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Scaramouche (1952)
- 223 statements
- 43 feature instances
- 15 referencing feature instances
| Scaramouche (1952) | type |
TVTItem | |
| Scaramouche (1952) | label |
Scaramouche (1952) | |
| Scaramouche (1952) | page |
Scaramouche1952 | |
| Scaramouche (1952) | comment |
Scaramouche is the 1952 film adaptation of the novel by Rafael Sabatini, directed by George Sidney.Stewart Granger plays the hero, Andre Moreau, with Mel Ferrer opposite him as the villainous Marquis de Maynes. The female leads are Eleanor Parker (as Lenore) and Janet Leigh (as Aline de Gavrillac). Metro-Goldwyn-Mayer went all-out on the sets and costumes and the climactic duel is the longest single-take Sword Fight in cinematic history.The book was previously adapted as a silent film in 1923. | |
| Scaramouche (1952) | fetched |
2023-06-05T15:14:58Z | |
| Scaramouche (1952) | parsed |
2023-06-05T15:14:58Z | |
| Scaramouche (1952) | isPartOf |
DBTropes | |
| Scaramouche (1952) / int_14a8e0a2 | type |
Villain Opening Scene | |
| Scaramouche (1952) / int_14a8e0a2 | comment |
Villain Opening Scene: The Marquis has the first ten minutes of screen time, and unlike most examples of this trope, commits not a single evil deed, so much so that he could almost be seen as the Decoy Protagonist. | |
| Scaramouche (1952) / int_14a8e0a2 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_14a8e0a2 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_14a8e0a2 | |
| Scaramouche (1952) / int_16bab5ee | type |
Punch-Clock Villain | |
| Scaramouche (1952) / int_16bab5ee | comment |
Punchclock Villain: Chevallier de Chabrillaine, De Maynes dragon is actually quite personable and admirer of the theatre. | |
| Scaramouche (1952) / int_16bab5ee | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_16bab5ee | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_16bab5ee | |
| Scaramouche (1952) / int_17a606bd | type |
Master Swordsman | |
| Scaramouche (1952) / int_17a606bd | comment |
Master Swordsman: De Maynes, his master Doutreval, and his master Perigore of Paris. And eventually, Andre himself. | |
| Scaramouche (1952) / int_17a606bd | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_17a606bd | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_17a606bd | |
| Scaramouche (1952) / int_185ea595 | type |
The Trickster | |
| Scaramouche (1952) / int_185ea595 | comment |
The Trickster: Andre isn't but the character he plays, Scaramouche, is. | |
| Scaramouche (1952) / int_185ea595 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_185ea595 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_185ea595 | |
| Scaramouche (1952) / int_1c3d047e | type |
The Rival | |
| Scaramouche (1952) / int_1c3d047e | comment |
The Rival: Andre makes the transition all the way from Unknown Rival to this after training under De Maynes' teachers and joining the rival party of the National Assembly. | |
| Scaramouche (1952) / int_1c3d047e | featureApplicability |
1.0 | |
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1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_1c3d047e | |
| Scaramouche (1952) / int_1d7d1b93 | type |
Remake Cameo | |
| Scaramouche (1952) / int_1d7d1b93 | comment |
Remake Cameo: Lewis Stone played the villain in the silent adaptation, while here he plays Andre's foster father. | |
| Scaramouche (1952) / int_1d7d1b93 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_1d7d1b93 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_1d7d1b93 | |
| Scaramouche (1952) / int_1e30fd35 | type |
Dangerously Close Shave | |
| Scaramouche (1952) / int_1e30fd35 | comment |
Dangerously Close Shave: In a humorous scene early on, Andre sends out his lawyer's barber and proceeds to interrogate the lawyer as to the identity of the man who pays his stipend. By shaving him. | |
| Scaramouche (1952) / int_1e30fd35 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_1e30fd35 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_1e30fd35 | |
| Scaramouche (1952) / int_2a02e5c9 | type |
Guile Hero | |
| Scaramouche (1952) / int_2a02e5c9 | comment |
Guile Hero: Andre, at times, especially after he joins the troupe. | |
| Scaramouche (1952) / int_2a02e5c9 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_2a02e5c9 | featureConfidence |
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Scaramouche (1952) / int_2a02e5c9 | |
