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The Player

264 statements
50 feature instances
5 referencing feature instances

The Player	type	TVTItem
The Player	label	The Player
The Player	page	ThePlayer
The Player	comment	A 1988 satirical novel by Michael Tolkin, The Player was brought to the screen in 1992 by director Robert Altman with a screenplay also by Tolkin. The film version starred Tim Robbins, Vincent D'Onofrio, Greta Scacchi, Peter Gallagher, and a ton of stars as themselves.Griffin Mill is a sleazy studio executive whose job it is to decide which screenplays get produced. At the outset, he finds himself both the target of a power play by another executive gunning for his job, and receiving death threats by a stalker, supposedly a screenwriter whose pitch he once rejected. In a confrontation with a disgruntled screenwriter he believes to be the stalker, things escalate into a fight and Griffin accidentally kills the other man. Griffin now must stay a step ahead of the police, who are investigating the writer's death, as well as his professional rival, even as he finds himself drawing ever closer to the girlfriend of the man he killed.Incredibly self-referential, The Player attacks the film industry and the Development Hell each film has to go through to get made. It also drops you into the social atmosphere of Hollywood and is ultimately an inverted murder mystery, with a man worried about his evil act being discovered.
The Player	fetched	2024-02-05T19:30:53Z
The Player	parsed	2024-02-05T19:30:53Z
The Player	processingComment	Dropped link to AdaptationalNameChange: Not a Feature - UNKNOWN
The Player	processingComment	Dropped link to BicycleThieves: Not a Feature - ITEM
The Player	processingComment	Dropped link to Foil: Not a Feature - IGNORE
The Player	processingComment	Dropped link to PretAPorter: Not a Feature - ITEM
The Player	processingComment	Dropped link to TheNineties: Not a Feature - IGNORE
The Player	processingUnknown	AdaptationalNameChange
The Player	isPartOf	DBTropes
The Player / int_107edaa4	type	Comforting the Widow
The Player / int_107edaa4	comment	Comforting the Widow: Griffin does this with the girlfriend of the writer.
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The Player	hasFeature	The Player / int_107edaa4
The Player / int_108c268e	type	Hotter and Sexier
The Player / int_108c268e	comment	Hotter and Sexier: One of the spontaneous pitches Larry Levy cooks up based on a newspaper story is having Jimmy Smits star in a "sexy Stand and Deliver."
The Player / int_108c268e	featureApplicability	1.0
The Player / int_108c268e	featureConfidence	1.0
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The Player / int_127fc252	type	Creator Cameo
The Player / int_127fc252	comment	Creator Cameo: Michael Tolkin and his brother Stephen as the geeky filmmakers who barge in on Griffin in his office in the scene following the police station questioning scene. That's Robert Altman's own handwriting on the postcards Griffin receives.
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The Player	hasFeature	The Player / int_127fc252
The Player / int_1afb845c	type	Tropaholics Anonymous
The Player / int_1afb845c	comment	Tropaholics Anonymous: Larry Levy mentions attending an Alcoholics Anonymous meeting, not because he has a drinking problem, but because that's where all the deals are being made.
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The Player	hasFeature	The Player / int_1afb845c
The Player / int_2b34de10	type	Conversational Troping
The Player / int_2b34de10	comment	Conversational Troping: Two guys in the long tracking shot that opens the film talk about other long tracking shots in films.
The Player / int_2b34de10	featureApplicability	1.0
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The Player	hasFeature	The Player / int_2b34de10
The Player / int_38d02d44	type	Batman Gambit
The Player / int_38d02d44	comment	Griffin's Batman Gambit from above works so well that he not only gets his rival fired; but his boss as well. This leaves a sizeable gap in the studio hierarchy, which Griffin is called to fill. He got a huge promotion (and a much bigger house) as well as the recently bereaved girlfriend.
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The Player / int_43a831db	type	Epic Tracking Shot
The Player / int_43a831db	comment	A couple of minutes in, Fred Ward's character is talking about how the long Epic Tracking Shot that opened Touch of Evil set the tone for the film—right in the middle of the Epic Tracking Shot that opens The Player.
