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Jackie Brown
- 393 statements
- 77 feature instances
- 44 referencing feature instances
Jackie Brown | type |
TVTItem | |
Jackie Brown | label |
Jackie Brown | |
Jackie Brown | page |
JackieBrown | |
Jackie Brown | comment |
Jackie Brown (1997), the third film from director Quentin Tarantino, serves as his subtle homage to Blaxploitation. The eponymous Jackie Brown (Pam Grier), a burnt-out middle-aged flight attendant, routinely smuggles money across the border from Mexico for an American gun runner; during the course of the film, Jackie becomes entangled in the lives of said gun runner Ordell Robbie (Samuel L. Jackson), his ex-convict friend Louis (Robert De Niro), Louis' piece of hot tail Melanie (Bridget Fonda), bail bondsman Max Cherry (Robert Forster), an ATF officer (Michael Keaton), and an LAPD officer (Michael Bowen).When the authorities discover Jackie's smuggling, they put together a sting operation where Jackie will implicate Ordell in the money smuggling so the ATF can take him down. The ATF promises to clear Jackie of the outstanding charges against her, but she only goes free if the plan goes off without a hitch. When Jackie finds out Ordell plans on smuggling in more money than normal, she keeps the information from the ATF and works out a plan of her own to keep all the money for herself while gaining her freedom. With Max's help, Jackie can pull it off, but she must outsmart the cops, Louis, and Ordell…As a film, it is somewhat different to the usual Tarantino fare, being probably the closest he will ever get to "real life". Ordell is much closer to life (relatively) in his portrayal of a charismatic yet paranoid thug, and Jackie's plan and romance with Max Cherry are full of subtleties and meaningful conversations about getting old and beginning again after a harsh life. Its climax is also much less bombastic than most, but don't take that as meaning it is any less bloody. The novel Rum Punch by Elmore Leonard served as the basis for this film's story, which probably explains why it is the least Tarantino-esque of Tarantino's films.Oh, and Steven Soderbergh's Out of Sight (also based on an Elmore Leonard novel) seems to share a universe with this film — as Soderbergh brought in Michael Keaton to reprise his role as Ray Nicolette. | |
Jackie Brown | fetched |
2024-03-12T14:01:10Z | |
Jackie Brown | parsed |
2024-03-12T14:01:10Z | |
Jackie Brown | isPartOf |
DBTropes | |
Jackie Brown / int_127fc252 | type |
Creator Cameo | |
Jackie Brown / int_127fc252 | comment |
Creator Cameo: Quentin Tarantino is the electronic voice on Jackie's answering machine. | |
Jackie Brown / int_127fc252 | featureApplicability |
1.0 | |
Jackie Brown / int_127fc252 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_127fc252 | |
Jackie Brown / int_20860a0e | type |
Punch-Clock Villain | |
Jackie Brown / int_20860a0e | comment |
Punch-Clock Villain: Villain is a stretch but it's implied Winston is actually a fairly nice guy whose only as scary and threatening as he looks when Max orders him to beat up anyone who threatens his livelihood. | |
Jackie Brown / int_20860a0e | featureApplicability |
1.0 | |
Jackie Brown / int_20860a0e | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_20860a0e | |
Jackie Brown / int_245a7c37 | type |
Enraged by Idiocy | |
Jackie Brown / int_245a7c37 | comment |
Enraged by Idiocy: Ordell yells at Louis for not only needlessly murdering Melanie over her mockery, but failing to notice Max during the scam. This, combined with him being scammed, drives Ordell to kill Louis. | |
Jackie Brown / int_245a7c37 | featureApplicability |
1.0 | |
Jackie Brown / int_245a7c37 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_245a7c37 | |
Jackie Brown / int_2bfabe7 | type |
Trespassing to Talk | |
Jackie Brown / int_2bfabe7 | comment |
Trespassing to Talk: Ordell lurks in Jackie's apartment for one of these conversations. | |
Jackie Brown / int_2bfabe7 | featureApplicability |
1.0 | |
Jackie Brown / int_2bfabe7 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_2bfabe7 | |
Jackie Brown / int_3036294e | type |
Scary Black Man | |
Jackie Brown / int_3036294e | comment |
Scary Black Man: Ordell and Winston. | |
Jackie Brown / int_3036294e | featureApplicability |
1.0 | |
Jackie Brown / int_3036294e | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_3036294e | |
Jackie Brown / int_33029735 | type |
Dies Wide Open | |
Jackie Brown / int_33029735 | comment |
Dies Wide Open: Ordell Robbie. | |