| Scaramouche (1952) / int_2af6bbeb | type |
Break the Haughty | |
| Scaramouche (1952) / int_2af6bbeb | comment |
Break the Haughty: As the final duel continues and De Maynes begins to lose his nerve. | |
| Scaramouche (1952) / int_2af6bbeb | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_2af6bbeb | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_2af6bbeb | |
| Scaramouche (1952) / int_2d394bcb | type |
Commedia dell'Arte | |
| Scaramouche (1952) / int_2d394bcb | comment |
Commedia dell'Arte: In-universe, Andre hides out with the Commedia troupe in which Lenore is a member, where he discovers his hidden talent for slapstick, and begins to learn how to handle a sword. | |
| Scaramouche (1952) / int_2d394bcb | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_2d394bcb | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_2d394bcb | |
| Scaramouche (1952) / int_3c689563 | type |
Interesting Situation Duel | |
| Scaramouche (1952) / int_3c689563 | comment |
Interesting Situation Duel: The climax has a sword fight in a theater, fought on the backs of the seats. They started by dueling along the rims of the balconies and finished on the stage. | |
| Scaramouche (1952) / int_3c689563 | featureApplicability |
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| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_3c689563 | |
| Scaramouche (1952) / int_3ec27f76 | type |
Costume Porn | |
| Scaramouche (1952) / int_3ec27f76 | comment |
Costume Porn: Oh yes. | |
| Scaramouche (1952) / int_3ec27f76 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_3ec27f76 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_3ec27f76 | |
| Scaramouche (1952) / int_3f45f1e6 | type |
Adaptational Heroism | |
| Scaramouche (1952) / int_3f45f1e6 | comment |
Adaptational Heroism: The book's Marquis was quite willing to take a mistress whislt courting Aline, expecting her to understand it as the norm for rich gentlemen. In this film, De Maynes, whilst initially seeing Aline as a favour to the Queen, is devoted to her and is horrified when Aline implies he is seeing someone else. In the book, Binet is unscrupulous, keeping Andre-Louis in his troupe with blackmail and is generally unpopular with his actors. In the film, he is still something of a Pointy-Haired Boss, but he is generally Big Fun and doesn't care about Andre's true identity. | |
| Scaramouche (1952) / int_3f45f1e6 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_3f45f1e6 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_3f45f1e6 | |
| Scaramouche (1952) / int_455f6a91 | type |
Long-Lost Relative | |
| Scaramouche (1952) / int_455f6a91 | comment |
Long-Lost Relative: It turns out the Marquis De Maynes is Andre's long-lost half-brother. Earlier, he was led to believe that Aline was his long-lost half-sister, but this turned out to not be so. | |
| Scaramouche (1952) / int_455f6a91 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_455f6a91 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_455f6a91 | |
| Scaramouche (1952) / int_537dd8fe | type |
Affably Evil | |
| Scaramouche (1952) / int_537dd8fe | comment |
Affably Evil: The Marquis De Maynes is a loyal servant of the Queen, a gentleman and caring protector and lover to his ward Aline. Unfortunately, he also happens to hate revolutionaries and has no qualms about provoking Phillipe de Valmorin into a duel... | |
| Scaramouche (1952) / int_537dd8fe | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_537dd8fe | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_537dd8fe | |
| Scaramouche (1952) / int_5bca5a56 | type |
Surprise Incest | |
| Scaramouche (1952) / int_5bca5a56 | comment |
Surprise Incest: Andre courts Aline early on, but backs away when he finds evidence that she's his sister. Subverted at the end when Lenore reveals that Aline and Andre are not related after all. | |
| Scaramouche (1952) / int_5bca5a56 | featureApplicability |
-0.3 | |
| Scaramouche (1952) / int_5bca5a56 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_5bca5a56 | |
| Scaramouche (1952) / int_5d310fb8 | type |
Sword Fight | |
| Scaramouche (1952) / int_5d310fb8 | comment |
Sword Fight: As noted, the whole arc of the film is Andre becoming a master at this, culminating in that epic climax. | |
| Scaramouche (1952) / int_5d310fb8 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_5d310fb8 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_5d310fb8 | |
