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Peeping Tom
- 277 statements
- 53 feature instances
- 19 referencing feature instances
Peeping Tom | type |
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Peeping Tom | label |
Peeping Tom | |
Peeping Tom | page |
PeepingTom | |
Peeping Tom | comment |
Peeping Tom is a 1960 British Psychological Thriller film by the legendary director Michael Powell. Along with Psycho, released the same year, it can be seen as a precursor to the Slasher Movie genre. It's also known for the controversy it generated at the time it was made.Mark Lewis (Carl Boehm) is a very disturbed young man with a movie camera. An aspiring filmmaker, he works with a film crew and has a second job as a photographer of erotica. This all serves to increase his obsession with voyeurism and death, which he feeds by making his own private snuff films, killing women and filming their deaths. Mark also owns a boarding house, and after engaging in conversation with the family downstairs he strikes up a friendship with their daughter Helen (Anna Massey), eventually entering into a relationship with her. Mark shares some of his home movies with Helen, and opens up to her about the childhood problems created by his father. Turns out he used his son as his subject for an experiment in psychological fears, putting Mark in stressful situations and filming everything with his camera.No one suspects clean-cut, mild-mannered Mark when a prostitute is found dead in his neighborhood, nor do they suspect him when a second victim is found dead on the set of the film he's working on. Finally a chance comment from a psychiatrist leads the police to suspect Mark. Unable to escape his urges, Mark murders his third victim in circumstances which make it obvious he's the killer. He flees back to his boarding house, only to find that Helen has looked at his films and knows the truth about him. She begs him to turn himself in, but instead he commits suicide, thus giving his documentary an appropriate ending.The film was highly controversial. Before it was released, it was heavily edited by the British censors, with much of the nudity and violence cut out. It was also viciously panned by critics and a flop with audiences, and effectively wrecked Powell's career. Eventually it was Vindicated by History and now is esteemed as an early classic of the horror genre.A personal favorite of Martin Scorsese. It's also on Roger Ebert's "Great Movies" list. | |
Peeping Tom | fetched |
2023-04-12T00:58:23Z | |
Peeping Tom | parsed |
2023-04-12T00:58:23Z | |
Peeping Tom | processingComment |
Dropped link to Bowdlerise: Not a Feature - ITEM | |
Peeping Tom | processingComment |
Dropped link to Fanservice: Not a Feature - IGNORE | |
Peeping Tom | processingComment |
Dropped link to SylvesterTheCatAndTweetyBird: Not a Feature - ITEM | |
Peeping Tom | processingComment |
Dropped link to Vertigo: Not a Feature - ITEM | |
Peeping Tom | isPartOf |
DBTropes | |
Peeping Tom / int_127fc252 | type |
Creator Cameo | |
Peeping Tom / int_127fc252 | comment |
Creator Cameo: Director Powell appears as Mark's father on a home movie. | |
Peeping Tom / int_127fc252 | featureApplicability |
1.0 | |
Peeping Tom / int_127fc252 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_127fc252 | |
Peeping Tom / int_143939c1 | type |
Trailers Always Spoil | |
Peeping Tom / int_143939c1 | comment |
Trailers Always Spoil: And so do posters. As you can see in the poster above, it indirectly reveals the secret weapon of Mark. | |
Peeping Tom / int_143939c1 | featureApplicability |
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Peeping Tom / int_143939c1 | featureConfidence |
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Peeping Tom | hasFeature |
Peeping Tom / int_143939c1 | |
Peeping Tom / int_1779f10e | type |
"Well Done, Son" Guy | |
Peeping Tom / int_1779f10e | comment |
"Well Done, Son" Guy: Implied when Mark states he wants his film to be so perfect that "even he would..." and trails off. | |
Peeping Tom / int_1779f10e | featureApplicability |
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Peeping Tom / int_1779f10e | featureConfidence |