Jackie Brown / int_33029735 | featureApplicability |
1.0 | |
Jackie Brown / int_33029735 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_33029735 | |
Jackie Brown / int_35a858b3 | type |
Cluster F-Bomb | |
Jackie Brown / int_35a858b3 | comment |
Cluster F-Bomb: Well, duh. They're mostly courtesy of Ordell. | |
Jackie Brown / int_35a858b3 | featureApplicability |
1.0 | |
Jackie Brown / int_35a858b3 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_35a858b3 | |
Jackie Brown / int_35f57671 | type |
Minion with an F in Evil | |
Jackie Brown / int_35f57671 | comment |
Minion with an F in Evil: Melanie is deeply involved in Ordell's operations, but doesn't seem that useful towards them, or particularly malicious. | |
Jackie Brown / int_35f57671 | featureApplicability |
1.0 | |
Jackie Brown / int_35f57671 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_35f57671 | |
Jackie Brown / int_392372f9 | type |
Actor Allusion | |
Jackie Brown / int_392372f9 | comment |
Actor Allusion: Jackie and Max have a conversation about getting old and growing tired. Their actors, Pam Grier and Robert Forster, had been big stars in the seventies, but their stars had waned by the time they took this movie. Ironically, this movie revitalized both of their careers. During the sequence where Ordell is watching TV with Louis, the phone rings and he goes to the kitchen. In the fridge, there's a picture of Samuel L. Jackson naked inside a bath tub. This picture is from his role in Goodfellas. | |
Jackie Brown / int_392372f9 | featureApplicability |
1.0 | |
Jackie Brown / int_392372f9 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_392372f9 | |
Jackie Brown / int_3aec9e5e | type |
Properly Paranoid | |
Jackie Brown / int_3aec9e5e | comment |
Properly Paranoid: Ordell kills Beaumont, as he fears that he'll cooperate with the police and give him up in order to avoid a jail sentence. Ordell later discovers that he was cooperating with the police. | |
Jackie Brown / int_3aec9e5e | featureApplicability |
1.0 | |
Jackie Brown / int_3aec9e5e | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_3aec9e5e | |
Jackie Brown / int_3b113b7 | type |
Character Development | |
Jackie Brown / int_3b113b7 | comment |
Character Development: Between the two books, the second of which is the basis for the film. In the first, Ordell and Louis are much younger and full of enthusiasm and fun, and somewhat more principled. In the second, Ordell is greedier and nastier than ever, and Louis has become extremely lethargic and seems to be falling apart. | |
Jackie Brown / int_3b113b7 | featureApplicability |
1.0 | |
Jackie Brown / int_3b113b7 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_3b113b7 | |
Jackie Brown / int_3bfc3184 | type |
The Red Stapler | |
Jackie Brown / int_3bfc3184 | comment |
The Red Stapler: Invoked early on when Ordell talks about how everyone wants to buy a pair of .45 caliber handguns because they saw them in a movie, except the version they want has serious jamming issues, and the much more reliable model is virtually unknown. | |
Jackie Brown / int_3bfc3184 | featureApplicability |
1.0 | |
Jackie Brown / int_3bfc3184 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_3bfc3184 | |
Jackie Brown / int_3fb6b526 | type |
Delayed Reaction | |
Jackie Brown / int_3fb6b526 | comment |
Delayed Reaction: Ordell's reaction when Louis informs him that he shot Melanie is hilarious. | |
Jackie Brown / int_3fb6b526 | featureApplicability |
1.0 | |
Jackie Brown / int_3fb6b526 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_3fb6b526 | |
Jackie Brown / int_40cc0c7e | type |
Bittersweet Ending | |
Jackie Brown / int_40cc0c7e | comment |
Bittersweet Ending: Jackie and Max pull off their scheme without a hitch, but Max decides he's too old for romance, and Jackie leaves him behind, though the film indicates that at best, they will remain in correspondence. | |
Jackie Brown / int_40cc0c7e | featureApplicability |
1.0 | |
Jackie Brown / int_40cc0c7e | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_40cc0c7e | |
Jackie Brown / int_4143f84f | type |
Leg Focus | |
Jackie Brown / int_4143f84f | comment |
Leg Focus: There are a lot of lingering shots of Melanie long, sun-kissed legs. | |
Jackie Brown / int_4143f84f | featureApplicability |
1.0 | |
Jackie Brown / int_4143f84f | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_4143f84f | |
Jackie Brown / int_474e3977 | type |
You Have Failed Me | |
Jackie Brown / int_474e3977 | comment |
