoover Dam during "Drive". The girl with the floppy hat Percy speaks to in the Lotus Hotel. Percy says that his singing in "The Campfire Song" would probably cause an avalanche, an allusion to The Last Olympian.
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One-Paragraph Chapter
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One-Paragraph Chapter: Chiron's verse in "The Campfire Song" is only a couple of sentences long.
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Gender Flip
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Gender Flip: Charon, due to being double-cast with Sally Jackson.
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Actor Allusion
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Actor Allusion: George Salazar plays the main character's best friend and has a tear-jerking song about their past relationship with a character. Michael, is that you?
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Recurring Riff
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The most prominent one is Percy's Recurring Riff from "Good Kid" and "Son of Poseidon", which is echoed in the guitar that opens the show.
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Then Let Me Be Evil
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Then Let Me Be Evil: Upon being told Kronos is just using him to get back at the gods, Luke only replies "Good" and then proceeds to gleefully sing about how he'll do anything and hurt anyone if it means he'll get his revenge on the Gods.
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Black Comedy Burst
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Black Comedy Burst: "DOA" has this trope written all over it. In "The Campfire Song", as the half-bloods one-up each other with stories of how comically terrible their parents are:
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Leaning on the Fourth Wall
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Leaning on the Fourth Wall: After almost half the show, Percy initially refuses to sing in "The Campfire Song" because.... An even more blatant (and hilarious) one from "Another Terrible Day":
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Motive Rant
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Similarly, Ares briefly reprises "Put You in Your Place" during his climactic battle with Percy. There is an even briefer and more restrained (but somehow more menacing) reprise of the song during Luke's Motive Rant in "The Last Day of Summer".
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Granola Girl
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Granola Girl: Parodied with Katie Gardner, daughter of Demeter.
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Adaptation-Induced Plot Hole
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Adaptation-Induced Plot Hole: Has its own page, although only one instance from the musical itself makes it in (and one shared with the film, at that), specifically Percy successfully using the winged shoes despite it being a spectacular way to piss off Zeus.
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Cerebus Call-Back
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Cerebus Call-Back: Luke expresses his bitterness over the gods abandoning them in "The Last Day of Summer", in sharp contrast to his light-hearted complaining in "The Campfire Song" earlier, when he goes from singing "I met the guy once, and once was enough" to "They won't bother to show their face / It's time to make the world our own / Time someone put them in their place."
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Adaptation Distillation
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Adaptation Distillation: There are some things simplified or skipped over: Many of the side encounters along the quest, such as Crusty (Procrustes) and his water beds, are skipped over. The subplot of Percy being a fugitive is cut. Percy, Annabeth, and Grover escape from the Underworld by a portal, not by floating bubbles. They also don't have to retrieve a shield for Ares from Waterland. Annabeth immediately makes the connection between the Lotus Hotel and the Lotus-Eaters from The Odyssey.
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Parental Love Song
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Parental Love Song: "Strong", sung by Sally to Percy when he feels like he's "a screwup" because of his ADHD and dyslexia.
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Dream Sequence
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"The Minotaur", a dramatic song featuring Sally being grievously injured leads directly into "The Weirdest Dream", a surreal Dream Sequence where Percy pokes fun at the weirdness of his own dream.
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Relationship Compression
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Relationship Compression: Silena and Beckendorf are already together by "Another Terrible Day", but in the books, they only get together during The Battle of the Labyrinth.
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Pep-Talk Song
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Pep-Talk Song: "Strong", again (see above). Chiron tries this in "Their Sign", telling Percy that the gods have a plan for him, but he's too angry at his father (who he’s just learned is one of said gods) to listen. Luke does a better job of it, commiserating with Percy about feeling rejected by their respective parents and saying they have to stick together.
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Evil Laugh
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Evil Laugh: Kronos gives a classic (but still creepy) example when he spots Percy spying on his conversation with the thief.
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And the Adventure Continues
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And the Adventure Continues: Despite there being no sequel musicals currently in the works, most of the material relating to Kronos and Luke's hopes of a demigod revolution is left in. The show manages to spin this optimistically by emphasizing Percy's awareness and acceptance of the fact that he's "never going to once have it easy", framing the Big Bad as just another storm for him to weather. Instead of ending on Annabeth and Chiron's unsettled response to the betrayal, the musical skims over Percy's recovery from the poison and depicts the campers as a united front, inspired by their recent victory and ready to keep fighting.
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Adaptational Early Appearance
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Adaptational Early Appearance: Silena Beauregard appears and even gets to do some singing with the cast. She didn't appear until the second book and had no real relevant scenes until the third. It is also heavily implied that the trio run into Bianca di Angelo when they are at the Lotus Casino, when the character in question doesn't appear for another couple of books.