| Scaramouche (1952) / int_60547993 | type |
I Want My Beloved to Be Happy | |
| Scaramouche (1952) / int_60547993 | comment |
I Want My Beloved to Be Happy: Leonore leaves Andre so he can marry Aline, finally settling up with a certain Corsican officer. | |
| Scaramouche (1952) / int_60547993 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_60547993 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_60547993 | |
| Scaramouche (1952) / int_65331274 | type |
Flynning | |
| Scaramouche (1952) / int_65331274 | comment |
Flynning: Honestly a little bit less than you'd expect, with the ten-minute climactic fight scene, but it's definitely there. | |
| Scaramouche (1952) / int_65331274 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_65331274 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_65331274 | |
| Scaramouche (1952) / int_654f1e92 | type |
Don't Come A-Knockin' | |
| Scaramouche (1952) / int_654f1e92 | comment |
Don't Come A-Knockin': Parodied; the actual activity involves rather more being hit with frying pans. | |
| Scaramouche (1952) / int_654f1e92 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_654f1e92 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_654f1e92 | |
| Scaramouche (1952) / int_7453bc5b | type |
Spared by the Adaptation | |
| Scaramouche (1952) / int_7453bc5b | comment |
Spared by the Adaptation: The Chevallier de Chabrillaine challenges Andre to a duel in both book and film, and in both the duel is not witnessed. However, while he is killed in the book, he survives with an injured arm in the film. | |
| Scaramouche (1952) / int_7453bc5b | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_7453bc5b | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_7453bc5b | |
| Scaramouche (1952) / int_8071af62 | type |
Don't Think, Feel | |
| Scaramouche (1952) / int_8071af62 | comment |
Don't Think, Feel: Inverted. | |
| Scaramouche (1952) / int_8071af62 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_8071af62 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_8071af62 | |
| Scaramouche (1952) / int_86f2d483 | type |
Frying Pan of Doom | |
| Scaramouche (1952) / int_86f2d483 | comment |
Frying Pan of Doom: Lenore's weapon of choice, both on stage and off. | |
| Scaramouche (1952) / int_86f2d483 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_86f2d483 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_86f2d483 | |
| Scaramouche (1952) / int_8a6284d1 | type |
Swashbuckler | |
| Scaramouche (1952) / int_8a6284d1 | comment |
Swashbuckler: A classic example. | |
| Scaramouche (1952) / int_8a6284d1 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_8a6284d1 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_8a6284d1 | |
| Scaramouche (1952) / int_94e4c8ab | type |
Betty and Veronica | |
| Scaramouche (1952) / int_94e4c8ab | comment |
Betty and Veronica: Aline and Lenore with Lenore as the Veronica and Aline as the Betty. | |
| Scaramouche (1952) / int_94e4c8ab | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_94e4c8ab | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_94e4c8ab | |
| Scaramouche (1952) / int_9cc1a329 | type |
Upper-Class Twit | |
| Scaramouche (1952) / int_9cc1a329 | comment |
Upper-Class Twit: Andre, at first. Though he is actually a nobleman's bastard. | |
| Scaramouche (1952) / int_9cc1a329 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_9cc1a329 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_9cc1a329 | |
| Scaramouche (1952) / int_a05abbc8 | type |
Throwing Down the Gauntlet | |
| Scaramouche (1952) / int_a05abbc8 | comment |
Throwing Down the Gauntlet: | |
| Scaramouche (1952) / int_a05abbc8 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_a05abbc8 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_a05abbc8 | |
| Scaramouche (1952) / int_a5cfe2ac | type |
And There Was Much Rejoicing | |
| Scaramouche (1952) / int_a5cfe2ac | comment |
And There Was Much Rejoicing: Upon joining the National Assembly, Andre Moreau is set upon by the aristocratic side of the assembly, to a series of duels. With each victory, the next day, he declares that his most recent opponent will be "Absent from the assembly", which proceeds to induce cheers from the commoner's half of the assembly. | |