You Have Failed Me: Ordell shoots Louis Gara for both failing to be appropriately suspicious of Max's presence in a women's clothing store in the mall and killing Melanie and leaving her body in the parking lot. The scene is made much more effective by his actually looking sad about it. | |
Jackie Brown / int_474e3977 | featureApplicability |
1.0 | |
Jackie Brown / int_474e3977 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_474e3977 | |
Jackie Brown / int_50b05d30 | type |
Disproportionate Retribution | |
Jackie Brown / int_50b05d30 | comment |
Disproportionate Retribution: When Melanie starts taunting Louis in the car park, he reaches a Rage Breaking Point and demands that she not say another word to him. Melanie, realizing she's goofed up, meekly squeaks out "Okay, Louis". For saying that, Louis guns her down right on the spot. | |
Jackie Brown / int_50b05d30 | featureApplicability |
1.0 | |
Jackie Brown / int_50b05d30 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_50b05d30 | |
Jackie Brown / int_537dd8fe | type |
Affably Evil | |
Jackie Brown / int_537dd8fe | comment |
Affably Evil: Ordell. He becomes significantly less affable once he realizes Jackie has ripped him off. | |
Jackie Brown / int_537dd8fe | featureApplicability |
1.0 | |
Jackie Brown / int_537dd8fe | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_537dd8fe | |
Jackie Brown / int_614a4e11 | type |
Do You Want to Copulate? | |
Jackie Brown / int_614a4e11 | comment |
Do You Want to Copulate?: Melanie and Louis are having a conversation when she asks out of the blue: "Wanna fuck?" Louis responds "Yeah", and the scene then cuts to them having sex. | |
Jackie Brown / int_614a4e11 | featureApplicability |
1.0 | |
Jackie Brown / int_614a4e11 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_614a4e11 | |
Jackie Brown / int_6849cc47 | type |
Where da White Women At? | |
Jackie Brown / int_6849cc47 | comment |
Where da White Women At?: Ordell and Melanie. Although Ordell boasts about only keeping Melanie around because she's white, his reaction to her death implies that it was just part of his image and he did actually love her. | |
Jackie Brown / int_6849cc47 | featureApplicability |
1.0 | |
Jackie Brown / int_6849cc47 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_6849cc47 | |
Jackie Brown / int_6ec4232f | type |
Casting Gag | |
Jackie Brown / int_6ec4232f | comment |
Casting Gag: Sid Haig played villainous characters in a lot of blaxploitation films opposite Pam Grier; in this film, he has a cameo as a judge. He refuses the prosecution's request for an increased bail amount and gives Jackie a quick smile before departing. When filming the scene, Grier (who didn't know he had been cast) was so shocked to see him in a lawful role that she burst out laughing. | |
Jackie Brown / int_6ec4232f | featureApplicability |
1.0 | |
Jackie Brown / int_6ec4232f | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_6ec4232f | |
Jackie Brown / int_6ecdf53d | type |
Blaxploitation | |
Jackie Brown / int_6ecdf53d | comment |
Blaxploitation: This is Tarantino's tribute to the genre. The way the soundtrack, lighting, and casting (particularly of Pam "Foxy Brown" Grier) are done is quite similar to the style of such films. | |
Jackie Brown / int_6ecdf53d | featureApplicability |
1.0 | |
Jackie Brown / int_6ecdf53d | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_6ecdf53d | |
Jackie Brown / int_6fe06cc5 | type |
FootFocus | |
Jackie Brown / int_6fe06cc5 | comment |
Foot Focus: A Tarantino special. Melanie spends most of her screen-time barefooted. There are two long close-ups of her bare feet bedecked with toe rings. Louis notices her feet, but he snags his drink away from them. Later, she tries to run her bare feet up his thigh, but he rebuffs her, having grown to dislike her for trying to play him against Ordell. | |
Jackie Brown / int_6fe06cc5 | featureApplicability |
1.0 | |
Jackie Brown / int_6fe06cc5 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_6fe06cc5 | |
Jackie Brown / int_71268450 | type |
Adaptation Title Change | |
Jackie Brown / int_71268450 | comment |
Adaptation Title Change: Jackie Brown was based on the novel Rum Punch. | |
Jackie Brown / int_71268450 | featureApplicability |
1.0 | |
Jackie Brown / int_71268450 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_71268450 | |
Jackie Brown / int_7642d227 | type |
Adaptational Curves | |
Jackie Brown / int_7642d227 | comment |
Adaptational Curves: Inverted with Melanie. In Rum Punch, she is constantly referred to by Ordell as "my fine big girl," and is described as, if not actually fat, having very large breasts and backside. Here, she's a super-skinny supermodel. | |