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Peeping Tom | hasFeature |
Peeping Tom / int_1779f10e | |
Peeping Tom / int_1ba17583 | type |
The Ghost | |
Peeping Tom / int_1ba17583 | comment |
The Ghost: Mark's late father. He does appear briefly on one of the old movies, but is out of focus for most of it. | |
Peeping Tom / int_1ba17583 | featureApplicability |
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Peeping Tom / int_1ba17583 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_1ba17583 | |
Peeping Tom / int_1c77ec26 | type |
The Voice | |
Peeping Tom / int_1c77ec26 | comment |
The Voice: An audio recording of Mark's father plays just after Mark commits suicide. The police (and the film's audience) hear him coldly telling Mark to stop crying, and the frightened little boy asks "Daddy" to comfort him. | |
Peeping Tom / int_1c77ec26 | featureApplicability |
1.0 | |
Peeping Tom / int_1c77ec26 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_1c77ec26 | |
Peeping Tom / int_1e584efa | type |
Cruel and Unusual Death | |
Peeping Tom / int_1e584efa | comment |
Cruel and Unusual Death: To die watching the reflection of your horrified face seems to be horrible. | |
Peeping Tom / int_1e584efa | featureApplicability |
1.0 | |
Peeping Tom / int_1e584efa | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_1e584efa | |
Peeping Tom / int_234bd900 | type |
For Science! | |
Peeping Tom / int_234bd900 | comment |
For Science!: It seems to have been his father's motive. He published a multi-volume set of textbooks from his "research". | |
Peeping Tom / int_234bd900 | featureApplicability |
1.0 | |
Peeping Tom / int_234bd900 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
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Peeping Tom / int_3517000d | type |
Mad Scientist | |
Peeping Tom / int_3517000d | comment |
Mad Scientist: Mark's father, who psychologically tortured him in order to study fear. | |
Peeping Tom / int_3517000d | featureApplicability |
1.0 | |
Peeping Tom / int_3517000d | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_3517000d | |
Peeping Tom / int_46cd696 | type |
Eye Open | |
Peeping Tom / int_46cd696 | comment |
Eye Open: The first shot is an extreme closeup of Mark's eye. | |
Peeping Tom / int_46cd696 | featureApplicability |
1.0 | |
Peeping Tom / int_46cd696 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_46cd696 | |
Peeping Tom / int_4e3d253b | type |
Downer Ending | |
Peeping Tom / int_4e3d253b | comment |
Downer Ending: Mark confesses his crimes to his girlfriend, before being consumed by madness and nearly killing her. He kills himself to stop it, but his girlfriend collapses in grief immediately afterwards. | |
Peeping Tom / int_4e3d253b | featureApplicability |
1.0 | |
Peeping Tom / int_4e3d253b | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_4e3d253b | |
Peeping Tom / int_4e3e577a | type |
Psychological Horror | |
Peeping Tom / int_4e3e577a | comment |
Psychological Horror: The film is about Mark and his madness. | |
Peeping Tom / int_4e3e577a | featureApplicability |
1.0 | |
Peeping Tom / int_4e3e577a | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_4e3e577a | |
Peeping Tom / int_610bd6 | type |
Weaponized Camera | |
Peeping Tom / int_610bd6 | comment |
Weaponized Camera: Mark murders his victims with a knife hidden in the leg of his camera tripod: allowing him to film them at the moment he kills them. | |
Peeping Tom / int_610bd6 | featureApplicability |
1.0 | |
Peeping Tom / int_610bd6 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_610bd6 | |
Peeping Tom / int_6a2ae11f | type |
Improbable Weapon User | |
Peeping Tom / int_6a2ae11f | comment |
Improbable Weapon User: Who could have thought of using a tripod's leg as a butcher’s knife? | |
Peeping Tom / int_6a2ae11f | featureApplicability |
1.0 | |
Peeping Tom / int_6a2ae11f | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_6a2ae11f | |
Peeping Tom / int_6cb1745e | type |
Streetwalker | |
Peeping Tom / int_6cb1745e | comment |
Streetwalker: One has the misfortune of running into Mark. | |
Peeping Tom / int_6cb1745e | featureApplicability |
1.0 | |
Peeping Tom / int_6cb1745e | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_6cb1745e | |