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Adaptational Angst Upgrade
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Adaptational Angst Upgrade: The campers bitterness over their godly parent's Parental Neglect is much more apparent in the musical. Percy is much more angsty in general, lamenting his inability to do well in school in multiple songs along with feeling bad about how his mom had to take care of him by herself. This may have something to do with the Vague Age of characters in the adaptation — while Percy and Annabeth are definitely preteens in the original novel, the musical traditionally casts adult or young adult actors in the camper roles, allowing for them to be interpreted as a bit older.
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Jerkass Gods
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Jerkass Gods: "The Campfire Song" features the entirety of Camp Half-Blood lamenting that all their parents are assholes.
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Arc Words
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Arc Words: "Put you/them in your/their place" for villainous/antagonistic characters. "The real world" for the show as a whole.
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Headbutt of Love
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Headbutt of Love: Percy and Sally are prone to this.
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Vague Age
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Vague Age: While Percy and Annabeth are 12-year-olds in the original novel, the characters' ages are not mentioned in the musical. Depending on casting, this may allow for the characters to be interpreted as teenagers rather than preteens.
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Establishing Character Moment
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Establishing Character Moment: "Another Terrible Day" serves as one for Mr. D.
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Adaptational Nice Guy
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comment
Adaptational Nice Guy: Ares offers Percy, Annabeth, and Grover a ride on his motorcycle instead of forcing them to retrieve his shield in exchange for transportation. Of course, he turns out not to be such a nice guy.
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"I Want" Song
 The Lightning Thief (Theatre) / int_8338de89
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"I Want" Song: "My Grand Plan" is one for Annabeth, and "Good Kid" is one for Percy.
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Tenor Boy
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Tenor Boy: Played with in that both Percy and Luke are young characters played by tenors, but Luke is a much less heroic figure than he initially appears.
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Action Film, Quiet Drama Scene
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Action Film, Quiet Drama Scene: The fast-paced, upbeat show pauses during "The Tree On the Hill", a solemn ballad in which Grover tearfully confesses what happened to Thalia while Percy listens, uncharacteristically quiet.
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Big Bad
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"The Weirdest Dream", a relatively light-hearted song, is reprised as Percy glimpses Kronos for the first time.
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Foreshadowing
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Foreshadowing: Given that Luke being The Mole is a bit of a Late-Arrival Spoiler, the play isn't very subtle about Luke's resentment towards the gods. His opening verse in "Campfire Song" is him expressing disdain about the Olympians wanting to feel "appreciated" and then singing about how bitter he is about how his father never contacts him. In "Pick a Side", while Clarisse and Silena are egging on the campers to pick sides in the upcoming war, Luke states he'd never help his father and neither should the rest. In the moment, it just comes off as 1) Luke's being the Only Sane Man and trying to keep things calm and 2) bitter towards his dad. In hindsight, Luke's subtly trying to turn the rest of camp against the Gods.
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 The Lightning Thief (Theatre) / int_9f6fb586
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Leitmotif
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Leitmotif: The most prominent one is Percy's Recurring Riff from "Good Kid" and "Son of Poseidon", which is echoed in the guitar that opens the show. Luke has an interesting version. Despite singing in several songs, he never seems to have a melody of his own. He's always singing someone else's. Until "The Last Day of Summer" reveals that he shares Percy's motif.
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Mood Whiplash
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Mood Whiplash: Given that the very nature of the plot invokes Bathos, it's inevitable. "The Minotaur", a dramatic song featuring Sally being grievously injured leads directly into "The Weirdest Dream", a surreal Dream Sequence where Percy pokes fun at the weirdness of his own dream. "The Campfire Song", a humorous Misery Poker sequence, is interrupted by Percy's verse. He quietly eulogizes "the only family that really mattered", then, when told to sing about his godly parent, wonders if his dad abandoned him because he didn't want the trouble.
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 The Lightning Thief (Theatre) / int_a91078ea
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Adaptational Jerkass
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Adaptational Jerkass: Beckendorf is apparently cheating on Silena with a nymph during "Another Terrible Day", even though in the books he does no such thing. Though it was Dionysus who said this, so...
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 The Lightning Thief (Theatre) / int_b11ac9f5
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Abusive Parents
 The Lightning Thief (Theatre) / int_b11ac9f5
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Abusive Parents: The gods, for being negligent. Gabe's abuse of Sally and Percy is also implied, though not as heavily as in the source material.
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 The Lightning Thief (Theatre) / int_b474c23f
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Misery Poker
 The Lightning Thief (Theatre) / int_b474c23f
comment
"The Campfire Song", a humorous Misery Poker sequence, is interrupted by Percy's verse. He quietly eulogizes "the only family that really mattered", then, when told to sing about his godly parent, wonders if his dad abandoned him because he didn't want the trouble.
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 The Lightning Thief (Theatre) / int_b53077b3
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Take That!