Jackie Brown / int_7642d227 | featureApplicability |
1.0 | |
Jackie Brown / int_7642d227 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_7642d227 | |
Jackie Brown / int_77d494f0 | type |
Not Used to Freedom | |
Jackie Brown / int_77d494f0 | comment |
Not Used to Freedom: According to Tarantino's screenplay, Louis, now in his mid-40s, has cumulatively spent more than half his life in prison, and, "[w]hile acutely aware of the rhythm of life inside a correction facility, in the real world his timing is thrown. It's like a song he doesn't know the lyrics to but attempts to sing anyway." | |
Jackie Brown / int_77d494f0 | featureApplicability |
1.0 | |
Jackie Brown / int_77d494f0 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_77d494f0 | |
Jackie Brown / int_77e73dc7 | type |
Food as Bribe | |
Jackie Brown / int_77e73dc7 | comment |
Food as Bribe: Ordell entices Beaumont into accompanying him on an arms deal by promising they'll get chicken and waffles later. Unfortunately for Beaumont, it was a trap to get him in a vulnerable position to be killed. | |
Jackie Brown / int_77e73dc7 | featureApplicability |
1.0 | |
Jackie Brown / int_77e73dc7 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_77e73dc7 | |
Jackie Brown / int_7815ba15 | type |
N-Word Privileges | |
Jackie Brown / int_7815ba15 | comment |
N-Word Privileges: Subverted; Ordell seems physically incapable of going two sentences without saying it, but this is intended to make him seem even more obnoxious than he already is. | |
Jackie Brown / int_7815ba15 | featureApplicability |
-0.3 | |
Jackie Brown / int_7815ba15 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_7815ba15 | |
Jackie Brown / int_7aeb0635 | type |
Arms Dealer | |
Jackie Brown / int_7aeb0635 | comment |
Arms Dealer: Ordell, describing an AK-47: | |
Jackie Brown / int_7aeb0635 | featureApplicability |
1.0 | |
Jackie Brown / int_7aeb0635 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_7aeb0635 | |
Jackie Brown / int_7eb73553 | type |
Bullying a Dragon | |
Jackie Brown / int_7eb73553 | comment |
Bullying a Dragon: Melanie mocks Louis mercilessly for being an inept crook, which turns out to be a bad idea. | |
Jackie Brown / int_7eb73553 | featureApplicability |
1.0 | |
Jackie Brown / int_7eb73553 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_7eb73553 | |
Jackie Brown / int_805deb6e | type |
Small Role, Big Impact | |
Jackie Brown / int_805deb6e | comment |
Small Role, Big Impact: Winston is barely in the movie, but he helps Jackie, Max, and the ATF find Ordell, which directly leads them to the confrontation Ordell in the end. | |
Jackie Brown / int_805deb6e | featureApplicability |
1.0 | |
Jackie Brown / int_805deb6e | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_805deb6e | |
Jackie Brown / int_81414673 | type |
AM/FM Characterization | |
Jackie Brown / int_81414673 | comment |
AM/FM Characterization: When Ordell Robbie gets into Max Cherry's car, he's greeted by the sound of the Delfonics on the stereo — Jackie's favorite band. Fortunately for Max, he doesn't put two and two together. | |
Jackie Brown / int_81414673 | featureApplicability |
1.0 | |
Jackie Brown / int_81414673 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_81414673 | |
Jackie Brown / int_88443a8a | type |
Establishing Character Music | |
Jackie Brown / int_88443a8a | comment |
Establishing Character Music: Jackie is introduced to "Across 110th Street" by Bobby Womack. The song also plays the film out. | |
Jackie Brown / int_88443a8a | featureApplicability |
1.0 | |
Jackie Brown / int_88443a8a | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_88443a8a | |
Jackie Brown / int_8b442f50 | type |
Did Not Get the Girl | |
Jackie Brown / int_8b442f50 | comment |
Did Not Get the Girl: Max chooses to let Jackie go by herself in the end. | |
Jackie Brown / int_8b442f50 | featureApplicability |
1.0 | |
Jackie Brown / int_8b442f50 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_8b442f50 | |
Jackie Brown / int_8b606a51 | type |
There Is No Kill Like Overkill | |
Jackie Brown / int_8b606a51 | comment |
There Is No Kill Like Overkill: The page-topping quote is a good example. | |
Jackie Brown / int_8b606a51 | featureApplicability |
1.0 | |
Jackie Brown / int_8b606a51 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_8b606a51 | |
Jackie Brown / int_8d630561 | type |
Simultaneous Arcs | |
Jackie Brown / int_8d630561 | comment |
Simultaneous Arcs: The money exchange at the mall is shown several times from different characters' viewpoints to show off exactly how Jackie's scheme played out. | |