Peeping Tom / int_6d332aea | type |
Driven to Suicide | |
Peeping Tom / int_6d332aea | comment |
Driven to Suicide: To avoid the police. | |
Peeping Tom / int_6d332aea | featureApplicability |
1.0 | |
Peeping Tom / int_6d332aea | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_6d332aea | |
Peeping Tom / int_714667be | type |
Murderer P.O.V. | |
Peeping Tom / int_714667be | comment |
Murderer P.O.V.: The film's first scene depicts Mark picking up a hooker and killing her. It is shot entirely from the point of view of the camera he carries at all times. | |
Peeping Tom / int_714667be | featureApplicability |
1.0 | |
Peeping Tom / int_714667be | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_714667be | |
Peeping Tom / int_7301ae04 | type |
Serial Killer | |
Peeping Tom / int_7301ae04 | comment |
Serial Killer: Mark films his victims as he murders them. | |
Peeping Tom / int_7301ae04 | featureApplicability |
1.0 | |
Peeping Tom / int_7301ae04 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_7301ae04 | |
Peeping Tom / int_7ec94d53 | type |
Woobie, Destroyer of Worlds | |
Peeping Tom / int_7ec94d53 | comment |
Woobie, Destroyer of Worlds: Mark, considering his massive Freudian Excuse. | |
Peeping Tom / int_7ec94d53 | featureApplicability |
1.0 | |
Peeping Tom / int_7ec94d53 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_7ec94d53 | |
Peeping Tom / int_7f1c90c4 | type |
murder.com | |
Peeping Tom / int_7f1c90c4 | comment |
murder.com: Can be seen as a precursor of sorts. | |
Peeping Tom / int_7f1c90c4 | featureApplicability |
1.0 | |
Peeping Tom / int_7f1c90c4 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_7f1c90c4 | |
Peeping Tom / int_819b6384 | type |
Sympathetic Murderer | |
Peeping Tom / int_819b6384 | comment |
Sympathetic Murderer: Mark, arguably one of the first examples. The movie came out in the same year as Psycho but differed in that we knew the murderer and spent the whole film from his perspective from the first shot, whereas Hitchcock's film took a baroque approach in making the audience feel a connection for Norman. | |
Peeping Tom / int_819b6384 | featureApplicability |
1.0 | |
Peeping Tom / int_819b6384 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_819b6384 | |
Peeping Tom / int_821bdd2c | type |
Hey, Wait! | |
Peeping Tom / int_821bdd2c | comment |
Hey, Wait!: Mark (along with the rest of the crew) is interviewed by the police. When Mark's interview finishes, he gets up and goes to the door. Just as he is about to leave, Chief Inspector Gregg calls out for him stop. Mark freezes, thinking that something he said has given him away as the murderer, only for Gregg to ask him for directions on how to get back to the studio. | |
Peeping Tom / int_821bdd2c | featureApplicability |
1.0 | |
Peeping Tom / int_821bdd2c | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_821bdd2c | |
Peeping Tom / int_863fa679 | type |
What Happened to the Mouse? | |
Peeping Tom / int_863fa679 | comment |
What Happened to the Mouse?: Nothing is revealed of what became of Mark's stepmother (an attractive blonde) since his father's passing, but Mark visibly strains to even speak about her to Helen. Audiences can only speculate. | |
Peeping Tom / int_863fa679 | featureApplicability |
1.0 | |
Peeping Tom / int_863fa679 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_863fa679 | |
Peeping Tom / int_8928fe5f | type |
Dead Man's Chest | |
Peeping Tom / int_8928fe5f | comment |
Dead Man's Chest: Mark murders Vivian on the film set and leaves her body in a trunk on the set. The next day the director decides to re-shoot the scene with new action that involves one of the actors opening the trunk. Mark picks up his camera and films the reactions of the cast and crew as the body is discovered. | |
Peeping Tom / int_8928fe5f | featureApplicability |
1.0 | |
Peeping Tom / int_8928fe5f | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_8928fe5f | |
Peeping Tom / int_898ff050 | type |
Villain Protagonist | |
Peeping Tom / int_898ff050 | comment |
Villain Protagonist: Most of the movie is told through the perspective of the killer, Mark Lewis. | |
Peeping Tom / int_898ff050 | featureApplicability |
1.0 | |