The Player / int_43a831db	featureApplicability	1.0
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The Player / int_469e3e2f	type	In-Universe
The Player / int_469e3e2f	comment	In-Universe. Tom Oakley uses this justification for changing the Downer Ending of Habeas Corpus.
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The Player / int_47fea76b	type	Butt-Monkey
The Player / int_47fea76b	comment	Butt-Monkey: Bonnie, full stop. Griffin leaves her for the younger, blonder and hotter June without bothering to tell her; she's the sole voice for artistic merit in the eternal "art versus profit" argument the studio execs keep having (universally unsuccessfully) and when she takes Tom Oakley (quite properly) to task for changing the ending of Habeas Corpus she gets fired for her troubles. The last shot of her in the film is her crying on the staircase outside; completely alone in the world.
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The Player / int_485d09ab	type	Creator In-Joke
The Player / int_485d09ab	comment	Creator In-Joke: "Let's Begin Again", the song being sung at the karaoke bar, was a song that Altman had written lyrics for back in The '40s, and it was part of a never-produced stage musical that he and a friend put together. It had previously been performed in his 1979 film HealtH, putting it also into Call-Back and Mythology Gag territory.
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The Player / int_4a3e547f	type	Leaning on the Fourth Wall
The Player / int_4a3e547f	comment	Leaning on the Fourth Wall: Twice, both involving the opening Epic Tracking Shot of the film. Before the action or background music of the shot actually begins, we hear a director (assumedly Robert Altman) shouting instructions to the film crew, shooting the movie we're about to see. A couple of minutes in, Fred Ward's character is talking about how the long Epic Tracking Shot that opened Touch of Evil set the tone for the film—right in the middle of the Epic Tracking Shot that opens The Player.
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The Player / int_4e3d253b	type	Downer Ending
The Player / int_4e3d253b	comment	Screenwriter Tom Oakley initially defends his story "Habeas Corpus" as a serious edgy crime drama with a Downer Ending and fights for it to Griffin Mill, by the end he has cheerfully and cynically become a Sell-Out, happily taking the bigger cheque and deal offered to him by Mill.
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The Player / int_5977de6c	type	Write What You Know
The Player / int_5977de6c	comment	Write What You Know: In-universe. When David brings Griffin to the Japanese bar in Pasadena, he explains that he used to live in Japan for a year, as a student. Then he reminds Griffin about his story pitch: a student going to Japan.
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The Player / int_5a3b8032	type	The Un-Reveal
The Player / int_5a3b8032	comment	The Unreveal: The identity of the writer who is blackmailing Griffin is never revealed, but according to this blogger there's evidence that it might be Phil, the screenwriter who gives the angry eulogy at David's funeral.
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The Player / int_6f7e17df	type	TheyPlottedAPerfectlyGoodWaste
The Player / int_6f7e17df	comment	They Plotted a Perfectly Good Waste: Inverted and In-Universe. The in-film movie Habeas Corpus, initially pitched for its "reality" is later described by Griffin Mill at one point as a hairbrained idea with "no second act" and no overarching plot or conflict between the setup and its conclusion. This proves true when it's later revealed that the original ending was not received well by test audiences, which compelled the studio to fit the premise to their more usual formula. In the end, even the film's writer reverses his initial opinion on bringing "reality" in movies.
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The Player / int_71152dd	type	One Dialogue, Two Conversations
The Player / int_71152dd	comment	One Dialogue, Two Conversations: Griffin Mill thinks he's confronting someone who wants to murder him. David Kahane thinks Griffin just randomly picked him out to torment. Kahane even takes Griffin's reference to postcards as an insult of his writing skills.