Jackie Brown / int_8d630561 | featureApplicability |
1.0 | |
Jackie Brown / int_8d630561 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_8d630561 | |
Jackie Brown / int_8ed5c6e4 | type |
Asshole Victim | |
Jackie Brown / int_8ed5c6e4 | comment |
Asshole Victim: Before the plot of the movie kicks off, Beaumont Livingston getting killed by his boss, Ordell Robbie. | |
Jackie Brown / int_8ed5c6e4 | featureApplicability |
1.0 | |
Jackie Brown / int_8ed5c6e4 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_8ed5c6e4 | |
Jackie Brown / int_8fd7af48 | type |
Sir Swears-a-Lot | |
Jackie Brown / int_8fd7af48 | comment |
Sir Swears-a-Lot: Every character gets their fair share, but Ordell stands out, especially as tension mounts near the end. | |
Jackie Brown / int_8fd7af48 | featureApplicability |
1.0 | |
Jackie Brown / int_8fd7af48 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_8fd7af48 | |
Jackie Brown / int_928ca2cc | type |
You Have Outlived Your Usefulness | |
Jackie Brown / int_928ca2cc | comment |
You Have Outlived Your Usefulness: Ordell ruthlessly disposes of anyone who might be tempted to cut a deal with the authorities. He has Beaumont killed because he's facing a lengthy prison sentance so he's bound to cut a deal or cost him money by going on the run. He's ready to kill Jackie until he finds her gun pointing at his dick, and clearly intends to dispose of her in the long run. And when Lois informs him he's killed Melanie, Ordell grills him on whether she's actually dead because her still being alive could cause problems—he then kills Lois right after this, to remove that potential witness too (though also because You Have Failed Me). | |
Jackie Brown / int_928ca2cc | featureApplicability |
1.0 | |
Jackie Brown / int_928ca2cc | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_928ca2cc | |
Jackie Brown / int_970c790a | type |
Big Bad | |
Jackie Brown / int_970c790a | comment |
Big Bad: Ordell. | |
Jackie Brown / int_970c790a | featureApplicability |
1.0 | |
Jackie Brown / int_970c790a | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_970c790a | |
Jackie Brown / int_978937d6 | type |
Brand X | |
Jackie Brown / int_978937d6 | comment |
Brand X: A substantial amount of screen time is given to the Billingsley department store, which is really the Del Amo Fashion Center's Macy's. | |
Jackie Brown / int_978937d6 | featureApplicability |
1.0 | |
Jackie Brown / int_978937d6 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_978937d6 | |
Jackie Brown / int_9bcd82c0 | type |
Took a Level in Badass | |
Jackie Brown / int_9bcd82c0 | comment |
Took a Level in Badass: An example in the book. In the previous book, The Switch, Ordell seems to be kind of squeamish about killing people. Here, he seems to be more ruthless and probably tougher. | |
Jackie Brown / int_9bcd82c0 | featureApplicability |
1.0 | |
Jackie Brown / int_9bcd82c0 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_9bcd82c0 | |
Jackie Brown / int_9f6fb586 | type |
Leitmotif | |
Jackie Brown / int_9f6fb586 | comment |
Leitmotif: Each character has their own '70s pop song. Max's is even in-universe. | |
Jackie Brown / int_9f6fb586 | featureApplicability |
1.0 | |
Jackie Brown / int_9f6fb586 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_9f6fb586 | |
Jackie Brown / int_a108f2d2 | type |
Death by Mocking | |
Jackie Brown / int_a108f2d2 | comment |
Death by Mocking: Melanie gets shot by Louis over her constant trolling of him and refusal to go along with anything he asks of her. | |
Jackie Brown / int_a108f2d2 | featureApplicability |
1.0 | |
Jackie Brown / int_a108f2d2 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_a108f2d2 | |
Jackie Brown / int_a1b76006 | type |
Nerves of Steel | |
Jackie Brown / int_a1b76006 | comment |
Nerves of Steel: Jackie, like you wouldn't believe. Ordell even notes that she's always "too cool for school". Feds, gun runners, whoever comes after her, she won't bat an eye. | |
Jackie Brown / int_a1b76006 | featureApplicability |
1.0 | |
Jackie Brown / int_a1b76006 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_a1b76006 | |
Jackie Brown / int_a1d48853 | type |
Stupid Crooks | |
Jackie Brown / int_a1d48853 | comment |
Stupid Crooks: Louis turns out to be a monumentally inept crook. He's so nervous at the mall that he's sweating, gets lost in the store, and can't find his car in the parking lot. Melanie mocks him for it the whole time, which makes things worse. | |