Peeping Tom / int_898ff050 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_898ff050 | |
Peeping Tom / int_8c1ac05e | type |
Guinea Pig Family | |
Peeping Tom / int_8c1ac05e | comment |
Guinea Pig Family: Mark was used as a guinea pig for his father's psychological experiments on fear and the nervous system. Mark's father would study his son's reaction to various stimuli, such as lizards he put on his bed and would film the boy in all sorts of situations, even going as far as recording his son's reactions as he sat with his mother on her deathbed. He kept his son under constant watch and even wired all the rooms so that he could spy on him. | |
Peeping Tom / int_8c1ac05e | featureApplicability |
1.0 | |
Peeping Tom / int_8c1ac05e | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_8c1ac05e | |
Peeping Tom / int_96fbeaf | type |
There Are No Therapists | |
Peeping Tom / int_96fbeaf | comment |
There Are No Therapists: Averted; there is a psychiatrist, but he's more helpful to the police than to Mark—his casual comment that Mark wanted to discuss about Mark's father's research on voyeurism cause the police to zero in on Mark as a suspect. He helpfully tells Mark that voyeurism can be cured "quickly" with three years of therapy three times per week. | |
Peeping Tom / int_96fbeaf | featureApplicability |
-1.0 | |
Peeping Tom / int_96fbeaf | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_96fbeaf | |
Peeping Tom / int_970c790a | type |
Big Bad | |
Peeping Tom / int_970c790a | comment |
Big Bad: Mark Lewis, the Villain Protagonist, who kills women while photographing their death cries. | |
Peeping Tom / int_970c790a | featureApplicability |
1.0 | |
Peeping Tom / int_970c790a | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_970c790a | |
Peeping Tom / int_9e1b9a0e | type |
Camera Fiend | |
Peeping Tom / int_9e1b9a0e | comment |
Camera Fiend: Mark is incapable of venturing out without his camera. He films all of his murders, films the police tailing him, and finally films his own suicide. | |
Peeping Tom / int_9e1b9a0e | featureApplicability |
1.0 | |
Peeping Tom / int_9e1b9a0e | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_9e1b9a0e | |
Peeping Tom / int_a4905771 | type |
Double-Meaning Title | |
Peeping Tom / int_a4905771 | comment |
Double-Meaning Title: The protagonist is a Peeping Tom who spies on the neighbors, but by extension, so is the audience watching the film. | |
Peeping Tom / int_a4905771 | featureApplicability |
1.0 | |
Peeping Tom / int_a4905771 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_a4905771 | |
Peeping Tom / int_a74ca4fc | type |
The Peeping Tom | |
Peeping Tom / int_a74ca4fc | comment |
The Peeping Tom: Surprised? Mark has a habit of watching people and staring into windows, even when he's not using his camera to secretly record people. He also wired every room of the house for sound, so that he can eavesdrop and record the tenants' audio. | |
Peeping Tom / int_a74ca4fc | featureApplicability |
1.0 | |
Peeping Tom / int_a74ca4fc | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_a74ca4fc | |
Peeping Tom / int_a76de48b | type |
Troubled Production | |
Peeping Tom / int_a76de48b | comment |
Troubled Production: In-universe. The film that Mark is a crewmember on was having problems with its diva lead actress. The problems get worse when the corpse of Viv the stand-in is discovered in a trunk. | |
Peeping Tom / int_a76de48b | featureApplicability |
1.0 | |
Peeping Tom / int_a76de48b | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_a76de48b | |
Peeping Tom / int_ab5eea65 | type |
Dramatic Irony | |
Peeping Tom / int_ab5eea65 | comment |
Dramatic Irony: Mark is about to be interviewed by the police and is filming their investigation. | |
Peeping Tom / int_ab5eea65 | featureApplicability |
1.0 | |
Peeping Tom / int_ab5eea65 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_ab5eea65 | |
Peeping Tom / int_ad7a381d | type |
P.O.V. Cam | |
Peeping Tom / int_ad7a381d | comment |
P.O.V. Cam: Used for the murder scenes, and justified as they are from Mark's camera. | |
Peeping Tom / int_ad7a381d | featureApplicability |
1.0 | |
Peeping Tom / int_ad7a381d | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_ad7a381d | |