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The Player / int_7b8b3def	type	Celebrity Paradox
The Player / int_7b8b3def	comment	Celebrity Paradox: A notable number of recognizable actors appear in the film as themselves. Notably at the end (delivering the punch line to the movie's main Brick Joke) are Bruce Willis and Julia Roberts. No mention is made of the film's principal actors, notably: Tim Robbins, who would later co-star with Julia Roberts in PrÃªt-Ã -Porter. Also, making a cameo in this movie are Susan Sarandon, to whom Robbins was married at the time, and John Cusack, who co-starred with a young Tim Robbins in The Sure Thing and Tapeheads. Whoopi Goldberg, who had co-starred with Bruce Willis in an episode of Moonlighting. Lyle Lovett, who for awhile was married to Julia Roberts in real life. There's also a case involving Brion James. Joel Levison obviously saw the 1988 remake of D.O.A., since he talks about it, but it's unknown if he noticed that the actor who played Detective Ulmer happened to look a lot like himself.
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The Player / int_7c1bf001	type	Character Name Alias
The Player / int_7c1bf001	comment	Character Name Alias: The blackmailer uses the name 'Joe Gillis'; the name of the narrator (and a murdered screenwriter) in Sunset Boulevard.
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The Player / int_7d89315b	type	"The Reason You Suck" Speech
The Player / int_7d89315b	comment	"The Reason You Suck" Speech: After David and Griffin leave the bar.
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The Player / int_8ed5c6e4	type	Asshole Victim
The Player / int_8ed5c6e4	comment	Asshole Victim: David Kahane is kind of creepy and unpleasant, and June doesn't act like she misses him all that much.
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The Player / int_94e4c8ab	type	Betty and Veronica
The Player / int_94e4c8ab	comment	Betty and Veronica: For Griffin, Bonnie is Betty and June is Veronica.
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The Player	hasFeature	The Player / int_94e4c8ab
The Player / int_977a6ec0	type	Girl Friday
The Player / int_977a6ec0	comment	Girl Friday: Bonnie, Griffin's indispensable office assistant, and sex partner.
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The Player / int_991c2873	type	Focus Group Ending
The Player / int_991c2873	comment	Focus Group Ending: In-Universe. Discussion of "Fatal Attraction" and the Focus Group Ending, with the argument that it was so successful because of the ending. In-Universe. Tom Oakley uses this justification for changing the Downer Ending of Habeas Corpus.
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The Player / int_9fbf92c3	type	Creator Career Self-Deprecation
The Player / int_9fbf92c3	comment	Creator Career Self-Deprecation: This movie shows that Hollywood is willing to poke fun at themselves. Naturally it was directed by a more independent cineaste: Robert Altman. Altman later said that he was surprised people took this film as a "serious" satire. Altman saw it as a mild comedy and that he went gently on Hollywood (he didn't show the agents for instance) because he was in a good mood. As he says, "the real Hollywood is much worse."
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The Player / int_a4905771	type	Double-Meaning Title
The Player / int_a4905771	comment	Double-Meaning Title: In-Universe, in another context, the literal translation of the proposed "Law Procedural" Habeas Corpus ("produce the corpse") is a play on Griffin's job as a film producer and "corpse" being a slang term in the industry for a film that performs poorly, signifying that the screenwriters are, in fact, pitching a completely ludicrous idea for a movie that has no chance of being successful. Griffin points out the absurdity of it all when he notes that Tom Oakley's pitch distinctly lacks a Second Act; in the originally proposed story, there wouldn't be any meaningful development of the plot or its main character (the District Attorney) until after a sudden plot twist near the very conclusion. Later studio changes after the film gets produced only take an already absurd premise (for a movie) and make it even stranger.
The Player / int_a4905771	featureApplicability	1.0
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The Player / int_a70223	type	Karma Houdini
The Player / int_a70223	comment	Karma Houdini: Griffin gets away with murder, backstabbing and cheapening an artsy film for the sake of profit. He even ends up with the writer's girlfriend. Griffin's Batman Gambit from above works so well that he not only gets his rival fired; but his boss as well. This leaves a sizeable gap in the studio hierarchy, which Griffin is called to fill. He got a huge promotion (and a much bigger house) as well as the recently bereaved girlfriend. The mysterious writer who sent the death threats is never identified. In the end, he ends up pitching Griffin over the phone a story for a movie - about a studio executive who ends up getting away with murder. Griffin happily greenlights the film - as long as they can keep the ending.