Jackie Brown / int_a1d48853 | featureApplicability |
1.0 | |
Jackie Brown / int_a1d48853 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_a1d48853 | |
Jackie Brown / int_a4c37cbe | type |
Mood Whiplash | |
Jackie Brown / int_a4c37cbe | comment |
Mood Whiplash: From Louis and Melanie's hilarious attempts to find their car straight into Louis killing Melanie, who's even offscreen to make it all the more shocking. | |
Jackie Brown / int_a4c37cbe | featureApplicability |
1.0 | |
Jackie Brown / int_a4c37cbe | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_a4c37cbe | |
Jackie Brown / int_abad35b4 | type |
Soundtrack Dissonance | |
Jackie Brown / int_abad35b4 | comment |
Soundtrack Dissonance: Johnny Cash in a Blaxploitation film? Only from Tarantino. | |
Jackie Brown / int_abad35b4 | featureApplicability |
1.0 | |
Jackie Brown / int_abad35b4 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_abad35b4 | |
Jackie Brown / int_ac09dc0f | type |
Alas, Poor Villain | |
Jackie Brown / int_ac09dc0f | comment |
Alas, Poor Villain: Ordell comes across as a pretty nasty piece of work, but he is still likable, and his death is quite a sad moment, as is the buildup to it. He shows a poetic, almost philosophical side, and even demonstrates that he has some morals in the previous book. He is also visibly shaken by having to kill Louis, and his ego has been shattered by the failure of his plans. | |
Jackie Brown / int_ac09dc0f | featureApplicability |
1.0 | |
Jackie Brown / int_ac09dc0f | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_ac09dc0f | |
Jackie Brown / int_b032e4ed | type |
Ms. Fanservice | |
Jackie Brown / int_b032e4ed | comment |
Ms. Fanservice: Melanie, in every single frame she's in. | |
Jackie Brown / int_b032e4ed | featureApplicability |
1.0 | |
Jackie Brown / int_b032e4ed | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_b032e4ed | |
Jackie Brown / int_b48396cc | type |
Colorblind Casting | |
Jackie Brown / int_b48396cc | comment |
Colorblind Casting: In the novel, the protagonist was a white woman named Jackie Burke, but Quentin Tarantino made changes to get Pam Grier in the role. | |
Jackie Brown / int_b48396cc | featureApplicability |
1.0 | |
Jackie Brown / int_b48396cc | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_b48396cc | |
Jackie Brown / int_b58b4e3c | type |
Too Dumb to Live | |
Jackie Brown / int_b58b4e3c | comment |
Too Dumb to Live: Chris Tucker's character, Beaumont, who starts the whole chain of events by getting arrested for driving drunk with an illegal firearm while on parole. Louis has headed down this road by the end of the movie as well. Melanie. her refusal to just shut up and stop taunting an armed ex-convict gets her fatally shot. | |
Jackie Brown / int_b58b4e3c | featureApplicability |
1.0 | |
Jackie Brown / int_b58b4e3c | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_b58b4e3c | |
Jackie Brown / int_b9af5ef3 | type |
The Film of the Book | |
Jackie Brown / int_b9af5ef3 | comment |
The Film of the Book: Of Rum Punch by Elmore Leonard. Notably, this is the only Tarantino film to have been directly adapted from something else. | |
Jackie Brown / int_b9af5ef3 | featureApplicability |
1.0 | |
Jackie Brown / int_b9af5ef3 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_b9af5ef3 | |
Jackie Brown / int_bf1255fa | type |
Really Gets Around | |
Jackie Brown / int_bf1255fa | comment |
Really Gets Around: Ordell has at least three women he regularly sleeps with: surfer girl Melanie, soul singer Simone, and country bumpkin Sharonda. Melanie also sleeps around and has sex with Louis as soon as she’s alone with him. To his credit, Ordell more or less expected it would happen and isn’t bothered in the slightest about it. | |
Jackie Brown / int_bf1255fa | featureApplicability |
1.0 | |
Jackie Brown / int_bf1255fa | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_bf1255fa | |
Jackie Brown / int_c40c8b74 | type |
And Starring | |
Jackie Brown / int_c40c8b74 | comment |
And Starring: Chris Tucker as Beaumont. | |
Jackie Brown / int_c40c8b74 | featureApplicability |
1.0 | |
Jackie Brown / int_c40c8b74 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_c40c8b74 | |
Jackie Brown / int_c75df49a | type |
Shout-Out | |
Jackie Brown / int_c75df49a | comment |
The film's opening scene with Jackie on the moving sidewalk (which doubles as a Shout-Out to the opening scene of The Graduate). | |
Jackie Brown / int_c75df49a | featureApplicability |
1.0 | |
Jackie Brown / int_c75df49a | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_c75df49a | |