Peeping Tom / int_b0692cd9 | type |
Intro-Only Point of View | |
Peeping Tom / int_b0692cd9 | comment |
Intro-Only Point of View: The whole opening scene is shown from the perspective of Mark's camera. | |
Peeping Tom / int_b0692cd9 | featureApplicability |
1.0 | |
Peeping Tom / int_b0692cd9 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_b0692cd9 | |
Peeping Tom / int_b11ac9f5 | type |
Abusive Parents | |
Peeping Tom / int_b11ac9f5 | comment |
Abusive Parents: His father is the main reason Mark is the way he is. | |
Peeping Tom / int_b11ac9f5 | featureApplicability |
1.0 | |
Peeping Tom / int_b11ac9f5 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_b11ac9f5 | |
Peeping Tom / int_b20fdfc8 | type |
Ur-Example | |
Peeping Tom / int_b20fdfc8 | comment |
Ur-Example: Of the slasher flick. | |
Peeping Tom / int_b20fdfc8 | featureApplicability |
1.0 | |
Peeping Tom / int_b20fdfc8 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_b20fdfc8 | |
Peeping Tom / int_b53077b3 | type |
Take That! | |
Peeping Tom / int_b53077b3 | comment |
Take That!: The character of the director is supposed to be a parody of mogul John Davis (the director's name is Don Jarvis, making it not too subtle). | |
Peeping Tom / int_b53077b3 | featureApplicability |
1.0 | |
Peeping Tom / int_b53077b3 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_b53077b3 | |
Peeping Tom / int_b6aad019 | type |
Snuff Film | |
Peeping Tom / int_b6aad019 | comment |
Snuff Film: Mark's documentary of the girls he's killed. | |
Peeping Tom / int_b6aad019 | featureApplicability |
1.0 | |
Peeping Tom / int_b6aad019 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_b6aad019 | |
Peeping Tom / int_bceef0cb | type |
Slasher Movie | |
Peeping Tom / int_bceef0cb | comment |
Slasher Movie: Possibly a Trope Maker. | |
Peeping Tom / int_bceef0cb | featureApplicability |
1.0 | |
Peeping Tom / int_bceef0cb | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_bceef0cb | |
Peeping Tom / int_c75df49a | type |
Shout-Out | |
Peeping Tom / int_c75df49a | comment |
Shout-Out: Mark's stepmother (shown briefly only in home movies) is styled and dressed identically to Kim Novak's "Madeleine" from Vertigo. Director Powell started out working for Hitchcock. After Mark drops some of the pencils from his pocket when filming the police from the rafters and their chief tells everyone to be quiet to find out what made the noise, one of the policemen breaks the silence by saying "I tawt I taw a putty tat." | |
Peeping Tom / int_c75df49a | featureApplicability |
1.0 | |
Peeping Tom / int_c75df49a | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_c75df49a | |
Peeping Tom / int_c868a42a | type |
Freudian Excuse | |
Peeping Tom / int_c868a42a | comment |
Freudian Excuse: Mark is turned into a killer by his father's abusive experiments. | |
Peeping Tom / int_c868a42a | featureApplicability |
1.0 | |
Peeping Tom / int_c868a42a | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_c868a42a | |
Peeping Tom / int_c9561e8b | type |
Slashers Prefer Blondes | |
Peeping Tom / int_c9561e8b | comment |
Slashers Prefer Blondes: Mark's first and third victims are a blonde prostitute and a blonde model who's posing nude for him. | |
Peeping Tom / int_c9561e8b | featureApplicability |
1.0 | |
Peeping Tom / int_c9561e8b | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_c9561e8b | |
Peeping Tom / int_d2fb51b5 | type |
Blind and the Beast | |
Peeping Tom / int_d2fb51b5 | comment |
Blind and the Beast: Inverted example of this. Helen's blind mother Mrs Stephens is the only person who finds something off about Mark. | |
Peeping Tom / int_d2fb51b5 | featureApplicability |
1.0 | |
Peeping Tom / int_d2fb51b5 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_d2fb51b5 | |
Peeping Tom / int_dfe687c9 | type |
Alone with the Psycho | |
Peeping Tom / int_dfe687c9 | comment |
Alone with the Psycho: The climax has Helen trapped with Mark in his film studio room after finding out that he's the killer. | |
Peeping Tom / int_dfe687c9 | featureApplicability |
1.0 | |
Peeping Tom / int_dfe687c9 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_dfe687c9 | |
Peeping Tom / int_e13156e1 | type |