| Scaramouche (1952) / int_a5cfe2ac | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_a5cfe2ac | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_a5cfe2ac | |
| Scaramouche (1952) / int_abe4d7b | type |
Blue Blood | |
| Scaramouche (1952) / int_abe4d7b | comment |
Blue Blood: It's a movie set during the early stages of The French Revolution, so many characters are aristocrats. Even Andre and Philippe, who align themselves with the Revolution, are ultimately impoverished aristocrats. | |
| Scaramouche (1952) / int_abe4d7b | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_abe4d7b | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_abe4d7b | |
| Scaramouche (1952) / int_ae3d6438 | type |
Deadpan Snarker | |
| Scaramouche (1952) / int_ae3d6438 | comment |
Deadpan Snarker: Andre and Lenore. | |
| Scaramouche (1952) / int_ae3d6438 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_ae3d6438 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_ae3d6438 | |
| Scaramouche (1952) / int_b1b865f7 | type |
Royal Rapier | |
| Scaramouche (1952) / int_b1b865f7 | comment |
Royal Rapier: Moreau's weapon of choice. | |
| Scaramouche (1952) / int_b1b865f7 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_b1b865f7 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_b1b865f7 | |
| Scaramouche (1952) / int_b2adf5ad | type |
Destructo-Nookie | |
| Scaramouche (1952) / int_b2adf5ad | comment |
Destructo-Nookie: It starts as Slap-Slap-Kiss with frying pans. It ends with a make-up nookie that tears apart Lenore's carriage from the inside out (with frying pans still in hand). | |
| Scaramouche (1952) / int_b2adf5ad | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_b2adf5ad | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_b2adf5ad | |
| Scaramouche (1952) / int_ba5bbda5 | type |
Mirror Character | |
| Scaramouche (1952) / int_ba5bbda5 | comment |
Mirror Character: Both Andre and De Maynes are clever, passionate, somewhat flippant charmers who are extremely loyal to their friends and family. Over the course of the film, Andre becomes more and more like De Maynes, becoming a master swordsman who repeatedly incapacitates political enemies in duels and has complicated relationships with two different women. This foreshadows The Reveal that they're brothers. | |
| Scaramouche (1952) / int_ba5bbda5 | featureApplicability |
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| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_ba5bbda5 | |
| Scaramouche (1952) / int_bb0c0a4d | type |
Fiery Redhead | |
| Scaramouche (1952) / int_bb0c0a4d | comment |
Fiery Redhead: Redheaded Lenore is quite fiery in her Belligerent Sexual Tension with Andre. | |
| Scaramouche (1952) / int_bb0c0a4d | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_bb0c0a4d | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_bb0c0a4d | |
| Scaramouche (1952) / int_bbf11c0 | type |
Genius Bruiser | |
| Scaramouche (1952) / int_bbf11c0 | comment |
Genius Bruiser: Both De Maynes and Andre are Master Swordsman who play other characters like a violin when they need to. | |
| Scaramouche (1952) / int_bbf11c0 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_bbf11c0 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_bbf11c0 | |
| Scaramouche (1952) / int_d19343fc | type |
Glove Slap | |
| Scaramouche (1952) / int_d19343fc | comment |
Glove Slap: When the National Assembly's noble delegates are reducing the numbers of the common delegates by challenging them to duels and killing them, Moreau is challenged several times by persistent nobles who want to improve his horrendously ugly face by slapping him with a glove. | |
| Scaramouche (1952) / int_d19343fc | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_d19343fc | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_d19343fc | |
| Scaramouche (1952) / int_d1cedb73 | type |
Slap-Slap-Kiss | |
| Scaramouche (1952) / int_d1cedb73 | comment |
Slap-Slap-Kiss: Andre and Lenore's relationship. | |
| Scaramouche (1952) / int_d1cedb73 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_d1cedb73 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_d1cedb73 | |
| Scaramouche (1952) / int_d9ffec82 | type |
Curb-Stomp Battle | |
| Scaramouche (1952) / int_d9ffec82 | comment |
Curbstomp Battle: De Maynes duel with de Valmorin and his early encounters with Andre. | |