Jackie Brown / int_c84e56a2 | type |
Sean Connery Is About to Shoot You | |
Jackie Brown / int_c84e56a2 | comment |
Sean Connery Is About to Shoot You: With Pam Grier, of course. See the poster for the film above. | |
Jackie Brown / int_c84e56a2 | featureApplicability |
1.0 | |
Jackie Brown / int_c84e56a2 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_c84e56a2 | |
Jackie Brown / int_cd7ef676 | type |
Seen It All | |
Jackie Brown / int_cd7ef676 | comment |
Seen It All: Max's attitude has shades of this. Being a longtime bail bondsman, he's naturally been exposed to vast numbers of criminals of every variety imaginable. | |
Jackie Brown / int_cd7ef676 | featureApplicability |
1.0 | |
Jackie Brown / int_cd7ef676 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_cd7ef676 | |
Jackie Brown / int_ce27dc3f | type |
Protagonist Title | |
Jackie Brown / int_ce27dc3f | comment |
Protagonist Title: Jackie Brown is our protagonist. | |
Jackie Brown / int_ce27dc3f | featureApplicability |
1.0 | |
Jackie Brown / int_ce27dc3f | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_ce27dc3f | |
Jackie Brown / int_d62dd556 | type |
The Chessmaster | |
Jackie Brown / int_d62dd556 | comment |
The Chessmaster: Jackie. She escapes the wrath of an angry Samuel L. Jackson with four words: "He's got a gun!" | |
Jackie Brown / int_d62dd556 | featureApplicability |
1.0 | |
Jackie Brown / int_d62dd556 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_d62dd556 | |
Jackie Brown / int_d68762ef | type |
Weapon for Intimidation | |
Jackie Brown / int_d68762ef | comment |
Weapon for Intimidation: Invoked. Ordell convinces Beaumont Livingston to hide in the trunk of his car with an unloaded shotgun for the stated purpose of surprising the buying party at one of Ordell's arms deals. However, Ordell's true intentions are to drive over to a nearby vacant lot and shoot the defenseless Beaumont dead himself. | |
Jackie Brown / int_d68762ef | featureApplicability |
1.0 | |
Jackie Brown / int_d68762ef | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_d68762ef | |
Jackie Brown / int_d7c3ba61 | type |
Race Lift | |
Jackie Brown / int_d7c3ba61 | comment |
Race Lift: Jackie is white in the novel, but her race was changed for the film just because Tarantino wanted to work with Pam Grier. Her last name was even changed to emphasize this (it's Burke in the book). Ordell was explicitly stated to be a light-skinned black man (i.e. mixed-race) in the book, so much so that he could walk through a neo-Nazi parade unharmed. In the film, he's played by the unambiguously black Samuel L Jackson. | |
Jackie Brown / int_d7c3ba61 | featureApplicability |
1.0 | |
Jackie Brown / int_d7c3ba61 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_d7c3ba61 | |
Jackie Brown / int_db2f3581 | type |
All Girls Want Bad Boys | |
Jackie Brown / int_db2f3581 | comment |
All Girls Want Bad Boys: Melanie is Ordell's kept woman, and gets eyes for Louis when she learns he's done four years for bank robbery, though she'll apparently hit on anyone. | |
Jackie Brown / int_db2f3581 | featureApplicability |
1.0 | |
Jackie Brown / int_db2f3581 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_db2f3581 | |
Jackie Brown / int_de9047ac | type |
Gambit Pileup | |
Jackie Brown / int_de9047ac | comment |
Gambit Pileup: The tagline says it all. Jackie plans to keep all the money for herself, and in order to do so she has to play roles in the simultaneous plans of the ATF to get at Ordell and of Ordell to get at his money. | |
Jackie Brown / int_de9047ac | featureApplicability |
1.0 | |
Jackie Brown / int_de9047ac | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_de9047ac | |
Jackie Brown / int_e07d3d72 | type |
Uncle Tomfoolery | |
Jackie Brown / int_e07d3d72 | comment |
Uncle Tomfoolery: Beaumont's behavior evokes some of this. | |
Jackie Brown / int_e07d3d72 | featureApplicability |
1.0 | |
Jackie Brown / int_e07d3d72 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_e07d3d72 | |
Jackie Brown / int_e12670cd | type |
Freudian Threat | |
Jackie Brown / int_e12670cd | comment |
Freudian Threat: Jackie points her stolen revolver at Ordell's crotch to get him to back off when he's about to kill her. | |
Jackie Brown / int_e12670cd | featureApplicability |
1.0 | |
Jackie Brown / int_e12670cd | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_e12670cd | |
Jackie Brown / int_e7e558 | type |
The Oner | |
Jackie Brown / int_e7e558 | comment |