Mama Bear | |
Peeping Tom / int_e13156e1 | comment |
Mama Bear: Mrs Stephens confronts Mark about his intentions towards Helen. Her tough attitude and blindness — which prevents her from being frightened by Mark's usual tricks — along with her cane's metal tip being unnervingly similar to his own tripod-knife, make Mark cower like a scared child. | |
Peeping Tom / int_e13156e1 | featureApplicability |
1.0 | |
Peeping Tom / int_e13156e1 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_e13156e1 | |
Peeping Tom / int_e5700c89 | type |
Reluctant Psycho | |
Peeping Tom / int_e5700c89 | comment |
Reluctant Psycho: Mark is well-aware that there's something wrong with him, and he indirectly asks a psychiatrist for help after Helen's mother advises him to do so, but he's put off after hearing how long it would take to cure him of his voyeurism (three years.) | |
Peeping Tom / int_e5700c89 | featureApplicability |
1.0 | |
Peeping Tom / int_e5700c89 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_e5700c89 | |
Peeping Tom / int_e5fd8bc2 | type |
Hate Sink | |
Peeping Tom / int_e5fd8bc2 | comment |
Hate Sink: Dr. Lewis, Mark's father, was fascinated by terror and elected to traumatize and film his own son to study his fear response. | |
Peeping Tom / int_e5fd8bc2 | featureApplicability |
1.0 | |
Peeping Tom / int_e5fd8bc2 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_e5fd8bc2 | |
Peeping Tom / int_ecbf37ff | type |
Disposable Sex Worker | |
Peeping Tom / int_ecbf37ff | comment |
Disposable Sex Worker: Mark targets prostitutes for his work. | |
Peeping Tom / int_ecbf37ff | featureApplicability |
1.0 | |
Peeping Tom / int_ecbf37ff | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_ecbf37ff | |
Peeping Tom / int_ed503b22 | type |
Match Cut | |
Peeping Tom / int_ed503b22 | comment |
Match Cut: From a model pouring a cup of coffee to Helen's mother pouring a drink at Helen's party. Later from Mrs Stephens pouring a glass of whiskey to Mark pouring chemicals in his darkroom. | |
Peeping Tom / int_ed503b22 | featureApplicability |
1.0 | |
Peeping Tom / int_ed503b22 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_ed503b22 | |
Peeping Tom / int_f0e85546 | type |
Unbuilt Trope | |
Peeping Tom / int_f0e85546 | comment |
Unbuilt Trope: The originator of the Slasher Movie puts the audience entirely in the killer's POV. The Sex Signals Death applied to his victims is justified by the circumstances—he wouldn't be able to get so close to normal everyday women. And the Final Girl doesn't get killed like the rest because the killer is actually in love with her. | |
Peeping Tom / int_f0e85546 | featureApplicability |
1.0 | |
Peeping Tom / int_f0e85546 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_f0e85546 | |
Peeping Tom / int_f642b1f9 | type |
You Bastard! | |
Peeping Tom / int_f642b1f9 | comment |
You Bastard!: The protagonist is a voyeur who obsessively watches films of his murders — kind of like the audience watching the movie. | |
Peeping Tom / int_f642b1f9 | featureApplicability |
1.0 | |
Peeping Tom / int_f642b1f9 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_f642b1f9 | |
Peeping Tom / int_fdb3b2b5 | type |
Lady Drunk | |
Peeping Tom / int_fdb3b2b5 | comment |
Lady Drunk: Helen's mother, who is usually seen on the couch with a bottle of whiskey. In one scene where Helen is going upstairs with Mark, Mrs. Stephens reminds Helen to come back before Mom is too drunk to play cards. Apparently a botched operation left her blind. Despite being both a heavy drinker and blind she is very sharp and she sniffs out that something is wrong with Mark, when Helen can't. | |
Peeping Tom / int_fdb3b2b5 | featureApplicability |
1.0 | |
Peeping Tom / int_fdb3b2b5 | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_fdb3b2b5 | |
Peeping Tom / int_name | type |
ItemName | |
Peeping Tom / int_name | comment |
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Peeping Tom / int_name | featureApplicability |
1.0 | |
Peeping Tom / int_name | featureConfidence |
1.0 | |
Peeping Tom | hasFeature |
Peeping Tom / int_name | |
Peeping Tom / int_name | itemName |
Peeping Tom |
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