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The Player / int_acedb8f5	type	Oscar Bait
The Player / int_acedb8f5	comment	Oscar Bait: In-universe with Habeas Corpus.
The Player / int_acedb8f5	featureApplicability	1.0
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The Player	hasFeature	The Player / int_acedb8f5
The Player / int_adbbb5c5	type	Writers Suck
The Player / int_adbbb5c5	comment	Writers Suck: Pitches become so much more important than finished scripts that Larry Levy arrives at the studio to argue that writers are unnecessary to the filmmaking process; anybody can just spin a story pitch out of a newspaper article and plug in a simple, easy to understand formula. This leads Bonnie to snark:
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The Player / int_aec19d54	type	Hyperlink Story
The Player / int_aec19d54	comment	Hyperlink Story: Not to the extent of other Altman films since Griffin Mill is The Protagonist but there are many loose vignettes and subplots that coalesce with him and aren't really related to each other.
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The Player / int_af3ea0e3	type	Faceâ€“Heel Turn
The Player / int_af3ea0e3	comment	Faceâ€“Heel Turn: Tom Oakley abandons all of his principles in the making of "Habeas Corpus". He insists that the film not have movie stars and a tragic ending. By the end we see the film starring Julia Roberts, Susan Sarandon, and Bruce Willis and ends happily, with Oakley stating that he has to satisfy the audiences more than make art.
The Player / int_af3ea0e3	featureApplicability	1.0
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The Player / int_beb9a361	type	Anti-Hero
The Player / int_beb9a361	comment	Anti-Hero: Closer to a Villain Protagonist.
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The Player / int_c19bdbe1	type	Good Cop/Bad Cop
The Player / int_c19bdbe1	comment	Good Cop/Bad Cop: An understated example, but Detective DeLongpre is creepily intense while Detective Avery is cheerful and affable. Detective Avery drops the mask when she asks Griffin out of nowhere if he's having sex with June.
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The Player / int_c2393191	type	Show Within a Show
The Player / int_c2393191	comment	Show Within a Show: Not a spoiler, as the film begins with The Player being set up and shot. It's the screenplay Griffin steals for himself after murdering the writer.
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The Player / int_c660bc15	type	Fan Disservice
The Player / int_c660bc15	comment	Fan Disservice: Altman uses extreme close ups, harsh lighting, and a dissonant soundtrack to make the coupling of two exceptionally attractive actors (Robbins and Scacchi) come across as disturbing.
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The Player / int_cbe687ab	type	Corrupt Corporate Executive
The Player / int_cbe687ab	comment	Corrupt Corporate Executive: Griffin Mill and his fellow sleezeball studio execs.
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The Player / int_d0883f7e	type	Broken Heel
The Player / int_d0883f7e	comment	Broken Heel: Bonnie suffers one in her last scene as part of her Humiliation Conga.
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The Player / int_d17eaa9f	type	Postmodernism
The Player / int_d17eaa9f	comment	Postmodernism: As with many of Altman's films, The Player operates on multiple panes of reality.
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The Player / int_d24f76b2	type	Police Lineup
The Player / int_d24f76b2	comment	Police Lineup: Griffin appears in one, and a witness's mistake lets him get off the hook.
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The Player / int_d52d28b6	type	Hypocrite
The Player / int_d52d28b6	comment	Hypocrite: All of Hollywood: Griffin Mill is a hack and executive. He initially talks up his love for Bicycle Thieves (called by its more well-known title here, The Bicycle Thief), the Italian classic to the writer who points out that he would never allow a film in that style to be made in Hollywood today. Later, he attends a gala event proclaiming cinema as art and dropping names of outsider film-makers like Orson Welles while still shilling the same schlock day-in-and-day-out. Screenwriter Tom Oakley initially defends his story "Habeas Corpus" as a serious edgy crime drama with a Downer Ending and fights for it to Griffin Mill, by the end he has cheerfully and cynically become a Sell-Out, happily taking the bigger cheque and deal offered to him by Mill.