| Scaramouche (1952) / int_d9ffec82 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_d9ffec82 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_d9ffec82 | |
| Scaramouche (1952) / int_dc057cf3 | type |
Adaptation Name Change | |
| Scaramouche (1952) / int_dc057cf3 | comment |
Adaptation Name Change: Lenore was called Climène in the novel and in the 1923 version. In the novel, the Marquis bore the more flamboyant title of Marquis de La Tour d'Azyr. | |
| Scaramouche (1952) / int_dc057cf3 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_dc057cf3 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_dc057cf3 | |
| Scaramouche (1952) / int_dc3b74bc | type |
Pointy-Haired Boss | |
| Scaramouche (1952) / int_dc3b74bc | comment |
In the book, Binet is unscrupulous, keeping Andre-Louis in his troupe with blackmail and is generally unpopular with his actors. In the film, he is still something of a Pointy-Haired Boss, but he is generally Big Fun and doesn't care about Andre's true identity. | |
| Scaramouche (1952) / int_dc3b74bc | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_dc3b74bc | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_dc3b74bc | |
| Scaramouche (1952) / int_e7e558 | type |
The Oner | |
| Scaramouche (1952) / int_e7e558 | comment |
The Oner: The final duel. As it took place in a pre-Revolutionary France theatre, complete with over 600 extras in full costume, they had to get it done in one take. As it was so long the lead actors couldn't be trusted to do it, so the fight director and his assistant did it all in long-shot. After beginning the fight on the edge of the boxes, it moved to the corridor outside, then to the balconied foyer, where a single camera picks up the shot and follows them down the stairs, across the foyer, and back into the auditorium, roughly a third of the fight. The whole fight took over seven minutes, included two near-fatal accidents, and needed nine cameras to film, to cover the boxes, the corridor, the foyer, the auditorium, onstage, and backstage, none of which could be in shot for any other camera. After it was done, the leads did some close-ups of a few short sequences during the fight, and these close-ups cover the cuts between each camera. | |
| Scaramouche (1952) / int_e7e558 | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_e7e558 | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_e7e558 | |
| Scaramouche (1952) / int_e96fe76d | type |
Hobbes Was Right | |
| Scaramouche (1952) / int_e96fe76d | comment |
Hobbes Was Right: Espoused by the Marquis De Maynes when he sees the revolutionary slogan Liberty, Equality, Fraternity: | |
| Scaramouche (1952) / int_e96fe76d | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_e96fe76d | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_e96fe76d | |
| Scaramouche (1952) / int_name | type |
ItemName | |
| Scaramouche (1952) / int_name | comment |
||
| Scaramouche (1952) / int_name | featureApplicability |
1.0 | |
| Scaramouche (1952) / int_name | featureConfidence |
1.0 | |
| Scaramouche (1952) | hasFeature |
Scaramouche (1952) / int_name | |
| Scaramouche (1952) / int_name | itemName |
Scaramouche (1952) |
The following is a list of statements referring to the current page from other pages.
| Scaramouche (1952) | hasFeature |
And There Was Much Rejoicing / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Commedia dell'Arte / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Dangerously Close Shave / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Destructo-Nookie / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Don't Come A-Knockin' / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Don't Think, Feel / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
First Girl Wins / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Flynning / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Glove Slap / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Interesting Situation Duel / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Long-Lost Relative / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Performer Guise / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Sword Fight / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
The Oner / int_f9aa2c38 | |
| Scaramouche (1952) | hasFeature |
Throwing Down the Gauntlet / int_f9aa2c38 |
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Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.