 The Lightning Thief (Theatre) / int_b53077b3
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Take That!: A few to the infamously fan-despised movie adaptations: Not in the musical itself, but when a fan commented that the musical was probably gonna be just as inaccurate as the movies, the official Twitter responded with "We've got a blonde Annabeth, so we're already ahead of the curve." A subtle one, but Movie!Grover mentions that country is his "least favorite music" as they drive to Tennessee. In the musical, guess what style of music Grover's song "Drive" is?
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 The Lightning Thief (Theatre) / int_b552b24
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Truer to the Text
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Truer to the Text: Compared to the heavily-reviled movie adaptations.
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 The Lightning Thief (Theatre) / int_b5e63cc4
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Shadow Archetype
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Luke has an interesting version. Despite singing in several songs, he never seems to have a melody of his own. He's always singing someone else's. Until "The Last Day of Summer" reveals that he shares Percy's motif.
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 The Lightning Thief (Theatre) / int_b7a18b59
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Opening Chorus
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Opening Chorus: "Prologue/The Day I Got Expelled" starts with the demigods bemoaning their godly parents.
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Life Isn't Fair
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Life Isn't Fair: Percy says so during "Son of Poseidon" when he decides to stop angsting over his dad not being in his life and starts counting his blessing instead.
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 The Lightning Thief (Theatre) / int_be6f7ae7
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Brief Accent Imitation
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comment
Brief Accent Imitation: Percy imitates his dad's surfer dialect while trying to figure out the significance of the seashell, complete with faux-rocker hand gestures.
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 The Lightning Thief (Theatre) / int_c2cedbfc
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Big "NO!"
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Big "NO!": Percy after Sally is throttled by the Minotaur (though some productions have the line performed as a half-whimpered Little "No").
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Campfire Character Exploration
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Campfire Character Exploration: The demigods complain about their godly parents around a campfire in "The Campfire Song".
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 The Lightning Thief (Theatre) / int_c75df49a
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Shout-Out
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comment
Shout-Out: All of the bands and musicians mentioned in "D.O.A.": James Brown, Kurt Cobain (the "Smells Like Teen Spirit" riff is played under his lines), Janis Joplin, Josh Groban (a possible shout out to the books, where Grover is a fan of Groban), Mozart, and the song "Come Sail Away" by Styx.
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Self-Deprecation
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An even more blatant (and hilarious) one from "Another Terrible Day":
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Minor Character, Major Song
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Minor Character, Major Song: Clarisse steals the show in "Put You In Your Place", despite not having a whole lot of bearing on the main plot, as does Charon with "D.O.A.", and Mr. D in "Another Terrible Day".
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Toxic Friend Influence
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Toxic Friend Influence: Attempted by Luke, who encourages the other demigods (and Percy in particular) to embrace their resentment of their parents.
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 The Lightning Thief (Theatre) / int_d7c3ba61
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Race Lift
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Race Lift: Sally is portrayed by Carrie Compere, an African-American woman, when she's definitely of European descent in the books. She also doubles for Silena Beauregard, who, while less certain than Sally, is implied to be White. The tradition was continued on Broadway, where she's played by Jalynn Steele. Luke is blond and blue-eyed in the book but in the Lortel and Broadway runs was played by Afro-Latino actor James Hayden Rodriguez. Percy himself, while theorized to be Latino due to his and Sally's apartment being located in the barrio, has been depicted as White in official art. On the first US tour, he was played by Troy Iwata, a mixed-race actor. Grover is played by George Salazar in the cast recording and by Jorrel Javier, a Filipino actor, in the second US tour and the Broadway run. Both Clarisse and Annabeth have been understudied by Black actresses.
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 The Lightning Thief (Theatre) / int_e4965307
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Composite Character
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comment
Composite Character: A relatively minor one. Because much of the Arch incident that led to Percy getting the portal pearls from a nereid was cut, Poseidon instead gives him a seashell directly.
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 The Lightning Thief (Theatre) / int_f1007689
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"I Am Becoming" Song
 The Lightning Thief (Theatre) / int_f1007689
comment
"I Am Becoming" Song: "Son of Poseidon" for Percy, as it signifies him taking full control of his powers and accepting his role in the story, thus concluding his character arc.
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NO INDOOR VOICE
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No Indoor Voice: Dionysus manages to combine this with Guttural Growler.
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Dark Reprise
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Dark Reprise: Luke does a reprise of "Good Kid" in "The Last Day of Summer". Similarly, Ares briefly reprises "Put You in Your Place" during his climactic battle with Percy. There is an even briefer and more restrained (but somehow more menacing) reprise of the song during Luke's Motive Rant in "The Last Day of Summer". "The Weirdest Dream", a relatively light-hearted song, is reprised as Percy glimpses Kronos for the first time.
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The Lightning Thief (Theatre)

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