The Oner: The film's opening scene with Jackie on the moving sidewalk (which doubles as a Shout-Out to the opening scene of The Graduate). Jackie walking through the mall working herself up to look extremely upset as part of her plan, before she calls for Ray. There's the scene that focuses on Louis continuously walking through the parking lot to the van right after shooting Melanie. | |
Jackie Brown / int_e7e558 | featureApplicability |
1.0 | |
Jackie Brown / int_e7e558 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_e7e558 | |
Jackie Brown / int_e83f211c | type |
O.O.C. Is Serious Business | |
Jackie Brown / int_e83f211c | comment |
O.O.C. Is Serious Business: Ordell is loud and gregarious. Even when he's mad, he's more cantankerous. In the end, when threatening Max, however, he speaks barely above a whisper. | |
Jackie Brown / int_e83f211c | featureApplicability |
1.0 | |
Jackie Brown / int_e83f211c | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_e83f211c | |
Jackie Brown / int_e9e35e8f | type |
Exact Words | |
Jackie Brown / int_e9e35e8f | comment |
Exact Words: Louis warns Melanie, "Not another fuckin' word!" She responds with a defeated, "Okay, Louis." He shoots her. He really did mean not a single word. | |
Jackie Brown / int_e9e35e8f | featureApplicability |
1.0 | |
Jackie Brown / int_e9e35e8f | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_e9e35e8f | |
Jackie Brown / int_ea7e3be8 | type |
Dramatic Gun Cock | |
Jackie Brown / int_ea7e3be8 | comment |
Dramatic Gun Cock: Jackie reveals herself to have a hidden gun by cocking it, just as Max realizes on the other side of the split-screen that his gun is gone. Invoked when Ordell wants Beaumont to pump the slide on an unloaded shotgun as an Implied Death Threat in case the Koreans are thinking of ripping him off. | |
Jackie Brown / int_ea7e3be8 | featureApplicability |
1.0 | |
Jackie Brown / int_ea7e3be8 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_ea7e3be8 | |
Jackie Brown / int_eb8ec7c8 | type |
Jerkass | |
Jackie Brown / int_eb8ec7c8 | comment |
Jerkass: Jackie and Max ain't no complete saints, but Beaumont, Ordell, Melanie, and Louis are worse. | |
Jackie Brown / int_eb8ec7c8 | featureApplicability |
1.0 | |
Jackie Brown / int_eb8ec7c8 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_eb8ec7c8 | |
Jackie Brown / int_ebcbf841 | type |
Offing the Annoyance | |
Jackie Brown / int_ebcbf841 | comment |
Offing the Annoyance: Louis kills Melanie because she was constantly heckling him for forgetting where he parked their van. | |
Jackie Brown / int_ebcbf841 | featureApplicability |
1.0 | |
Jackie Brown / int_ebcbf841 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_ebcbf841 | |
Jackie Brown / int_eeb4a5eb | type |
Anti-Climax | |
Jackie Brown / int_eeb4a5eb | comment |
Anti-Climax: At Cherry's office, rather than engaging in an extended and badass gunfight, Ordell is killed off within just a few moments by the cops. | |
Jackie Brown / int_eeb4a5eb | featureApplicability |
1.0 | |
Jackie Brown / int_eeb4a5eb | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_eeb4a5eb | |
Jackie Brown / int_f8671289 | type |
Trunk Shot | |
Jackie Brown / int_f8671289 | comment |
Trunk Shot: A Tarantino special. This one has Ordell and Beaumont arguing over whether Beaumont will climb into the trunk. | |
Jackie Brown / int_f8671289 | featureApplicability |
1.0 | |
Jackie Brown / int_f8671289 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_f8671289 | |
Jackie Brown / int_fb6f9f47 | type |
"You Used to Be Better" Speech | |
Jackie Brown / int_fb6f9f47 | comment |
"You Used to Be Better" Speech: Ordell gives a quick one to Louis before he kills him. | |
Jackie Brown / int_fb6f9f47 | featureApplicability |
1.0 | |
Jackie Brown / int_fb6f9f47 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_fb6f9f47 | |
Jackie Brown / int_ff7f34c5 | type |
Pet the Dog | |
Jackie Brown / int_ff7f34c5 | comment |
Pet the Dog: Jackie giving Melanie a wad of money (although that may have just been to frame her for stealing the rest of it) and Melanie thanking her during the exchange. | |
Jackie Brown / int_ff7f34c5 | featureApplicability |
1.0 | |
Jackie Brown / int_ff7f34c5 | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_ff7f34c5 | |
Jackie Brown / int_name | type |
ItemName | |
Jackie Brown / int_name | comment |
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Jackie Brown / int_name | featureApplicability |
1.0 | |
Jackie Brown / int_name | featureConfidence |
1.0 | |
Jackie Brown | hasFeature |
Jackie Brown / int_name | |
Jackie Brown / int_name | itemName |
Jackie Brown |
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