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The Player / int_d55108a1	type	Horrible Hollywood
The Player / int_d55108a1	comment	Horrible Hollywood: In spades. Though the real one, as per Altman, is way worse than this film.
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The Player / int_d5656fbe	type	The Unpronounceable
The Player / int_d5656fbe	comment	The Unpronounceable: June...Gudmundsdottir. It's from Iceland.
The Player / int_d5656fbe	featureApplicability	1.0
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The Player / int_dbca2c99	type	Red Herring
The Player / int_dbca2c99	comment	Red Herring: The writer whom Griffin murdered, as well as Griffin's stalker, who was really a detective attempting to turn Griffin in. The real blackmailer was never revealed.
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The Player / int_dcc35bb	type	Celebrity Cameo
The Player / int_dcc35bb	comment	Celebrity Cameo: Tons and tons of them: Harry Belafonte, Gary Busey, Cher, James Coburn, Anjelica Huston, John Cusack, Martin Mull, Peter Falk, Jeff Goldblum, Malcolm McDowell, Jack Lemmon, Marlee Matlin, Nick Nolte, Burt Reynolds, Julia Roberts, Susan Sarandon, Kathy Ireland, Andie MacDowell, Lily Tomlin, David Carradine, Bruce Willis, Elliott Gould, Scott Glenn, Robert Wagner, Karen Black, Teri Garr, Joel Grey, Rod Steiger... and those are just a handful of the actors. Appearances are also made by well-known producers, screenwriters, and directors. Most of whom worked for nothing; if they were charged their normal asking prices, the film's budget would've exceeded $100 million.
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The Player / int_e7e558	type	The Oner
The Player / int_e7e558	comment	The Oner: The opening shot, with improvised dialogue. An homage to Touch of Evil.
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The Player / int_e9f517e1	type	Artistic License â€“ Geography
The Player / int_e9f517e1	comment	Artistic License â€“ Geography: The Rialto Theater, where Griffin meets and eventually kills David Kahane, is a real theater in the city of South Pasadena, California. South Pasadena is distinct from its neighbor to the north, Pasadena, both of which have separate city halls and police departments. Yet it's the detectives on Pasadena's police force who are asking Griffin questions about what happened at the Rialto.
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The Player / int_ead0869d	type	Acquitted Too Late
The Player / int_ead0869d	comment	Acquitted Too Late: Supposed to happen in the movie within a movie. The writer of Habeas Corpus insists that the main character gets acquitted, but too late. By the end of the movie, however, it's changed to an ending where the acquitted is (ridiculously) saved.
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The Player / int_ed503b22	type	Match Cut
The Player / int_ed503b22	comment	Match Cut: From the snake that Griffin yanks out of his car to the squiggly lines that June is painting on a canvas.
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The Player / int_fd497706	type	Accidental Murder
The Player / int_fd497706	comment	Accidental Murder: Griffin obviously just meant to scare David with a No-Holds-Barred Beatdown, but went too far.
The Player / int_fd497706	featureApplicability	1.0
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The Player / int_fec2b522	type	Happy Ending
The Player / int_fec2b522	comment	Happy Ending: Mocked in the film-within-the-film and the real film's ending.
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The Player / int_name	type	ItemName
The Player / int_name	comment
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The Player / int_name	itemName	The Player

The following is a list of statements referring to the current page from other pages.

The Player	hasFeature	American Literature (N to S) / int_1d4d1745
The Player	hasFeature	Celebrity Survivor / int_1d4d1745
The Player	hasFeature	Films of 1990â€“1994 / int_1d4d1745
The Player	seeAlso	The Player
theplayer	sameAs	The Player

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